In ainda sempre ainda, Dardot’s painting on Vermelho´s façade monumentalizes the words AINDA (still) and SEMPRE (ever) as a layering of meanings via semantic wordplay. The two adverbs are powerful modifiers of sentences and meanings and yet stagnant when devoid of verbs.
In ainda sempre ainda, Dardot’s painting on Vermelho´s façade monumentalizes the words AINDA (still) and SEMPRE (ever) as a layering of meanings via semantic wordplay. The two adverbs are powerful modifiers of sentences and meanings and yet stagnant when devoid of verbs.