Artistas

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CARLOS MOTTA

Bogotá, Colômbia ,1978

Carlos Motta
1978, Bogotá - Colômbia, Colômbia
Vive e trabalha em Nova York - EUA / Lives and works in Nova York - EUA,

Exposições Individuais e Projetos / Solo Exhibitions and Projects
2018
- Carlos Motta: Deseo – Sala Antonio - Galeria Vermelho – São Paulo - Brasil
2017
- Carlos Motta. Formas de libertad - Museo de Arte Moderno de Medellín – Medellín – Colômbia
- Carlos Motta: Lágrimas - Museo de Arte de la Universidad Nacional / Claustro de San Agustín - Bogotá - Colômbia
- Carlos Motta: The Crossing - Stedelijk Museum - Amsterdam - Holanda
- Carlos Motta: Desviaciones - Centro Cultural Gabriel García Márquez - Embaixada da Colômbia – Madri – Espanha
- Carlos Motta - Museo de Arte Moderno de Medellín – Medellín – Colômbia
2016
- Beloved Martina - Mercer Union - Toronto - Canadá
- Deviations - PPOW Gallery - Nova York - EUA
- Requiem (Performance) - Tenuta dello Scompiglio - Vorno - Itália
- Histories for the Future - Pérez Art Museum (PAMM) - Miami - EUA
- Desires - Hordaland Kunssenter – Bergen - Noruega
- Requiem - Museo de Arte Latinoamericano de Buenos Aires (MALBA) – Buenos Aires - Argentina
2015
- For Democracy There Must Be Love - Röda Sten Konsthall – Gothenburg - Suécia
- Désirs - Mor Charpentier Galerie – Paris – França
- Patriots, Citizens, Lovers (Main Prize of the Future Generation Art Prize 2014) - PinchukArtCentre – Kiev - Ucrânia
2014
- Nefandus Trilogy - Galeria Filomena Soares (Solo Projects ARCO) – Madri - Espanha
- Nefandus - El Túnel Arte Alternativo – Cuenca - Equador
2013
- Gender Talents: A Special Address - The Tanks - Tate Modern - Londres - Inglaterra
- The Movers (with Matthias Sperling) - The Tanks - Tate Modern - Londres - Inglaterra
- Godfull: Shape Shifting God as Queer: a Performative Symposium (com Jared Gilbert) - The Institute for Art, Religion and Social Justice - Union Theological Seminary - Nova York - EUA
- La forma de la libertad - Sala de Arte Público Siqueiros (Projeto fachada) - Cidade do México - México
- Nefandus - Galeria Filomena Soares – Lisboa - Portugal
- La visión de los vencidos - Galeria La Central - Bogotá - Colômbia
- Ritual of Queer Rituals (com AA Bronson) - Witte de With – Rotterdam – Holanda
- La visión de los vencidos (Pinta Video) - Y Gallery at Pinta NY - Nova York – EUA
2012
- Carlos Motta: We Who Feel Differently - Museum as Hub - New Museum - Nova York - EUA
2011
- Deus Pobre: Modern Sermons of Communal Lament - Y Gallery - Nova York - EUA
- The Future Lasts Forever (com Runo Lagomarsino) - Gävle Konstcentrum – Gävle - Suécia
- Broken English (com Julieta Aranda) - Performa 11 - Nova York - EUA
- A New Discover: Queer Immigration in Perspective (com Queerocracy) Risk e Reward Series - Museum of Art and Design - Nova York - EUA
- Petite Mort: Recollections of a Queer Public (com Joshua Lubin-Levy) - Forever & Today - Nova York - EUA
- Normativo - Espacio de Arte Contemporaneo - Museo de La Tertulia – Cali - Colômbia
- We Who Feel Differently - Visningsrommet USF – Bergen - Noruega
- The Good Life and Six Acts: An Experiment in Narrative Justice - Wiener FestWochen - Viena - Áustria
2010
- Six Acts: An Experiment in Narrative Justice - Museo de Arte del Banco de la República - El Parqueadero - Bogotá - Colômbia
- The Good Life and Six Acts: An Experiment in Narrative Justice - Hebbel Am Ufer (HAU) - Berlim - Alemanha
- We Who Feel Differently - Other Gallery – Xanga - China
2009
- Brief History - MoMA/PS1 - Long Island - EUA
- La Buena Vida/The Good Life - Fundación Alzate Avendaño - Bogotá – Colômbia
- La Buena Vida/The Good Life - Smack Mellon - Nova York - EUA
- La Buena Vida/The Good Life - Festival Fabbrica Europa – Florença - Itália
- The Immigrant Files: Democracy Is Not Dead, It Just Smells Funny - Konsthall C – Estocolmo - Suécia
- The Immigrant Files: Democracy Is Not Dead, It Just Smells Funny - Baltic Art Center (BAC) – Visby - Suécia
2008
- La Buena Vida/The Good Life - Institute of Contemporary Art (ICA) – Filadélfia - EUA
- La Buena Vida/The Good Life - Art in General - Nova York - EUA
- The People... - Johannesburg Art Gallery - Joanesburgo - África do Sul
- The People... - KZNSA Gallery – Durban - Kwazulu Natal - África do Sul
2007
- Leningrad Trilogy - Winkleman Gallery - Nova York – EUA
- The Good Life (Installation Sketch # 3) and Other Works in Progress - Lower Manhattan Cultural Council - Nova York - EUA
2006
- The Good Life (Installation Sketch # 1) - rum46 – Aarhus - Dinamarca
- SOA: Black & White Tales - Kevin Bruk Gallery at bâleLatina – Basiléia - Suíça
- SOA: Black & White Tales - Kevin Bruk Gallery – Miami - EUA
2004
- Bury them and keep quiet - Alliance Française - Bogotá – Colômbia
- Ese Algo que Somos - Alonso Garcés Galería - Bogotá – Colômbia
- The Missing Series - Kevin Bruk Gallery – Miami - EUA
2002
- Pesca Milagrosa - La Corte Arte Contemporanea – Florença - Itália

Exposições Coletivas e Projetos / Group Exhibitions and Projects
2018
- Unfinished Portrait – Mor Charpentier – Paris – França
- Names Printed in Black – LACE – Los Angeles - EUA
- A Decolonial Atlas: Strategies in contemporary art of Americas - Tufts University Art Gallery – Medford – EUA
2017
- Working for the Future Past - Seoul Museum of Art - Seoul - Coréia do Sul
- Histórias da Sexualidade – Museu de Arte de São Paulo [MASP] – São Paulo – Brasil
- Queer Tropics - Pelican Bomb Gallery X - New Orleans – EUA
- Treasure of the Southern Sojourn - Seoul Museum of Art (Seosomun Building) – Seul – Coréia do Sul
- Festival Internacional de Cine de Morelia - Morelia – México
- Sex, Lies and Videotapes - Pomada 7 Queer Festival – Varsóvia – Polônia
- Histórias da Sexualidade - Museu de Arte de São Paulo Assis Chateaubriand (MASP) – São Paulo – Brasil
- Video Art in Latin America (Pacific Standard Time: LA/LA) – LAXART - Los Angeles – EUA
- Guatemala from 33,000 km: Contemporary Art, 1960 – Present (Pacific Standard Time: LA/LA) - Museum of Contemporary Art Santa Barbara – Santa Bárbara – EUA
- 32a Bienal de São Paulo: Incerteza Viva (Programa de itinerancias) - Museo de Arte Moderno – Bogotá – Colômbia
- Over the Rainbow - Praz- Delavallade - Los Angeles – EUA
- Visual Notes for an Upside- Down World - PPOW Gallery - Nova York – EUA
- Os corpos são as obras –Despina - Rio de Janeiro - Brasil
- Fragile State – PinchukArtCentre – Kiev – Ucrânia
- After the Fact. Propaganda 2001- 2017 – Lenbachhaus – Munique – Alemanha
- DIXIT 2017: RRO (ArteBA) – La Rural - Buenos Aires – Argentina
- 89 Noches. Descolonizando la sexualidad y la oscuridad - Museo de Antioquia -Medelín – Colômbia
- 2nd Changjiang International Photography & Video Biennale – Changjiiang Museum of Contemporary Art - Chongqing – China
- We’re Happy Here in the Happy House. Proyecto Amil – Lima – Peru
- CANIBALIA (Redux) – Hangar – Lisboa – Portugal
- Universo Holograma - Museo La Tertulia – Cali – Colômbia
- A Decolonial Atlas: Strategies in Contemporary Art of the Americas. Vincent Price Art Museum - Monterey Park – EUA
- Revisiones: Obras contemporáneas en la colección del MALI - Museo de Arte de Lima (MALI) – Lima - Peru

