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Pt. / Eng.
ARTISTS
  • André Komatsu André Komatsu
  • André Vargas André Vargas
  • Andrés Ramírez Gaviria Andrés Ramírez Gaviria
  • Cadu Cadu
  • Carla Zaccagnini Carla Zaccagnini
  • Carlos Motta Carlos Motta
  • Carmela Gross Carmela Gross
  • Chelpa Ferro Chelpa Ferro
  • Chiara Banfi Chiara Banfi
  • Clara Ianni Clara Ianni
  • Claudia Andujar Claudia Andujar
  • Detanico Lain Detanico Lain
  • Dias & Riedweg Dias & Riedweg
  • Dora Longo Bahia Dora Longo Bahia
  • Edgard de Souza Edgard de Souza
  • Elilson Elilson
  • Estevan Davi Estevan Davi
  • Eustáquio Neves Eustáquio Neves
  • Fabio Morais Fabio Morais
  • Gabriela Albergaria Gabriela Albergaria
  • Guilherme Peters Guilherme Peters
  • Henrique Cesar Henrique Cesar
  • Iván Argote Iván Argote
  • Keila Alaver Keila Alaver
  • Leandro Lima Leandro Lima
  • Lia Chaia Lia Chaia
  • Marcelo Cidade Marcelo Cidade
  • Marcelo Moscheta Marcelo Moscheta
  • Meia Meia
  • Mônica Nador + Jamac Mônica Nador + Jamac
  • Motta & Lima Motta & Lima
  • Nicolás Bacal Nicolás Bacal
  • Nicolás Robbio Nicolás Robbio
  • Odires Mlászho Odires Mlászho
  • Rosângela Rennó Rosângela Rennó
  • Tania Candiani Tania Candiani
  • Ximena Garrido-Lecca Ximena Garrido-Lecca
  • Fairs

    COMING SOON (2) COMING SOON (2)

  • ARCOlisboa 2025 Marcelo Moscheta ARCOlisboa 2025
    Marcelo Moscheta
  • ArPa 2025 ArPa 2025
    GROUP SHOW
  • ARCHIVE (67)

    2025 2025
  • Frieze New York 2025 Edgard de Souza (May) Frieze New York 2025 Edgard de Souza (May)
  • SP–Arte 2025 Claudia Andujar Leonilson Flávia Ribeiro (Apr) SP–Arte 2025 Claudia Andujar Leonilson Flávia Ribeiro (Apr)
  • ARCOmadrid 2025 Claudia Andujar (Mar) ARCOmadrid 2025 Claudia Andujar (Mar)
  • 2024 2024
  • Art Basel Miami Beach 2024 (Dec) Art Basel Miami Beach 2024 (Dec)
  • Paris Photo 2024 (Nov) Paris Photo 2024 (Nov)
  • ArtRio 2024 Ximena Garrido-Lecca (Sep) ArtRio 2024 Ximena Garrido-Lecca (Sep)
  • ArtBo 2024 Carmela Gross (Sep) ArtBo 2024 Carmela Gross (Sep)
  • SP-Arte | Rotas Brasileiras 2024 (Aug) SP-Arte | Rotas Brasileiras 2024 (Aug)
  • ArPa 2024 (Jun) ArPa 2024 (Jun)
  • ArtBasel Unlimited 2024
    Gomide&Co, in collaboration with Vermelho
    (Jun)
    ArtBasel Unlimited 2024
    Gomide&Co, in collaboration with Vermelho
    (Jun)
  • SP–Arte 2024 André Komatsu (Apr) SP–Arte 2024 André Komatsu (Apr)
  • ARCOmadrid 2024 (Mar) ARCOmadrid 2024 (Mar)
  • 2023 2023
  • Art Basel Miami Beach 2023 Rosângela Rennó (Dec) Art Basel Miami Beach 2023 Rosângela Rennó (Dec)
  • ArtBo 2023 Gabriela Albergaria (Nov) ArtBo 2023 Gabriela Albergaria (Nov)
  • Pinta BAphoto 2023 Andrés Ramírez Gaviria (Sep) Pinta BAphoto 2023 Andrés Ramírez Gaviria (Sep)
  • ArtRio 2023 André Vargas (Sep) ArtRio 2023 André Vargas (Sep)
  • SP-Arte | Rotas Brasileiras 2023 Ximena Garrido-Lecca (Aug) SP-Arte | Rotas Brasileiras 2023 Ximena Garrido-Lecca (Aug)
  • Frieze New York 2023 (May) Frieze New York 2023 (May)
  • Pinta PArC – Perú Arte Contemporáneo (Apr) Pinta PArC – Perú Arte Contemporáneo (Apr)
  • SP-Arte 2023 (Mar) SP-Arte 2023 (Mar)
  • ARCOmadrid 2023 (Feb) ARCOmadrid 2023 (Feb)
  • 2022 2022
  • Art Basel Miami Beach 2022 (Nov) Art Basel Miami Beach 2022 (Nov)
  • ArtBO 2022 (Oct) ArtBO 2022 Mônica nador + Jamac Andrés Ramirez Gaviria (Oct)
  • Frieze London 2022 (Oct) Frieze London 2022 (Oct)
  • ArtRio 2022 (Sep) ArtRio 2022 (Sep)
  • SP-Arte | Rotas Brasileiras 2022 (Aug) SP-Arte | Rotas Brasileiras 2022 (Aug)
  • ArPa 2022 (Jun) ArPa 2022 (Jun)
  • SP-Arte 2022 (Apr) SP-Arte 2022 (Apr)
  • Zonamaco 2022 (Feb) Zonamaco 2022 (Feb)
  • 2021 2021
  • SP-Arte 2021 (Oct) SP-Arte 2021 (Oct)
  • Frieze London 2021 (Oct) Frieze London 2021 (Oct)
  • ArtRio 2021 (Sep) ArtRio 2021 (Sep)
  • The Armory Show – 2021 (Sep) The Armory Show – 2021 (Sep)
  • 2020 2020
  • ARCOmadrid 2020 (Feb) ARCOmadrid 2020 (Feb)
  • Frieze Los Angeles 2020 (Feb) Frieze Los Angeles 2020 (Feb)
  • Zonamaco 2020 (Feb) Zonamaco 2020 (Feb)
  • 2019 2019
  • Art Basel Miami Beach 2019 Tania Candiani Ana Maria Tavares Jonathas de Andrade (Dec) Art Basel Miami Beach 2019 Tania Candiani Ana Maria Tavares Jonathas de Andrade (Dec)
  • Frieze London 2019 (Oct) Frieze London 2019 Ana Maria Tavares (Oct)
  • ArtRio 2019 Iván Argote Ana Maria Tavares Cinthia Marcelle (Sep) ArtRio 2019 Iván Argote Ana Maria Tavares Cinthia Marcelle (Sep)
  • ArtBo 2019 Nicolás Robbio (Sep) ArtBo 2019 Nicolás Robbio (Sep)
  • SP-Foto 2019 (Aug) SP-Foto 2019 Ana Maria Taveres Cinthia Marcelle (Aug)
  • ARCOlisboa 2019 (May) ARCOlisboa 2019 (May)
  • Frieze New York 2019 (May) Frieze New York 2019 Jonathas de Andrade Cinthia Marcelle (May)
  • PArC 2019 (Apr) PArC 2019 (Apr)
  • ArteBA 2019 Dias & Riedweg Iván Argote Nicolás Robbio (Apr) ArteBA 2019 Dias & Riedweg Iván Argote Nicolás Robbio (Apr)
  • SP-Arte 2019 (Apr) SP-Arte 2019 Cinthia Marcelle (Apr)
  • Art Dubai 2019 Marcelo Moscheta (Mar) Art Dubai 2019 Marcelo Moscheta (Mar)
  • The Armory Show 2019 (Mar) The Armory Show 2019 (Mar)
  • ARCOmadrid 2019 Carla Zaccagnini Cinthia Marcelle (Feb) ARCOmadrid 2019 Carla Zaccagnini Cinthia Marcelle (Feb)
  • Frieze Los Angeles 2019 (Feb) Frieze Los Angeles 2019 (Feb)
  • ZONAMACO 2019 Tania Candiani Jonathas de Andrade (Feb) ZONAMACO 2019 Tania Candiani Jonathas de Andrade (Feb)
  • 2018 2018
  • Art Basel Miami Beach 2018 (Dec) Art Basel Miami Beach 2018 (Dec)
  • Artissima 2018 (Nov) Artissima 2018 (Nov)
  • ArtBo 2018 (Oct) ArtBo 2018 (Oct)
  • Frieze London 2018 (Oct) Frieze London 2018 Jonathas de Andrade Cinthia Marcelle (Oct)
  • ArtRio 2018 (Sep) ArtRio 2018 (Sep)
  • Art Week 2018 (Aug) Art Week 2018 (Aug)
  • SP – Foto 2018 (Aug) SP – Foto 2018 Jonathas de Andrade (Aug)
  • arteBA 2018 (May) arteBA 2018 (May)
  • ARCOlisboa 2018 (May) ARCOlisboa 2018 (May)
  • Frieze New York 2018 (May) Frieze New York 2018 Cinthia Marcelle Jonathas de Andrade (May)
  • PArC 2018 (Apr) PArC 2018 (Apr)
  • SP – Arte 2018 (Apr) SP – Arte 2018 Jonathas de Andrade (Apr)
  • ArtDubai 2018 (Mar) ArtDubai 2018 Cinthia Marcelle (Mar)
  • ARCOmadrid 2018 (Feb) ARCOmadrid 2018 (Feb)
  • ZONAMACO 2018 (Feb) ZONAMACO 2018 Jonathas de Andrade (Feb)
  • Art Los Angeles Contemporary 2018 (Jan) Art Los Angeles Contemporary 2018 (Jan)
  • (THEMATIC)
    (ARTISTS)
    Proj. Especiais

    ARCHIVE (4)

    2022 2022
  • Projeto futuro Carlos Motta (Jan) Projeto futuro Carlos Motta (Jan)
  • 2020 2020
  • Outro projeto ativo (Jul) Outro projeto ativo (Jul)
  • Um projeto muito especial Carmela Gross (Jul) Um projeto muito especial Carmela Gross (Jul)
  • Projeto passado Carlos Motta (Feb) Projeto passado Carlos Motta (Feb)
  • (THEMATIC)
    (ARTISTS)
    Verbo
    • ABOUT

    COMING SOON (1) COMING SOON (1)

    18th edition
  • ARCHIVE (8)

    2024
  • Fernando Belfiore Fernando Belfiore
  • 2023
  • Aline Motta Aline Motta André Vargas André Vargas Andrea Hygino e Artur Souza Andrea Hygino e Artur Souza Boris Nikitin Boris Nikitin Boris Nikitin Boris Nikitin Carchíris Barcelos (Paço Lumiar) Carchíris Barcelos (Paço Lumiar) Carolina Cony Carolina Cony Charlene Bicalho Charlene Bicalho Clara Carvalho,Thiago Sogayar Bechara e Tuna Dwek Clara Carvalho,Thiago Sogayar Bechara e Tuna Dwek Daniel Fagus Kairoz Daniel Fagus Kairoz Dinho Araújo Dinho Araújo DJ Agojy de Exu e Profana ao Mel DJ Agojy de Exu e Profana ao Mel Eduardo Bruno e Waldirio Castro Eduardo Bruno e Waldirio Castro Eduardo Hargreaves (Tiradentes) Eduardo Hargreaves (Tiradentes) Elilson Elilson Elilson Elilson Fabiana Faleiros Fabiana Faleiros Fabiana Faleiros Fabiana Faleiros Felipe Teixeira e Mariana Molinos Felipe Teixeira e Mariana Molinos Galia Eibenschutz Galia Eibenschutz Génova Alvarado Génova Alvarado Guilherme Peters Guilherme Peters Isadora Ravena Isadora Ravena Julha Franz Julha Franz Lilibeth Cuenca Rasmussen Lilibeth Cuenca Rasmussen Lilibeth Cuenca Rasmussen Lilibeth Cuenca Rasmussen Lucas Bebiano Lucas Bebiano Lucimélia Romão Lucimélia Romão No Barraco da Constância tem! No Barraco da Constância tem! No Barraco da Constância tem! No Barraco da Constância tem! No barraco da Constância tem! No barraco da Constância tem! Pablo Assumpção Pablo Assumpção Renan Marcondes Renan Marcondes Ruy Cézar Campos Ruy Cézar Campos Sy Gomes Sy Gomes Tania Candiani Tania Candiani Ting-tong Chang Ting-tong Chang Ton Bezerra Ton Bezerra Yuri Firmeza Yuri Firmeza Yhuri Cruz Yhuri Cruz
  • 2022
  • Abiniel João do Nascimento Abiniel João do Nascimento Alejandro Ahmed e Grupo Cena 11 Alejandro Ahmed e Grupo Cena 11 Alexandra Bachzetsis Alexandra Bachzetsis Alexandre Silveira e Ticiano Monteiro Alexandre Silveira e Ticiano Monteiro Alexandre Silveira e Ticiano Monteiro Alexandre Silveira e Ticiano Monteiro Amanda Maciel Antunes Amanda Maciel Antunes André Vargas André Vargas André Vargas André Vargas Áurea Maranhão Áurea Maranhão Bianca Turner Bianca Turner Carla Zaccagnini Carla Zaccagnini Coletivo #Joyces Coletivo #Joyces Davi Pontes & Wallace Ferreira Davi Pontes & Wallace Ferreira Depois do Fim da Arte Depois do Fim da Arte Elilson Elilson Guilherme Peters Guilherme Peters Htadhirua Htadhirua Jamile Cazumbá Jamile Cazumbá Javier Velázquez Cabrero & David April Javier Velázquez Cabrero & David April Jorge Feitosa Jorge Feitosa Jota Ramos Jota Ramos Julha Franz Julha Franz Julha Franz Julha Franz Julha Franz Julha Franz Lígia Villaron, Natália Beserra, Morilu Augusto - grupo teia Lígia Villaron, Natália Beserra, Morilu Augusto - grupo teia Luisa Callegari, Guilherme Peters e Sansa Rope Luisa Callegari, Guilherme Peters e Sansa Rope Marcel Diogo Marcel Diogo Marcel Diogo Marcel Diogo Marcos Martins Marcos Martins Maria Macêdo Maria Macêdo Massuelen Cristina Massuelen Cristina Massuelen Cristina Massuelen Cristina Nathalia Favaro Nathalia Favaro Nathalia Favaro e Ochai Ogaba Nathalia Favaro e Ochai Ogaba Nina Cavalcanti Nina Cavalcanti No barraco da Constância tem! No barraco da Constância tem! Padmateo Padmateo Paola Ribeiro Paola Ribeiro Renan Marcondes Renan Marcondes Sabrina Morelos Sabrina Morelos Sabrina Morelos Sabrina Morelos Sebastião Netto Sebastião Netto T.F. Cia de Dança T.F. Cia de Dança Thales Ferreira e Isadora Lobo Thales Ferreira e Isadora Lobo The Mainline Group - Lena Kilina & Sofya Chibisguleva The Mainline Group - Lena Kilina & Sofya Chibisguleva The Mainline Group - Lena Kilina & Sofya Chibisguleva The Mainline Group - Lena Kilina & Sofya Chibisguleva Tieta Macau Tieta Macau Uarê Erremays Uarê Erremays
  • 2019
  • Alexandre Silveira Alexandre Silveira Ana Pi Ana Pi Célia Gondol Célia Gondol Coletivo DiBando Coletivo DiBando D. C. D. C. Davi Pontes & Wallace Ferreira Davi Pontes & Wallace Ferreira Efe Godoy Efe Godoy Elilson Elilson Elilson Elilson Felipe Bittencourt Felipe Bittencourt Filipe Acácio Filipe Acácio Gabriel Cândido Gabriel Cândido Gê Viana e Layo Bulhão Gê Viana e Layo Bulhão Guerreiro do Divino Amor Guerreiro do Divino Amor Javier Velazquez Cabrero & Xolisile Bongwana Javier Velazquez Cabrero & Xolisile Bongwana Jose Manuel Ávila Jose Manuel Ávila Kauê Garcia Kauê Garcia Levi Mota Muniz e Mateus Falcão Levi Mota Muniz e Mateus Falcão Lia Chaia Lia Chaia Lia Chaia Lia Chaia Lia Chaia Lia Chaia Lilibeth Cuenca Rasmussen Lilibeth Cuenca Rasmussen Lolo y Lauti & Rodrigo Moraes Lolo y Lauti & Rodrigo Moraes Lubanzadyo Mpemba Bula Lubanzadyo Mpemba Bula Lucimélia Romão Lucimélia Romão Marcia de Aquino & Gê Viana Marcia de Aquino & Gê Viana Marco Paulo Rolla Marco Paulo Rolla Melania Olcina Yuguero Melania Olcina Yuguero Michel Groisman Michel Groisman Nurit Sharett Nurit Sharett Rafa Esparza Rafa Esparza Ramusyo Brasil Ramusyo Brasil Regina Parra e Bruno Levorin Regina Parra e Bruno Levorin Renan Marconde Renan Marconde SaraElton Panamby SaraElton Panamby Tieta Macau Tieta Macau Tomás Orrego Tomás Orrego Yiftah Peled Yiftah Peled Yiftah Peled Yiftah Peled
  • 2018
  • Ana Pi
 Ana Pi
 Andrea Dip & Guilherme Peters Andrea Dip & Guilherme Peters Andrés Felipe Castaño Andrés Felipe Castaño Bianca Turner Bianca Turner Bianca Turner
 Bianca Turner
 Bianca Turner Bianca Turner Charlene Bicalho Charlene Bicalho Chico Fernandes Chico Fernandes Clara Ianni Clara Ianni Cris Bierrenbach Cris Bierrenbach Depois do fim da arte Depois do fim da arte Desvio Coletivo Desvio Coletivo Dora Longo Bahia Dora Longo Bahia Egle Budvytyte & Bart Groenendaal Egle Budvytyte & Bart Groenendaal Élcio Miazaki Élcio Miazaki Elisabete Finger e Manuela Eichner Elisabete Finger e Manuela Eichner Emanuel Tovar Emanuel Tovar Etcetera & Internacional Errorista Etcetera & Internacional Errorista Fernanda Brandão & Rafael Procópio Fernanda Brandão & Rafael Procópio Gabinete Homo Extraterrestre Gabinete Homo Extraterrestre Gabriela Noujaim Gabriela Noujaim Gabrielle Goliath Gabrielle Goliath Gian Cruz & Claire Villacorta Gian Cruz & Claire Villacorta Grupo MEXA, Dudu Quintanilha, Luisa Cavanagh e Rusi Millan Pastori Grupo MEXA, Dudu Quintanilha, Luisa Cavanagh e Rusi Millan Pastori Grupo Trecho (Carolina Nóbrega & Nádia Recioli) Grupo Trecho (Carolina Nóbrega & Nádia Recioli) Guilherme Peters Guilherme Peters Josefina Gant, Juliana Fochtman e Nicole Ernst Josefina Gant, Juliana Fochtman e Nicole Ernst Julha Franz Julha Franz Lia Chaia Lia Chaia Luisa Cavanagh, Dudu Quintanilha e Grupo MEXA Luisa Cavanagh, Dudu Quintanilha e Grupo MEXA Lyz Parayzo Lyz Parayzo Marcelo Cidade Marcelo Cidade Martín Soto Climent Martín Soto Climent Patrícia Araujo e Valentina D’Avenia Patrícia Araujo e Valentina D’Avenia Paulx Castello Paulx Castello Pedro Mira & Javier Velázquez Cabrero Pedro Mira & Javier Velázquez Cabrero Rubens C. Pássaro Jr Rubens C. Pássaro Jr Samantha Moreira, Rodrigo Campuzano, Marcos Gallon Samantha Moreira, Rodrigo Campuzano, Marcos Gallon SPIT! (Sodomites, Perverts, Inverts Together!) SPIT! (Sodomites, Perverts, Inverts Together!) Stephan Doitschinoff Stephan Doitschinoff Stephan Doitschinoff Stephan Doitschinoff
  • 2017
  • Akram Zaatari Akram Zaatari Alice Miceli Alice Miceli Anthony Nestel Anthony Nestel Arnold Pasquier Arnold Pasquier Aurore Zachayus, Janaina Wagner, Pontogor Aurore Zachayus, Janaina Wagner, Pontogor Bruno Moreno, Isabella Gonçalves e Renato Sircilli Bruno Moreno, Isabella Gonçalves e Renato Sircilli Carlos Monroy Carlos Monroy Célia Gondol Célia Gondol Clarice Lima Clarice Lima Clarissa Sacchelli Clarissa Sacchelli Cristian Duarte em companhia Cristian Duarte em companhia Dora Smék Dora Smék Flavia Pinheiro Flavia Pinheiro Grupo EmpreZa Grupo EmpreZa Grupo EmpreZa Grupo EmpreZa Grupo EmpreZa Grupo EmpreZa Guilherme Peters Guilherme Peters Jorge Lopes Jorge Lopes Julha Franz Julha Franz Julia Viana & Luciano Favaro Julia Viana & Luciano Favaro Luanda Casella Luanda Casella Luiz Roque Luiz Roque Maurício Ianês Maurício Ianês Línea Necia Línea Necia Old Masters Old Masters Rodrigo Andreoll Rodrigo Andreoll Rodrigo Cass Rodrigo Cass Rose Akras Rose Akras Tiécoura N’Daou Mopti Tiécoura N’Daou Mopti Victor del Moral Victor del Moral Victor del Moral Victor del Moral
  • 2016
  • ABSALON ABSALON Ana Montenegro, Juliana Moraes and Wilson Sukorski Ana Montenegro, Juliana Moraes and Wilson Sukorski Coletivo Cartográfico (Carolina Nóbrega, Fabiane Carneiro e Monica Lopes) Coletivo Cartográfico (Carolina Nóbrega, Fabiane Carneiro e Monica Lopes) Dias & Riedweg Dias & Riedweg Dora Garcia Dora Garcia Enrique Jezik Enrique Jezik Fabiano Rodrigues Fabiano Rodrigues Fabio Morais Fabio Morais Guilherme Peters Guilherme Peters Lia Chaia Lia Chaia Marc Davi Marc Davi Marcelo Cidade Marcelo Cidade Maurício Ianês Maurício Ianês Michelle Rizzo Michelle Rizzo Naufus Ramirez-Figueroa Naufus Ramirez-Figueroa Peter Baren Peter Baren Rose Akras Rose Akras Salla Tikkä Salla Tikkä
  • 2015
  • Alex Cassimiro, Andrez Lean Ghizze, Caio, Eidglas Xavier, Mavi Veloso, Teresa Moura NevesPreta Alex Cassimiro, Andrez Lean Ghizze, Caio, Eidglas Xavier, Mavi Veloso, Teresa Moura NevesPreta Ana Montenegro Ana Montenegro Ana Montenegro e Marco Paulo Rolla [Brasil] Ana Montenegro e Marco Paulo Rolla [Brasil] Cadu Cadu Cadu Cadu Caetano Dias Caetano Dias Camila Cañeque Camila Cañeque César Meneghetti César Meneghetti Clara Ianni Clara Ianni Clara Saito Clara Saito Cristina Elias Cristina Elias Daniel Beerstecher Daniel Beerstecher Doina Kraal Doina Kraal Enrique Ježik Enrique Ježik ERRO Grupo ERRO Grupo Estela Lapponi Estela Lapponi Etienne de France Etienne de France Felipe Norkus e Gustavo Torres Felipe Norkus e Gustavo Torres Felipe Salem Felipe Salem Fernando Audmouc Fernando Audmouc Francesca Leoni and Davide Mastrangelo - Con.Tatto Francesca Leoni and Davide Mastrangelo - Con.Tatto Goeun Bae Goeun Bae Guilherme Peters Guilherme Peters Jorge Soledar Jorge Soledar Julio Falagán Julio Falagán Karime Nivoloni, Mariana Molinos, Maryah Monteiro e Valeska Figueiredo Karime Nivoloni, Mariana Molinos, Maryah Monteiro e Valeska Figueiredo Kevin Simon Mancera Kevin Simon Mancera Lia Chaia Lia Chaia Lilibeth Cuenca Rasmussen Lilibeth Cuenca Rasmussen Liv Schulman Liv Schulman Luiz Fernando Bueno Luiz Fernando Bueno Manoela Medeiros Manoela Medeiros Marc Davi Marc Davi Márcia Beatriz Granero Márcia Beatriz Granero Márcio Carvalho Márcio Carvalho Maurício Ianês Maurício Ianês Maurício Ianês Maurício Ianês No barraco da Constância tem! No barraco da Constância tem! Olyvia Victorya Bynum Olyvia Victorya Bynum Pipa Pipa Renan Marcondes Renan Marcondes Rodolpho Parigi Rodolpho Parigi Rose Akras Rose Akras
    • VERBO BOOK
    (THEMATIC)
    (ARTISTS)
    Tijuana
    • EDITIONS

