Rosângela Rennó’s facade was based on her 2-year research into images of monuments erected (and/or destroyed…) in honor of Lenin – which resulted in the work Good Apples | Bad Apples, presented in her solo show MONUMENT-DOCUMENT | DOCUMENT-MONUMENT.
Rennó adapted one of these images to raise the silhouette of a monument to Lenin on the gallery’s facade, a monument that is already born as a shadow of itself.
Rosângela Rennó’s facade was based on her 2-year research into images of monuments erected (and/or destroyed…) in honor of Lenin – which resulted in the work Good Apples | Bad Apples, presented in her solo show MONUMENT-DOCUMENT | DOCUMENT-MONUMENT.
Rennó adapted one of these images to raise the silhouette of a monument to Lenin on the gallery’s facade, a monument that is already born as a shadow of itself.