2016
- 20 Internationale Kurzfilmtage Winterthur - Winterthur - Suíça
- Forumdoc.bh - Belo Horizonte – Brasil
- Invideo 2016 - 26th International Exhibition of Video and Cinema Beyond – Milão – Itália
- Luststreifen – Queer Film Festival Basel - Neues Kino e Kult.kino Basel – Basiléia – Suíça
- 20th Anniversary Show - Smack Mellon – Nova York – EUA
- Lo que se ve no se pregunta - Centro Cultural de España en México - Cidade do México
- Dissent: What They Fear is the Light - LACE - Los Angeles – EUA
- Time-based Art Festival (TBA):16 - Portland Institute of Contemporary Art – Portland – EUA
- 32ª Bienal de São Paulo: Incerteza Viva – Pavilhão da Bienal – São Paulo – Brasil
- The Morality Reflex - Contemporary Art Centre (CAC) – Vilnius – Lituânia
- The Revolution Will Not Be Grey - Aspen Art Museum – Aspen – EUA
- FUSO 2016 - Anual de Vídeo Arte Internacional de Lisboa – Lisboa – Portugal
- O que vem com a aurora - Casa Triângulo - São Paulo – Brasil
- Muestra de Cine Queer Colombiano: Experiencias Cinematográficas Sexodisidentes - Fundación Cineteca Pública - Centro Cultura del Oriente - Bogotá – Colômbia
- Labor Relations - Wrocław Contemporary Museum – Wrocław – Polônia
- Dissonance (Screening) - Getty Museum (Harold Williams Auditorium) - Los Angeles – EUA
- Landscapes After Ruskin: Redefining the Sublime - Hall Art Foundation – Reading – EUA
- The 11th Xposed International Queer Film Festival – Berlim – Alemanha
- ‘O GAFA FA’ASIPA (Queer Genealogies) - Gertrude Contemporary, Emerging Curators’ Program - Next Wave Festival - Melbourne - Austrália
- Borders, Barriers, Walls - Monash University Museum of Art (MUMA) – Melbourne - Austrália
- ConTexto: Palabra, escritura y narración en el arte contemporâneo - Museo Universidad de Antioquia (MUUA) – Medelín – Colômbia
- Lembre-se de lembrar - Carbono Galeria - São Paulo - Brasil
- (SIGNAL) - Smack Mellon - Nova York - EUA
- Do Ask, Do Tell: Male Homoerotic Art from Latin America (1970s- 2016) - Henrique Faria Fine Arts - Nova York - EUA
- The Anthropophagic Banquet (Screening) - Instituto das Artes – Universidade do Estado do Rio de Janeiro (UERJ) - Rio de Janeiro - Brasil
- - La ONG - Buenos Aires - Argentina
- As Long As It Takes: Short - 45th International Film Festival Rotterdam – Rotterdam - Holanda
- Under the Same Sun: Art from Latin America Today - Museo Jumex - Cidade do México – México
- Under the Same Sun: Art from Latin America Today – South London Gallery – Londres – Inglaterra
- Memorias imborrables - Laboratorio de Arte Alameda – Cidade do México - México
2015
- Resistance Performed - Migros Museum für Gegenwartskunst – Zurique - Suíça
- A Strangely Glorious Opportunity. Fringe! Queer Film & Arts Fest - Londres – Inglaterra
- 23º Festival Mix Brasil de Cultura de Diversidade - São Paulo – Brasil
- MDE15 Encuentro Internacional de Arte de Medellín: Histórias Locales/Prácticas Globales - Museo de Antioquia – Medelín - Colômbia
- Then & Now: Ten Years of Residencies at The Center for Book Arts - The College of New Rochelle - Castle Gallery - New Rochelle - EUA
- Queer Lisboa - 19. Festival Internacional de Cinema Queer – Lisboa - Portugal
- A Story Within A Story... 8th Göteborg International Biennial for Contemporary Art 2015 – Gotemburgo – Suécia
- Memorias imborrables - Museu de Arte Latino-Americana de Buenos Aires (MALBA) - Buenos Aires – Argentina; Museo de Arte Contemporánea de Vigo (MARCO); Museum Angewandte Kunst (MAK), B3 Biennal of the Moving Image – Frankfurt - Alemanha
- Les Rencontres Internationales - Berlim 2015 - Haus der Kulturen der Welt – Berlim - Alemanha
- Japanese Nightingale Doesn’t Sing At Night - XYZ Collective – Tóquio – Japão
- Acting on Dreams. The State of Immigrant Rights, Conditions, and Advocacy in the US - Franklin Street Works – Stamford - EUA
- Discovery Award Exhibition - LOOP Barcelona 2015 - Antigua Fábica Estrella Damm – Barcelona - Espanha
- Orde Baru OK. Video – Indonesia Media Arts Festival - Galeri Nasional Indonesia – Jakarta – Indonésia
- DIXIT: El mundo tal como es y el mundo como podría ser – ArteBA - Buenos Aires - Argentina
- Cannibale, ou le Musée Anthropophage - Le Musée de la Chase et de la Nature – Paris - França
- 12th Queer City Cinema International Film Festival – Regina - Canadá
- Frente à Euforia - Oficina Cultural Oswald de Andrade - São Paulo – Brasil
- Ident-Alter-ity. 5th Thessaloniki Biennale of Contemporary Art - State Museum of Contemporary Art – Thessaloniki - Grécia
- Wild Noise: Artwork from The Bronx Museum of the Arts and El Museo Nacional de Bellas Artes - Havana - Cuba
- The 10th Xposed International Queer Film Festival – Berlim - Alemanha
- The Manufacturing of Rights: Beirut - Ashkal Alwan – Beirut – Líbano
- Then & Now: Ten Years of Residencies at The Center For Book Arts - Nova York - EUA
- Natural Beginners – Nuvolari – Paris - França
- Ejercicios de traslado: colecciones 9915 - Centro de Arte Alcobendas – Madri - Espanha
- 6 Proyecciones - Casa América – Madri - Espanha
- Encrucijadas//Encruzilhadas: Corpos, Corpus, Corpses, Dialogues for Latin American Cinemas. NYU Department of Cinema Studies - Michelson Theater - Nova York - EUA
- NUMUteca: libre - Nuevo Museo de Arte Contemporaneo de Guatemala – Cidade da Guatemala - Guatemala
- Ornament (com Amy Siegel) - Simon Preston Gallery - Nova York - EUA
- Wave & Particle - Ronald Feldman Fine Arts - Nova York - EUA
- FOKUS 2015 Video Art Festival - Nikolaj Kunsthal – Copenhague - Dinamarca
- Rip It! - Theater Freiburg e Museum für Neue Kunst – Freiburg - Alemanha
2014
- Tiger Awards Competition for Short Films - International Film Festival Rotterdam – Rotterdam - Holanda
- #1: Cartagena - The First International Biennial of Contemporary Art of Cartagena de Indias – Cartagena – Colômbia
- QP5 El cuerpo queer, la construcción de la memoria (Zanele Muholi e Carlos Motta) - Arte Actual FLACSO – Quito – Equador
- 7.000.000 - Espai d’art contemporani de Castelló - Castelló – Espanha
- Micro-acciones de emergencia # 3 - ADN Platform – Barcelona – Espanha
- I see in the Sea Nothing Except the Sea. I don’t See a Dove. I don’t See a Shore - The Camera Club of Nova York – Nova York – EUA
- La noche del apagón - Museu d’Art Contemporani de Barcelona (MACBA) – Barcelona – Espanha
- Under the Same Sun: Art from Latin America Today - Guggenheim Museum - Nova York – EUA
- Festival de Cine Ciclo Rosa - Cinemateca Distrital - Bogotá; Centro ColomboAmericano, Medelín - Colômbia
- IBAFF - Festival Internacional de Cine de Murcia – Murcia – Espanha
- Festival Internacional de Cine Asterisco - Buenos Aires - Argentina
- Transvisible - 19 Bienal de Arte Paiz – Cidade da Guatemala - Guatemala
- Colonia apócrifa - Museo de Arte Contemporáneo de Castilla y León (MUSAC) – León - Espanha
- Bellos Jueves - Museo Nacional de Bellas Artes - Buenos Aires – Argentina
- European Short Films Competition - New Horizons International Film Festival – Wroclaw - Polônia
- Sinopale 5 - International Sinnop Biennale – Turquia
- Realidades en Conflicto - Espacio Artnexus - Bogotá - Colômbia
- PORT - Galerij Verbeeck Van Dyck – Antwerp Queer Arts Festival - Antuérpia – Bélgica
- By Invitation Only - Instant HERLEV Institute – Copenhague – Dinamarca
- 5 Years, 6 Works, 7 Artists - LOOP Awards 2010-2014 – Fuso Lisboa – Lisboa - Portugal
- Después de lo anterior - Galería Santa Fe - Bogotá - Colômbia
- Memórias Inapagáveis - Sesc Pompeia – São Paulo – Brasil
- The Unwritten - Marres House for Contemporary Culture – Maastricht - Holanda
- Burning Down the House - 10th Gwangju Biennale – Gwangju – Coréia do Sul
- EVAKUIEREN (com Camilo Godoy) – Mousonturm – Frankfurt – Alemanha
- Inventer le possible - Vidéothèque éphémère 2 - Jeu de Paume – Paris – França
- 16ª Muestra Internacional Documental de Bogotá - Biblioteca Luis Ángel Arango – Bogotá - Colômbia
- Salón de Belleza in Utopian Pulse - Flares in the Darkroom – Secession - Viena – Áustria
- Evidencias de los hechos - Adquisiciones recientes - Museo de Arte del Banco de la República - Bogotá - Colômbia
- Future Generation Art Prize – PinchukArtCentre – Kiev - Ucrânia
- Migraciones: género, economía, poscolonialismo - Galería de Arte del Palacio Municipal – Puebla – México
- Rencontres Internationales a Paris - Gaîté Lyrique – Paris - França

