On the gallery’s façade, the work from which the exhibition is named creates a vertical horizon, where “over the earth” and “under the sky” are written from the bottom to the top and from the top to the bottom, respectively. At the meeting of the two sentences, a division that inverts the meaning of the reading creates a horizontal cut that imposes itself as a border guiding the field of linguistic investigation at the exhibition.
On the gallery’s façade, the work from which the exhibition is named creates a vertical horizon, where “over the earth” and “under the sky” are written from the bottom to the top and from the top to the bottom, respectively. At the meeting of the two sentences, a division that inverts the meaning of the reading creates a horizontal cut that imposes itself as a border guiding the field of linguistic investigation at the exhibition.
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