The never-before-shown “Arquibabas” series is articulated around procedures that Mlászho carries out on book covers. They are interventions made with die cutters, peelings and sublimations that are also traces of the content that might be held within those covers. We only see excessively colored geometric annunciations. The dribbles suggested by Odires could be read as sly devices, traps, or as verbiage dripping with cunning and artifice.

The never-before-shown “Arquibabas” series is articulated around procedures that Mlászho carries out on book covers. They are interventions made with die cutters, peelings and sublimations that are also traces of the content that might be held within those covers. We only see excessively colored geometric annunciations. The dribbles suggested by Odires could be read as sly devices, traps, or as verbiage dripping with cunning and artifice.

The never-before-shown “Arquibabas” series is articulated around procedures that Mlászho carries out on book covers. They are interventions made with die cutters, peelings and sublimations that are also traces of the content that might be held within those covers. We only see excessively colored geometric annunciations. The dribbles suggested by Odires could be read as sly devices, traps, or as verbiage dripping with cunning and artifice.

The never-before-shown “Arquibabas” series is articulated around procedures that Mlászho carries out on book covers. They are interventions made with die cutters, peelings and sublimations that are also traces of the content that might be held within those covers. We only see excessively colored geometric annunciations. The dribbles suggested by Odires could be read as sly devices, traps, or as verbiage dripping with cunning and artifice.

The never-before-shown “Arquibabas” series is articulated around procedures that Mlászho carries out on book covers. They are interventions made with die cutters, peelings and sublimations that are also traces of the content that might be held within those covers. We only see excessively colored geometric annunciations. The dribbles suggested by Odires could be read as sly devices, traps, or as verbiage dripping with cunning and artifice.

The never-before-shown “Arquibabas” series is articulated around procedures that Mlászho carries out on book covers. They are interventions made with die cutters, peelings and sublimations that are also traces of the content that might be held within those covers. We only see excessively colored geometric annunciations. The dribbles suggested by Odires could be read as sly devices, traps, or as verbiage dripping with cunning and artifice.

The never-before-shown “Arquibabas” series is articulated around procedures that Mlászho carries out on book covers. They are interventions made with die cutters, peelings and sublimations that are also traces of the content that might be held within those covers. We only see excessively colored geometric annunciations. The dribbles suggested by Odires could be read as sly devices, traps, or as verbiage dripping with cunning and artifice.

The never-before-shown “Arquibabas” series is articulated around procedures that Mlászho carries out on book covers. They are interventions made with die cutters, peelings and sublimations that are also traces of the content that might be held within those covers. We only see excessively colored geometric annunciations. The dribbles suggested by Odires could be read as sly devices, traps, or as verbiage dripping with cunning and artifice.

The never-before-shown “Arquibabas” series is articulated around procedures that Mlászho carries out on book covers. They are interventions made with die cutters, peelings and sublimations that are also traces of the content that might be held within those covers. We only see excessively colored geometric annunciations. The dribbles suggested by Odires could be read as sly devices, traps, or as verbiage dripping with cunning and artifice.

The never-before-shown “Arquibabas” series is articulated around procedures that Mlászho carries out on book covers. They are interventions made with die cutters, peelings and sublimations that are also traces of the content that might be held within those covers. We only see excessively colored geometric annunciations. The dribbles suggested by Odires could be read as sly devices, traps, or as verbiage dripping with cunning and artifice.

The never-before-shown “Arquibabas” series is articulated around procedures that Mlászho carries out on book covers. They are interventions made with die cutters, peelings and sublimations that are also traces of the content that might be held within those covers. We only see excessively colored geometric annunciations. The dribbles suggested by Odires could be read as sly devices, traps, or as verbiage dripping with cunning and artifice.