2013
- global aCtIVISm - Zentrum für Kunst und Medientechnologie Karlsruhe (ZKM) - Karlsruhe – Alemanha
- The Temptation of AA Bronson - Witte de With – Rotterdam – Holanda
- Erinnerungsfelder / Campos de memoria - Galerie Ratskeller – Berlim - Alemanha
- Carlos Motta – Zachary Drucker – Sopheak Sao - Where Dreams Cross - Estocolmo - Suécia
- Wavelenghts Program - Toronto International Film Festival – Toronto – Canadá
- Disobedience Archive - Castello di Rivoli – Torino - Itália
- Fractured Spaces - Flaherty NYC Film Festival - Nova York – EUA
- Ideas y Presupuestos, jugada a 3 bandas - Galeria Liebre – Madri – Espanha
- Intersections - Museum of Latin American Art (MOLAA) - Long Beach - EUA
- Without Reality there is no Utopia - Yerba Buena Center for the Arts - San Francisco - EUA
2012
- Battleground States - Utah Museum of Contemporary Art - Salt Lake City – EUA
- From Below, As a Neighbor - Drugo More – Rijeka - Croácia
- Ciclo Rosa 2012 - Cinemateca Distrital e Galería Santa Fé - Bogotá - Colômbia
- Required Reading: Printed Material as Agent of Intervention - Center for Book Arts - Nova York – EUA
- Contested Territories - Dorsky Gallery Curatorial Programs - Long Island City – EUA
- Salvajes - Traneudstillingen Exhibition Space – Hellerup - Dinamarca
- Latin America: Between Identity and Mask - Art Stays International Festival of Contemporary Art - Ptuj - Eslovênia
- III Trienal Poligráfica de San Juan - San Juan - Porto Rico
- Ñew York: Latin American and Spanish Artists in Nova York - Art Museum of the Americas - Washington DC - EUA
2011
- Found in Translation - Guggenheim Museum - Nova York – EUA
- The Air We Breathe - San Francisco Museum of Modern Art – San Francisco - EUA
- The Walls that Divide Us - Apexart - Nova York – EUA
- Modo de empleo 3: desobedecer a toda costa, video y manifestaciones - Museo Carrillo Gil – Cidade do México – Mèxico
- The Unseen Eye: Photographs from the W.M. Hunt Collection - George Eastman House International Museum of Photography and Film – Rochester - EUA
- Sin realidad no hay utopia - Centro Andaluz de Arte Contemporáneo – Sevilha - Espanha
- InSite: Art + Commemoration - Lower Manhattan Cultural Council (Online) - Nova York - EUA
- Patria o Libertad! - Cobra Museum – Amstelveen – Holanda; Museum of Contemporary Canadian Art –Toronto – Canadá
- Multiple, Limited, Unique - Center for Book Arts - Nova York - EUA
- Drawn to Disaster - Institute of Contemporary Art at Maine College of Art – Portland - EUA
- Motion of a Nation - VM21 Arte Contemporanea – Roma – Itália
- Aesthetic Justice - The Lambent Foundation - Nova York – EUA
- Boundaries: selections from the MOLAA Permanent Collection - Museum of Latin American Art (MOLAA) - Long Beach - EUA
- Stuttgart Filmwinter – Stuttgart - Alemanha
2010
- To the Arts Citizens! - Museu Serralves – Porto – Portugal
- Notes on Memories - IG Bildende Kunst, Viena - Áustria
- smart - Miami Dade College at The Freedom Tower – Miami – EUA
- Second World Congress of Free Artists, Aarhus Kunstbygning - Aarhus - Dinamarca
- 27th Kassel Documentary Film and Video Festival – Kassel - Alemanha
- How To Do Things With Words - Parsons School of Design - Nova York – EUA
- The Politics of Art - National Museum of Contemporary Art – Atenas – Grécia
- The Creative Act - Henie Onstad Kunstsenter – Oslo - Noruega
- Dwelling-in-Travel - Art Today Association - Center for Contemporary Art – Plovdiv -Bulgária
- Kabul, Jenin, Tehran... - MIT List Visual Arts Center – Cambridge – Inglaterra
- 2nd “Qui Vive?” - Moscow International Biennale for Young Art - Museum of Modern Art - Moscou – Rússia
- The Mobile Archive-Stacion- Center for Contemporary Art Prishtina - Prishtina - Kosovo
- The Art of War - CEPA Gallery – Buffalo - EUA
- Avenue of the Americas - LMCC Lent Space - Nova York - EUA
- 39th International Film Festival Rotterdam (IFFR) – Roterdam - Holanda
- Geography of Trans-territories - Walter and McBean Galleries - San Francisco Art Institute - San Francisco - EUA
- Biennale Cuvee 10 - OK Center for Contemporary Art - Linz - Áustria
2009
- Le spectacle du quotidian - Xème Biennale de Lyon – Lyon – França
- Matrix: The Unstable Reality, 28 Biennial of Graphic Arts - Ljubijana - Eslovênia
- Conversation Pieces - CEPA Gallery – Buffalo – EUA
- 5x5Castelló - Espai d'art contemporani de Castelló (EACC) – Castellón - Espanha
- Turn on, Tune in, Drop out - Beijing 798 Biennale 2009 – Beijing – China
- Feedforward: The Angel of History - LABoral Art Center – Gijón – Espanha
- The 21st Century, The Feminine Century, and the Century of Diversity and Hope - International Incheon Women Artists' Biennale – Incheon – Coréia do Sul
- NO SOUL FOR SALE – A Festival of Independents (com Miguel Amado, Filipa Oliveira e Migrating Forms) - X Initiative - Nova York - EUA
- Special Editions - Lower East Side Printshop - Nova York - EUA
- Turn On - Slag Gallery - Nova York - EUA
- Biennale Democrazia – Torino - Itália
- t.error - Hungarian Cultural Institute - Nova York – EUA
- Things Fall Apart - Winkleman Gallery - Nova York - EUA
2008
- Soft Manipulation, or who is Afraid of The New Now? - Casino Luxembourg – Luxemburgo; Stiftelsen 314 – Bergen - Noruega
- The Prisoner's Dilemma - Cisneros Fontanals Art Foundation – Miami - EUA
- Archivo Sur – Futura – Praga – República Tcheca
- Alternating Beats - RISD Art Museum – Providence - EUA
- European Social Forum (ESF) Screening Program – Mälmo - Suécia
- Ours: Democracy in the Age of Branding - Sheila C. Johnson Design Center at Parsons -Nova York – EUA
- The Greenroom - CCS Bard Hessel Museum of Art - Annandale-on-Hudson - EUA
- Wild Horses - Art Space Diffusion138 - University of Grenoble – Grenoble - França
- The Long Distance Runner - Den Frie Udstillingsbygning – Copenhague - Dinamarca
- Festival International d'Art Video de Casablanca – Casablanca - Marrocos
- Troublemakers - Magazzini del Salle Punta della Dogana – Veneza – Itália
- Night School - New Museum - Nova York - EUA
- In the Private Eye - ISE Foundation - Nova York - EUA
2007
- Open House with Open Studios – IASPIS – Estocolmo – Suécia
- Infinitu et Contini - Smack Mellon Gallery – Nova York – EUA
- Timeline: Human Speed and Technology Speed - Korea Cultural Service China - Hong Kong
- EXPOSURE - Rotunda Gallery – Nova York – EUA
- Making Good Luck - Y Gallery – Nova York – EUA
- Pawnshop - e-flux projects - Nova York - EUA
- Atlante Latinoamericano - Centro de las Artes Conarte [no âmbito do Fórum Internacional das Culturas] - Monterrey – México
- Tollé...Toleránce (Screening), Images Citoyennes - Festival International de la Vidéo – Liége - Bélgica
- Unmarked Categories (com Homework) - K2 – Yzmir - Istanbul – Istambul – Turquia
- Challengers! art-e-conomy Selected Video Screening - Laboratorio Occupato Morion – Veneza – Itália
- Symbiotic/Synergy: Selections from The Center for Book Arts Community - Columbia College Center for Book and Paper Arts – Chicago – EUA
- Carte Blanche á Heure Exquise! (Screening) - International Short Film Festival Oberhausen – Oberhausen - Alemanha
- in someone else’s skin - CCS Bard Hessel Museum of Art - Annandale-on-Hudson – EUA
- The Karma of War (Screening) - Wang Center - Stony Brook University - Stony Brook – EUA
- Oog-Eye – Foam Fotografiemuseum – Amsterdam - Holanda
- Recorridos y Video Proyecciones durante ARCO – ArtBus – Madri – Espanha
- System Error: War Is a Force That Gives Us Meaning - Palazzo delle Papesse – Siena – Itália
2006
- Estrecho Dudoso - TEOR/éTica - San José - Costa Rica
- Ohne Blick - Musée de ElyséeLausanne – Lausanne - Suíça
- pa.per.ing - Art in General at Deutsche Bank - Nova York – EUA
- Festival des Cinémas Différents de Paris (Screening) - Centre Culturel La Clef – Paris - França
- Estudio Abierto - Palacio de Correos - Buenos Aires – Argentina
- 10 Defining Experiments: CIFO 2006 Grant Program Recipients - Cisneros Fontanals Art Foundation - Miami - EUA
- Manifesta 6 School (Cancelled) - Manifesta 6 – Nicosia – Chipre
- Prevailing Climate (Screening) - Sara Meltzer Gallery – Nova York – EUA
- 3 Biennale Adriatica di Arti Nuove - San Benedetto del Tronto – Itália
- Whitney Museum of American Art Independent Study Program Exhibition - Chelsea Museum, Nova York - EUA
- El Museo's 4th Bienal: The (S) Files - Museo de Arte de Puerto Rico - San Juan - Puerto Rico
- 4ème Festival International du Cinéma Iranien en Exil (Screening) - Art en Exil – Paris - França
- When Artists Say We - Artists Space - Nova York – EUA
- Bzzzz - Fundacion Cultural Cu4Rto Nivel Arte Contemporaneo – Bogotá – Colômbia
- Russia: Significant Other - ICA at the Anna Akhmatova Museum - St Petersburg – Rússia
- Surveillance - Jersey City Museum - Jersey City - EUA
- Moving Time - Gallery Korea - Korean Cultural Service - Nova York – EUA
- Featured Artist Projects - The Center for Book Arts - Nova York - EUA
2005
- El Salón de la Justicia - Galería Santa Fé - Bogotá - Colômbia
- Co-dependent (com Julieta Aranda) - College of Arts and Letters - Florida Atlantic University – Miami - EUA
- New Vectors. Panoramas do Sul - 15º Festival Internacional de Arte Eletrônica Videobrasil - Sesc Pompeia - São Paulo - Brasil
- BEOGRAD NEKAD I SAD - Prodajna galerija "Beograd" – Belgrado - Sérvia
- El Museo's 4th Bienal: The (S) Files - El Museo – Nova York – EUA
- Enemy Image - Momenta Art – Nova York – EUA
- Se acabó el rollo? La fotografia en Colombia de 1950 a 2000 - Museo Nacional - Bogotá – Colômbia
- Selections from 'Dancing Bear' the Collection of W.M. Hunt / Arles: Les Rencontres Internationales de la Photo 2005 – Arles - França
- The Generals, (com Julieta Aranda, K8 Hardy e Gareth James) - Art in General - Nova York – EUA
- Digital Cotton - Savannah Gallery at the Savannah College of Art – Savannah - EUA
2004
- The Book as Object and Performance - Gigantic ArtSpace - Nova York – EUA
- LMCC's Workspace 120 Broadway Open Studios - Lower Manhattan Cultural Council - Nova York - EUA
- The Freedom Salon - Deitch Projects - Nova York – EUA
- 2nd Biennale Adriatica di Arti Nuove - San Benedetto del Tronto – Itália
- Free Roaming: Video Madness (Screening) - El Museo - Nova York – EUA
- Produciendo Realidad - Associazione Culturale PRomateo di Lucca – Lucca – Itália
- Urbes Interiores - Biblioteca Luis Angel Arango - Bogotá – Colômbia
- Outdoor Intervention - PS122 Gallery - Nova York - EUA
- Establishing Shot - Artists Space - Nova York - EUA
2003
- Salón Regional de Artistas de Bogotá - Museum of Modern Art - Bogotá - Colômbia
- XII Bienal de Arte de Cerveira - Forum Cultural – Cerveira - Portugal
- Visiones, Fotología Photography Festival - Universidad de Salamanca - Bogotá - Colômbia
- Translatability - Berlimer Kunstproject – Berlim – Alemanha
- Agitate: Negotiating the Photographic Process - SF Camerawork - San Francisco - EUA
- No Money No Honey - Area (Contenitore d'Arte Contemporanea) – Palermo - Itália
- [B L A N K]: In Pursuit of An American History - Staller Center for the Arts - Stony Brook University - Stony Brook - EUA
2002-2000
- Mundos Creados: Constructed Photography from the Wider Caribbean - Noorderlicht Photofestival - Fries Museum – Groningen – Holanda
- Fresh: New Photography - Peter Hay Halpert Fine Art - Nova York - EUA
- Latin- American Photography from Nova York to Santiago de Chile, Fotografia: Primo Festival Internazionale di Roma – IILA – Roma – Itália
- Tecnica Mista - La Corte Arte Contemporanea – Florença – Itália

