Vermelho presents, from January 11 to February 10, 2007, the exhibitions Quase como ontem, by Nicolás Robbio, and the individual of Rachel Poignant. Façade “Apropri_Ação7” by Rodolpho Parigi.
By means of lines, clippings, rabbets and overlappings, the artist Nicolas Robbio searches new meanings for common objects of the daily life. Rearranging structures, Robbio establishes relations with urban-industrials systems which characterize his efforts to face the questions of the Art. In the exhibition Quase como ontem, the artist strengthens positions that already appeared in “MAIO”, first individual of the artist at galeria Vermelho, in 2005, as well as in “the good intentions are not always the best ones”, of 2006, project presented inside of the exhibitions of “Rumos Visual Arts 2005/2006”, from Itaú Cultural, in São Paulo, Brazil, that prized the artist with an artistic residence in the Künstlerhaus Bethanien, in Berlin, in 2007.
On the first floor of the gallery, Robbio presents sequences of drawings in general formed for single threads, schematically overlapping, transparencies and clippings of objects that contain or are contained in ampler systems. Either for the accumulation of transparencies or the subtraction of parts, the drawings of Robbio are simple and synthetic; its complexity are on his attempt to construct more with less, carrying through the transference of the object system of the sensible world to the language of the art.
Vermelho presents, from January 11 to February 10, 2007, the exhibitions Quase como ontem, by Nicolás Robbio, and the individual of Rachel Poignant. Façade “Apropri_Ação7” by Rodolpho Parigi.
By means of lines, clippings, rabbets and overlappings, the artist Nicolas Robbio searches new meanings for common objects of the daily life. Rearranging structures, Robbio establishes relations with urban-industrials systems which characterize his efforts to face the questions of the Art. In the exhibition Quase como ontem, the artist strengthens positions that already appeared in “MAIO”, first individual of the artist at galeria Vermelho, in 2005, as well as in “the good intentions are not always the best ones”, of 2006, project presented inside of the exhibitions of “Rumos Visual Arts 2005/2006”, from Itaú Cultural, in São Paulo, Brazil, that prized the artist with an artistic residence in the Künstlerhaus Bethanien, in Berlin, in 2007.
On the first floor of the gallery, Robbio presents sequences of drawings in general formed for single threads, schematically overlapping, transparencies and clippings of objects that contain or are contained in ampler systems. Either for the accumulation of transparencies or the subtraction of parts, the drawings of Robbio are simple and synthetic; its complexity are on his attempt to construct more with less, carrying through the transference of the object system of the sensible world to the language of the art.