    PRINTED ART FAIR

    • ABOUT

    ARCHIVE (15)

  • 2019 Rio de Janeiro 2019 Rio de Janeiro
  • 2019 São Paulo 2019 São Paulo
  • 2018 São Paulo 2018 São Paulo
  • 2018 Rio de Janeiro 2018 Rio de Janeiro
  • 2017 São Paulo 2017 São Paulo
  • 2017 Rio de Janeiro 2017 Rio de Janeiro
  • 2017 Lima 2017 Lima
  • 2016 São Paulo 2016 São Paulo
  • 2016 Lima 2016 Lima
  • 2016 Rio de Janeiro 2016 Rio de Janeiro
  • 2016 Buenos Aires 2016 Buenos Aires
  • 2016 Porto 2016 Porto
  • 2015 São Paulo 2015 São Paulo
  • 2014 São Paulo 2014 São Paulo
  • 2014 Buenos Aires 2014 Buenos Aires
  • (THEMATIC)
    (ARTISTS)
    Sala Antonio
    • ABOUT

    ARCHIVE (3)

    2020 2020
  • Nome do filme (Oct) Nome do filme Stanley Kubrick (Oct)
  • Filme que já passou Carla Zaccagnini Stanley Kubrick (Jul) Filme que já passou Carla Zaccagnini Stanley Kubrick (Jul)
  • 2019 2019
  • Filme que já passou 2 Chiara Banfi (Jul) Filme que já passou 2 Chiara Banfi (Jul)
  • (THEMATIC)
    (ARTISTS)
    Exhibitions

    CURRENT (2) CURRENT (2)

  • Caçamba Meia Caçamba
    Meia
  • JAMAC OCCUPATION Mônica Nador + Jamac JAMAC OCCUPATION
    Mônica Nador + Jamac
  • ARCHIVE (317)