Subvenções, Residências, Prêmios / Grants, Residencies, Awards
2017
- The Vilcek Foundation Prize for Creative Promise - Nova York - EUA
2015
- Finalist— Discovery Award, 2015 – LOOP – Barcelona - Espanha
2014
- Main Prize— Future Generation Art Prize 2014 – PinchukArtCentre – Kiev - Ucrânia
2013
- Hoteles Catalonia Award - In recognition to the best work selected by the LOOP 2013 jury – Barcelona - Espanha
- Beca de circulación nacional e internacional para artistas y agentes de las artes visuales - Ministerio de Cultura, Colômbia
- Artist Residency - The Institute for Art, Religion and Social Justice - Union Theological Seminary - Nova York - EUA
2012
- Makers Muse Award - Kindle Project - Santa Fé - EUA
- Visual Arts Grant - Creative Capital - Nova York - EUA
2010
- Individual Artist Grant - Nova York State Council on the Arts (NYSCA) - Nova York - EUA
- Jury Prize - Map Digital Space - Finger Lakes Environmental Film Festival (FLEFF) - Nova York - EUA
2009
- Artist Residency – Flaggfabrikken – Bergen - Noruega
2008
- Guggenheim Fellowship - John Simon Guggenheim Memorial Foundation – Nova York - EUA
- New Commission - Art in General - Nova York - EUA
- Studio Residency - Smack Mellon - Nova York - EUA
- Special Editions Residency - Lower East Side Printshop - Nova York - EUA
- Finishing Funds - Experimental Television Center - Nova York - EUA
2007
- Art Matters Grant - Art Matters Foundation - Nova York - EUA
- Artist Residency - International Artists Studio Program in Suécia (IASPIS) – Estocolmo - Suécia
- Swing Space Program - Lower Manhattan Cultural Council - Nova York - EUA
- DaNY Arts Grant (com Homework) - Danish Arts Council – Aarhus - Dinamarca
2006
- Subvention Grant - Cisneros Fontanals Foundation [CIFO] – Miami - EUA
- Next Exhibition Award - Real Art Ways - Hartford - EUA
2005- 2006
- Fellowship - Whitney Museum Independent Study Program - Nova York - EUA
2005
Workspace Grant for Emerging Artists - Center for Book Arts - Nova York - EUA
2004
- Workspace Program Residency - Lower Manhattan Cultural Council - Nova York - EUA
2001/2002/2003
- Fellowship - Milton Avery Graduate School of the Arts at Bard College - Nova York - EUA
- Rhodes Family Award for Exceptional Achievement in Photography - The School of Visual Arts - Nova York – EUA

