Vermelho presents, from the 1st to the 30th of June, the exhibition Matiz vertical [Vertical hue], a solo exhibition by Tiago Judas.
In Matiz vertical [Vertical hue], the installation that gives the exhibition its title, Tiago Judas, 28, establishes a relationship between concretism, a movement that emerged in the 50s, which was based on geometric abstractionism, and the fragility of his own body. The installation is composed of a wooden relief that presents characteristics taken from concretism, in green and red colors, and a video, with the same dimensions, in which the artist redefines, with his body, designs in space that refer to shapes geometric, and at the same time, subvert them.
In “Painéis de Comando”, the artist creates two wooden contraptions that resemble B-movie sets and industrial design. In “Caminho Interno”, two sculptures, in the shape of sneakers, confuse the passage at the gallery entrance and point to internal movements that do not presuppose displacement. In addition, Judas also presents, “INFINITO-D”, a comic consisting of 10 drawings where the main character, Zé, the carpenter, goes in search of the perfect chair and, consequently, his place in the world. There is also “Sangue e Chlorofila”, a series of four watercolors, and “kipá”, a series of 5 sketches transformed into silkscreens. In them, Judas puts his perception of mental space on paper. The title of the series refers only to the cap’s support point on the head. In addition to these works, Tiago Judas presents, at the opening of the exhibition, the performance “FUGA COMPLEMENTAR”.
The series of works that make up Matiz vertical [Vertical hue], all created in 2007, reveal the personal trajectory of Tiago Judas, who appropriates elements taken from the history of art and mixes them with the culture of comics and fantastic realism
Vermelho presents, from the 1st to the 30th of June, the exhibition Matiz vertical [Vertical hue], a solo exhibition by Tiago Judas.
In Matiz vertical [Vertical hue], the installation that gives the exhibition its title, Tiago Judas, 28, establishes a relationship between concretism, a movement that emerged in the 50s, which was based on geometric abstractionism, and the fragility of his own body. The installation is composed of a wooden relief that presents characteristics taken from concretism, in green and red colors, and a video, with the same dimensions, in which the artist redefines, with his body, designs in space that refer to shapes geometric, and at the same time, subvert them.
In “Painéis de Comando”, the artist creates two wooden contraptions that resemble B-movie sets and industrial design. In “Caminho Interno”, two sculptures, in the shape of sneakers, confuse the passage at the gallery entrance and point to internal movements that do not presuppose displacement. In addition, Judas also presents, “INFINITO-D”, a comic consisting of 10 drawings where the main character, Zé, the carpenter, goes in search of the perfect chair and, consequently, his place in the world. There is also “Sangue e Chlorofila”, a series of four watercolors, and “kipá”, a series of 5 sketches transformed into silkscreens. In them, Judas puts his perception of mental space on paper. The title of the series refers only to the cap’s support point on the head. In addition to these works, Tiago Judas presents, at the opening of the exhibition, the performance “FUGA COMPLEMENTAR”.
The series of works that make up Matiz vertical [Vertical hue], all created in 2007, reveal the personal trajectory of Tiago Judas, who appropriates elements taken from the history of art and mixes them with the culture of comics and fantastic realism