    2025 2025
  • Rahj al-ġār Dora Longo Bahia (Mar) Rahj al-ġār Dora Longo Bahia (Mar)
  • Dias Depois Da Queda “O Clarão” Estevan Davi (Jan) Dias Depois Da Queda “O Clarão” Estevan Davi (Jan)
  • About Infinity, the Universe and the Worlds Detanico Lain (Jan) About Infinity, the Universe and the Worlds Detanico Lain (Jan)
  • 2024 2024
  • Elemental Shift Ximena Garrido-Lecca (Oct) Elemental Shift Ximena Garrido-Lecca (Oct)
  • Gravidade [Gravity] Carlos Motta (Jul) Gravidade [Gravity] Carlos Motta (Jul)
  • Errante [Wanderer] Marcelo Moscheta (Jul) Errante [Wanderer] Marcelo Moscheta (Jul)
  • A07-24 (Jul) A07-24 ACERVO (Jul)
  • Lightning Motta & Lima (Jul) Lightning Motta & Lima (Jul)
  • Second Nature Clara Ianni (May) Second Nature Clara Ianni (May)
  • Torrão Rubro (May) Torrão Rubro Thiago Martins de Melo (May)
  • Terra Alheia Meia (May) Terra Alheia Meia (May)
  • Organoide Lia Chaia (Mar) Organoide Lia Chaia (Mar)
  • The Reverse of Heaven Dias & Riedweg (Mar) The Reverse of Heaven Dias & Riedweg (Mar)
  • A04-24 (Mar) A04-24 Acervo (Mar)
  • It’s the way home that moves us away Carla Zaccagnini Runo Lagomarsino (Feb) It’s the way home that moves us away Carla Zaccagnini Runo Lagomarsino (Feb)
  • Videos 2001 – 2006 André Komatsu (Feb) Videos 2001 – 2006 André Komatsu (Feb)
  • A02-24 (Feb) A02-24 ACERVO (Feb)
  • 2023 2023
  • No fim da madrugada [At the end of daybreak] GROUP SHOW (Oct) No fim da madrugada [At the end of daybreak] GROUP SHOW (Oct)
  • Cerimônia [Ceremony] Tania Candiani (Aug) Cerimônia [Ceremony] Tania Candiani (Aug)
  • La profundidad de las cosas Nicolás Bacal (Jun) La profundidad de las cosas Nicolás Bacal (Jun)
  • House in the Sky GROUP SHOW (Jun) House in the Sky GROUP SHOW (Jun)
  • O espaço entre eu e você [The space between me and you] Marcelo Cidade (May) O espaço entre eu e você [The space between me and you] Marcelo Cidade (May)
  • Estratos [Strata] Ximena Garrido-Lecca (May) Estratos [Strata] Ximena Garrido-Lecca (May)
  • Edgard de Souza Edgard de Souza (Mar) Edgard de Souza Edgard de Souza (Mar)
  • Politics in art, again Mônica Nador + Jamac (Mar) Politics in art, again Mônica Nador + Jamac (Mar)
  • I AI Keila Alaver (Mar) I AI Keila Alaver (Mar)
  • Bando ou Hic Sunt Leones Cadu (Feb) Bando ou Hic Sunt Leones Cadu (Feb)
  • (…) a single species (…) Gabriela Albergaria (Feb) (…) a single species (…) Gabriela Albergaria (Feb)
  • The Goddess Language (Feb) The Goddess Language GROUP SHOW (Feb)
  • 2022 2022
  • Perigo! [Danger!] Dora Longo Bahia (Nov) Perigo! [Danger!] Dora Longo Bahia (Nov)
  • Tempo-mandíbula [Jaw-time] Elilson (Sep) Tempo-mandíbula [Jaw-time] Elilson (Sep)
  • Contos de contas [Accounts of Accounting] Carla Zaccagnini (Sep) Contos de contas [Accounts of Accounting] Carla Zaccagnini (Sep)
  • Sobre a terra, sob o céu [Over the earth, under the sky] Detanico Lain GROUP SHOW (Aug) Sobre a terra, sob o céu [Over the earth, under the sky] GROUP SHOW (Aug)
  • Mental Radio Andrés Ramírez Gaviria (Aug) Mental Radio Andrés Ramírez Gaviria (Aug)
  • A Sônia Claudia Andujar (Jun) A Sônia Claudia Andujar (Jun)
  • Flávia Ribeiro (Jun) Flávia Ribeiro Flávia Ribeiro (Jun)
  • Átomo [Atom] Lia Chaia (Jun) Átomo [Atom] Lia Chaia (Jun)
  • ainda sempre ainda (Jun) ainda sempre ainda Marilá Dardot (Jun)
  • Take 3 Chiara Banfi (May) Take 3 Chiara Banfi (May)
  • Onde cabe o olho Nicolás Robbio (May) Onde cabe o olho Nicolás Robbio (May)
  • Fogo encruzado André Vargas (Mar) Fogo encruzado André Vargas (Mar)
  • 26032022-6.744-281-65-01/30042022-5.904-246-65-36 (Mar) 26032022-6.744-281-65-01/30042022-5.904-246-65-36 Ana Amorim (Mar)
  • Colors Fabio Morais (Feb) Colors Fabio Morais (Feb)
  • 2021 2021
  • Whitefly Henrique Cesar (Nov) Whitefly Henrique Cesar (Nov)
  • Voo cego André Komatsu (Oct) Voo cego André Komatsu (Oct)
  • Debt (Trilogy of the Capital) (Sep) Debt (Trilogy of the Capital) Cinthia Marcelle Tiago Mata Machado (Sep)
  • Cracks, sparks Carmela Gross (Aug) Cracks, sparks Carmela Gross (Aug)
  • The Rhetoric of Power Marcelo Cidade (Jun) The Rhetoric of Power Marcelo Cidade (Jun)
  • Genocídio do Yanomami: morte do Brasil — Sonhos Yanomami Claudia Andujar (Apr) Genocídio do Yanomami: morte do Brasil — Sonhos Yanomami Claudia Andujar (Apr)
  • 2020 2020
  • LISTEN III Carmela Gross (Dec) LISTEN III Carmela Gross (Dec)
  • Lost and found (Nov) Lost and found Jonathas de Andrade (Nov)
  • Reliquary Leandro Lima (Nov) Reliquary Leandro Lima (Nov)
  • Infiltração [Infiltration] Henrique Cesar (Oct) Infiltração [Infiltration] Henrique Cesar (Oct)
  • Hair Work Dias & Riedweg (Feb) Hair Work Dias & Riedweg (Feb)
  • Already Seen (Feb) Already Seen Cinthia Marcelle (Feb)
  • 2019 2019
  • Document-Monument | Monument-Document Rosângela Rennó (Nov) Document-Monument | Monument-Document Rosângela Rennó (Nov)
  • Monumentos efímeros Tania Candiani (Nov) Monumentos efímeros Tania Candiani (Nov)
  • We the enemy Carlos Motta (Oct) We the enemy Carlos Motta (Oct)
  • Feverish Lia Chaia (Aug) Feverish Lia Chaia (Aug)
  • Ka’rãi Dora Longo Bahia (Jul) Ka’rãi Dora Longo Bahia (Jul)
  • Monday, June 4, 2019 GROUP SHOW (Jun) Monday, June 4, 2019 André Komatsu Carmela Gross Claudia Andujar Dias & Riedweg Dora Longo Bahia Fabio Morais Lia Chaia Marcelo Cidade Rosângela Rennó (Jun)
  • Forget the crisis, go to work! Guilherme Peters (Apr) Forget the crisis, go to work! Guilherme Peters (Apr)
  • Debts, dividers and dividends Marcelo Cidade (Mar) Debts, dividers and dividends Marcelo Cidade (Mar)
  • la plaza del chafleo Iván Argote (Mar) la plaza del chafleo Iván Argote (Mar)
  • Malaise (Mar) Malaise Renato Maretti (Mar)
  • The runout Chiara Banfi (Jan) The runout Chiara Banfi (Jan)
  • The pronunciation of the world (Jan) The pronunciation of the world Marilá Dardot (Jan)
  • Timewaves (chapter II) Detanico Lain (Jan) Timewaves (chapter II) Detanico Lain (Jan)
  • 2018 2018
  • Çonoplaztía Fabio Morais (Nov) Çonoplaztía Fabio Morais (Nov)
  • Three analyzes and an omen Carla Zaccagnini (Nov) Three analyzes and an omen Carla Zaccagnini (Nov)
  • El principio, el paréntesis y el fin, el telón Tania Candiani (Nov) El principio, el paréntesis y el fin, el telón Tania Candiani (Nov)
  • Edgard de Souza Edgard de Souza (Oct) Edgard de Souza Edgard de Souza (Oct)
  • Brasil x Argentina (Amazônia e Patagônia) Dora Longo Bahia (Oct) Brasil x Argentina (Amazônia e Patagônia) Dora Longo Bahia (Oct)
  • Repetitions Clara Ianni (Aug) Repetitions Clara Ianni (Aug)
  • estrela escura André Komatsu (Aug) estrela escura André Komatsu (Aug)
  • Infinite Rotations (Jul) Infinite Rotations Ana Maria Tavares (Jul)
  • Natural History and Other Ruins Marcelo Moscheta (May) Natural History and Other Ruins Marcelo Moscheta (May)
  • Attempt to aspire to the great maze Guilherme Peters (May) Attempt to aspire to the great maze Guilherme Peters (May)
  • CameraContato Dias & Riedweg (Apr) CameraContato Dias & Riedweg (Apr)
  • Overload GROUP SHOW (Mar) Overload André Komatsu Carla Zaccagnini Carmela Gross Chelpa Ferro Chiara Banfi Claudia Andujar Detanico Lain Dora Longo Bahia Edgard de Souza Fabio Morais Guilherme Peters Henrique Cesar Iván Argote Lia Chaia Marcelo Cidade Marcelo Moscheta Motta & Lima Nicolás Bacal Nicolás Robbio Odires Mlászho Rosângela Rennó (Mar)
  • Silver Session Dora Longo Bahia (Mar) Silver Session Dora Longo Bahia (Mar)
  • Apparent Movement Nicolás Bacal (Jan) Apparent Movement Nicolás Bacal (Jan)
  • Deseos Carlos Motta (Jan) Deseos Carlos Motta (Jan)
  • 2017 2017
  • Nuptials Rosângela Rennó (Nov) Nuptials Rosângela Rennó (Nov)
  • Mamihlapinatapai Cadu (Oct) Mamihlapinatapai Cadu (Oct)
  • Silvia Cintra + Box 4 Occupation (Oct) Silvia Cintra + Box 4 Occupation (Oct)
  • Nelson Leirner – Movies (Oct) Nelson Leirner – Movies (Oct)
  • Somos [We are] Iván Argote (Sep) Somos [We are] Iván Argote (Sep)
  • Reddishblue Memories Iván Argote (Sep) Reddishblue Memories Iván Argote (Sep)
  • Pulso Lia Chaia (Jul) Pulso Lia Chaia (Jul)
  • Posta em abismo [Mise en Abyme] Carla Zaccagnini (Jun) Posta em abismo [Mise en Abyme] Carla Zaccagnini (Jun)
  • 27 rue de Fleurus Detanico Lain (Jun) 27 rue de Fleurus Detanico Lain (Jun)
  • Vera Cruz Rosângela Rennó (Apr) Vera Cruz Rosângela Rennó (Apr)
  • Architecture of Insomnia Nicolás Robbio (Apr) Architecture of Insomnia Nicolás Robbio (Apr)
  • Ashes Dora Longo Bahia (Mar) Ashes Dora Longo Bahia (Mar)
  • Psycho Motta & Lima (Mar) Psycho Motta & Lima (Mar)
  • Not yet (Mar) Not yet (Mar)
  • Pause Tania Candiani (Jan) Pause Tania Candiani (Jan)
  • Escritexpográfica Fabio Morais (Jan) Escritexpográfica Fabio Morais (Jan)
  • 2016 2016
  • Coletiva GROUP SHOW (Nov) Coletiva GROUP SHOW (Nov)
  • Journal (Nov) Journal (Nov)
  • Nulo ou em Branco Marcelo Cidade (Sep) Nulo ou em Branco Marcelo Cidade (Sep)
  • Fructose Iván Argote (Sep) Fructose Iván Argote (Sep)
  • Suar a camisa [Sweat it out] (Aug) Suar a camisa [Sweat it out] Jonathas de Andrade (Aug)
  • One, None, Many Carmela Gross (Aug) One, None, Many Carmela Gross (Aug)
  • COLETIVA GROUP SHOW (Jun) COLETIVA GROUP SHOW (Jun)
  • My life in two worlds Claudia Andujar (May) My life in two worlds Claudia Andujar (May)
  • Seven Falls Marcelo Moscheta (Mar) Seven Falls Marcelo Moscheta (Mar)
  • Notations Chiara Banfi (Jan) Notations Chiara Banfi (Jan)
  • 2015 2015
  • Arquibabas: Babas Geométricas Odires Mlászho (Nov) Arquibabas: Babas Geométricas Odires Mlászho (Nov)
  • Fotos contam Fatos GROUP SHOW (Nov) Fotos contam Fatos GROUP SHOW (Nov)
  • Edgard de Souza Edgard de Souza (Oct) Edgard de Souza Edgard de Souza (Oct)
  • Hornitos Cadu (Oct) Hornitos Cadu (Oct)
  • Translations: Nelson Leirner, a reader of others and of himself. (Sep) Translations: Nelson Leirner, a reader of others and of himself. Nelson Leirner (Sep)
  • Reason and power (Jul) Reason and power Enrique Ježik (Jul)
  • Cosmologia Composta Henrique Cesar (Jul) Cosmologia Composta Henrique Cesar (Jul)
  • Learning to Live with the Filth GROUP SHOW (May) Learning to Live with the Filth André Komatsu Keila Alaver Lia Chaia Marcelo Cidade Nicolás Robbio (May)
  • Chora-Chuva Motta & Lima (Mar) Chora-Chuva Motta & Lima (Mar)
  • Impertinência Capital (Feb) Impertinência Capital Marco Paulo Rolla (Feb)
  • Corpo Mitológico Lia Chaia (Feb) Corpo Mitológico Lia Chaia (Feb)
  • Black Bloc Dora Longo Bahia (Feb) Black Bloc Dora Longo Bahia (Feb)
  • 2014 2014
  • Cold Stories and Hot Coals Dias & Riedweg (Dec) Cold Stories and Hot Coals Dias & Riedweg (Dec)
  • O Balanço da Árvore Exagera a Tempestade Gabriela Albergaria (Nov) O Balanço da Árvore Exagera a Tempestade Gabriela Albergaria (Nov)
  • Shangai em São Paulo in Shanghai Carla Zaccagnini (Nov) Shangai em São Paulo in Shanghai Carla Zaccagnini (Nov)
  • Let´s Write a History of Hopes Iván Argote (Sep) Let´s Write a History of Hopes Iván Argote (Sep)
  • Insustentável Paraíso André Komatsu (Sep) Insustentável Paraíso André Komatsu (Sep)
  • Rosângela Rennó Rosângela Rennó (Aug) Rosângela Rennó Rosângela Rennó (Aug)
  • Marilá Dardot (Aug) Marilá Dardot Marilá Dardot (Aug)
  • Ponto Final (Jun) Ponto Final Maurício Ianês (Jun)
  • O Informante Henrique Cesar (Apr) O Informante Henrique Cesar (Apr)
  • Smooth Sound Making Aquarium Chelpa Ferro (Apr) Smooth Sound Making Aquarium Chelpa Ferro (Apr)
  • Neste Lugar (Mar) Neste Lugar Daniel Senise (Mar)
  • Islamic Scalp Dora Longo Bahia (Mar) Islamic Scalp Dora Longo Bahia (Mar)
  • Order Repetition Nicolás Robbio (Mar) Order Repetition Nicolás Robbio (Mar)
  • Collective Carmela Gross Claudia Andujar GROUP SHOW (Jan) Collective GROUP SHOW (Jan)
  • 1988 (Jan) 1988 Andreas Fogarasi (Jan)
  • 2013 2013
  • U=R.I Guilherme Peters Henrique Cesar (Nov) U=R.I Guilherme Peters Henrique Cesar (Nov)
  • Arquitetura da solidão Nicolás Bacal (Nov) Arquitetura da solidão Nicolás Bacal (Nov)
  • Museu do Homem do Nordeste (Oct) Museu do Homem do Nordeste Jonathas de Andrade (Oct)
  • Gravações Perdidas Chiara Banfi (Oct) Gravações Perdidas Chiara Banfi (Oct)
  • Suspicious Mind GROUP SHOW (Aug) Suspicious Mind GROUP SHOW (Aug)
  • João-Ninguém (Jul) João-Ninguém Rafael Assef (Jul)
  • Contratempo Lia Chaia (Jul) Contratempo Lia Chaia (Jul)
  • Espera Motta & Lima (Jun) Espera Motta & Lima (Jun)
  • Zero Substantivo Odires Mlászho (Jun) Zero Substantivo Odires Mlászho (Jun)
  • Passageiro Dora Longo Bahia (May) Passageiro Dora Longo Bahia (May)
  • O Voo de Watupari Claudia Andujar (May) O Voo de Watupari Claudia Andujar (May)
  • Body Furniture Keila Alaver (May) Body Furniture Keila Alaver (May)
  • Nostalgia, sentimento de mundo (Apr) Nostalgia, sentimento de mundo Jonathas de Andrade (Apr)
  • Corpo Dócil André Komatsu (Apr) Corpo Dócil André Komatsu (Apr)
  • La Felicidad (Feb) La Felicidad Kevin Simón Mancera (Feb)
  • Pelas bordas [From the edges] Carla Zaccagnini (Feb) Pelas bordas [From the edges] Carla Zaccagnini (Feb)
  • Menos-valia (Leilão) Rosângela Rennó (Jan) Menos-valia (Leilão) Rosângela Rennó (Jan)
  • Coletiva GROUP SHOW (Jan) Coletiva GROUP SHOW (Jan)
  • 2012 2012
  • Rio Corrente Detanico Lain (Nov) Rio Corrente Detanico Lain (Nov)
  • Serpentes Carmela Gross (Oct) Serpentes Carmela Gross (Oct)
  • Group Show GROUP SHOW (Sep) Group Show GROUP SHOW (Sep)
  • A Força é Limitada pela Necessidade Nicolás Robbio (Sep) A Força é Limitada pela Necessidade Nicolás Robbio (Sep)
  • Maurício Ianês (Jul) Maurício Ianês Maurício Ianês (Jul)
  • Clear images x Vague ideas Dora Longo Bahia (Jul) Clear images x Vague ideas Dora Longo Bahia (Jul)
  • Expansivo GROUP SHOW (Jun) Expansivo GROUP SHOW (Jun)
  • Sunburst Chiara Banfi (May) Sunburst Chiara Banfi (May)
  • Madeira GROUP SHOW (May) Madeira GROUP SHOW (May)
  • Quase Nada Marcelo Cidade (Apr) Quase Nada Marcelo Cidade (Apr)
  • Esqueleto Aéreo Lia Chaia (Apr) Esqueleto Aéreo Lia Chaia (Apr)
  • Coletiva GROUP SHOW Maurício Ianês Lucia Mindlin Loeb Rafael Assef (Mar) Coletiva Fabio Morais Guilherme Peters Marcelo Cidade Odires Mlászho Rosângela Rennó Maurício Ianês Lucia Mindlin Loeb Rafael Assef (Mar)
  • ANTI-HORÁRIO Motta & Lima (Mar) ANTI-HORÁRIO Motta & Lima (Mar)
  • Símile-fac Fabio Morais (Jan) Símile-fac Fabio Morais (Jan)
  • Gabinete de Leitura (Jan) Gabinete de Leitura Flávia Ribeiro (Jan)
  • Novas Pinturas [New Paintings] (Jan) Novas Pinturas [New Paintings] Marilá Dardot (Jan)
  • 2011 2011
  • Contra a Parede GROUP SHOW Cia. de Foto Daniel Senise João loureiro João Nitsche Marilá Dardot Marco Paulo Rolla Mauricio Ianês (Nov) Contra a Parede André Komatsu Cadu Carmela Gross Chiara Banfi Detanico Lain Dora Longo Bahia Fabio Morais Guilherme Peters Lia Chaia Marcelo Cidade Nicolás Robbio Cia. de Foto Daniel Senise João loureiro João Nitsche Marilá Dardot Marco Paulo Rolla Mauricio Ianês (Nov)
  • CA-BRA Guilherme Peters GROUP SHOW (Nov) CA-BRA GROUP SHOW (Nov)
  • Quase aqui (Oct) Quase aqui (Oct)
  • Casamento Sagrado (Oct) Casamento Sagrado Marco Paulo Rolla (Oct)
  • Bordando Design (Sep) Bordando Design GROUP SHOW (Sep)
  • Mil Palavras (Sep) Mil Palavras Leya Mira Brander (Sep)
  • Desviantes (Sep) Desviantes Ana Maria Tavares (Sep)
  • Marcelo Zocchio (Sep) Marcelo Zocchio Marcelo Zocchio (Sep)
  • Spaceman/Caveman Chelpa Ferro (Jul) Spaceman/Caveman Chelpa Ferro (Jul)
  • Manuela Marques (Jul) Manuela Marques Manuela Marques (Jul)
  • Introdução ao Terceiro Mundo (Jul) Introdução ao Terceiro Mundo Marilá Dardot (Jul)
  • Papel Sensível (May) Papel Sensível Cristiano Lenhardt (May)
  • Manhã no Ano do Coelho Cadu (May) Manhã no Ano do Coelho Cadu (May)
  • Escalpo Carioca Dora Longo Bahia (May) Escalpo Carioca Dora Longo Bahia (May)
  • Zero de Conduta (Apr) Zero de Conduta Cinthia Marcelle (Apr)
  • Bandeira em Branco Não é Bandeira Branca Nicolás Robbio (Apr) Bandeira em Branco Não é Bandeira Branca Nicolás Robbio (Apr)
  • Sobre Cor Detanico Lain (Mar) Sobre Cor Detanico Lain (Mar)
  • Fim da Primeira Parte (Mar) Fim da Primeira Parte João Loureiro (Mar)
  • 2010 2010
  • Livre Tradução GROUP SHOW (Nov) Livre Tradução GROUP SHOW (Nov)
  • Sopa Nômade Odires Mlászho (Oct) Sopa Nômade Odires Mlászho (Oct)
  • Meditação da Ferida ou a Escola de Facas (Oct) Meditação da Ferida ou a Escola de Facas Cinthia Marcelle (Oct)
  • Entretanto (Oct) Entretanto Cia. de Foto (Oct)
  • Anônimo Lia Chaia (Sep) Anônimo Lia Chaia (Sep)
  • Avant-Gard is not dead Marcelo Cidade (Sep) Avant-Gard is not dead Marcelo Cidade (Sep)
  • Cerâmica 6 Ltda. (Aug) Cerâmica 6 Ltda. Héctor Zamora (Aug)
  • FF (Aug) FF Matheus Rocha Pitta (Aug)
  • Acaso por Intenção André Komatsu (Aug) Acaso por Intenção André Komatsu (Aug)
  • Trajeto (Jun) Trajeto Rogério Canella (Jun)
  • Salvo o Nome (Jun) Salvo o Nome Maurício Ianês (Jun)
  • Ressaca Tropical (Jun) Ressaca Tropical Jonathas de Andrade (Jun)
  • Alices (Jun) Alices Marilá Dardot (Jun)
  • Vão Guilherme Peters Henrique Cesar GROUP SHOW (May) Vão GROUP SHOW (May)
  • Trash Metal Dora Longo Bahia (May) Trash Metal Dora Longo Bahia (May)
  • Who’s afraid of? GROUP SHOW Maurício Ianês Rafael Assef Leya Mira Brander Leandro da Costa Marcius Galan (May) Who’s afraid of? André Komatsu Chiara Banfi Keila Alaver Lia Chaia Marcelo Cidade Motta & Lima Nicolás Robbio Maurício Ianês Rafael Assef Leya Mira Brander Leandro da Costa Marcius Galan (May)
  • Mic Chelpa Ferro (Apr) Mic Chelpa Ferro (Apr)
  • Dial M for Murder Motta & Lima (Apr) Dial M for Murder Motta & Lima (Apr)
  • Forma, Conteúdo e Poesia Rosângela Rennó (Apr) Forma, Conteúdo e Poesia Rosângela Rennó (Apr)
  • Te iludo Fabio Morais (Mar) Te iludo Fabio Morais (Mar)
  • Koto Chiara Banfi (Mar) Koto Chiara Banfi (Mar)
  • Se mueve pero no se hunde Nicolás Robbio (Mar) Se mueve pero no se hunde Nicolás Robbio (Mar)
  • Lexicon Detanico Lain (Jan) Lexicon Detanico Lain (Jan)
  • Gabriela Albergaria Gabriela Albergaria (Jan) Gabriela Albergaria Gabriela Albergaria (Jan)
  • Paisagens perdidas (Jan) Paisagens perdidas Ana Maria Tavares (Jan)
  • 2009 2009
  • O Jardim da pele de pêssego [The peach skin garden] Keila Alaver (Nov) O Jardim da pele de pêssego [The peach skin garden] Keila Alaver (Nov)
  • Por Aqui [This Way] GROUP SHOW (Nov) Por Aqui [This Way] GROUP SHOW (Nov)
  • O futuro das lembranças [The future of remembrance] (Nov) O futuro das lembranças [The future of remembrance] Lucia Mindlin Loeb (Nov)
  • Pic Nic (Oct) Pic Nic Marco Paulo Rolla (Oct)
  • Tudo me é lícito, mas nem tudo me convence [Everything is licit but not everything convinces me] (Oct) Tudo me é lícito, mas nem tudo me convence [Everything is licit but not everything convinces me] GROUP SHOW (Oct)
  • Avalanche Cadu (Oct) Avalanche Cadu (Oct)
  • Corpo da Alma [Body of Soul] Rosângela Rennó (Oct) Corpo da Alma [Body of Soul] Rosângela Rennó (Oct)
  • Marcados Claudia Andujar (Sep) Marcados Claudia Andujar (Sep)
  • Asimetrías y Convergencias Andrés Ramírez Gaviria GROUP SHOW (Aug) Asimetrías y Convergencias GROUP SHOW (Aug)
  • Artérias e Capilares [Arteries and Capillaries] GROUP SHOW (Jul) Artérias e Capilares [Arteries and Capillaries] GROUP SHOW (Jul)
  • Cassino [Casino] Carla Zaccagnini Fabio Morais GROUP SHOW (Jul) Cassino [Casino] GROUP SHOW (Jul)
  • Zootécnico [Zootechnics] (May) Zootécnico [Zootechnics] João Loureiro (May)
  • Espaços de Tempo [Time spaces] Detanico Lain (May) Espaços de Tempo [Time spaces] Detanico Lain (May)
  • Lançamentos + Planetas [Launches + Planets] (Apr) Lançamentos + Planetas [Launches + Planets] Marcelo Zocchio (Apr)
  • Untitled Nicolás Robbio (Apr) Untitled Nicolás Robbio (Apr)
  • Sob Controle [Under Control] Motta & Lima (Mar) Sob Controle [Under Control] Motta & Lima (Mar)
  • Soma Neutra [Neutral Addition] André Komatsu (Mar) Soma Neutra [Neutral Addition] André Komatsu (Mar)
  • Ph Neutro [Neutral Ph] GROUP SHOW (Jan) Ph Neutro [Neutral Ph] GROUP SHOW (Jan)
  • Tons de cinza [Shades of gray] GROUP SHOW (Jan) Tons de cinza [Shades of gray] GROUP SHOW (Jan)
  • 2008 2008
  • Silêncio! [Silence!] Detanico Lain GROUP SHOW (Nov) Silêncio! [Silence!] GROUP SHOW (Nov)
  • A Ordem dos Tratores não Altera o Viaduto Marcelo Cidade (Oct) A Ordem dos Tratores não Altera o Viaduto Marcelo Cidade (Oct)
  • FORTUNE AND DENIAL or UKYIO-E (the image of a floating world) (Oct) FORTUNE AND DENIAL or UKYIO-E (the image of a floating world) Ana Maria Tavares (Oct)
  • CÍCERA André Komatsu Carla Zaccagnini GROUP SHOW (Oct) CÍCERA GROUP SHOW (Oct)
  • É claro que você sabe do que estou falando? [Of course you know what I’m talking about?] GROUP SHOW (Oct) É claro que você sabe do que estou falando? [Of course you know what I’m talking about?] GROUP SHOW (Oct)
  • Ficções [Fictions] (Sep) Ficções [Fictions] (Sep)
  • Casasubu (Aug) Casasubu Vera Chaves Barcellos (Aug)
  • Provas de Contato [Contact Proofs] GROUP SHOW (Aug) Provas de Contato [Contact Proofs] GROUP SHOW (Aug)
  • Baralhada Lia Chaia (Jul) Baralhada Lia Chaia (Jul)
  • Jardim elétrico [Electric garden] Chelpa Ferro (Jun) Jardim elétrico [Electric garden] Chelpa Ferro (Jun)
  • Vermello (Jun) Vermello Ivana Vollaro (Jun)
  • Melhor de Um [Best of one] (May) Melhor de Um [Best of one] Leandro da Costa (May)
  • My 6th Solo Exhibition Fabio Morais (May) My 6th Solo Exhibition Fabio Morais (May)
  • Bifurcações e Encruzilhadas Carla Zaccagnini (Apr) Bifurcações e Encruzilhadas Carla Zaccagnini (Apr)
  • Belo também é aquilo que não foi visto Dias & Riedweg (Apr) Belo também é aquilo que não foi visto Dias & Riedweg (Apr)
  • Mônica Nador e brodagem Mônica Nador + Jamac (Feb) Mônica Nador e brodagem Mônica Nador + Jamac (Feb)
  • Jogo de dados [Game of dice] (Feb) Jogo de dados [Game of dice] Rafael Assef (Feb)
  • “Looks conceptual” or “How i mistook a Carl Andre for a pile of bricks” GROUP SHOW (Jan) “Looks conceptual” or “How i mistook a Carl Andre for a pile of bricks” GROUP SHOW (Jan)
  • Caio, Felix, Cuts and Perforations (Jan) Caio, Felix, Cuts and Perforations Célio Braga (Jan)
  • 2007 2007
  • FREE BEER (Nov) FREE BEER SUPERFLEX (Nov)
  • Daniel Senise (Oct) Daniel Senise Daniel Senise (Oct)
  • Araucária Angustifólia and Le désespoir du singe Gabriela Albergaria Manuela Marques (Sep) Araucária Angustifólia and Le désespoir du singe Gabriela Albergaria Manuela Marques (Sep)
  • Quando ramos são subtraídos [When branches are subtracted] André Komatsu (Aug) Quando ramos são subtraídos [When branches are subtracted] André Komatsu (Aug)
  • 30 M (Aug) 30 M Rogério Canella (Aug)
  • The Communism of Forms Chelpa Ferro Detanico Lain Leandro Lima GROUP SHOW (Jul) The Communism of Forms GROUP SHOW (Jul)
  • Matiz vertical [Vertical hue] (Jun) Matiz vertical [Vertical hue] Tiago Judas (Jun)
  • Pause Chiara Banfi (Apr) Pause Chiara Banfi (Apr)
  • Julian Rosefeldt (Apr) Julian Rosefeldt Julian Rosefeldt (Apr)
  • Ano Zero [Year Zero] Detanico Lain (Feb) Ano Zero [Year Zero] Detanico Lain (Feb)
  • Quase como ontem Nicolás Robbio Rachel Poignant (Jan) Quase como ontem Nicolás Robbio Rachel Poignant (Jan)
  • 2006 2006
  • Cássio Vasconcellos (Nov) Cássio Vasconcellos Cássio Vasconcellos (Nov)
  • This is not a love song GROUP SHOW (Oct) This is not a love song GROUP SHOW (Oct)
  • A última foto [The last photo] Rosângela Rennó (Oct) A última foto [The last photo] Rosângela Rennó (Oct)
  • Vivendo [Living] Motta & Lima (Sep) Vivendo [Living] Motta & Lima (Sep)
  • Via invertida Lia Chaia (Jul) Via invertida Lia Chaia (Jul)
  • Quarto/Sala [Bedroom/living room] (Jul) Quarto/Sala [Bedroom/living room] Leandro da Costa (Jul)
  • O.D.I.R.E.S. – Objetos Derivados, Intrínsecos aos Restos Emulsionados ou Saqueados Odires Mlászho (May) O.D.I.R.E.S. – Objetos Derivados, Intrínsecos aos Restos Emulsionados ou Saqueados Odires Mlászho (May)
  • próximo (May) próximo Leya Mira Brander (May)
  • Messenger (Apr) Messenger Maurício Ianês (Apr)
  • Baldio [Wasteland] (Apr) Baldio [Wasteland] Ding Musa (Apr)
  • Outro Lugar [Another Place] Marcelo Cidade (Mar) Outro Lugar [Another Place] Marcelo Cidade (Mar)
  • 3D Delivery (Mar) 3D Delivery Tiago Judas (Mar)
  • Aérea [Aerial] (Feb) Aérea [Aerial] Edilaine Cunha (Feb)
  • 2005 2005
  • Museum of letters Fabio Morais (Dec) Museum of letters Fabio Morais (Dec)
  • The Library of Babel (Dec) The Library of Babel Marilá Dardot (Dec)
  • Cabra Criada Dias & Riedweg (Oct) Cabra Criada Dias & Riedweg (Oct)
  • Chelpa Ferro Chelpa Ferro (Sep) Chelpa Ferro Chelpa Ferro (Sep)
  • Grave (Aug) Grave Amílcar Packer (Aug)
  • Movimentos Leves [Light Movements] (Aug) Movimentos Leves [Light Movements] Marco Paulo Rolla (Aug)
  • Rafael Assef (Jul) Rafael Assef Rafael Assef (Jul)
  • Sala dos Espelhos [Room of Mirrors] (Jul) Sala dos Espelhos [Room of Mirrors] Courtney Smith (Jul)
  • Maio [May] Nicolás Robbio Rogério Canella (May) Maio [May] Nicolás Robbio Rogério Canella (May)
  • Viés [Bias] Marcelo Cidade Nicolás Robbio Odires Mlászho GROUP SHOW (Apr) Viés [Bias] GROUP SHOW (Apr)
  • Utilidades Domésticas [Domestic Utilities] (Mar) Utilidades Domésticas [Domestic Utilities] Marcelo Zocchio (Mar)
  • JAMAC Mônica Nador + Jamac (Mar) JAMAC Mônica Nador + Jamac (Mar)
  • Yano-a Claudia Andujar (Feb) Yano-a Claudia Andujar (Feb)
  • Viga Mestre Chiara Banfi (Feb) Viga Mestre Chiara Banfi (Feb)
  • 2004 2004
  • Vol. GROUP SHOW (Nov) Vol. GROUP SHOW (Nov)
  • White Box (Oct) White Box Ricardo Carioba (Oct)
  • Até onde a vista alcança [How far view reaches] Carla Zaccagnini (Aug) Até onde a vista alcança [How far view reaches] Carla Zaccagnini (Aug)
  • Hora Aberta [Open hour] (Aug) Hora Aberta [Open hour] Manuela Marques OVO (Aug)
  • Grátis [Free] GROUP SHOW (Jul) Grátis [Free] GROUP SHOW (Jul)
  • Marco Paulo Rolla (Jun) Marco Paulo Rolla Marco Paulo Rolla (Jun)
  • Solto,Cruzado e junto [Loose, Crossed, and Together] (Apr) Solto,Cruzado e junto [Loose, Crossed, and Together] Cinthia Marcelle Marilá Dardot Sara Ramo (Apr)
  • The world doesn’t need you (Mar) The world doesn’t need you Rosana Monnerat (Mar)
  • 1 (Mar) 1 Edouard Fraipont (Mar)
  • Derivas Detanico Lain Marcelo Cidade Odires Mlászho GROUP SHOW (Jan) Derivas GROUP SHOW (Jan)
  • 2003 2003
  • Modos de Usar [How To Use] GROUP SHOW (Nov) Modos de Usar [How To Use] GROUP SHOW (Nov)
  • 3T1H (Oct) 3T1H André Teruya Eichemberg Giselle Beiguelman Marcelo Marino Bicudo Vera Bighetti (Oct)
  • Retrato V.t.d. Fabio Morais (Sep) Retrato V.t.d. Fabio Morais (Sep)
  • Image Non-Image (Sep) Image Non-Image GROUP SHOW (Sep)
  • Vizinhos [Neighbors] Fabio Morais GROUP SHOW (Aug) Vizinhos [Neighbors] GROUP SHOW (Aug)
  • In ´vel Motta & Lima GROUP SHOW (Jun) In ´vel GROUP SHOW (Jun)
  • SX70 (Jun) SX70 GROUP SHOW (Jun)
  • 1 Lúcia 2 Lúcias Lia Chaia Nicolás Robbio GROUP SHOW (May) 1 Lúcia 2 Lúcias GROUP SHOW (May)
  • O Lugar do Homem [The place of man] (Mar) O Lugar do Homem [The place of man] Rogério Canella (Mar)
  • A Operação Ilegal [The Illegal Operation] (Mar) A Operação Ilegal [The Illegal Operation] Cris Bierrenbach (Mar)
  • Giroflexxxx André Komatsu Marcelo Cidade GROUP SHOW (Feb) Giroflexxxx GROUP SHOW (Feb)
  • 2002 2002
  • Série Azul [Blue series] (Nov) Série Azul [Blue series] Claudia Jaguaribe (Nov)
  • Mônica Nador and Paula Trope Mônica Nador + Jamac Paula Trope (Nov) Mônica Nador and Paula Trope Mônica Nador + Jamac Paula Trope (Nov)
  • Rafael Assef and Eliana Bordin (Oct) Rafael Assef and Eliana Bordin Eliana Bordin Rafael Assef (Oct)
  • Noturnos [Nocturnal] (Sep) Noturnos [Nocturnal] Cássio Vasconcelos (Sep)
  • A Palidez Iluminada [The Illuminated Pallidness] Odires Mlászho (Aug) A Palidez Iluminada [The Illuminated Pallidness] Odires Mlászho (Aug)
  • Marrom GROUP SHOW (Jul) Marrom GROUP SHOW (Jul)
  • X Odires Mlászho GROUP SHOW (May) X GROUP SHOW (May)
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  • ARCHIVE (135)