Coleções (seleção) / Collections (seleção)
- Bronx Museum - Nova York - EUA
- CIFO Cisneros Fontanals Foundation – Miami - EUA
- Fundación Arco – Madri - Espanha
- Deutsche Bank - Nova York – EUA
- Fundación Cisneros – Caracas - Venezuela/Nova York – EUA
- Fundación RAC (Rosón Arte Contemporáneo) – Pontevedra - Espanha
- Guggenheim UBS MAP Purchase Fund - Guggenheim Museum - Nova York - EUA
- Lab’Bel – Paris - França
- LESLIE - Lohman Museum of Gay and Lesbian Art - Nova York - EUA
- Museo de Arte del Banco de la República - Bogotá – Colômbia
- Museo de Arte Contemporaneo de Barcelona [MACBA] – Barcelona - Espanha
- Screen Projects/LOOP – Barcelona - Espanha
- Museo de Arte de Lima (MALI) – Lima - Peru
- Fundação Serralves – Porto - Portugal
- Museum of Latin American Art [MOLA] - Long Beach - EUA
- National Museum of Contemporary Art [EMST] – Atenas - Grécia
- Timeline - Konstfack’s Videotek – Konstfack – Estocolmo - Suécia
- Suécia Savannah College of Art and Design – Savannah - EUA
- Wroclaw Museum of Contemporary Art – Wroclaw - Polônia

