corpo-mitologico
Galeria Vermelho - Exhibitions
Egípcia (Perna) – from the Corpo Mitológico series, 2015
35 x 30 cm
Sticker collage on frosted glass
Photo Ding Musa
In Corpo Mitológico [Mythological Body] the game of placement of figures and composition is apparent, since Chaia resorts to a repertoire of predefined figures to develop random and fortuitous constructions on sheets of frosted glass.
35 x 30 cm
Sticker collage on frosted glass
Photo Ding Musa In Corpo Mitológico [Mythological Body] the game of placement of figures and composition is apparent, since Chaia resorts to a repertoire of predefined figures to develop random and fortuitous constructions on sheets of frosted glass.
Egípcia (Cérebro) – from the Corpo Mitológico series, 2015
35 x 30 cm
Sticker collage on frosted glass
Photo Ding Musa
In Corpo Mitológico [Mythological Body] the game of placement of figures and composition is apparent, since Chaia resorts to a repertoire of predefined figures to develop random and fortuitous constructions on sheets of frosted glass.
35 x 30 cm
Sticker collage on frosted glass
Photo Ding Musa In Corpo Mitológico [Mythological Body] the game of placement of figures and composition is apparent, since Chaia resorts to a repertoire of predefined figures to develop random and fortuitous constructions on sheets of frosted glass.
Corpo Mitológico, 2015
Variable dimentions
Sticker collage on frosted glass
Photo Edouard Fraipont
In Corpo Mitológico [Mythological Body] the game of placement of figures and composition is apparent, since Chaia resorts to a repertoire of predefined figures to develop random and fortuitous constructions on sheets of frosted glass.
Variable dimentions
Sticker collage on frosted glass
Photo Edouard Fraipont In Corpo Mitológico [Mythological Body] the game of placement of figures and composition is apparent, since Chaia resorts to a repertoire of predefined figures to develop random and fortuitous constructions on sheets of frosted glass.
Egípcia (Peito e Perna) – from the Corpo Mitológico series, 2015
35 x 30 cm
Sticker collage on frosted glass
Photo Ding Musa
In Corpo Mitológico [Mythological Body] the game of placement of figures and composition is apparent, since Chaia resorts to a repertoire of predefined figures to develop random and fortuitous constructions on sheets of frosted glass.
35 x 30 cm
Sticker collage on frosted glass
Photo Ding Musa In Corpo Mitológico [Mythological Body] the game of placement of figures and composition is apparent, since Chaia resorts to a repertoire of predefined figures to develop random and fortuitous constructions on sheets of frosted glass.
Corpo Mitológico (detail), 2015
Egípcia (Pênis) – from the Corpo Mitológico series, 2015
35 x 30 cm
Sticker collage on frosted glass
Photo Ding Musa
In Corpo Mitológico [Mythological Body] the game of placement of figures and composition is apparent, since Chaia resorts to a repertoire of predefined figures to develop random and fortuitous constructions on sheets of frosted glass.
35 x 30 cm
Sticker collage on frosted glass
Photo Ding Musa In Corpo Mitológico [Mythological Body] the game of placement of figures and composition is apparent, since Chaia resorts to a repertoire of predefined figures to develop random and fortuitous constructions on sheets of frosted glass.
Transfusão P duplo, 2014
225 x 5 cm
Red plastic wires and PVC pipes
Photo Ding Musa
In the series Transfusão [Transfusion], Chaia uses PVC pipes and cords of different tones of red to refer not only to a circuit of human veins, but also to architecture as something both alive and propositive.
225 x 5 cm
Red plastic wires and PVC pipes
Photo Ding Musa In the series Transfusão [Transfusion], Chaia uses PVC pipes and cords of different tones of red to refer not only to a circuit of human veins, but also to architecture as something both alive and propositive.
Transfusão G Duplo (1), 2014
225,5 x 115 cm
Red plastic wires and PVC pipes
Photo Ding Musa
In the series Transfusão [Transfusion], Chaia uses PVC pipes and cords of different tones of red to refer not only to a circuit of human veins, but also to architecture as something both alive and propositive.
225,5 x 115 cm
Red plastic wires and PVC pipes
Photo Ding Musa In the series Transfusão [Transfusion], Chaia uses PVC pipes and cords of different tones of red to refer not only to a circuit of human veins, but also to architecture as something both alive and propositive.
Transfusão G Duplo (3), 2014
226 x 84 x 7,5 cm
Red plastic wires and PVC pipes
Photo Ding Musa
In the series Transfusão [Transfusion], Chaia uses PVC pipes and cords of different tones of red to refer not only to a circuit of human veins, but also to architecture as something both alive and propositive.
226 x 84 x 7,5 cm
Red plastic wires and PVC pipes
Photo Ding Musa In the series Transfusão [Transfusion], Chaia uses PVC pipes and cords of different tones of red to refer not only to a circuit of human veins, but also to architecture as something both alive and propositive.
Transfusão P (2), 2014
174 x 5 cm
Red plastic wires and PVC pipes
Photo Ding Musa
In the series Transfusão [Transfusion], Chaia uses PVC pipes and cords of different tones of red to refer not only to a circuit of human veins, but also to architecture as something both alive and propositive.
174 x 5 cm
Red plastic wires and PVC pipes
Photo Ding Musa In the series Transfusão [Transfusion], Chaia uses PVC pipes and cords of different tones of red to refer not only to a circuit of human veins, but also to architecture as something both alive and propositive.
Transfusão P (1), 2014
255 x 5 cm
Red plastic wires and PVC pipes
Photo 255 x 5 cm
In the series Transfusão [Transfusion], Chaia uses PVC pipes and cords of different tones of red to refer not only to a circuit of human veins, but also to architecture as something both alive and propositive.
255 x 5 cm
Red plastic wires and PVC pipes
Photo 255 x 5 cm In the series Transfusão [Transfusion], Chaia uses PVC pipes and cords of different tones of red to refer not only to a circuit of human veins, but also to architecture as something both alive and propositive.