    2025 2025
  • Splécht! Dora Longo Bahia (Mar) Splécht! Dora Longo Bahia (Mar)
  • Circus Solaris | Circum Lunares Estevan Davi (Jan) Circus Solaris | Circum Lunares Estevan Davi (Jan)
  • 2024 2024
  • Gravity Carlos Motta (Jul) Gravity Carlos Motta (Jul)
  • Inverted Apocalypse Clara Ianni (May) Inverted Apocalypse Clara Ianni (May)
  • Desenhos articulados Lia Chaia (Mar) Desenhos articulados Lia Chaia (Mar)
  • Geometry is hope Geometry is fear (Feb) Geometry is hope Geometry is fear Runo Lagomarsino (Feb)
  • 2023 2023
  • Contrafachada (Oct) Contrafachada Tiago Guimarães (Oct)
  • La Marcha Tania Candiani Grupo Flor de Kantuta (Aug) La Marcha Tania Candiani Grupo Flor de Kantuta (Aug)
  • The grid and the fence Marcelo Cidade (May) The grid and the fence Marcelo Cidade (May)
  • Genocídio do Yanomami: morte do Brasil Claudia Andujar (Feb) Genocídio do Yanomami: morte do Brasil Claudia Andujar (Feb)
  • 2022 2022
  • Perigo Minas! Dora Longo Bahia (Nov) Perigo Minas! Dora Longo Bahia (Nov)
  • Name on air Elilson (Sep) Name on air Elilson (Sep)
  • Sobre a terra, sob o céu Detanico Lain (Aug) Sobre a terra, sob o céu Detanico Lain (Aug)
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  • Nem tudo que vai prá parede é obra de arte (Jul) Nem tudo que vai prá parede é obra de arte Marcel Diogo (Jul)
  • still ever still (Jun) still ever still Marilá Dardot (Jun)
  • 23.970/24.005 (Mar) 23.970/24.005 Ana Amorim (Mar)
  • Calling of the Subjunctive Elilson (Feb) Calling of the Subjunctive Elilson (Feb)
  • 2021 2021
  • Dissociação (Dec) Dissociação VÃO (Dec)
  • X Carmela Gross (Aug) X Carmela Gross (Aug)
  • Res verso Elilson (Jul) Res verso Elilson (Jul)
  • 2020 2020
  • In Alphabetic Order Detanico Lain (Oct) In Alphabetic Order Detanico Lain (Oct)
  • Untitled (Feb) Untitled Cinthia Marcelle (Feb)
  • 2019 2019
  • Lenin is still around Rosângela Rennó (Nov) Lenin is still around Rosângela Rennó (Nov)
  • Shapes of Freedom Carlos Motta (Oct) Shapes of Freedom Carlos Motta (Oct)
  • Estacionamente Lia Chaia (Aug) Estacionamente Lia Chaia (Aug)
  • Fugue (Subject) Dora Longo Bahia (Jul) Fugue (Subject) Dora Longo Bahia (Jul)
  • Ctrl z (Jun) Ctrl z Fernanda Roriz Julie Uszkurat Marina Secaf Pedro Ferris (Jun)
  • Três Poderes [Three Powers] Guilherme Peters (Apr) Três Poderes [Three Powers] Guilherme Peters (Apr)
  • Estrutura Parasita Marcelo Cidade (Mar) Estrutura Parasita Marcelo Cidade (Mar)
  • Malaise (Mar) Malaise Renato Maretti (Mar)
  • O ar da graça (Jan) O ar da graça Leya Mira Brander (Jan)
  • 2018 2018
  • Estamos no escuro Fabio Morais (Nov) Estamos no escuro Fabio Morais (Nov)
  • Autômatos André Komatsu (Aug) Autômatos André Komatsu (Aug)
  • Elipse Nicolás Bacal (Jan) Elipse Nicolás Bacal (Jan)
  • 2017 2017
  • One Hundred Years Rosângela Rennó (Nov) One Hundred Years Rosângela Rennó (Nov)
  • A arquitetura não foi feita para enfeitar o desastre (Oct) A arquitetura não foi feita para enfeitar o desastre Laércio Redondo (Oct)
  • SOMOS Iván Argote (Sep) SOMOS Iván Argote (Sep)
  • Monumento Carmela Gross (Jun) Monumento Carmela Gross (Jun)
  • Ashes Dora Longo Bahia (Mar) Ashes Dora Longo Bahia (Mar)
  • 2016 2016
  • As Built (Nov) As Built João Nitsche Pedro Nitsche (Nov)
  • Ocitarcomed Marcelo Cidade (Sep) Ocitarcomed Marcelo Cidade (Sep)
  • Lightning Carmela Gross (Aug) Lightning Carmela Gross (Aug)
  • 70 degrees of separation Marcelo Moscheta (Jun) 70 degrees of separation Marcelo Moscheta (Jun)
  • Comum com outro (Jan) Comum com outro Leandro da Costa (Jan)
  • 2015 2015
  • sem título Edgard de Souza (Oct) sem título Edgard de Souza (Oct)
  • Yayoi Dialogue (Sep) Yayoi Dialogue Nelson Leirner (Sep)
  • Guarda Chuvas (May) Guarda Chuvas Keila Alaver (May)
  • 4,9 Motta & Lima (Mar) 4,9 Motta & Lima (Mar)
  • Alta Tensão (Feb) Alta Tensão Marco Paulo Rolla (Feb)
  • 2014 2014
  • Blocão Dias & Riedweg (Dec) Blocão Dias & Riedweg (Dec)
  • Régua de Fibonacci Gabriela Albergaria (Nov) Régua de Fibonacci Gabriela Albergaria (Nov)
  • Let’s write a history of hopes Iván Argote (Sep) Let’s write a history of hopes Iván Argote (Sep)
  • Aqui, agora e já Rosângela Rennó (Aug) Aqui, agora e já Rosângela Rennó (Aug)
  • Un fusilado (Jul) Un fusilado ENRIQUE JEZIK (Jul)
  • Sem título (Jun) Sem título Maurício Ianês (Jun)
  • Aquário suave sonora Chelpa Ferro (Apr) Aquário suave sonora Chelpa Ferro (Apr)
  • Vermelho (Mar) Vermelho Daniel Senise (Mar)
  • Placemark (Jan) Placemark Andreas Fogarasi (Jan)
  • 2013 2013
  • Para onde os mosquitos vão quando chove [Where do mosquitoes go when it rains?] (Nov) Para onde os mosquitos vão quando chove [Where do mosquitoes go when it rains?] Felipe Salem (Nov)
  • Museu do Homem do Nordeste (Oct) Museu do Homem do Nordeste Jonathas de Andrade (Oct)
  • Sem título [Dr. Mabuse] (Aug) Sem título [Dr. Mabuse] Eva Grubinger (Aug)
  • Curva de jardim Lia Chaia (Jul) Curva de jardim Lia Chaia (Jul)
  • Estado das coisas 2 André Komatsu (Apr) Estado das coisas 2 André Komatsu (Apr)
  • Alfabeto Fonético Aplicado II: Pavimentaram a Panamericana e tudo o que eu vejo é a falha de Darien Carla Zaccagnini (Feb) Alfabeto Fonético Aplicado II: Pavimentaram a Panamericana e tudo o que eu vejo é a falha de Darien Carla Zaccagnini (Feb)
  • 2012 2012
  • Dentro Fora Detanico Lain (Dec) Dentro Fora Detanico Lain (Dec)
  • 2 Buracos Carmela Gross (Oct) 2 Buracos Carmela Gross (Oct)
  • Fachada em transformação (Jul) Fachada em transformação ANARKADEMIA (Jul)
  • Gato Lia Chaia (Jun) Gato Lia Chaia (Jun)
  • 2011 2011
  • Paredão (Nov) Paredão João Nitsche (Nov)
  • Pauta [Score] Chiara Banfi (Sep) Pauta [Score] Chiara Banfi (Sep)
  • 2010 2010
  • O silêncio é de outro (Nov) O silêncio é de outro Maurício Ianês (Nov)
  • Fachadeira Lia Chaia (Sep) Fachadeira Lia Chaia (Sep)
  • Label (Aug) Label João Loureiro (Aug)
  • Tempestade para Ludwig Wittgenstein (Jun) Tempestade para Ludwig Wittgenstein Maurício Ianês (Jun)
  • Caveirão Dora Longo Bahia (May) Caveirão Dora Longo Bahia (May)
  • Se mueve pero no se hunde Nicolás Robbio (Apr) Se mueve pero no se hunde Nicolás Robbio (Apr)
  • Eclipse Detanico Lain (Feb) Eclipse Detanico Lain (Feb)
  • 2009 2009
  • Fachada fachadas (Oct) Fachada fachadas Aline Van Langendonck (Oct)
  • Drive Thru #2 (Sep) Drive Thru #2 Matheus Rocha Pitta (Sep)
  • Imponente/Impotente André Komatsu (Jul) Imponente/Impotente André Komatsu (Jul)
  • Welcome Chiara Banfi (Jan) Welcome Chiara Banfi (Jan)
  • 2008 2008
  • Listen (Nov) Listen Nathalie Brevet Hughes Rochette (Nov)
  • Fortuna e recusa ou ukyio-e (Oct) Fortuna e recusa ou ukyio-e Ana Maria Tavares (Oct)
  • Open Call (Oct) Open Call Mix Brasil (Oct)
  • Um grande livro vermelho (Sep) Um grande livro vermelho Marilá Dardot (Sep)
  • Esfinge Lia Chaia (Jul) Esfinge Lia Chaia (Jul)
  • Art | Basel | Geneva | Belgrade | Skopie | São Paulo (Jul) Art | Basel | Geneva | Belgrade | Skopie | São Paulo Cris Faria Lukas Mettler (Jul)
  • Vermello sobre vermelho (Jun) Vermello sobre vermelho Ivana Vollaro (Jun)
  • Geometria 37 (May) Geometria 37 Ivan Hurtado (May)
  • Uma e três casas (projeção) Carla Zaccagnini (Apr) Uma e três casas (projeção) Carla Zaccagnini (Apr)
  • A caixa no tempo, o tempo na caixa (Feb) A caixa no tempo, o tempo na caixa Renata Pedrosa (Feb)
  • Looks conceptual – from Pilha series Detanico Lain (Jan) Looks conceptual – from Pilha series Detanico Lain (Jan)
  • 2007 2007
  • Free Beer (Nov) Free Beer Superflex (Nov)
  • Fluxografia #4 (Oct) Fluxografia #4 Guilherme Teixeira (Oct)
  • Andorinhas Gabriela Albergaria (Sep) Andorinhas Gabriela Albergaria (Sep)
  • Camuflagem (Feb) Camuflagem Fabio Tremonte (Feb)
  • Apropri_ação 7 (Jan) Apropri_ação 7 Rodolfo Parigi (Jan)
  • 2006 2006
  • Cobertura (Nov) Cobertura Guilherme Teixeira (Nov)
  • Untitled (Oct) Untitled Superflex (Oct)
  • Demolidora, transportadora e construtora ilimitada [Demolisher, transporter and construction unlimited] Motta & Lima (Sep) Demolidora, transportadora e construtora ilimitada [Demolisher, transporter and construction unlimited] Motta & Lima (Sep)
  • Heliponto Lia Chaia (Jul) Heliponto Lia Chaia (Jul)
  • Xadrez Combinado (May) Xadrez Combinado Fabiano Marques (May)
  • Rampa (Apr) Rampa João Nitsche (Apr)
  • Palma Mater (Mar) Palma Mater Teresa Berlinck (Mar)
  • Porto para abdução (Feb) Porto para abdução Márcio Banfi (Feb)
  • 2005 2005
  • Impossibilidade (Dec) Impossibilidade Andrezza Valentin (Dec)
  • THROW Dias & Riedweg (Oct) THROW Dias & Riedweg (Oct)
  • LULADEPELUCIA (Sep) LULADEPELUCIA Raul Mourão (Sep)
  • White Elevation (Aug) White Elevation Tiago Judas (Aug)
  • sem título Nicolás Robbio (May) sem título Nicolás Robbio (May)
  • (Apr) Fernando Limberger (Apr)
  • Nas entrelinhas de Marton (Apr) Nas entrelinhas de Marton Marton (Apr)
  • Acampamento dos anjos (Feb) Acampamento dos anjos Eduardo Srur (Feb)
  • 2004 2004
  • 5 vezes 10 degraus Detanico Lain (Oct) 5 vezes 10 degraus Detanico Lain (Oct)
  • sem título Nicolás Robbio (Aug) sem título Nicolás Robbio (Aug)
  • Fonte do Desejo (Jul) Fonte do Desejo Jun Nakao (Jul)
  • Derramamento [Overflow] (Jun) Derramamento [Overflow] Marco Paulo Rolla (Jun)
  • Sem título Nicolás Robbio (May) Sem título Nicolás Robbio (May)
  • Sem título (Apr) Sem título Cinthia Marcelle Sara Ramo (Apr)
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  • PLAF! Detanico Lain Fabiano Marques (Jan) PLAF! Detanico Lain Fabiano Marques (Jan)
  • 2003 2003
  • Buffet da Alice (Nov) Buffet da Alice MaÍra Voltolini (Nov)
  • Homenagem à luz da cidade onde vivo Fabio Morais (Sep) Homenagem à luz da cidade onde vivo Fabio Morais (Sep)
  • Sem título (Aug) Sem título Graziela Kunsch Jorge Menna Barreto (Aug)
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  • Untitled (Feb) Untitled Felipe González (Feb)
  • 2002 2002
  • Arquiteturas Mônica Nador + Jamac (Nov) Arquiteturas Mônica Nador + Jamac (Nov)
  • Cubo Infinito (Oct) Cubo Infinito Leandro da Costa (Oct)
  • Sem título André Komatsu (Sep) Sem título André Komatsu (Sep)
  • Fachada brasileira Lia Chaia (Aug) Fachada brasileira Lia Chaia (Aug)
  • Untitled Keila Alaver Ricardo Carioba (Jul) Untitled Keila Alaver Ricardo Carioba (Jul)
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      art-basel-miami-beach-2022
      Galeria Vermelho - Fairs
      Fairs
      29.Nov.22 - 03.Dec.22
      pdf
      Art Basel Miami Beach 2022
      Miami Beach Convention Center
      Miami Beach, Florida, USA
      B22
      TEXTS
      Carmela Gross Dias & Riedweg Dora Longo Bahia Edgard de Souza Iván Argote Mônica Nador + Jamac Tania Candiani