Conferências, Simpósios e Apresentações / Lectures, Panels, Presentations
2017
- Carlos Motta (Conversa com artista), Yale University Divinity School, New Haven, 11/04
- The Visitor Talks: Carlos Motta (Conversa com artista), CCS, Bard College, Nova York, 05/04
- The Against Nature Journal, Contour Biennale 8 Public Program (Projeção Deseos), 11/03
2016
- La internacional queer: La indecencia y el futuro de la teología (com Ron Athey, Hugo Córdova-Quero e Linn Tonstad), MALBA, Buenos Aires, 15/10
- Nefandus: Colonial Sexual Alterity and Histories for the Future (com Anjali Arondekar, Pablo Bedoya, Joseph Massad, Fernanda Molina e Pete Sigal), Pérez Art Museum (PAMM), Miami, 27/08
- Histories for the Future (com Tone Hellesund, Heather Love e Julia Morandeira), Hordaland Kunstsenter, 27/08
- What Now? On Future Identities (Simpósio), Art in General, em colaboração com Vera List Center for Art and Politics, Nova York, 20/05
- Jack McGrath on Carlos Motta’s Nefandus Trilogy, PPOW Gallery, Nova York, 17/05
- Editor Evan Moffitt in conversation with Carlos Motta, Reading Room, Frieze Nova York, 09/05
- Asking and Telling It: A Conversation between Carlos Motta and Juan Ledezma, Henrique Faria Fine Art, Nova York, 09/03
- La universidad desconocida (Simpósio), Museo Jumex, Cidade do México, 29-30/01
2015
- Sunny Bunny — Molodist Kiev International Film Festival (Membro do Juri), 24/10 – 01/11
- Conflict #5 – ‘Do-Gooding’ and Criticality (Apresentação) Art and Social Justice Working Group, Vera List Center for Art and Politics, The New School, Nova York, 24/09
- MoMA R&D Salon: Fluid States of America (com Paola Antonelli, Micha Cárdena, Thomas Lax, Latoya Peterson, Tricia Wang) Museum of Modern Art, Nova York, 16/09
- Drawing in A Straight Line (com Nayland Blake, Collier Shorr and Bob Nickas) Artist Space, Nova York, 16/07
- Encuentro profesionales ArteBA (Co-organizador com Miguel López) ArteBA, Buenos Aires, 4-7/06.
- Gender Talents (Co-organizador com Kate Bornstein, Johanna Burton, Tiger Devore, Tara Mateik e Tavia Nyong’o) New Museum, Nova York, 03/05
- Carlos Motta (Apresentação) Purchase College, State University of Nova York, 15/04
- Art, Social Change, and the Urban Sphere (com Johanna Fateman, Eva Franch i Gilabert e Dread Scott) The City College of NY (CCNY), Nova York, 26/05
- Who remains? Subjectivity After Identity Politics part of the Visible/Invisible Symposium
(com Katherine Hubbard, Steffani Jemison and Luke Willis Thompson. Moderador Johanna Burton) New Museum, Nova York, 07/03
- Encuentros profesionales ARCO (com Miguel López’s e Manuel Segade’s) ARCO, Madri, 27-28/02
- Carlos Motta (Apresentação) Pratt University, Nova York, 11/02
- SITAC XII: Just Art(e) Justamente (Screening) Patronato de arte contemporáneo, Cidade do México, 22-24/01
- The Empire of Love: Alternative Relationships and Other Possibilities (co-organizador com Mary Coble e Sara Jördeno. Com Erika Alm & Ellie Nordfeldt, Katarina Bonnevier, Mathias Danbolt, Al Masson, e Transmilitanta Brigaden) Valand Academy, Gothenburg, 25/01
- Queer/Art/Film: Carlos Motta presents TO DIE LIKE A MAN, IFC Center, 12/01
2014
- Carlos Motta: Nefandus Trilogy (Projeção e Apresentação), Jeu de Paume, Paris, 14/10
- Carlos Motta: Nefandus Trilogy (Projeção e Apresentação), School of the Art Institute of Chicago, 04/10
- Carlos Motta: Gender Talents (Apresentação), 98weeks - Beirut, 14/07
- Curatorial Intensive in Mexico City (Apresentação), Independent Curators International -Museo Jumex, Cidade do México, 03/07
- El cuerpo producido (com Carolina Escobar Sarti e Dorotea Gómez), Centro Cultural de España – 19a Bienal de Arte Paiz, Guatemala, Peru, 07/06
- Talentos de género: Disidencias sexo-genéricas y prácticas políticas desde REDMMUTRANS (com Galilea Bracho (REDMMUTRANS), Jorge Chavarría (artista), Ricardo García (UNAIDS), Carlos Motta (artista), Lic. Trinidad (Presidential Commission Against the Discrimination and Racism Against Indigenous People), e Gabriela Tuch (Sexual Diversity Defender, Attorney General’s Office for Human Rights, Guatemala) - Centro Cultural de España — 19 Bienal de Arte Paiz, Guatemala, Peru, 05/06
- Genealogías del arte latinoamericano desde la sexualidad y el género (com with Miguel López e Fernanda Nogueira) PARC - Perú Arte Contemporáneo, Lima, Peru, 26/04
- The Queer Art of the Counter Archive (Moderador. Com Harrison Apple, Andy Campbell, e Ryan Conrad) Radical Archives Conference, A/P/A Institute & Cantor Film Center, NYU, 12/04
- The Oncoming Corner # 13: Carlos Motta (Projeção e conversa) um Projeto de Malin Arnell no Brooklyn apartment, Nova York, 30/03
- Visual Activism Symposium (Apresentação Principal), SF MoMA e International Association for Visual Culture, San Francisco, 14-16/03
- El sexo (el arte) y la ciudad (Workshop), Galeria Arte Actual, Quito, 17-19/02
- Los contextos queer en el arte (Com Eduardo Carrera, Eduardo Fajardo e León Sierra) Cine Ocho y Medio, Quito, 18/02
2013
- Oiticica-subterrânea (Moderador. Com Irene Small e Víctor Manuel Rodriguez), PINTA FORUM, PINTA NY, Nova York, 15/11
- Ritual of queer rituals (Co-organizador com AA Bronson. Com Ron Athey, François Chaignaud, Ebe Oke, Elizabeth Povinelli e Linn Tonstad), Witte de With, Rotterdam, 02/11
- The Practice of Reading Undocumented Histories (Conversa com Artista e Projeção com Prof. Carmen Mörsch), Kunsthof Zürich at Main Auditorium ZHdK, Zurique, 31/10
- Art Talk: AA Bronson and Carlos Motta, Hyperallergic, Nova York, 21/08
- Aesthetics of Engagement (Mesa de discussão com Mariam Ghani, Murtaza Vali e Ann Mesner) Pratt University, Nova York, 09/05
- El sexo (el arte) y la ciudad (Apresentação), Proyectos Ultravioleta, Cidade da Guatemala, 31/07
- Youth (Palestra e painel de discussão com Naomi Hirabayashi, Barry McGee, Carlos Motta, Ellin O’Leary e Dennis Schol) Ideas City Conference, Nova York, 02/05
- Carlos Motta (Apresentação), Paul Branch Lecture Series, CalArts, Los Angeles, 25/04
- Godfull: Shape Shifting God as Queer (Co-organizador com Jared Gilbert. Participantes Lovett/Codagnone, Darnell L. Moore, Ernesto Pujol, Robert Sember, Samita Sinha e Linn Tonstad) The Institute for Art, Religion and Social Justice, Union Theological Seminary, Nova York, 12/04
- La forma de la libertad (Painel de discussão com Susana Vargas, Alonso Hernandez, Oscar Garcia e Xabier Lizarraga) Sala de Arte Público Siqueiros, Cidade do México, 09/04
- Gender Talents: A Special Address (Co-organizador com Electra. Participantes Xabier Arakistain, Esben Esther Pirelli Benestad, Giuseppe Campuzano, J. Jack Halberstam, Carlos Motta, Beatriz Preciado, Dean Spade, Terre Thaemlitz, Wu Tsang & Safra Project, Del LaGrace Volcano e Campbell X), TATE Modern, Londres, 02/02
2012
- Conflict and the Rebel City (Painel de discussão com Miguel Amado, Chelsea Haines e Sreshta Rit Premnath) Dorsky Gallery - Curatorial Projects, Long Island, 21/10
- Carlos Motta, We Who Feel Differently (Palestra e Projeção), Utah Museum of Contemporary Art, Salt Lake City, 11/10
- Feeling Differently (Mesa Redonda com Sianne Ngai, Nomy Lamm & Raegan Truax), Stanford University, 10/10
- Show and Tell: Carlos Motta in Conversation with Larry Rinder (Conversa com artista)
Yerba Buena Center for the Arts, San Francisco, 08/10
- Absolute Democracy (Co-organizador com Oliver Ressler), Steirischer Herbst, Graz, Áustria, 26/09
- Carlos Motta: Algunos apuntes sobre las políticas del afecto queer (Palestra e Projeção), Lugar a Dudas, Cali, 09/08
- Carlos Motta, We Who Feel Differently (Palestra e Projeção), Gallery 400, University of Illinois at Chicago, 17/07
- Digital Art & Democracy: People, Places, Participation (Apresentação), University of California, Santa Cruz, 01/06
- We Who Feel Differently: Thursday Night Events (Organizador de programas públicos no contexto da exposição individual), New Museum, Nova York, 31/05 – 06/09
- We Who Feel Differently: A Symposium (Co-organizador com Raegan Truax), New Museum, Nova York, 4-5/05
- Carlos Motta (Apresentação), Lower Manhattan Cultural Council, 17/04
- Carlos Motta (Apresentação), Amherst College, Amherst, 29/03
- Carlos Motta (Apresentação), Escuela de Artes Plásticas (EAP), San Juan, 12/03
- SITAC X: The Future: The Long Count Begins Again (Simpósio), Cidade do México, 9–11/02
2011
- Writing as Practice: Peripheral Continuity (Simpósio. Apresentação com Andrea Geyer)
International Center of Photography, Nova York, 11/12
- Theologies of Liberation (Conversa com Jared Gilbert), Y Gallery, Nova York, 15/12
- The Walls That Divide Us (Conversa com Leor Grady), Apexart, Nova York, 08/12
- The Future Lasts Forever (Lançamento do livro. Com Miguel López e Lisa Rosendahl) Gävle Konstcentrum, Suécia, 19/12
- Broken English (Mesa de discussão com Julieta Aranda, Defne Ayas, Adam Kleinman e Naeem Mohaiemen) Performa Hub, Performa 11, Nova York, 13/11
- A New Discovery: Queer Immigration in Perspective (Mesa de discussão), Museum of Art and Design, Nova York, 15/10
- Live Out Loud (Mesa de discussão), Pratt University, Brooklyn, 11/10
- The Gay Generation Gap (Mesa de discussão), Dixon Place, Nova York, 02/10
- We Who Feel Differently (Apresentação), Pomona College Museum of Art, Clermont, 26/09
- Diversidad Sexual, Activismo y Arte en Cali (Mesa de discussão), Espacio de Arte Contemporaneo, Museo La Tertulia, Cali, 11/08
- Artist Residencies and Conflict Areas (Simpósio), Goethe-Institut, Nova York, 25/06
- Aesthetic Justice (Apresentação com Niels Van Tomme), Cabinet, Nova York, 14/06
- We Who Feel Differently (Mesa de discussão), Torpedo Books, Oslo, 20/05
- We Who Feel Differently (Mesa de discussão), Gallery USF, Bergen, 19/05
- Aesthetic Justice (Seminário), Provisions Library e Lambent Foundation, Nova York, 14/05
- Queerocracy (Simpósio), The New School University, Nova York, 14/04
- Sexuality and the State in Latin America (Mesa de discussão com Noelle Stout), Columbia University, Nova York, 13/04
2010
- Carlos Motta (Apresentação), National Museum of Contemporary Art, Atenas, 04/11
- Carlos Motta (Apresentação), School of Visual Arts, Nova York, 12/10
- Carlos Motta (Apresentação), Hunter College, New York, NY, 29/09
- La imagen emancipada (Painel de discussão), ARTEBA’10, Buenos Aires, 26/06
- Ask Los Artistas (Painel de discussão), VOLTA NY, Nova York, 06/03
- Carlos Motta (Apresentação), University of California Santa Cruz (UCSC), Santa Cruz, 26/02
- Geography of Trans-teritories (Painel de discussão), San Francisco Art Institute (SFAI), San Francisco, 24/02
- Carlos Motta (Artista em Residência e Apresentação), Vermont College of Fine Arts, Montpelier, 29/01 – 07/02
2009
- Carlos Motta (Apresentação), Medienwerkstatt, Viena, Áustria, 30/11
- Feedforward: The Angel of History (Simpósio), Laboral, Gijon, 23-24/10
- Carlos Motta (Apresentação), Stiftelsen 3,14, Bergen, 15/10
- Carlos Motta (Apresentação), California College of the Arts Curatorial Practice Program, San Francisco, 09/10
- Carlos Motta (Apresentação), SF Camerawork e Galeria La Raza, San Francisco, 08/10
- ¡Presente! Daniel Alarcón and Carlos Motta: Next-Generation Latin American Art and Literature (Painel de discussão), Berkeley Art Museum, Berkeley, 10/10
- Carlos Motta (Apresentação), Galerija Miroslav Kraljevic, Zagreb, 24/09
- Carlos Motta (Apresentação), Milton Avery School of the Arts at Bard College, Nova York, 26/06
- Atti Democratici (Painel de discussão), Casa della Creativita, Florença, 06/05
- Symposium on Integration, Konsthall C em parceria com Institute for Future Studies, Estocolmo, 04/04 April
- The Good Life (Oficina), El Parqueadero, Biblioteca Luis Angel Arango, Bogotá, 14-15/03
- Carlos Motta (Apresentação), RISD Museum of Art, Providence, 18/02
2008
- The Shape of Things to Come – Artists as Public Intellectuals (Painel de discussão), Cisneros Fontanals Art Foundation, Miami, 04/12
- What is Real? Photography and the Politics of Truth (Simpósio) International Center of Photography, 12-13/12
- Carlos Motta (Apresentação), Philadelphia Academy of Fine Arts, Philadelphia, 13/11
- Carlos Motta (Apresentação), Parsons Fine Arts Lecture Series, Nova York, 15/10
- Carlos Motta + Ann Farnsworth-Alvear (Apresentação), ICA, Philadelphia, 27/02
2007
- Vita Activa: Political Engagement through the Arts (Apresentação), SODAart at Villa Arson, Nice, Out
- On the edge of the abyss, one-step forward! A conversation between Carlos Motta and Juan Pedro Fabra, wip:konsthall, Estocolmo, Out
Carlos Motta (Apresentação), Konstfak, Estocolmo, Out
2006
- Art/Net/Work (Apresentação e Painel de discussão), New Media Department, Aarhus University, Aarhus
- Town Meeting (Apresentação), Andrew Kreps Gallery, Nova York
- La Conceptualizacion de La Imagen (Aulas e 1 semana de oficinas), El Centro de La Imagen, Cidade do México
- The Future of Photography (Organizador de painel e Moderador), Parsons The New School of Design, Conference 2004, Nova York
- Legitimizing The Other: Art and National Identity in the Age of Globalization (Apresentação), New York University, Nova York
- Visiting Artist, School of Visual Arts, Nova York
- Establishing Shot (Painel de discussão), Artists Space, Nova York
- Carlos Motta (Apresentação), SF Camerawork, San Francisco, EUA
- Slide Fest (Apresentação), ICP Education Program, Nova York , EUA

