O Lugar do Homem [The place of man], by Rogério Canella employs the act of photography to document the constant transformation of the urban landscape. In clear and direct images, Canella captures the moments of transition in the city’s architecture. The traces of human presence are also depicted objectively through series of portraits of obsolete objects, stripped of their functions, or remnants produced by humans that no longer serve a purpose. The images are presented in sets, highlighting the simultaneity of these transformations
O Lugar do Homem [The place of man], by Rogério Canella employs the act of photography to document the constant transformation of the urban landscape. In clear and direct images, Canella captures the moments of transition in the city’s architecture. The traces of human presence are also depicted objectively through series of portraits of obsolete objects, stripped of their functions, or remnants produced by humans that no longer serve a purpose. The images are presented in sets, highlighting the simultaneity of these transformations