      For the ArtBasel Miami 2022 edition, Vermelho presents works which explore the use of archetypal art tools through a conceptual framework.

      A variety of contemporary perspectives on art historic strategies are some of the key elements employed by the gallery’s cast of artists.

      IMAGES
      Carmela Gross Detanico Lain Edgard de Souza Iván Argote Mônica Nador + Jamac Tania Candiani
      art-basel-miami-beach-2022
      Exhibitions:
      Art Basel Miami Beach 2022
      Booth 1, 2022

      Photo Vermelho

      Photo Vermelho
      Detanico Lain Iván Argote Tania Candiani
      art-basel-miami-beach-2022
      Exhibitions:
      Art Basel Miami Beach 2022
      Booth 1, 2022

      Photo Vermelho

      Photo Vermelho
      Tania Candiani
      art-basel-miami-beach-2022
      Exhibitions:
      Art Basel Miami Beach 2022
      Guadalajara, México. 9 de marzo 2021. Marcha del 8M. II. From the series Manifestantes, 2022
      200 x 148 cm

      Cotton thread sewn on cotton canvas, high density acrylic paint and acrylic sealer

      Photo Vermelho

      “I started Manifestantes one week before the first march of the “revolución diamantina” (a march that protested the rape of a young woman by four police officers in the north of México City). I decided to sew the portraits as soon as I started thinking about a series of large scale sewn-paintings portraying women in different marches and protests around the globe. Privileging the moment of protest and unison – when the voice rises.

      Sewing for me is a kind of loud drawing. These portraits are voices.”

      Tania Candiani

      200 x 148 cm

      Cotton thread sewn on cotton canvas, high density acrylic paint and acrylic sealer

      Photo Vermelho

      “I started Manifestantes one week before the first march of the “revolución diamantina” (a march that protested the rape of a young woman by four police officers in the north of México City). I decided to sew the portraits as soon as I started thinking about a series of large scale sewn-paintings portraying women in different marches and protests around the globe. Privileging the moment of protest and unison – when the voice rises.

      Sewing for me is a kind of loud drawing. These portraits are voices.”

      Tania Candiani

      Tania Candiani
      art-basel-miami-beach-2022
      Exhibitions:
      Art Basel Miami Beach 2022
      Guadalajara, México. 9 de marzo 2021. Marcha del 8M. II. From the series Manifestantes – Detail, 2022

      Photo Vermelho

      Photo Vermelho
      Detanico Lain
      art-basel-miami-beach-2022
      Exhibitions:
      Art Basel Miami Beach 2022
      Hope – from the series Vanitas, 2022
      Variable dimensions

      4 glass vases and 44 flowers

      Photo Vermelho

      In this series, words that refer to the passage of time are written with the Vanitas writing system, in which each letter of the alphabet is designated by a certain number of flowers within vases. A vase with one flower corresponds to the letter A, a vase with two flowers to the letter B, and so on.

      Here, real nature (flowers) and conventional nature (time) meet under a single perspective.

      This crossing still leaves the doubt: when is the right time to change the flowers in the vases?

      Variable dimensions

      4 glass vases and 44 flowers

      Photo Vermelho

      In this series, words that refer to the passage of time are written with the Vanitas writing system, in which each letter of the alphabet is designated by a certain number of flowers within vases. A vase with one flower corresponds to the letter A, a vase with two flowers to the letter B, and so on.

      Here, real nature (flowers) and conventional nature (time) meet under a single perspective.

      This crossing still leaves the doubt: when is the right time to change the flowers in the vases?

      Detanico Lain
      art-basel-miami-beach-2022
      Exhibitions:
      Art Basel Miami Beach 2022
      Vanitas, 2022
      Variable dimensions

      Writing system based on the grouping of flowers in vases

      Photo Reproduction

      In this series, words that refer to the passage of time are written with the Vanitas writing system, in which each letter of the alphabet is designated by a certain number of flowers within vases. A vase with one flower corresponds to the letter A, a vase with two flowers to the letter B, and so on.

      Here, real nature (flowers) and conventional nature (time) meet under a single perspective.

      This crossing still leaves the doubt: when is the right time to change the flowers in the vases?

      Variable dimensions

      Writing system based on the grouping of flowers in vases

      Photo Reproduction

      In this series, words that refer to the passage of time are written with the Vanitas writing system, in which each letter of the alphabet is designated by a certain number of flowers within vases. A vase with one flower corresponds to the letter A, a vase with two flowers to the letter B, and so on.

      Here, real nature (flowers) and conventional nature (time) meet under a single perspective.

      This crossing still leaves the doubt: when is the right time to change the flowers in the vases?

      Iván Argote
      art-basel-miami-beach-2022
      Exhibitions:
      Art Basel Miami Beach 2022
      Sí, 2021
      87 x 96 x 4 cm

      concrete, aluminum, oil based painting

      Photo Filipe Berndt

      Sí, from 2021, is part of Argote’s set of works that combine slogans with affective terms, articulating a militancy of afection. Built on pieces of cement that allow you to see parts of the writings, the pieces in this series evoke archaeological findings, as if calling for lost qualities that must be revitalized. Sí [yes], here, is both an affirmative word and a term of permission.

      87 x 96 x 4 cm

      concrete, aluminum, oil based painting

      Photo Filipe Berndt

      Sí, from 2021, is part of Argote’s set of works that combine slogans with affective terms, articulating a militancy of afection. Built on pieces of cement that allow you to see parts of the writings, the pieces in this series evoke archaeological findings, as if calling for lost qualities that must be revitalized. Sí [yes], here, is both an affirmative word and a term of permission.

      Iván Argote
      art-basel-miami-beach-2022
      Exhibitions:
      Art Basel Miami Beach 2022
      Sí (detail)

      Photo Filipe Berndt

      Photo Filipe Berndt
      Edgard de Souza
      art-basel-miami-beach-2022
      Exhibitions:
      Art Basel Miami Beach 2022
      R-48, 2020
      140 x 110 cm

      cotton thread on linen

      Photo Filipe Berndt

      140 x 110 cm

      cotton thread on linen

      Photo Filipe Berndt
      Edgard de Souza
      art-basel-miami-beach-2022
      Exhibitions:
      Art Basel Miami Beach 2022
      Exhibition view
      140 x 110 cm

      Photo Filipe Berndt

      140 x 110 cm

      Photo Filipe Berndt
      Mônica Nador + Jamac
      art-basel-miami-beach-2022
      Exhibitions:
      Politics in art, again
      Untitled, 2006
      320 x 320 cm - four parts

      Acrylic on canvas

      Photo Filipe Berndt

      320 x 320 cm - four parts

      Acrylic on canvas

      Photo Filipe Berndt
      Mônica Nador + Jamac
      art-basel-miami-beach-2022
      Exhibitions:
      Art Basel Miami Beach 2022
      Untitled (detail)

      Photo Filipe Berndt

      Photo Filipe Berndt
      André Vargas Carmela Gross Claudia Andujar Dora Longo Bahia Edgard de Souza Tania Candiani
      art-basel-miami-beach-2022
      Exhibitions:
      Art Basel Miami Beach 2022
      Booth 1, 2022

      Photo Vermelho

      Photo Vermelho
      André Vargas Claudia Andujar Dora Longo Bahia Tania Candiani
      art-basel-miami-beach-2022
      Exhibitions:
      Art Basel Miami Beach 2022
      Booth 1, 2022

      Photo Vermelho

      Photo Vermelho
      Edgard de Souza
      art-basel-miami-beach-2022
      Exhibitions:
      Edgard de Souza
      Untitled, 2018
      23,5 x 44 x 40 cm statuary bronze

      Photo Edouard Fraipont

      23,5 x 44 x 40 cm

      statuary bronze Photo Edouard Fraipont
      Carmela Gross
      art-basel-miami-beach-2022
      Exhibitions:
      Art Basel Miami Beach 2022
      Via Láctea [Milky Way], 1979
      21 x 29 cm each part of 3

      double sided photocopies mounted on tilting frames made of aluminum and transparent plexiglass

      Photo Ana Pigosso

      Via Láctea [Milky Way], from 1979, has its origin in the sonnet XIII from the poem Via Láctea – also known as “Ouvir Estrelas” {To Listen the Stars] –one of the most celebrated works by Brazilian poet Olavo Bilac, exponent of Parnassianism in Brazil.

      The set of photocopies mounted in tilting frames bears, on one side of each part of the triptych, an image that refers to the galaxy of which the Solar System is part of and, on the other side of each part, excerpts from the sonnet by Bilac. The poem is placed on grids on the pages, creating a kind of word search puzzle.

      21 x 29 cm each part of 3

      double sided photocopies mounted on tilting frames made of aluminum and transparent plexiglass

      Photo Ana Pigosso

      Via Láctea [Milky Way], from 1979, has its origin in the sonnet XIII from the poem Via Láctea – also known as “Ouvir Estrelas” {To Listen the Stars] –one of the most celebrated works by Brazilian poet Olavo Bilac, exponent of Parnassianism in Brazil.

      The set of photocopies mounted in tilting frames bears, on one side of each part of the triptych, an image that refers to the galaxy of which the Solar System is part of and, on the other side of each part, excerpts from the sonnet by Bilac. The poem is placed on grids on the pages, creating a kind of word search puzzle.

      Carmela Gross
      art-basel-miami-beach-2022
      Exhibitions:
      Art Basel Miami Beach 2022
      Via Láctea [Milky Way], 1979
      21 x 29 cm each part of 3

      double sided photocopies mounted on tilting frames made of aluminum and transparent plexiglass

      Photo Ana Pigosso

      Via Láctea [Milky Way], from 1979, has its origin in the sonnet XIII from the poem Via Láctea – also known as “Ouvir Estrelas” {To Listen the Stars] –one of the most celebrated works by Brazilian poet Olavo Bilac, exponent of Parnassianism in Brazil.

      The set of photocopies mounted in tilting frames bears, on one side of each part of the triptych, an image that refers to the galaxy of which the Solar System is part of and, on the other side of each part, excerpts from the sonnet by Bilac. The poem is placed on grids on the pages, creating a kind of word search puzzle.

      21 x 29 cm each part of 3

      double sided photocopies mounted on tilting frames made of aluminum and transparent plexiglass

      Photo Ana Pigosso

      Via Láctea [Milky Way], from 1979, has its origin in the sonnet XIII from the poem Via Láctea – also known as “Ouvir Estrelas” {To Listen the Stars] –one of the most celebrated works by Brazilian poet Olavo Bilac, exponent of Parnassianism in Brazil.

      The set of photocopies mounted in tilting frames bears, on one side of each part of the triptych, an image that refers to the galaxy of which the Solar System is part of and, on the other side of each part, excerpts from the sonnet by Bilac. The poem is placed on grids on the pages, creating a kind of word search puzzle.

      Claudia Andujar
      art-basel-miami-beach-2022
      Exhibitions:
      Art Basel Miami Beach 2022
      Catrimani – from the series House, 1971
      45 x 67 cm

      Photograph – scanned 35 mm infrared film and mineral pigment Epson Ultrachrome print on Hahnemühle Photo Rag Baryta 315g paper

      Photo Reproduction

      This photography was part of Andujar’s solo show at ICA Miami, between January and November 2021. The show, curated by Stephanie Seidel, presented a concise selection of artist and activist Claudia Andujar’s most experimental and expressive photographs from her earliest series of the Yanomami, dating from 1972 to 1976, during which Andujar became fully immersed in their complex culture.

      For some fifty years, Claudia Andujar has photographed, worked with, and fought beside the Yanomami people living in the Amazonian rainforest of Northern Brazil. Andujar’s lifelong commitment to advocating for the interests of the Yanomami, whose land is threatened by development and the mining industry, began with a 1971 photo assignment for the Brazilian magazine Realidade. Andujar has continued to visit the community ever since, creating a unique record and a political campaign that helped to designate their homeland as a protected indigenous reserve in 1992. The images see Andujar creating her own documentary style, with a verve and dynamism that stands out in her long career. Seeking to reflect the shamanic culture of the Yanomami, Andujar distorts light or softens colors in her photographs through the use of infrared film, color filters, and the application of petroleum jelly to the camera lens. The resulting images are dramatic views of landscapes and intimate portraits.

      Born in 1931 in Neuchâtel, Switzerland, Andujar lives in São Paulo. Growing up in Romania and Switzerland, she immigrated first to the United States in 1946, then to Brazil in 1955, where she started working as a photojournalist. Andujar’s works are held in the collections of the Museum of Modern Art, New York; Museum of Fine Arts, Houston; Museu de Arte de São Paulo; Museu de Arte Moderna de São Paulo; and Pinacoteca do Estado de São Paulo. Andujar received a two-year John Simon Guggenheim Memorial Foundation Fellowship (1971) and a Lannan Foundation Cultural Freedom Prize (2000). In 2020 her work was honored in the large-scale survey “The Yanomami Struggle” at the Fondation Cartier pour l’Art Contemporain, Paris.

      45 x 67 cm

      Photograph – scanned 35 mm infrared film and mineral pigment Epson Ultrachrome print on Hahnemühle Photo Rag Baryta 315g paper

      Photo Reproduction

      This photography was part of Andujar’s solo show at ICA Miami, between January and November 2021. The show, curated by Stephanie Seidel, presented a concise selection of artist and activist Claudia Andujar’s most experimental and expressive photographs from her earliest series of the Yanomami, dating from 1972 to 1976, during which Andujar became fully immersed in their complex culture.

      For some fifty years, Claudia Andujar has photographed, worked with, and fought beside the Yanomami people living in the Amazonian rainforest of Northern Brazil. Andujar’s lifelong commitment to advocating for the interests of the Yanomami, whose land is threatened by development and the mining industry, began with a 1971 photo assignment for the Brazilian magazine Realidade. Andujar has continued to visit the community ever since, creating a unique record and a political campaign that helped to designate their homeland as a protected indigenous reserve in 1992. The images see Andujar creating her own documentary style, with a verve and dynamism that stands out in her long career. Seeking to reflect the shamanic culture of the Yanomami, Andujar distorts light or softens colors in her photographs through the use of infrared film, color filters, and the application of petroleum jelly to the camera lens. The resulting images are dramatic views of landscapes and intimate portraits.

      Born in 1931 in Neuchâtel, Switzerland, Andujar lives in São Paulo. Growing up in Romania and Switzerland, she immigrated first to the United States in 1946, then to Brazil in 1955, where she started working as a photojournalist. Andujar’s works are held in the collections of the Museum of Modern Art, New York; Museum of Fine Arts, Houston; Museu de Arte de São Paulo; Museu de Arte Moderna de São Paulo; and Pinacoteca do Estado de São Paulo. Andujar received a two-year John Simon Guggenheim Memorial Foundation Fellowship (1971) and a Lannan Foundation Cultural Freedom Prize (2000). In 2020 her work was honored in the large-scale survey “The Yanomami Struggle” at the Fondation Cartier pour l’Art Contemporain, Paris.

      Claudia Andujar
      art-basel-miami-beach-2022
      Exhibitions:
      Art Basel Miami Beach 2022
      The ubim leaves that cover the maloca will be replaced during the rainy season, Catrimani – from the series House, 1974
      45 x 67 cm

      gelatin and silver on Ilford Multigrade Classic 1K glossy paper

      Photo Reproduction

      This photography was part of Andujar’s solo show at ICA Miami, between January and November 2021. The show, curated by Stephanie Seidel, presented a concise selection of artist and activist Claudia Andujar’s most experimental and expressive photographs from her earliest series of the Yanomami, dating from 1972 to 1976, during which Andujar became fully immersed in their complex culture.