Publicações e Livros / Publications & Books

- The Future Lasts Forever (with Runo Lagomarsino) (Book, 224p. Edition of 500). Editora Gävle Konstcentrum e Iaspis, Suécia, 2011

- Broken English (Tabloid, 48 pages, co-edited with Julieta Aranda) Editora Performa 11, Nova York, USA, 2011

- Petite Mort: Recollections of a Queer Public (with Josh Lubin-Levy) (160p. Edition of 500) Editora Forever & Today, Inc., 2011

- We Who Feel Differently (Book, 96p., Edition of 500) Editora Ctrl+Z Publishing, Noruega, 2011

- We Who Feel Differently (Catalog, Edition of 500) Editora The Other Gallery, Shanghai, China, 2010

- La Buena Vida/The Good Life (Book, 136p., Edition of 500) Editora Fundación Alzate Avendaño, Bogotá, Colômbia, 2009

- La Buena Vida/The Good Life (Catalog, 85p., On demand) Editora Art in General, Nova York,USA, 2008

- The Immigrant Files: Democracy is Not Dead; It Just Smells Funny (Book, 185p., Edition of 500) Editora Konsthall C, Estocolmo, Suécia, 2009

- What is Democracy To You? (Poster, Edition of 2000). Publicado original em 2008 para exposição no ICA, Philadelphia, EUA

- Brief History of U.S. Interventions in Latin America Since 1946 (Poster, 4 edições de 2000 up to date). Publicado original em 2005 para exposição no Jersey City Museum, NJ, USA

- Arts & LEISURE, (Tabloid, 28 pages, co-edited with The Generals) Publicado em 2005 por Art in General e e-flux, Nova York, EUA

