The second solo show of João Loureiro (1972) at Vermelho End of Part One is curated by Carlos Eduardo Ricciopo and presents 160 drawings created in the last ten years of the artist’s career. The set occupies halls 1 and 2 of the gallery without, however, creating a hierarchical difference between their environment allowing a uniform perception of the eloquent production that composes the lexicon of Loureiro.
Together, these drawings show an extensive repertoire of references making it clear that the core of this production comes from the notion of image. Thus, it is possible to notice that some of the forms of appearance of these drawings are taken as the subject, a kind of classification of certain subjects and themes.
Likewise, there are also some rules that organize some drawings, boundaries and self-imposed exercises that make the seizure oscillate between what is represented and how to represent.
The second solo show of João Loureiro (1972) at Vermelho End of Part One is curated by Carlos Eduardo Ricciopo and presents 160 drawings created in the last ten years of the artist’s career. The set occupies halls 1 and 2 of the gallery without, however, creating a hierarchical difference between their environment allowing a uniform perception of the eloquent production that composes the lexicon of Loureiro.
Together, these drawings show an extensive repertoire of references making it clear that the core of this production comes from the notion of image. Thus, it is possible to notice that some of the forms of appearance of these drawings are taken as the subject, a kind of classification of certain subjects and themes.
Likewise, there are also some rules that organize some drawings, boundaries and self-imposed exercises that make the seizure oscillate between what is represented and how to represent.
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