      For some fifty years, Claudia Andujar has photographed, worked with, and fought beside the Yanomami people living in the Amazonian rainforest of Northern Brazil. Andujar’s lifelong commitment to advocating for the interests of the Yanomami, whose land is threatened by development and the mining industry, began with a 1971 photo assignment for the Brazilian magazine Realidade. Andujar has continued to visit the community ever since, creating a unique record and a political campaign that helped to designate their homeland as a protected indigenous reserve in 1992. The images see Andujar creating her own documentary style, with a verve and dynamism that stands out in her long career. Seeking to reflect the shamanic culture of the Yanomami, Andujar distorts light or softens colors in her photographs through the use of infrared film, color filters, and the application of petroleum jelly to the camera lens. The resulting images are dramatic views of landscapes and intimate portraits.

      Born in 1931 in Neuchâtel, Switzerland, Andujar lives in São Paulo. Growing up in Romania and Switzerland, she immigrated first to the United States in 1946, then to Brazil in 1955, where she started working as a photojournalist. Andujar’s works are held in the collections of the Museum of Modern Art, New York; Museum of Fine Arts, Houston; Museu de Arte de São Paulo; Museu de Arte Moderna de São Paulo; and Pinacoteca do Estado de São Paulo. Andujar received a two-year John Simon Guggenheim Memorial Foundation Fellowship (1971) and a Lannan Foundation Cultural Freedom Prize (2000). In 2020 her work was honored in the large-scale survey “The Yanomami Struggle” at the Fondation Cartier pour l’Art Contemporain, Paris.

      45 x 67 cm

      gelatin and silver on Ilford Multigrade Classic 1K glossy paper

      Photo Reproduction

      This photography was part of Andujar’s solo show at ICA Miami, between January and November 2021. The show, curated by Stephanie Seidel, presented a concise selection of artist and activist Claudia Andujar’s most experimental and expressive photographs from her earliest series of the Yanomami, dating from 1972 to 1976, during which Andujar became fully immersed in their complex culture.

      For some fifty years, Claudia Andujar has photographed, worked with, and fought beside the Yanomami people living in the Amazonian rainforest of Northern Brazil. Andujar’s lifelong commitment to advocating for the interests of the Yanomami, whose land is threatened by development and the mining industry, began with a 1971 photo assignment for the Brazilian magazine Realidade. Andujar has continued to visit the community ever since, creating a unique record and a political campaign that helped to designate their homeland as a protected indigenous reserve in 1992. The images see Andujar creating her own documentary style, with a verve and dynamism that stands out in her long career. Seeking to reflect the shamanic culture of the Yanomami, Andujar distorts light or softens colors in her photographs through the use of infrared film, color filters, and the application of petroleum jelly to the camera lens. The resulting images are dramatic views of landscapes and intimate portraits.

      Born in 1931 in Neuchâtel, Switzerland, Andujar lives in São Paulo. Growing up in Romania and Switzerland, she immigrated first to the United States in 1946, then to Brazil in 1955, where she started working as a photojournalist. Andujar’s works are held in the collections of the Museum of Modern Art, New York; Museum of Fine Arts, Houston; Museu de Arte de São Paulo; Museu de Arte Moderna de São Paulo; and Pinacoteca do Estado de São Paulo. Andujar received a two-year John Simon Guggenheim Memorial Foundation Fellowship (1971) and a Lannan Foundation Cultural Freedom Prize (2000). In 2020 her work was honored in the large-scale survey “The Yanomami Struggle” at the Fondation Cartier pour l’Art Contemporain, Paris.

      Claudia Andujar
      art-basel-miami-beach-2022
      Exhibitions:
      Art Basel Miami Beach 2022
      Untitled, Catrimani – from The Forest series, 1972-1976
      45 x 67 cm

      infrared film scanned on mineral pigmented inkjet on Hahnemühle Photo Rag Baryta 315g paper

      Photo Reproduction

      This photography was part of Andujar’s solo show at ICA Miami, between January and November 2021. The show, curated by Stephanie Seidel, presented a concise selection of artist and activist Claudia Andujar’s most experimental and expressive photographs from her earliest series of the Yanomami, dating from 1972 to 1976, during which Andujar became fully immersed in their complex culture.

      For some fifty years, Claudia Andujar has photographed, worked with, and fought beside the Yanomami people living in the Amazonian rainforest of Northern Brazil. Andujar’s lifelong commitment to advocating for the interests of the Yanomami, whose land is threatened by development and the mining industry, began with a 1971 photo assignment for the Brazilian magazine Realidade. Andujar has continued to visit the community ever since, creating a unique record and a political campaign that helped to designate their homeland as a protected indigenous reserve in 1992. The images see Andujar creating her own documentary style, with a verve and dynamism that stands out in her long career. Seeking to reflect the shamanic culture of the Yanomami, Andujar distorts light or softens colors in her photographs through the use of infrared film, color filters, and the application of petroleum jelly to the camera lens. The resulting images are dramatic views of landscapes and intimate portraits.

      Born in 1931 in Neuchâtel, Switzerland, Andujar lives in São Paulo. Growing up in Romania and Switzerland, she immigrated first to the United States in 1946, then to Brazil in 1955, where she started working as a photojournalist. Andujar’s works are held in the collections of the Museum of Modern Art, New York; Museum of Fine Arts, Houston; Museu de Arte de São Paulo; Museu de Arte Moderna de São Paulo; and Pinacoteca do Estado de São Paulo. Andujar received a two-year John Simon Guggenheim Memorial Foundation Fellowship (1971) and a Lannan Foundation Cultural Freedom Prize (2000). In 2020 her work was honored in the large-scale survey “The Yanomami Struggle” at the Fondation Cartier pour l’Art Contemporain, Paris.

      45 x 67 cm

      infrared film scanned on mineral pigmented inkjet on Hahnemühle Photo Rag Baryta 315g paper

      Photo Reproduction

      This photography was part of Andujar’s solo show at ICA Miami, between January and November 2021. The show, curated by Stephanie Seidel, presented a concise selection of artist and activist Claudia Andujar’s most experimental and expressive photographs from her earliest series of the Yanomami, dating from 1972 to 1976, during which Andujar became fully immersed in their complex culture.

      For some fifty years, Claudia Andujar has photographed, worked with, and fought beside the Yanomami people living in the Amazonian rainforest of Northern Brazil. Andujar’s lifelong commitment to advocating for the interests of the Yanomami, whose land is threatened by development and the mining industry, began with a 1971 photo assignment for the Brazilian magazine Realidade. Andujar has continued to visit the community ever since, creating a unique record and a political campaign that helped to designate their homeland as a protected indigenous reserve in 1992. The images see Andujar creating her own documentary style, with a verve and dynamism that stands out in her long career. Seeking to reflect the shamanic culture of the Yanomami, Andujar distorts light or softens colors in her photographs through the use of infrared film, color filters, and the application of petroleum jelly to the camera lens. The resulting images are dramatic views of landscapes and intimate portraits.

      Born in 1931 in Neuchâtel, Switzerland, Andujar lives in São Paulo. Growing up in Romania and Switzerland, she immigrated first to the United States in 1946, then to Brazil in 1955, where she started working as a photojournalist. Andujar’s works are held in the collections of the Museum of Modern Art, New York; Museum of Fine Arts, Houston; Museu de Arte de São Paulo; Museu de Arte Moderna de São Paulo; and Pinacoteca do Estado de São Paulo. Andujar received a two-year John Simon Guggenheim Memorial Foundation Fellowship (1971) and a Lannan Foundation Cultural Freedom Prize (2000). In 2020 her work was honored in the large-scale survey “The Yanomami Struggle” at the Fondation Cartier pour l’Art Contemporain, Paris.

      Claudia Andujar
      art-basel-miami-beach-2022
      Exhibitions:
      Art Basel Miami Beach 2022
      Maloca of the Korihana thëri, Catrimani – from the series The Forest, 1972-1976
      45 x 67 cm

      infrared film scanned on mineral pigmented inkjet print on Hahnemühle Fine Art Photo Rag Baryta 315g paper

      Photo Reproduction

      This photography was part of Andujar’s solo show at ICA Miami, between January and November 2021. The show, curated by Stephanie Seidel, presented a concise selection of artist and activist Claudia Andujar’s most experimental and expressive photographs from her earliest series of the Yanomami, dating from 1972 to 1976, during which Andujar became fully immersed in their complex culture.

      For some fifty years, Claudia Andujar has photographed, worked with, and fought beside the Yanomami people living in the Amazonian rainforest of Northern Brazil. Andujar’s lifelong commitment to advocating for the interests of the Yanomami, whose land is threatened by development and the mining industry, began with a 1971 photo assignment for the Brazilian magazine Realidade. Andujar has continued to visit the community ever since, creating a unique record and a political campaign that helped to designate their homeland as a protected indigenous reserve in 1992. The images see Andujar creating her own documentary style, with a verve and dynamism that stands out in her long career. Seeking to reflect the shamanic culture of the Yanomami, Andujar distorts light or softens colors in her photographs through the use of infrared film, color filters, and the application of petroleum jelly to the camera lens. The resulting images are dramatic views of landscapes and intimate portraits.

      Born in 1931 in Neuchâtel, Switzerland, Andujar lives in São Paulo. Growing up in Romania and Switzerland, she immigrated first to the United States in 1946, then to Brazil in 1955, where she started working as a photojournalist. Andujar’s works are held in the collections of the Museum of Modern Art, New York; Museum of Fine Arts, Houston; Museu de Arte de São Paulo; Museu de Arte Moderna de São Paulo; and Pinacoteca do Estado de São Paulo. Andujar received a two-year John Simon Guggenheim Memorial Foundation Fellowship (1971) and a Lannan Foundation Cultural Freedom Prize (2000). In 2020 her work was honored in the large-scale survey “The Yanomami Struggle” at the Fondation Cartier pour l’Art Contemporain, Paris.

      45 x 67 cm

      infrared film scanned on mineral pigmented inkjet print on Hahnemühle Fine Art Photo Rag Baryta 315g paper

      Photo Reproduction

      This photography was part of Andujar’s solo show at ICA Miami, between January and November 2021. The show, curated by Stephanie Seidel, presented a concise selection of artist and activist Claudia Andujar’s most experimental and expressive photographs from her earliest series of the Yanomami, dating from 1972 to 1976, during which Andujar became fully immersed in their complex culture.

      For some fifty years, Claudia Andujar has photographed, worked with, and fought beside the Yanomami people living in the Amazonian rainforest of Northern Brazil. Andujar’s lifelong commitment to advocating for the interests of the Yanomami, whose land is threatened by development and the mining industry, began with a 1971 photo assignment for the Brazilian magazine Realidade. Andujar has continued to visit the community ever since, creating a unique record and a political campaign that helped to designate their homeland as a protected indigenous reserve in 1992. The images see Andujar creating her own documentary style, with a verve and dynamism that stands out in her long career. Seeking to reflect the shamanic culture of the Yanomami, Andujar distorts light or softens colors in her photographs through the use of infrared film, color filters, and the application of petroleum jelly to the camera lens. The resulting images are dramatic views of landscapes and intimate portraits.

      Born in 1931 in Neuchâtel, Switzerland, Andujar lives in São Paulo. Growing up in Romania and Switzerland, she immigrated first to the United States in 1946, then to Brazil in 1955, where she started working as a photojournalist. Andujar’s works are held in the collections of the Museum of Modern Art, New York; Museum of Fine Arts, Houston; Museu de Arte de São Paulo; Museu de Arte Moderna de São Paulo; and Pinacoteca do Estado de São Paulo. Andujar received a two-year John Simon Guggenheim Memorial Foundation Fellowship (1971) and a Lannan Foundation Cultural Freedom Prize (2000). In 2020 her work was honored in the large-scale survey “The Yanomami Struggle” at the Fondation Cartier pour l’Art Contemporain, Paris.

      André Vargas
      art-basel-miami-beach-2022
      Exhibitions:
      Art Basel Miami Beach 2022 SP-Arte | Rotas Brasileiras 2023
      Saravá! – Série Bocas de Prazeres, 2021
      20 x 30 cm

      PVA and acrylic on canvas

      Photo Vermelho

      “I was always imagining the things that the open mouths of the characters in Heitor dos Prazeres’ paintings could be saying. The joy and jubilation of each scenario created by this master always invited me to sing.

      Today I sing in color… All Hail Heitor dos Prazeres!”

      André Vargas

      20 x 30 cm

      PVA and acrylic on canvas

      Photo Vermelho

      “I was always imagining the things that the open mouths of the characters in Heitor dos Prazeres’ paintings could be saying. The joy and jubilation of each scenario created by this master always invited me to sing.

      Today I sing in color… All Hail Heitor dos Prazeres!”

      André Vargas

      André Vargas
      art-basel-miami-beach-2022
      Exhibitions:
      Art Basel Miami Beach 2022 SP-Arte | Rotas Brasileiras 2023
      Gooooool! – Série Bocas de Prazeres, 2021
      20 x 30 cm

      PVA and acrylic on canvas

      Photo Vermelho

      “I was always imagining the things that the open mouths of the characters in Heitor dos Prazeres’ paintings could be saying. The joy and jubilation of each scenario created by this master always invited me to sing.

      Today I sing in color… All Hail Heitor dos Prazeres!”

      André Vargas

      20 x 30 cm

      PVA and acrylic on canvas

      Photo Vermelho

      “I was always imagining the things that the open mouths of the characters in Heitor dos Prazeres’ paintings could be saying. The joy and jubilation of each scenario created by this master always invited me to sing.

      Today I sing in color… All Hail Heitor dos Prazeres!”

      André Vargas

      André Vargas
      art-basel-miami-beach-2022
      Exhibitions:
      SP-Arte | Rotas Brasileiras 2023 Art Basel Miami Beach 2022
      Ô de casa! – Série Bocas de Prazeres, 2021
      20 x 30 cm

      PVA and acrylic on canvas

      Photo Vermelho

      “I was always imagining the things that the open mouths of the characters in Heitor dos Prazeres’ paintings could be saying. The joy and jubilation of each scenario created by this master always invited me to sing.

      Today I sing in color… All Hail Heitor dos Prazeres!”

      André Vargas

      20 x 30 cm

      PVA and acrylic on canvas

      Photo Vermelho

      “I was always imagining the things that the open mouths of the characters in Heitor dos Prazeres’ paintings could be saying. The joy and jubilation of each scenario created by this master always invited me to sing.

      Today I sing in color… All Hail Heitor dos Prazeres!”

      André Vargas

      Dora Longo Bahia
      art-basel-miami-beach-2022
      Exhibitions:
      Art Basel Miami Beach 2022
      Adriana and Medusa, 2001
      34 x 28 x 16 cm

      Cibachrome print and alabaster light box

      Photo Vermelho

      Dora Longo Bahia produced the set of portraits mounted on alabaster light boxes for the Medusa series during a residency as a visiting professor in the The Valais School of Art, in Sierre, Switzerland. She photographed colleagues and students using a 35mm film and later enlarged the images and made Cibachrome prints. The title and the use of stone to frame the portraits were linked to a research regarding the the phantasmagorical and static (or changing) aspect of images in family albums.

      34 x 28 x 16 cm

      Cibachrome print and alabaster light box

      Photo Vermelho

      Dora Longo Bahia produced the set of portraits mounted on alabaster light boxes for the Medusa series during a residency as a visiting professor in the The Valais School of Art, in Sierre, Switzerland. She photographed colleagues and students using a 35mm film and later enlarged the images and made Cibachrome prints. The title and the use of stone to frame the portraits were linked to a research regarding the the phantasmagorical and static (or changing) aspect of images in family albums.

      Tania Candiani
      art-basel-miami-beach-2022
      Exhibitions:
      Art Basel Miami Beach 2022
      Manila, Filipinas, 23 de Febrero 2018. Marcha para frenar la cultura de la violación. From the series Manifestantes, 2022
      148 x 160 cm

      Cotton thread sewn on cotton canvas, high density acrylic paint and acrylic sealer

      Photo Vermelho

      “I started “Manifestantes” one week before the first march of the “revolución diamantina” (a march that protested the rape of a young woman by four police officers in the north of México City). I decided to sew the portraits as soon as I started thinking about a series of large scale sewn-paintings portraying women in different marches and protests around the globe. Privileging the moment of protest and unison – when the voice rises.

      Sewing for me is a kind of loud drawing. These portraits are voices.”

      Tania Candiani

      148 x 160 cm

      Cotton thread sewn on cotton canvas, high density acrylic paint and acrylic sealer

      Photo Vermelho

      “I started “Manifestantes” one week before the first march of the “revolución diamantina” (a march that protested the rape of a young woman by four police officers in the north of México City). I decided to sew the portraits as soon as I started thinking about a series of large scale sewn-paintings portraying women in different marches and protests around the globe. Privileging the moment of protest and unison – when the voice rises.

      Sewing for me is a kind of loud drawing. These portraits are voices.”

      Tania Candiani

      Tania Candiani
      art-basel-miami-beach-2022
      Exhibitions:
      Art Basel Miami Beach 2022
      Manila, Filipinas, 23 de Febrero 2018. Marcha para frenar la cultura de la violación. From the series Manifestantes – Detail, 2022

      Photo Vermelho

      Photo Vermelho
      Detanico Lain Dias & Riedweg Dora Longo Bahia Edgard de Souza Iván Argote Mônica Nador + Jamac Tania Candiani
      art-basel-miami-beach-2022
      Exhibitions:
      Art Basel Miami Beach 2022
      Booth 1, 2022

      Photo Vermelho

      Photo Vermelho
      Dora Longo Bahia
      art-basel-miami-beach-2022
      Exhibitions:
      Art Basel Miami Beach 2022
      Perigo Minas! (Ukraine), 2022
      38 x 50 cm

      synthetic enamel on aluminum

      Photo Vermelho

      38 x 50 cm

      synthetic enamel on aluminum

      Photo Vermelho
      Dias & Riedweg
      art-basel-miami-beach-2022
      Exhibitions:
      Art Basel Miami Beach 2022
      Fantasy Archive (E), 2017
      3'loop

      Video. BW, with sound

      Photo Reproduction

      The works from this series were conceived and developed through an investigation by Maurício Dias and Walter Riedweg on the archives, professional activity and personal life of the North American photographer, artist and activist, Charles Hovland (1954) that the pair met in the beginning of the 1990s.

      In Arquivo fantasia [Fantasy Archive] (2017) Hovland’s black and white contact sheets were recreated into digital video animations. Each analog contact sheet was resized into a single sheet and transported onto a collective contact sheet with various models, showing the chemical process of the passage from negative to positive of each image on video. The result is presented in vertical videos where the audio reveals the photographer’s notes about his models read by himself. These notes, called “Log Book” by Hovland, catalog the date of the photo session, the sexual fantasy of each model and the value they paid for the execution of these images. This mixing of sound and vision makes for a new archival organization where the identity and gender of each model are substituted by each model’s fantasy.

      3'loop

      Video. BW, with sound

      Photo Reproduction

      The works from this series were conceived and developed through an investigation by Maurício Dias and Walter Riedweg on the archives, professional activity and personal life of the North American photographer, artist and activist, Charles Hovland (1954) that the pair met in the beginning of the 1990s.

