Vermelho presents, from October 14 to November 8, the exhibition 3 Theses and 1 Hypothesis, featuring Giselle Beiguelman, Marcelo Bicudo, Vera Bighetti, and André Teruya Eichemberg.
3 Theses and 1 Hypothesis brings together projects that discuss new parameters and paradigms for apprehending, perceiving, and using space in a city mediated by networks and remote communication devices. The exhibition includes interventions and installations operating on the border between art and architecture, communication and design, media and interface, and image and text. These projects are the results of the master’s theses of Marcelo, Vera, and André, as well as their doctoral projects, all guided by Giselle Beiguelman since 2001. They deal with environments modulated by the interconnection between online and offline networks.
Giselle Beiguelman (1 Hypothesis: In the time of wireless nomadism, the interface is the message)
A professor in the postgraduate program in Communication and Semiotics at PUC-SP, Beiguelman is also one of the most important creators in new media in the contemporary scene. Her creations are exhibited in museums and new media centers internationally. In this exhibition, she presents “Poétrica,” a multimedia project discussing the process of hybridization (interconnection of online and offline networks) and the transformation of the interface into a message.
Marcelo Bicudo (1st Thesis: The city is the interface)
As the art director of Salem Propaganda and an architect, Marcelo Bicudo explores a new concept of hybrid design at the urban scale. His projects include the well-known signage and visual communication works for the Parade exhibition at Oca, Ibirapuera Park. For this exhibition, he brings an installation that explores new contexts of legibility, where architecture dissolves into typography to recompose as an image in a game of mirrors.
Vera Bighetti (2nd Thesis: Space is the media)
An artist and pioneer in digital art in Brazil, Vera Bighetti’s projects explore perceptual conditions in gaming situations, combining stereoscopic resources with digital technologies. In this exhibition, she presents the immersive space “Cadeira,” where visitors lose the boundary between real and virtual space through spatial exploration with 3D glasses and wireless mice.
André Eichemberg (3rd Thesis: Media is the city)
An architect graduated from UNESP, André Eichemberg has gained recognition in the international scene dedicated to digital architecture. In this exhibition, he presents “Emergent_Water_Scapes,” urban intervention projects using sensors and intelligent agents and the utilization of reversible spaces.
Vermelho presents, from October 14 to November 8, the exhibition 3 Theses and 1 Hypothesis, featuring Giselle Beiguelman, Marcelo Bicudo, Vera Bighetti, and André Teruya Eichemberg.
3 Theses and 1 Hypothesis brings together projects that discuss new parameters and paradigms for apprehending, perceiving, and using space in a city mediated by networks and remote communication devices. The exhibition includes interventions and installations operating on the border between art and architecture, communication and design, media and interface, and image and text. These projects are the results of the master’s theses of Marcelo, Vera, and André, as well as their doctoral projects, all guided by Giselle Beiguelman since 2001. They deal with environments modulated by the interconnection between online and offline networks.
Giselle Beiguelman (1 Hypothesis: In the time of wireless nomadism, the interface is the message)
A professor in the postgraduate program in Communication and Semiotics at PUC-SP, Beiguelman is also one of the most important creators in new media in the contemporary scene. Her creations are exhibited in museums and new media centers internationally. In this exhibition, she presents “Poétrica,” a multimedia project discussing the process of hybridization (interconnection of online and offline networks) and the transformation of the interface into a message.
Marcelo Bicudo (1st Thesis: The city is the interface)
As the art director of Salem Propaganda and an architect, Marcelo Bicudo explores a new concept of hybrid design at the urban scale. His projects include the well-known signage and visual communication works for the Parade exhibition at Oca, Ibirapuera Park. For this exhibition, he brings an installation that explores new contexts of legibility, where architecture dissolves into typography to recompose as an image in a game of mirrors.
Vera Bighetti (2nd Thesis: Space is the media)
An artist and pioneer in digital art in Brazil, Vera Bighetti’s projects explore perceptual conditions in gaming situations, combining stereoscopic resources with digital technologies. In this exhibition, she presents the immersive space “Cadeira,” where visitors lose the boundary between real and virtual space through spatial exploration with 3D glasses and wireless mice.
André Eichemberg (3rd Thesis: Media is the city)
An architect graduated from UNESP, André Eichemberg has gained recognition in the international scene dedicated to digital architecture. In this exhibition, he presents “Emergent_Water_Scapes,” urban intervention projects using sensors and intelligent agents and the utilization of reversible spaces.