At the Sala Antonio projection room, Vermelho presents Hair Work, a film by Dias & Riedweg. The work was commissioned by Roger Buergel for his latest exhibition Mobile Worlds – Museum of Our Transcultural Gift, produced by the Johann Jakobs Museum in Zurich and the Museum of Arts and Crafts (MKG) in Hamburg, Germany, in collaboration with the University Viadrina (Frankfurt / Oder) and the Johann Wolfgang Goethe University (Frankfurt / Main). Dias & Riedweg had already worked with Buergel at the 12th Documenta in Kassel, Germany, in 2007.
At Sala Antonio entrance, Vermelho presents Home of The Others, a 2017 video. The piece had it’s premiere in Other time than here. Other place than now a solo show by Dias & Riedweg at MACRO – Museum of Contemporary Art of Rome (2017/2018).
At the Sala Antonio projection room, Vermelho presents Hair Work, a film by Dias & Riedweg. The work was commissioned by Roger Buergel for his latest exhibition Mobile Worlds – Museum of Our Transcultural Gift, produced by the Johann Jakobs Museum in Zurich and the Museum of Arts and Crafts (MKG) in Hamburg, Germany, in collaboration with the University Viadrina (Frankfurt / Oder) and the Johann Wolfgang Goethe University (Frankfurt / Main). Dias & Riedweg had already worked with Buergel at the 12th Documenta in Kassel, Germany, in 2007.
At Sala Antonio entrance, Vermelho presents Home of The Others, a 2017 video. The piece had it’s premiere in Other time than here. Other place than now a solo show by Dias & Riedweg at MACRO – Museum of Contemporary Art of Rome (2017/2018).
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Photo Edouard Fraipont
14'18''
2 channels Full HD video. [:pt]“A Casa dos Outros revela fragmentos do cotidiano de imigrantes refugiados no acampamento Baobab e nas ruínas ocupadas de uma antiga fábrica de penicilina da cidade de Roma. Se a imigração produz um deslocamento espacial e temporal, a política global continua a erguer muros e promover fronteiras temporais e subjetivas, mas substanciais e intransitáveis. Não existe um Eu que não seja também uma prisão da qual se pode escapar e, portanto, não há um Outro. Se não há outro, também não pode haver o lar desse Outro, nem mesmo como um jeito de falar”. Dias & Riedweg[:en]“The House of Others (2017) reveals fragments of the daily lives of refugee immigrants in the Baobab camp and in the occupied ruins of an old penicillin factory in the city of Rome. If immigration produces a spatial and temporal displacement, global politics continues to erect walls and promote temporal and subjective, but substantial and impassable boundaries. There is no Self that is not also a prison from which to escape and, therefore, there is no Other. If there is no other, there can also be no home for that Other, not even as a way of speaking”. Dias & Riedweg[:]