reddishblue-memories
Galeria Vermelho - Exhibitions
Inside Someones Else Skin – da série Covers, 2017
240 X 165 cm
Laser cut wool, magnets and iron
240 X 165 cm
Laser cut wool, magnets and iron
Reddishblue Memories, 2017
11’24’’
video, color and sound
Photo Still do vídeo
A film by Iván Argote
With Lilia Calderón Mora Álvaro Argote Muñoz
Voices – Oxana Shachko Iván Argote
Recording & sound mix – Bruno Ehlinger at Anna Sanders Films
2017
11’24’’
Audio and text – Spanish, English and Ukrainian
11’24’’
video, color and sound
Photo Still do vídeo A film by Iván Argote
With Lilia Calderón Mora Álvaro Argote Muñoz
Voices – Oxana Shachko Iván Argote
Recording & sound mix – Bruno Ehlinger at Anna Sanders Films
2017
11’24’’
Audio and text – Spanish, English and Ukrainian
Reddishblue Memories, 2017
11’24’’
video, color and sound
Photo video still
“Reddishblue Memories,” by Iván Argote, utilizes the artist’s affective memories as part of an ongoing research and speculation project based on a rumor associated with the history of George Eastman’s Kodak company and its switch from Kodachrome to Ektachrome. This change was allegedly made for ideological reasons: in the late 1960s, they realized that Kodachrome pictures turned reddish with time. In the context of the Cold War, they decided that the United States’ archives could not end up with the enemy’s color. As a result, they developed the Ektachrome process, in which pictures eventually turn blue.
A film by Iván Argote
With Lilia Calderón Mora Álvaro Argote Muñoz
Voices – Oxana Shachko Iván Argote
Recording & sound mix – Bruno Ehlinger at Anna Sanders Films
11’24’’
video, color and sound
Photo video still “Reddishblue Memories,” by Iván Argote, utilizes the artist’s affective memories as part of an ongoing research and speculation project based on a rumor associated with the history of George Eastman’s Kodak company and its switch from Kodachrome to Ektachrome. This change was allegedly made for ideological reasons: in the late 1960s, they realized that Kodachrome pictures turned reddish with time. In the context of the Cold War, they decided that the United States’ archives could not end up with the enemy’s color. As a result, they developed the Ektachrome process, in which pictures eventually turn blue.
A film by Iván Argote
With Lilia Calderón Mora Álvaro Argote Muñoz
Voices – Oxana Shachko Iván Argote
Recording & sound mix – Bruno Ehlinger at Anna Sanders Films