La Marcha, on the facade of the exhibition, references posters of protests in Brazil during the last 10 years. The phrases highlight feminine protagonism in claims dealing with public health, security and equality, within the logic of intersectional feminism.
The posters maintained the original typography when embroidered on cotton fabric. Once stitched together on the façade, they form a large collaborative patchwork.
La Marcha is a collaboration with Grupo Flor de Kantuta, which is made up of Bolivian immigrant women who work with sewing and embroidery.
The work was produced by Bety Poquechoque Quispe, Jeovanna Rosario Huanca Loza, Zulema Calizaya Choque, Petrona Flores Colque and Teotora Flores.
La Marcha, on the facade of the exhibition, references posters of protests in Brazil during the last 10 years. The phrases highlight feminine protagonism in claims dealing with public health, security and equality, within the logic of intersectional feminism.
The posters maintained the original typography when embroidered on cotton fabric. Once stitched together on the façade, they form a large collaborative patchwork.
La Marcha is a collaboration with Grupo Flor de Kantuta, which is made up of Bolivian immigrant women who work with sewing and embroidery.
The work was produced by Bety Poquechoque Quispe, Jeovanna Rosario Huanca Loza, Zulema Calizaya Choque, Petrona Flores Colque and Teotora Flores.