quase-aqui
Galeria Vermelho - Exhibitions
História Universal, 2011
92 x 155 cm
Book pages on aluminum
Photo Rafael Cañas
História Universal is a collage created with pages from the encyclopedia História Universal. Senise constructs modular spaces based on the pages of the encyclopedia, removing their images and keeping only a part of the technical descriptions, in a process similar to the one he used in the Skira series, recently presented at São Paulo’s 29 Bienal International de São Paulo (2010).
92 x 155 cm
Book pages on aluminum
Photo Rafael Cañas História Universal is a collage created with pages from the encyclopedia História Universal. Senise constructs modular spaces based on the pages of the encyclopedia, removing their images and keeping only a part of the technical descriptions, in a process similar to the one he used in the Skira series, recently presented at São Paulo’s 29 Bienal International de São Paulo (2010).
Prodrome V, 2011
300 x 310 cm
Residues on fabric and collage and aluminum
Photo Rafael Cañas
In his new collages, Senise combines organic elements with his architectural landscapes that distort the logical construction of the perspective.
A similar but more radical procedure reappears in the set of nine paintings in which the artist breaks away from the architectural structure of internal spaces, creating a vanishing point for the secluded and uninhabited environments that he normally depicts in his works.
300 x 310 cm
Residues on fabric and collage and aluminum
Photo Rafael Cañas In his new collages, Senise combines organic elements with his architectural landscapes that distort the logical construction of the perspective.
A similar but more radical procedure reappears in the set of nine paintings in which the artist breaks away from the architectural structure of internal spaces, creating a vanishing point for the secluded and uninhabited environments that he normally depicts in his works.
Quase aqui II, 2011
155 x 300 cm
Oil paint on wood
Photo Rafael Cañas
In the Quase aqui [Almost here], Senise appropriates the tops of workbenches used in his studio, using them as a support for the work. over the marks and vesti-ges of years of work, Senise applies white oil paint, creating a homogeneous and uniform field that points to a moment of reflection about the procedures that characterize his work.
155 x 300 cm
Oil paint on wood
Photo Rafael Cañas In the Quase aqui [Almost here], Senise appropriates the tops of workbenches used in his studio, using them as a support for the work. over the marks and vesti-ges of years of work, Senise applies white oil paint, creating a homogeneous and uniform field that points to a moment of reflection about the procedures that characterize his work.
El Cabildo, 2011
300 x 310 cm
Residues on fabric and collage and aluminum
Photo Rafael Cañas
In his new collages, Senise combines organic elements with his architectural landscapes that distort the logical construction of the perspective.
A similar but more radical procedure reappears in the set of nine paintings in which the artist breaks away from the architectural structure of internal spaces, creating a vanishing point for the secluded and uninhabited environments that he normally depicts in his works.
300 x 310 cm
Residues on fabric and collage and aluminum Photo Rafael Cañas In his new collages, Senise combines organic elements with his architectural landscapes that distort the logical construction of the perspective.
A similar but more radical procedure reappears in the set of nine paintings in which the artist breaks away from the architectural structure of internal spaces, creating a vanishing point for the secluded and uninhabited environments that he normally depicts in his works.
Prodrome VI, 2011
155 x 465 cm
Residues on fabric and collage and aluminum
Photo Rafael Cañas
In his new collages, Senise combines organic elements with his architectural landscapes that distort the logical construction of the perspective.
A similar but more radical procedure reappears in the set of nine paintings in which the artist breaks away from the architectural structure of internal spaces, creating a vanishing point for the secluded and uninhabited environments that he normally depicts in his works.
155 x 465 cm
Residues on fabric and collage and aluminum
Photo Rafael Cañas In his new collages, Senise combines organic elements with his architectural landscapes that distort the logical construction of the perspective.
A similar but more radical procedure reappears in the set of nine paintings in which the artist breaks away from the architectural structure of internal spaces, creating a vanishing point for the secluded and uninhabited environments that he normally depicts in his works.
Reino VI, 2011
200 x 600 cm
Residues on fabric and collage and aluminum
Photo Rafael Cañas
In his new collages, Senise combines organic elements with his architectural landscapes that distort the logical construction of the perspective. A similar but more radical procedure reappears in the set of nine paintings in which the artist breaks away from the architectural structure of internal spaces, creating a vanishing point for the secluded and uninhabited environments that he normally depicts in his works.
200 x 600 cm
Residues on fabric and collage and aluminum
Photo Rafael Cañas In his new collages, Senise combines organic elements with his architectural landscapes that distort the logical construction of the perspective. A similar but more radical procedure reappears in the set of nine paintings in which the artist breaks away from the architectural structure of internal spaces, creating a vanishing point for the secluded and uninhabited environments that he normally depicts in his works.
Exhibition view
Oil paint on wood
Photo Rafael Cañas
Oil paint on wood
Photo Rafael Cañas
Quase aqui III, 2011
140 x 190 cm
Oil paint on wood
Photo Rafael Cañas
In the Quase aqui [Almost here], Senise appropriates the tops of workbenches used in his studio, using them as a support for the work. over the marks and vestiges of years of work, Senise applies white oil paint, creating a homogeneous and uniform field that points to a moment of reflection about the procedures that characterize his work.
140 x 190 cm
Oil paint on wood
Photo Rafael Cañas In the Quase aqui [Almost here], Senise appropriates the tops of workbenches used in his studio, using them as a support for the work. over the marks and vestiges of years of work, Senise applies white oil paint, creating a homogeneous and uniform field that points to a moment of reflection about the procedures that characterize his work.