Etiqueta (Label), project of João Loureiro for the façade of Vermelho, suggests a “classification” of the gallery through the form of a label adhesive vinyl installed in the surface of its largest wall . However, this label has no tenor, empty it is not able to attribute characteristic to its base, being reduce only to an intention. The form is figurative and recognizable but associated with the emptying function launches a possibility to see the drawing as an abstraction, merely a geometric composition.
Etiqueta (Label), project of João Loureiro for the façade of Vermelho, suggests a “classification” of the gallery through the form of a label adhesive vinyl installed in the surface of its largest wall . However, this label has no tenor, empty it is not able to attribute characteristic to its base, being reduce only to an intention. The form is figurative and recognizable but associated with the emptying function launches a possibility to see the drawing as an abstraction, merely a geometric composition.