      In Arquivo fantasia [Fantasy Archive] (2017) Hovland’s black and white contact sheets were recreated into digital video animations. Each analog contact sheet was resized into a single sheet and transported onto a collective contact sheet with various models, showing the chemical process of the passage from negative to positive of each image on video. The result is presented in vertical videos where the audio reveals the photographer’s notes about his models read by himself. These notes, called “Log Book” by Hovland, catalog the date of the photo session, the sexual fantasy of each model and the value they paid for the execution of these images. This mixing of sound and vision makes for a new archival organization where the identity and gender of each model are substituted by each model’s fantasy.

      Edgard de Souza Mônica Nador + Jamac
      art-basel-miami-beach-2022
      Exhibitions:
      Art Basel Miami Beach 2022
      Booth 1, 2022

      Photo Vermelho

      Photo Vermelho
      Edgard de Souza
      art-basel-miami-beach-2022
      Exhibitions:
      Frieze London 2022
      Spoon Licks Spoon 6, 2022
      80 cm + 72 cm (glass 30 x 9,5 cm)

      Mahogany and glass

      Photo Vermelho

      The surge of life drive embedded in everyday objects is a constant in Edgard de Souza’s oeuvre and becomes evident in the series of wooden spoons the artist have been developing.

      The objects were meticulously sculpted from rare wood logs – here in mahogany. In Colher lambe colher [Spoon licks spoon] the wood comes to life through human features, and as a couple, the two spoons serve each other voluptuously.

      80 cm + 72 cm (glass 30 x 9,5 cm)

      Mahogany and glass

      Photo Vermelho

      The surge of life drive embedded in everyday objects is a constant in Edgard de Souza’s oeuvre and becomes evident in the series of wooden spoons the artist have been developing.

      The objects were meticulously sculpted from rare wood logs – here in mahogany. In Colher lambe colher [Spoon licks spoon] the wood comes to life through human features, and as a couple, the two spoons serve each other voluptuously.

      Edgard de Souza
      art-basel-miami-beach-2022
      Exhibitions:
      Art Basel Miami Beach 2022
      Spoon licks spoon (detail)

      Photo Filipe Berndt

      Photo Filipe Berndt
      art-basel-miami-beach-2022
      Galeria Vermelho - Fair
      Fairs
      Art Basel Miami Beach 2022
      Miami Beach Convention Center
      Miami Beach, Florida, USA
      29.Nov.22 - 03.Dec.22
      B22
      B22
      Carmela Gross Dias & Riedweg Dora Longo Bahia Edgard de Souza Iván Argote Mônica Nador + Jamac Tania Candiani

      For the ArtBasel Miami 2022 edition, Vermelho presents works which explore the use of archetypal art tools through a conceptual framework.

      A variety of contemporary perspectives on art historic strategies are some of the key elements employed by the gallery’s cast of artists.

      Carmela Gross Detanico Lain Edgard de Souza Iván Argote Mônica Nador + Jamac Tania Candiani
      Exhibitions:
      Art Basel Miami Beach 2022
      Booth 1, 2022

      Photo Vermelho

      Photo Vermelho
      Detanico Lain Iván Argote Tania Candiani
      Exhibitions:
      Art Basel Miami Beach 2022
      Booth 1, 2022

      Photo Vermelho

      Photo Vermelho
      Tania Candiani
      Exhibitions:
      Art Basel Miami Beach 2022
      Guadalajara, México. 9 de marzo 2021. Marcha del 8M. II. From the series Manifestantes, 2022
      200 x 148 cm

      Cotton thread sewn on cotton canvas, high density acrylic paint and acrylic sealer

      Photo Vermelho

      “I started Manifestantes one week before the first march of the “revolución diamantina” (a march that protested the rape of a young woman by four police officers in the north of México City). I decided to sew the portraits as soon as I started thinking about a series of large scale sewn-paintings portraying women in different marches and protests around the globe. Privileging the moment of protest and unison – when the voice rises.

      Sewing for me is a kind of loud drawing. These portraits are voices.”

      Tania Candiani

      200 x 148 cm

      Cotton thread sewn on cotton canvas, high density acrylic paint and acrylic sealer

      Photo Vermelho

      “I started Manifestantes one week before the first march of the “revolución diamantina” (a march that protested the rape of a young woman by four police officers in the north of México City). I decided to sew the portraits as soon as I started thinking about a series of large scale sewn-paintings portraying women in different marches and protests around the globe. Privileging the moment of protest and unison – when the voice rises.

      Sewing for me is a kind of loud drawing. These portraits are voices.”

      Tania Candiani

      Tania Candiani
      Exhibitions:
      Art Basel Miami Beach 2022
      Guadalajara, México. 9 de marzo 2021. Marcha del 8M. II. From the series Manifestantes – Detail, 2022

      Photo Vermelho

      Photo Vermelho
      Detanico Lain
      Exhibitions:
      Art Basel Miami Beach 2022
      Hope – from the series Vanitas, 2022
      Variable dimensions

      4 glass vases and 44 flowers

      Photo Vermelho

      In this series, words that refer to the passage of time are written with the Vanitas writing system, in which each letter of the alphabet is designated by a certain number of flowers within vases. A vase with one flower corresponds to the letter A, a vase with two flowers to the letter B, and so on.

      Here, real nature (flowers) and conventional nature (time) meet under a single perspective.

      This crossing still leaves the doubt: when is the right time to change the flowers in the vases?

      Variable dimensions

      4 glass vases and 44 flowers

      Photo Vermelho

      In this series, words that refer to the passage of time are written with the Vanitas writing system, in which each letter of the alphabet is designated by a certain number of flowers within vases. A vase with one flower corresponds to the letter A, a vase with two flowers to the letter B, and so on.

      Here, real nature (flowers) and conventional nature (time) meet under a single perspective.

      This crossing still leaves the doubt: when is the right time to change the flowers in the vases?

      Detanico Lain
      Exhibitions:
      Art Basel Miami Beach 2022
      Vanitas, 2022
      Variable dimensions

      Writing system based on the grouping of flowers in vases

      Photo Reproduction

      In this series, words that refer to the passage of time are written with the Vanitas writing system, in which each letter of the alphabet is designated by a certain number of flowers within vases. A vase with one flower corresponds to the letter A, a vase with two flowers to the letter B, and so on.

      Here, real nature (flowers) and conventional nature (time) meet under a single perspective.

      This crossing still leaves the doubt: when is the right time to change the flowers in the vases?

      Variable dimensions

      Writing system based on the grouping of flowers in vases

      Photo Reproduction

      In this series, words that refer to the passage of time are written with the Vanitas writing system, in which each letter of the alphabet is designated by a certain number of flowers within vases. A vase with one flower corresponds to the letter A, a vase with two flowers to the letter B, and so on.

      Here, real nature (flowers) and conventional nature (time) meet under a single perspective.

      This crossing still leaves the doubt: when is the right time to change the flowers in the vases?

      Iván Argote
      Exhibitions:
      Art Basel Miami Beach 2022
      Sí, 2021
      87 x 96 x 4 cm

      concrete, aluminum, oil based painting

      Photo Filipe Berndt

      Sí, from 2021, is part of Argote’s set of works that combine slogans with affective terms, articulating a militancy of afection. Built on pieces of cement that allow you to see parts of the writings, the pieces in this series evoke archaeological findings, as if calling for lost qualities that must be revitalized. Sí [yes], here, is both an affirmative word and a term of permission.

      87 x 96 x 4 cm

      concrete, aluminum, oil based painting

      Photo Filipe Berndt

      Sí, from 2021, is part of Argote’s set of works that combine slogans with affective terms, articulating a militancy of afection. Built on pieces of cement that allow you to see parts of the writings, the pieces in this series evoke archaeological findings, as if calling for lost qualities that must be revitalized. Sí [yes], here, is both an affirmative word and a term of permission.

      Iván Argote
      Exhibitions:
      Art Basel Miami Beach 2022
      Sí (detail)

      Photo Filipe Berndt

      Photo Filipe Berndt
      Edgard de Souza
      Exhibitions:
      Art Basel Miami Beach 2022
      R-48, 2020
      140 x 110 cm

      cotton thread on linen

      Photo Filipe Berndt

      140 x 110 cm

      cotton thread on linen

      Photo Filipe Berndt
      Edgard de Souza
      Exhibitions:
      Art Basel Miami Beach 2022
      Exhibition view
      140 x 110 cm

      Photo Filipe Berndt

      140 x 110 cm

      Photo Filipe Berndt
      Mônica Nador + Jamac
      Exhibitions:
      Politics in art, again
      Untitled, 2006
      320 x 320 cm - four parts

      Acrylic on canvas

      Photo Filipe Berndt

      320 x 320 cm - four parts

      Acrylic on canvas

      Photo Filipe Berndt
      Mônica Nador + Jamac
      Exhibitions:
      Art Basel Miami Beach 2022
      Untitled (detail)

      Photo Filipe Berndt

      Photo Filipe Berndt
      André Vargas Carmela Gross Claudia Andujar Dora Longo Bahia Edgard de Souza Tania Candiani
      Exhibitions:
      Art Basel Miami Beach 2022
      Booth 1, 2022

      Photo Vermelho

      Photo Vermelho
      André Vargas Claudia Andujar Dora Longo Bahia Tania Candiani
      Exhibitions:
      Art Basel Miami Beach 2022
      Booth 1, 2022

      Photo Vermelho

      Photo Vermelho
      Edgard de Souza
      Exhibitions:
      Edgard de Souza
      Untitled, 2018
      23,5 x 44 x 40 cm statuary bronze

      Photo Edouard Fraipont

      23,5 x 44 x 40 cm

      statuary bronze Photo Edouard Fraipont
      Carmela Gross
      Exhibitions:
      Art Basel Miami Beach 2022
      Via Láctea [Milky Way], 1979
      21 x 29 cm each part of 3

      double sided photocopies mounted on tilting frames made of aluminum and transparent plexiglass

      Photo Ana Pigosso

      Via Láctea [Milky Way], from 1979, has its origin in the sonnet XIII from the poem Via Láctea – also known as “Ouvir Estrelas” {To Listen the Stars] –one of the most celebrated works by Brazilian poet Olavo Bilac, exponent of Parnassianism in Brazil.

      The set of photocopies mounted in tilting frames bears, on one side of each part of the triptych, an image that refers to the galaxy of which the Solar System is part of and, on the other side of each part, excerpts from the sonnet by Bilac. The poem is placed on grids on the pages, creating a kind of word search puzzle.

      21 x 29 cm each part of 3

      double sided photocopies mounted on tilting frames made of aluminum and transparent plexiglass

      Photo Ana Pigosso

      Via Láctea [Milky Way], from 1979, has its origin in the sonnet XIII from the poem Via Láctea – also known as “Ouvir Estrelas” {To Listen the Stars] –one of the most celebrated works by Brazilian poet Olavo Bilac, exponent of Parnassianism in Brazil.

      The set of photocopies mounted in tilting frames bears, on one side of each part of the triptych, an image that refers to the galaxy of which the Solar System is part of and, on the other side of each part, excerpts from the sonnet by Bilac. The poem is placed on grids on the pages, creating a kind of word search puzzle.

      Carmela Gross
      Exhibitions:
      Art Basel Miami Beach 2022
      Via Láctea [Milky Way], 1979
      21 x 29 cm each part of 3

      double sided photocopies mounted on tilting frames made of aluminum and transparent plexiglass

      Photo Ana Pigosso

      Via Láctea [Milky Way], from 1979, has its origin in the sonnet XIII from the poem Via Láctea – also known as “Ouvir Estrelas” {To Listen the Stars] –one of the most celebrated works by Brazilian poet Olavo Bilac, exponent of Parnassianism in Brazil.

      The set of photocopies mounted in tilting frames bears, on one side of each part of the triptych, an image that refers to the galaxy of which the Solar System is part of and, on the other side of each part, excerpts from the sonnet by Bilac. The poem is placed on grids on the pages, creating a kind of word search puzzle.

      21 x 29 cm each part of 3

      double sided photocopies mounted on tilting frames made of aluminum and transparent plexiglass

      Photo Ana Pigosso

      Via Láctea [Milky Way], from 1979, has its origin in the sonnet XIII from the poem Via Láctea – also known as “Ouvir Estrelas” {To Listen the Stars] –one of the most celebrated works by Brazilian poet Olavo Bilac, exponent of Parnassianism in Brazil.

      The set of photocopies mounted in tilting frames bears, on one side of each part of the triptych, an image that refers to the galaxy of which the Solar System is part of and, on the other side of each part, excerpts from the sonnet by Bilac. The poem is placed on grids on the pages, creating a kind of word search puzzle.

      Claudia Andujar
      Exhibitions:
      Art Basel Miami Beach 2022
      Catrimani – from the series House, 1971
      45 x 67 cm

      Photograph – scanned 35 mm infrared film and mineral pigment Epson Ultrachrome print on Hahnemühle Photo Rag Baryta 315g paper

      Photo Reproduction

      This photography was part of Andujar’s solo show at ICA Miami, between January and November 2021. The show, curated by Stephanie Seidel, presented a concise selection of artist and activist Claudia Andujar’s most experimental and expressive photographs from her earliest series of the Yanomami, dating from 1972 to 1976, during which Andujar became fully immersed in their complex culture.

      For some fifty years, Claudia Andujar has photographed, worked with, and fought beside the Yanomami people living in the Amazonian rainforest of Northern Brazil. Andujar’s lifelong commitment to advocating for the interests of the Yanomami, whose land is threatened by development and the mining industry, began with a 1971 photo assignment for the Brazilian magazine Realidade. Andujar has continued to visit the community ever since, creating a unique record and a political campaign that helped to designate their homeland as a protected indigenous reserve in 1992. The images see Andujar creating her own documentary style, with a verve and dynamism that stands out in her long career. Seeking to reflect the shamanic culture of the Yanomami, Andujar distorts light or softens colors in her photographs through the use of infrared film, color filters, and the application of petroleum jelly to the camera lens. The resulting images are dramatic views of landscapes and intimate portraits.

      Born in 1931 in Neuchâtel, Switzerland, Andujar lives in São Paulo. Growing up in Romania and Switzerland, she immigrated first to the United States in 1946, then to Brazil in 1955, where she started working as a photojournalist. Andujar’s works are held in the collections of the Museum of Modern Art, New York; Museum of Fine Arts, Houston; Museu de Arte de São Paulo; Museu de Arte Moderna de São Paulo; and Pinacoteca do Estado de São Paulo. Andujar received a two-year John Simon Guggenheim Memorial Foundation Fellowship (1971) and a Lannan Foundation Cultural Freedom Prize (2000). In 2020 her work was honored in the large-scale survey “The Yanomami Struggle” at the Fondation Cartier pour l’Art Contemporain, Paris.

      45 x 67 cm

      Photograph – scanned 35 mm infrared film and mineral pigment Epson Ultrachrome print on Hahnemühle Photo Rag Baryta 315g paper

      Photo Reproduction

      This photography was part of Andujar’s solo show at ICA Miami, between January and November 2021. The show, curated by Stephanie Seidel, presented a concise selection of artist and activist Claudia Andujar’s most experimental and expressive photographs from her earliest series of the Yanomami, dating from 1972 to 1976, during which Andujar became fully immersed in their complex culture.

      For some fifty years, Claudia Andujar has photographed, worked with, and fought beside the Yanomami people living in the Amazonian rainforest of Northern Brazil. Andujar’s lifelong commitment to advocating for the interests of the Yanomami, whose land is threatened by development and the mining industry, began with a 1971 photo assignment for the Brazilian magazine Realidade. Andujar has continued to visit the community ever since, creating a unique record and a political campaign that helped to designate their homeland as a protected indigenous reserve in 1992. The images see Andujar creating her own documentary style, with a verve and dynamism that stands out in her long career. Seeking to reflect the shamanic culture of the Yanomami, Andujar distorts light or softens colors in her photographs through the use of infrared film, color filters, and the application of petroleum jelly to the camera lens. The resulting images are dramatic views of landscapes and intimate portraits.

      Born in 1931 in Neuchâtel, Switzerland, Andujar lives in São Paulo. Growing up in Romania and Switzerland, she immigrated first to the United States in 1946, then to Brazil in 1955, where she started working as a photojournalist. Andujar’s works are held in the collections of the Museum of Modern Art, New York; Museum of Fine Arts, Houston; Museu de Arte de São Paulo; Museu de Arte Moderna de São Paulo; and Pinacoteca do Estado de São Paulo. Andujar received a two-year John Simon Guggenheim Memorial Foundation Fellowship (1971) and a Lannan Foundation Cultural Freedom Prize (2000). In 2020 her work was honored in the large-scale survey “The Yanomami Struggle” at the Fondation Cartier pour l’Art Contemporain, Paris.

      Claudia Andujar
      Exhibitions:
      Art Basel Miami Beach 2022
      The ubim leaves that cover the maloca will be replaced during the rainy season, Catrimani – from the series House, 1974
      45 x 67 cm

      gelatin and silver on Ilford Multigrade Classic 1K glossy paper

      Photo Reproduction

      This photography was part of Andujar’s solo show at ICA Miami, between January and November 2021. The show, curated by Stephanie Seidel, presented a concise selection of artist and activist Claudia Andujar’s most experimental and expressive photographs from her earliest series of the Yanomami, dating from 1972 to 1976, during which Andujar became fully immersed in their complex culture.

      For some fifty years, Claudia Andujar has photographed, worked with, and fought beside the Yanomami people living in the Amazonian rainforest of Northern Brazil. Andujar’s lifelong commitment to advocating for the interests of the Yanomami, whose land is threatened by development and the mining industry, began with a 1971 photo assignment for the Brazilian magazine Realidade. Andujar has continued to visit the community ever since, creating a unique record and a political campaign that helped to designate their homeland as a protected indigenous reserve in 1992. The images see Andujar creating her own documentary style, with a verve and dynamism that stands out in her long career. Seeking to reflect the shamanic culture of the Yanomami, Andujar distorts light or softens colors in her photographs through the use of infrared film, color filters, and the application of petroleum jelly to the camera lens. The resulting images are dramatic views of landscapes and intimate portraits.

      Born in 1931 in Neuchâtel, Switzerland, Andujar lives in São Paulo. Growing up in Romania and Switzerland, she immigrated first to the United States in 1946, then to Brazil in 1955, where she started working as a photojournalist. Andujar’s works are held in the collections of the Museum of Modern Art, New York; Museum of Fine Arts, Houston; Museu de Arte de São Paulo; Museu de Arte Moderna de São Paulo; and Pinacoteca do Estado de São Paulo. Andujar received a two-year John Simon Guggenheim Memorial Foundation Fellowship (1971) and a Lannan Foundation Cultural Freedom Prize (2000). In 2020 her work was honored in the large-scale survey “The Yanomami Struggle” at the Fondation Cartier pour l’Art Contemporain, Paris.

      45 x 67 cm

      gelatin and silver on Ilford Multigrade Classic 1K glossy paper

      Photo Reproduction

      This photography was part of Andujar’s solo show at ICA Miami, between January and November 2021. The show, curated by Stephanie Seidel, presented a concise selection of artist and activist Claudia Andujar’s most experimental and expressive photographs from her earliest series of the Yanomami, dating from 1972 to 1976, during which Andujar became fully immersed in their complex culture.

