The circular drawing on the facade is a record of Edgard de Souza’s bodily reach. The drawing, like his series of Rabiscos [Scribbles], forms drawings made with great bodily effort. The drawing is delimited by the reach of the artist’s own arm and de Souza considers the drawing ready when he no longer has the strength to continue the movement.
The circular drawing on the facade is a record of Edgard de Souza’s bodily reach. The drawing, like his series of Rabiscos [Scribbles], forms drawings made with great bodily effort. The drawing is delimited by the reach of the artist’s own arm and de Souza considers the drawing ready when he no longer has the strength to continue the movement.


