In Baldio, Ding Musa continues his research characterized by the study of uninhabited fields and landscapes, coefficients available for cultivation and construction. According to the artist, there are references in these fields that point to the objective of the construction in question. The lines of the field, the horizon are delimitations that are arranged for certain purposes, as are the lights, tripods and other elements that appear in the series of portraits “Fundo Infinito” (2006). Such delimitations point to the limits of both technical and language itself.
In Baldio, Ding Musa continues his research characterized by the study of uninhabited fields and landscapes, coefficients available for cultivation and construction. According to the artist, there are references in these fields that point to the objective of the construction in question. The lines of the field, the horizon are delimitations that are arranged for certain purposes, as are the lights, tripods and other elements that appear in the series of portraits “Fundo Infinito” (2006). Such delimitations point to the limits of both technical and language itself.