The facade of the exhibition It’s the way home that moves us away consists of inflatable sculptures floating in the sky, each displaying the text “Geometry is Hope Geometry is Fear.” The dancing sculptures seem to come to life as they move through the air, evoking a sense of movement and vitality. The contrast between the geometric text and the organic form of the sculptures creates an intriguing dynamic. The concept of “Geometry is Fear” was introduced by the British art historian Herbert Read in 1952, in a text for the British pavilion at the Venice Biennale. The artwork reflects the influence of this concept on contemporary art, exploring the interactions between form, text, and meaning.
The facade of the exhibition It’s the way home that moves us away consists of inflatable sculptures floating in the sky, each displaying the text “Geometry is Hope Geometry is Fear.” The dancing sculptures seem to come to life as they move through the air, evoking a sense of movement and vitality. The contrast between the geometric text and the organic form of the sculptures creates an intriguing dynamic. The concept of “Geometry is Fear” was introduced by the British art historian Herbert Read in 1952, in a text for the British pavilion at the Venice Biennale. The artwork reflects the influence of this concept on contemporary art, exploring the interactions between form, text, and meaning.