      For some fifty years, Claudia Andujar has photographed, worked with, and fought beside the Yanomami people living in the Amazonian rainforest of Northern Brazil. Andujar’s lifelong commitment to advocating for the interests of the Yanomami, whose land is threatened by development and the mining industry, began with a 1971 photo assignment for the Brazilian magazine Realidade. Andujar has continued to visit the community ever since, creating a unique record and a political campaign that helped to designate their homeland as a protected indigenous reserve in 1992. The images see Andujar creating her own documentary style, with a verve and dynamism that stands out in her long career. Seeking to reflect the shamanic culture of the Yanomami, Andujar distorts light or softens colors in her photographs through the use of infrared film, color filters, and the application of petroleum jelly to the camera lens. The resulting images are dramatic views of landscapes and intimate portraits.

      Born in 1931 in Neuchâtel, Switzerland, Andujar lives in São Paulo. Growing up in Romania and Switzerland, she immigrated first to the United States in 1946, then to Brazil in 1955, where she started working as a photojournalist. Andujar’s works are held in the collections of the Museum of Modern Art, New York; Museum of Fine Arts, Houston; Museu de Arte de São Paulo; Museu de Arte Moderna de São Paulo; and Pinacoteca do Estado de São Paulo. Andujar received a two-year John Simon Guggenheim Memorial Foundation Fellowship (1971) and a Lannan Foundation Cultural Freedom Prize (2000). In 2020 her work was honored in the large-scale survey “The Yanomami Struggle” at the Fondation Cartier pour l’Art Contemporain, Paris.

      Claudia Andujar
      Exhibitions:
      Art Basel Miami Beach 2022
      Untitled, Catrimani – from The Forest series, 1972-1976
      45 x 67 cm

      infrared film scanned on mineral pigmented inkjet on Hahnemühle Photo Rag Baryta 315g paper

      Photo Reproduction

      This photography was part of Andujar’s solo show at ICA Miami, between January and November 2021. The show, curated by Stephanie Seidel, presented a concise selection of artist and activist Claudia Andujar’s most experimental and expressive photographs from her earliest series of the Yanomami, dating from 1972 to 1976, during which Andujar became fully immersed in their complex culture.

      For some fifty years, Claudia Andujar has photographed, worked with, and fought beside the Yanomami people living in the Amazonian rainforest of Northern Brazil. Andujar’s lifelong commitment to advocating for the interests of the Yanomami, whose land is threatened by development and the mining industry, began with a 1971 photo assignment for the Brazilian magazine Realidade. Andujar has continued to visit the community ever since, creating a unique record and a political campaign that helped to designate their homeland as a protected indigenous reserve in 1992. The images see Andujar creating her own documentary style, with a verve and dynamism that stands out in her long career. Seeking to reflect the shamanic culture of the Yanomami, Andujar distorts light or softens colors in her photographs through the use of infrared film, color filters, and the application of petroleum jelly to the camera lens. The resulting images are dramatic views of landscapes and intimate portraits.

      Born in 1931 in Neuchâtel, Switzerland, Andujar lives in São Paulo. Growing up in Romania and Switzerland, she immigrated first to the United States in 1946, then to Brazil in 1955, where she started working as a photojournalist. Andujar’s works are held in the collections of the Museum of Modern Art, New York; Museum of Fine Arts, Houston; Museu de Arte de São Paulo; Museu de Arte Moderna de São Paulo; and Pinacoteca do Estado de São Paulo. Andujar received a two-year John Simon Guggenheim Memorial Foundation Fellowship (1971) and a Lannan Foundation Cultural Freedom Prize (2000). In 2020 her work was honored in the large-scale survey “The Yanomami Struggle” at the Fondation Cartier pour l’Art Contemporain, Paris.

      45 x 67 cm

      infrared film scanned on mineral pigmented inkjet on Hahnemühle Photo Rag Baryta 315g paper

      Photo Reproduction

      This photography was part of Andujar’s solo show at ICA Miami, between January and November 2021. The show, curated by Stephanie Seidel, presented a concise selection of artist and activist Claudia Andujar’s most experimental and expressive photographs from her earliest series of the Yanomami, dating from 1972 to 1976, during which Andujar became fully immersed in their complex culture.

      For some fifty years, Claudia Andujar has photographed, worked with, and fought beside the Yanomami people living in the Amazonian rainforest of Northern Brazil. Andujar’s lifelong commitment to advocating for the interests of the Yanomami, whose land is threatened by development and the mining industry, began with a 1971 photo assignment for the Brazilian magazine Realidade. Andujar has continued to visit the community ever since, creating a unique record and a political campaign that helped to designate their homeland as a protected indigenous reserve in 1992. The images see Andujar creating her own documentary style, with a verve and dynamism that stands out in her long career. Seeking to reflect the shamanic culture of the Yanomami, Andujar distorts light or softens colors in her photographs through the use of infrared film, color filters, and the application of petroleum jelly to the camera lens. The resulting images are dramatic views of landscapes and intimate portraits.

      Born in 1931 in Neuchâtel, Switzerland, Andujar lives in São Paulo. Growing up in Romania and Switzerland, she immigrated first to the United States in 1946, then to Brazil in 1955, where she started working as a photojournalist. Andujar’s works are held in the collections of the Museum of Modern Art, New York; Museum of Fine Arts, Houston; Museu de Arte de São Paulo; Museu de Arte Moderna de São Paulo; and Pinacoteca do Estado de São Paulo. Andujar received a two-year John Simon Guggenheim Memorial Foundation Fellowship (1971) and a Lannan Foundation Cultural Freedom Prize (2000). In 2020 her work was honored in the large-scale survey “The Yanomami Struggle” at the Fondation Cartier pour l’Art Contemporain, Paris.

      Claudia Andujar
      Exhibitions:
      Art Basel Miami Beach 2022
      Maloca of the Korihana thëri, Catrimani – from the series The Forest, 1972-1976
      45 x 67 cm

      infrared film scanned on mineral pigmented inkjet print on Hahnemühle Fine Art Photo Rag Baryta 315g paper

      Photo Reproduction

      This photography was part of Andujar’s solo show at ICA Miami, between January and November 2021. The show, curated by Stephanie Seidel, presented a concise selection of artist and activist Claudia Andujar’s most experimental and expressive photographs from her earliest series of the Yanomami, dating from 1972 to 1976, during which Andujar became fully immersed in their complex culture.

      For some fifty years, Claudia Andujar has photographed, worked with, and fought beside the Yanomami people living in the Amazonian rainforest of Northern Brazil. Andujar’s lifelong commitment to advocating for the interests of the Yanomami, whose land is threatened by development and the mining industry, began with a 1971 photo assignment for the Brazilian magazine Realidade. Andujar has continued to visit the community ever since, creating a unique record and a political campaign that helped to designate their homeland as a protected indigenous reserve in 1992. The images see Andujar creating her own documentary style, with a verve and dynamism that stands out in her long career. Seeking to reflect the shamanic culture of the Yanomami, Andujar distorts light or softens colors in her photographs through the use of infrared film, color filters, and the application of petroleum jelly to the camera lens. The resulting images are dramatic views of landscapes and intimate portraits.

      Born in 1931 in Neuchâtel, Switzerland, Andujar lives in São Paulo. Growing up in Romania and Switzerland, she immigrated first to the United States in 1946, then to Brazil in 1955, where she started working as a photojournalist. Andujar’s works are held in the collections of the Museum of Modern Art, New York; Museum of Fine Arts, Houston; Museu de Arte de São Paulo; Museu de Arte Moderna de São Paulo; and Pinacoteca do Estado de São Paulo. Andujar received a two-year John Simon Guggenheim Memorial Foundation Fellowship (1971) and a Lannan Foundation Cultural Freedom Prize (2000). In 2020 her work was honored in the large-scale survey “The Yanomami Struggle” at the Fondation Cartier pour l’Art Contemporain, Paris.

      45 x 67 cm

      infrared film scanned on mineral pigmented inkjet print on Hahnemühle Fine Art Photo Rag Baryta 315g paper

      Photo Reproduction

      This photography was part of Andujar’s solo show at ICA Miami, between January and November 2021. The show, curated by Stephanie Seidel, presented a concise selection of artist and activist Claudia Andujar’s most experimental and expressive photographs from her earliest series of the Yanomami, dating from 1972 to 1976, during which Andujar became fully immersed in their complex culture.

      For some fifty years, Claudia Andujar has photographed, worked with, and fought beside the Yanomami people living in the Amazonian rainforest of Northern Brazil. Andujar’s lifelong commitment to advocating for the interests of the Yanomami, whose land is threatened by development and the mining industry, began with a 1971 photo assignment for the Brazilian magazine Realidade. Andujar has continued to visit the community ever since, creating a unique record and a political campaign that helped to designate their homeland as a protected indigenous reserve in 1992. The images see Andujar creating her own documentary style, with a verve and dynamism that stands out in her long career. Seeking to reflect the shamanic culture of the Yanomami, Andujar distorts light or softens colors in her photographs through the use of infrared film, color filters, and the application of petroleum jelly to the camera lens. The resulting images are dramatic views of landscapes and intimate portraits.

      Born in 1931 in Neuchâtel, Switzerland, Andujar lives in São Paulo. Growing up in Romania and Switzerland, she immigrated first to the United States in 1946, then to Brazil in 1955, where she started working as a photojournalist. Andujar’s works are held in the collections of the Museum of Modern Art, New York; Museum of Fine Arts, Houston; Museu de Arte de São Paulo; Museu de Arte Moderna de São Paulo; and Pinacoteca do Estado de São Paulo. Andujar received a two-year John Simon Guggenheim Memorial Foundation Fellowship (1971) and a Lannan Foundation Cultural Freedom Prize (2000). In 2020 her work was honored in the large-scale survey “The Yanomami Struggle” at the Fondation Cartier pour l’Art Contemporain, Paris.

      André Vargas
      Exhibitions:
      Art Basel Miami Beach 2022 SP-Arte | Rotas Brasileiras 2023
      Saravá! – Série Bocas de Prazeres, 2021
      20 x 30 cm

      PVA and acrylic on canvas

      Photo Vermelho

      “I was always imagining the things that the open mouths of the characters in Heitor dos Prazeres’ paintings could be saying. The joy and jubilation of each scenario created by this master always invited me to sing.

      Today I sing in color… All Hail Heitor dos Prazeres!”

      André Vargas

      20 x 30 cm

      PVA and acrylic on canvas

      Photo Vermelho

      “I was always imagining the things that the open mouths of the characters in Heitor dos Prazeres’ paintings could be saying. The joy and jubilation of each scenario created by this master always invited me to sing.

      Today I sing in color… All Hail Heitor dos Prazeres!”

      André Vargas

      André Vargas
      Exhibitions:
      Art Basel Miami Beach 2022 SP-Arte | Rotas Brasileiras 2023
      Gooooool! – Série Bocas de Prazeres, 2021
      20 x 30 cm

      PVA and acrylic on canvas

      Photo Vermelho

      “I was always imagining the things that the open mouths of the characters in Heitor dos Prazeres’ paintings could be saying. The joy and jubilation of each scenario created by this master always invited me to sing.

      Today I sing in color… All Hail Heitor dos Prazeres!”

      André Vargas

      20 x 30 cm

      PVA and acrylic on canvas

      Photo Vermelho

      “I was always imagining the things that the open mouths of the characters in Heitor dos Prazeres’ paintings could be saying. The joy and jubilation of each scenario created by this master always invited me to sing.

      Today I sing in color… All Hail Heitor dos Prazeres!”

      André Vargas

      André Vargas
      Exhibitions:
      SP-Arte | Rotas Brasileiras 2023 Art Basel Miami Beach 2022
      Ô de casa! – Série Bocas de Prazeres, 2021
      20 x 30 cm

      PVA and acrylic on canvas

      Photo Vermelho

      “I was always imagining the things that the open mouths of the characters in Heitor dos Prazeres’ paintings could be saying. The joy and jubilation of each scenario created by this master always invited me to sing.

      Today I sing in color… All Hail Heitor dos Prazeres!”

      André Vargas

      20 x 30 cm

      PVA and acrylic on canvas

      Photo Vermelho

      “I was always imagining the things that the open mouths of the characters in Heitor dos Prazeres’ paintings could be saying. The joy and jubilation of each scenario created by this master always invited me to sing.

      Today I sing in color… All Hail Heitor dos Prazeres!”

      André Vargas

      Dora Longo Bahia
      Exhibitions:
      Art Basel Miami Beach 2022
      Adriana and Medusa, 2001
      34 x 28 x 16 cm

      Cibachrome print and alabaster light box

      Photo Vermelho

      Dora Longo Bahia produced the set of portraits mounted on alabaster light boxes for the Medusa series during a residency as a visiting professor in the The Valais School of Art, in Sierre, Switzerland. She photographed colleagues and students using a 35mm film and later enlarged the images and made Cibachrome prints. The title and the use of stone to frame the portraits were linked to a research regarding the the phantasmagorical and static (or changing) aspect of images in family albums.

      34 x 28 x 16 cm

      Cibachrome print and alabaster light box

      Photo Vermelho

      Dora Longo Bahia produced the set of portraits mounted on alabaster light boxes for the Medusa series during a residency as a visiting professor in the The Valais School of Art, in Sierre, Switzerland. She photographed colleagues and students using a 35mm film and later enlarged the images and made Cibachrome prints. The title and the use of stone to frame the portraits were linked to a research regarding the the phantasmagorical and static (or changing) aspect of images in family albums.

      Tania Candiani
      Exhibitions:
      Art Basel Miami Beach 2022
      Manila, Filipinas, 23 de Febrero 2018. Marcha para frenar la cultura de la violación. From the series Manifestantes, 2022
      148 x 160 cm

      Cotton thread sewn on cotton canvas, high density acrylic paint and acrylic sealer

      Photo Vermelho

      “I started “Manifestantes” one week before the first march of the “revolución diamantina” (a march that protested the rape of a young woman by four police officers in the north of México City). I decided to sew the portraits as soon as I started thinking about a series of large scale sewn-paintings portraying women in different marches and protests around the globe. Privileging the moment of protest and unison – when the voice rises.

      Sewing for me is a kind of loud drawing. These portraits are voices.”

      Tania Candiani

      148 x 160 cm

      Cotton thread sewn on cotton canvas, high density acrylic paint and acrylic sealer

      Photo Vermelho

      “I started “Manifestantes” one week before the first march of the “revolución diamantina” (a march that protested the rape of a young woman by four police officers in the north of México City). I decided to sew the portraits as soon as I started thinking about a series of large scale sewn-paintings portraying women in different marches and protests around the globe. Privileging the moment of protest and unison – when the voice rises.

      Sewing for me is a kind of loud drawing. These portraits are voices.”

      Tania Candiani

      Tania Candiani
      Exhibitions:
      Art Basel Miami Beach 2022
      Manila, Filipinas, 23 de Febrero 2018. Marcha para frenar la cultura de la violación. From the series Manifestantes – Detail, 2022

      Photo Vermelho

      Photo Vermelho
      Detanico Lain Dias & Riedweg Dora Longo Bahia Edgard de Souza Iván Argote Mônica Nador + Jamac Tania Candiani
      Exhibitions:
      Art Basel Miami Beach 2022
      Booth 1, 2022

      Photo Vermelho

      Photo Vermelho
      Dora Longo Bahia
      Exhibitions:
      Art Basel Miami Beach 2022
      Perigo Minas! (Ukraine), 2022
      38 x 50 cm

      synthetic enamel on aluminum

      Photo Vermelho

      38 x 50 cm

      synthetic enamel on aluminum

      Photo Vermelho
      Dias & Riedweg
      Exhibitions:
      Art Basel Miami Beach 2022
      Fantasy Archive (E), 2017
      3'loop

      Video. BW, with sound

      Photo Reproduction

      The works from this series were conceived and developed through an investigation by Maurício Dias and Walter Riedweg on the archives, professional activity and personal life of the North American photographer, artist and activist, Charles Hovland (1954) that the pair met in the beginning of the 1990s.

      In Arquivo fantasia [Fantasy Archive] (2017) Hovland’s black and white contact sheets were recreated into digital video animations. Each analog contact sheet was resized into a single sheet and transported onto a collective contact sheet with various models, showing the chemical process of the passage from negative to positive of each image on video. The result is presented in vertical videos where the audio reveals the photographer’s notes about his models read by himself. These notes, called “Log Book” by Hovland, catalog the date of the photo session, the sexual fantasy of each model and the value they paid for the execution of these images. This mixing of sound and vision makes for a new archival organization where the identity and gender of each model are substituted by each model’s fantasy.

      3'loop

      Video. BW, with sound

      Photo Reproduction

      The works from this series were conceived and developed through an investigation by Maurício Dias and Walter Riedweg on the archives, professional activity and personal life of the North American photographer, artist and activist, Charles Hovland (1954) that the pair met in the beginning of the 1990s.

      In Arquivo fantasia [Fantasy Archive] (2017) Hovland’s black and white contact sheets were recreated into digital video animations. Each analog contact sheet was resized into a single sheet and transported onto a collective contact sheet with various models, showing the chemical process of the passage from negative to positive of each image on video. The result is presented in vertical videos where the audio reveals the photographer’s notes about his models read by himself. These notes, called “Log Book” by Hovland, catalog the date of the photo session, the sexual fantasy of each model and the value they paid for the execution of these images. This mixing of sound and vision makes for a new archival organization where the identity and gender of each model are substituted by each model’s fantasy.

      Edgard de Souza Mônica Nador + Jamac
      Exhibitions:
      Art Basel Miami Beach 2022
      Booth 1, 2022

      Photo Vermelho

      Photo Vermelho
      Edgard de Souza
      Exhibitions:
      Frieze London 2022
      Spoon Licks Spoon 6, 2022
      80 cm + 72 cm (glass 30 x 9,5 cm)

      Mahogany and glass

      Photo Vermelho

      The surge of life drive embedded in everyday objects is a constant in Edgard de Souza’s oeuvre and becomes evident in the series of wooden spoons the artist have been developing.

      The objects were meticulously sculpted from rare wood logs – here in mahogany. In Colher lambe colher [Spoon licks spoon] the wood comes to life through human features, and as a couple, the two spoons serve each other voluptuously.

      80 cm + 72 cm (glass 30 x 9,5 cm)

      Mahogany and glass

      Photo Vermelho

      The surge of life drive embedded in everyday objects is a constant in Edgard de Souza’s oeuvre and becomes evident in the series of wooden spoons the artist have been developing.

      The objects were meticulously sculpted from rare wood logs – here in mahogany. In Colher lambe colher [Spoon licks spoon] the wood comes to life through human features, and as a couple, the two spoons serve each other voluptuously.

      Edgard de Souza
      Exhibitions:
      Art Basel Miami Beach 2022
      Spoon licks spoon (detail)

      Photo Filipe Berndt

      Photo Filipe Berndt
      https://galeriavermelho.com.br/en
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