Cotton thread on linen fabric
Photo Filipe Berndt
150 x 110 cm
Cotton thread on linen fabric
Photo Filipe Berndt
silkscreen on fabric
Photo Filipe Berndt
293 x 68 cm
silkscreen on fabric
Photo Filipe Berndt
Analogue amplification with gelatin and silver on Ilford Multigrade MG IV fiber paper, double weight, matte. With selenium toning.
Photo Reproduction
100 x 150 cm
Analogue amplification with gelatin and silver on Ilford Multigrade MG IV fiber paper, double weight, matte. With selenium toning.
Photo Reproduction
Analog amplification with gelatine and silver on matte Ilford Multigrade Classic 1k double weight fiber paper. With treatment and preservation bath based on selenium.
Photo Reproduction
“My relationship with Brazilian indigenous peoples, the guiding force of both my career as a photographer and my life, is essentially one of fondness. This sentiment, over time, has led me to divide my time as a photographer with activities in defense of those peoples’ rights to territory and survival. A demanding task that requires great perseverance.”
Claudia Andujar
45 x 67 cm each piece of 3
Analog amplification with gelatine and silver on matte Ilford Multigrade Classic 1k double weight fiber paper. With treatment and preservation bath based on selenium.
Photo Reproduction“My relationship with Brazilian indigenous peoples, the guiding force of both my career as a photographer and my life, is essentially one of fondness. This sentiment, over time, has led me to divide my time as a photographer with activities in defense of those peoples’ rights to territory and survival. A demanding task that requires great perseverance.”
Claudia Andujar
Analogue amplification with gelatin and silver on Ilford Multigrade MG IV fiber paper, double weight, matte. With selenium base treatment and preservation.
Photo Reproduction
58 x 82,5 cm
Analogue amplification with gelatin and silver on Ilford Multigrade MG IV fiber paper, double weight, matte. With selenium base treatment and preservation.
Photo Reproduction
Analogue amplification with gelatin and silver on Ilford Multigrade MG IV fiber paper, double weight, matte. With selenium base treatment and preservation.
Photo Reproduction
55 x 82,5 cm
Analogue amplification with gelatin and silver on Ilford Multigrade MG IV fiber paper, double weight, matte. With selenium base treatment and preservation.
Photo Reproduction
Analogue amplification with gelatin and silver on Ilford Multigrade MG IV fiber paper, double weight, matte. With selenium base treatment and preservation.
Photo Reproduction
55 x 82 cm
Analogue amplification with gelatin and silver on Ilford Multigrade MG IV fiber paper, double weight, matte. With selenium base treatment and preservation.
Photo Reproduction
Analogue amplification with gelatin and silver on Ilford Multigrade MG IV fiber paper, double weight, matte. With selenium base treatment and preservation.
Photo Reproduction
58 x 81,5 cm
Analogue amplification with gelatin and silver on Ilford Multigrade MG IV fiber paper, double weight, matte. With selenium base treatment and preservation.
Photo Reproduction
Pigmented ink print on handmade marbled paper and wooden frame with metal nameplate.
Photo Filipe Berndt
77 x 58 x 3,5 cm
Pigmented ink print on handmade marbled paper and wooden frame with metal nameplate.
Photo Filipe Berndt
Pigmented ink print on handmade marbled paper and wooden frame with metal nameplate
Photo Filipe Berndt
In the series Remarkable beings of the world, Rennó appropriates the images of the plaster busts that belong to the collection of El Museo Canario (Las Palmas de Gran Canaria, Spain). These busts were intended to represent the different races of the globe, were made between 1840 and 1870, and acquired to integrate the Anthropology Room of the museum. Of those dead men, only the masks remained, which were made into plaster busts for a positivist anthropology cabinet, then photographic images of these busts and, finally, ghosts, shadows, specters on the sheets of handcrafted marbled paper.
79,5 x 58,5 x 3,5 cm
Pigmented ink print on handmade marbled paper and wooden frame with metal nameplate
Photo Filipe BerndtIn the series Remarkable beings of the world, Rennó appropriates the images of the plaster busts that belong to the collection of El Museo Canario (Las Palmas de Gran Canaria, Spain). These busts were intended to represent the different races of the globe, were made between 1840 and 1870, and acquired to integrate the Anthropology Room of the museum. Of those dead men, only the masks remained, which were made into plaster busts for a positivist anthropology cabinet, then photographic images of these busts and, finally, ghosts, shadows, specters on the sheets of handcrafted marbled paper.
Laser cut documents and posters, neodymium magnets, varnished steel structurea
Photo Guillaume Zicarelli @ Perrotin New York
90 x 93 x 30 cm
Laser cut documents and posters, neodymium magnets, varnished steel structurea
Photo Guillaume Zicarelli @ Perrotin New York
Photo Guillaume Zicarelli @ Perrotin New York