On Vermelho’s façade, Lia Chaia is presenting the installation Gato (2012), whose title is the colloquial term used to denote a jerry-rigged electrical connection for illicitly tapping into an electrical supply line, as often seen on the streets of cities such as São Paulo. From a fixed point in Vermelho’s patio, a highly complex system of cables and electrical wires connect the various constructions around the main building.

On Vermelho’s façade, Lia Chaia is presenting the installation Gato (2012), whose title is the colloquial term used to denote a jerry-rigged electrical connection for illicitly tapping into an electrical supply line, as often seen on the streets of cities such as São Paulo. From a fixed point in Vermelho’s patio, a highly complex system of cables and electrical wires connect the various constructions around the main building.

On Vermelho’s façade, Lia Chaia is presenting the installation Gato (2012), whose title is the colloquial term used to denote a jerry-rigged electrical connection for illicitly tapping into an electrical supply line, as often seen on the streets of cities such as São Paulo. From a fixed point in Vermelho’s patio, a highly complex system of cables and electrical wires connect the various constructions around the main building.

Made with drawinsg of wires over photography, the series presents a sky that is now gray, scratched and cut by electrical wires. This series possesses a gloomy light and emphasizes the void and fragility of the urban scenario. The conductors that serve as the arteries to maintain the throbbing city have been erased, they are deactivated and loose in the air. We are before a situation which indicates that the urban environment is being damaged.

Made with drawinsg of wires over photography, the series presents a sky that is now gray, scratched and cut by electrical wires. This series possesses a gloomy light and emphasizes the void and fragility of the urban scenario. The conductors that serve as the arteries to maintain the throbbing city have been erased, they are deactivated and loose in the air. We are before a situation which indicates that the urban environment is being damaged.

On Vermelho’s façade, Lia Chaia is presenting the installation Gato (2012), whose title is the colloquial term used to denote a jerry-rigged electrical connection for illicitly tapping into an electrical supply line, as often seen on the streets of cities such as São Paulo. From a fixed point in Vermelho’s patio, a highly complex system of cables and electrical wires connect the various constructions around the main building.