- Close (Monografia, 76 pag.) Publicado em 2000 pela Deskubre, Roma, Itália

Bibliografia / Bibliography
2017
LOVE, Heather. “Histories Back Rooms: Carlos Motta Interviewed by Heather Love”. Public Culture, Volume 29, # 1, Jan. 2017
2016
ALPERT, Avi. “Carlos Motta: Histories for the Future”. Miami Rail, dezembro 2016
COLUCCI, Emily. “X-Ray of Civilization: Beyond Biopolitics in Carlos Motta’s ‘Deviations’ ”. filthy dreams, 08 maio, 2016
COTTER, Holland. “Carlos Motta, ‘Deviations’”. New York Times, 12 maio, 2016
DAMA, Francesco. “An Anthology of Queer Art Theory Puts Artists First”. Hyperallergic, 26 Maio, 2016
DUNHAM, Noah. “Unpacking ‘Otherness’ in Carlos Motta’s Deseos”. The Portland Mercury, 15 Setembro, 2016
“La indecencia y el arte de Carlos Motta”, El Espectacular, Revista Digital de Tea Arte, 21 Dezembro, 2016
GIGENA, Daniel. “Carlos Motta el el Malba: videos elegíacos para una teología de la diferencia”. La Nación, 01 Dezembro, 2016
GAIA, Giovanni. “Performance e provocazione. Alla Tenuta dello Scompiglio”. Artribune, 13 Junho, 2016 GETSY, David. “QUEER - Documents of Contemporary Art”.. Whitechapel Gallery and MIT Press, 2016
____________. “Histories for the Future:Visionary Identification in the Work of Carlos Motta”. Brochure, PPOW Gallery, New York
GÓMEZ-EGAÑA, Pedro. “Ten Questions: Carlos Motta”. Kunstkritikk, 25 Agosto, 2016 KLEINMAN, Adam. “Carlos Motta”. Artforum, Summer 2016
KOGLER, Stefanie. “The art Practice of Carlos Motta and the archive as a tool for re-enactment and communication”.
World Art, Março 2016
KOSCIUCZUK, Krzysztof. “The Morality Reflex”. Frieze.com, 29 Outubro, 2016
LAIA, João. “Live Uncertainty: 32nd Bienal de Sâo Paulo”. Mousse Magazine, Fall 2016
LUNA, Claire. “Carlos Motta”. Arte al Dia, Janeiro 2016
MARTÍ, Silas. “Carlos Motta revê iconografia católica em chave sadomasoquista na Bienal”. Folha de S. Paulo, 12 Novembro
MASUSHIO, Taro. “Critics’ Picks: Carlos Motta”. Artforum, 06 Maio
MOTTA, Carlos. “Activism, Visuality, and the Needs of Queer Youth”. Journal for Visual Culture, Abril 2016
_____________. “We Are Orlando”. Bomb Magazine, 15 Junho, 2016
_____________. “A Personal Latin America”. Frieze, Agosto 2016
ORTÍZ, María Elena. “Histories for the Future” (Essay for exhibition brochure). Pérez Art Museum, Miami, 2016 PELÁEZ, Carmen. “ All Eyes Are On These Latin American Artists”. NBC News, 2 Dezembro, 2016
PÉREZ-RUBIO, Agustín. “Muerte eternal” (Essay for exhibition brochure). MALBA, Buenos Aires, 2016
REVILLA, Ana. “Carlos Motta. Project Gallery. Historias para el future”. ARTECONTEXTO, 24 Outubro, 2016 SILVER, Erin. “Beloved…”. Brochure, Mercer Union, Toronto
MOTTA, Carlos. “Las conversaciones en torno a la sexualidad y el género se han vuelto hegemónicas”. 12 Outubro, 2016
TORCHIA, Franco. “Parte de tu religion”. Página 12, SOY, 14 Outubro, 2016
YEREBAKAN, Osman Can. “Carlos Motta: Deviations at PPOW Gallery”. ARTE FUSE, 13 Maio, 2016
SMALL, Zachary. “ Art that Slows Down How We Assess Gender”. Hyperallergic, 04 Abril, 2016
TYC, Cat. “Carlos Motta”, Bomb Magazine, 6 Maio, 2016
USZEROWICZ, Monica. “, Carlos Motta: Histories for the Future, Pérez Art Museum, Miami Best of 2016: Out Top 15 Exhibitions Across the United States. Hyperallergic, 29 Dezembro, 2016
VAZQUEZ, Neil, Artist Carlos Motta Revives Latin America’s Queer Culture With “Histories for the Future” at PAMM. Miami New Times, 12 Julho, 2016
2015
BERARDINI, Andrew, Carlos Motta, Suppression and Pre-Columbian Blowjobs. Art Review, Janeiro 2015
JANEKSELA, Jacklyn, Gender Talents is Making You Rethink Everything You Thought You Knew About Gender. culturedesigners.com, 26 Março, 2015
OBREGÓN, Catalina, El arte pecador de Carlos Motta. Revista Diners, Fevereiro 2015
OLSSON, Nils, En mångfald av roster. Kunstkritikk, 06 Fevereiro, 2015
PIÑERO, Alvaro, ‘gender talents’ es la prueba de que el género está sobrevalorado. i-D, 25 Março, 2015
RANA, Matthew, Carlos Motta, Röda Sten Konsthall. Frieze Magazine, Abril 2015
SCHOISWOHL, Maria, Insider New York: Carlos Motta. Insiderei. com, 19 Março, 2015
SUTTON, Benjamin, In An Artist’s Video Project, Getting to Know Trans and Intersex Activists. Hyperallergic, 24 Março, 2015
SVENSK, Fredrik, Sex i kolonin. Aftonbladet, 23 Fevereiro, 2015
TEPLITZKY, Alex, Performing Gender. The Lab, Creative Capital Blog, 11 Março, 2015
ZAYA, Octavio, Carlos Motta: Letter to My Father, Memórias Inapagáives, Associacâo Cultural Videobrasil
2014
ARCO’14: El crítico como galerista. ABC Cultural, 19 Fevereiro, 2014
BARBANCHO, Juan-Ramón. El cuerpo queer, la construcción de la memoria. http://ramona.org.ar, Marzo 2014
COTTER, Holland. Under the Same Sun, Art From Latin America, at Guggenheim. New York Times, 12 Junho, 2014
HONTORIA, Javier. Nuevos escenarios en los Solo Projects. El Cultural (Spain) — Especial ARCO, 21 Fevereiro, 2014
KOVALYOVA, Ekaterina. арлос Мотта: «Сексуальная идентичность — это ахиллесова пята нашего мира» http://theoryandpractice.ru, 09 Abril, 2014
Las diversidades sociales y sexuales aún son incómodas. HOY (Ecuador), 23 Fevereiro, 2014
LEÓN DE LA BARRA, Pablo. Dispatch: Mexico. blogs.guggenheim.org/map/dispatch-mexico, 26 Fevereiro, 2014
_________________________. Dispatch: Colombia. http://blogs.guggenheim.org/map/dispatch-columbia, 02 Abril 2, 2014
LÓPEZ JIJÓN, Ana María. “El cuerpo es un espacio de resistencia donde la identidad se ejerce como performance”
radiococoa.com/index.php?url=entrevistas-2/el-cuerpo-es-un-espacio-de-resistencia-donde-la-identidad-se-ejerce-como-performance
MEJÍA, Joseph and Garrido, Rafael. Carlos Motta: Hacia una historiografía homoerótica. ICONOS- Flacso, Ecuador
MILLÁN de Benavides, Carmen. Sus monstruos son nuestros ídolos: A propósito de la Trilogía Nefanda de Carlos Motta. Instituto Caro y Cuervo, Ciclo Rosa Audiovisual 2014
MOLINA, Oscar. Lo queer en sí es colonial. HOY (Ecuador), 19 Fevereiro, 2014
MOSCOSO, Manuela. Entrevista con Carlos Motta
Catalogue for “7.000.000″, Espai d’art contemporani de Castelló, 2014
ORTÍZ, Diego. Retratos de aquellas otras historias. El Comercio (Ecuador), 20 Fevereiro, 2014
OSTRANDER, Tobias. My Highlights from ARCOmadrid. ART SY, 26 Fevereiro, 2014
RODRÍGUEZ Dalvard, Dominique. Bienal Internacional de Arte de Cartagena (BIACI). Revista Diners, 11 Março, 2014
VERA, Cristhian. Teoría queer y memoria. GATOPARDO # 22, Ecuador, 2014
YOUNG, Peter. The Artists Subverting the Gender Binary. Dazed, 20 Novembro, 2014
2013
BETTENCOURT, Sandra, A Arte Nefanda de Carlos Motta, Janela Urbana, 08 Agosto, 2013
CARBONE, Christopher, We Created This: The Value of Mentorship for Queer Artists In the Age of Assimilation Master of Arts Thesis, Columbia University Graduate School of Journalism, 2013
COTRONEO, Rocco, Dalla politica Usa ai trans riprendo la mia Colômbia Corriere Della Sera, 25 Janeiro, 2013
D’ARCY, David, What The Experimental Films at TIFF Tell Us About the Future of Film, Indiewire, 16 Setembro, 2013
FEISS, Ellen, Gender Talents: A Special Address, Frieze Blog, 04 Março, 2013 __________. Absolute Democracy, Frieze Magazine, Winter 2012-2013
KOGLER, Stephanie, Democracy Cycle— An Interview with Carlos Motta, Arara: Art and Architecture of the Americas, Issue 11, 2013
MARUCCI, Luciano, L’Arte dei Paesi Emergenti, Juliet # 163, 2013
MAIOER, Mariano, Extranjero, Arte al Dia, Fevereiro, 2013
MOTTA, Carlos, AA Bronson: On the Ineffable Quality of His Life and Work, EXTRA EXTRA, Abril Issue # 2
_____________. Guest Editor, (im)practical (im)possibilities, e-flux journal # 44, Abril Issue
____________. Deviations to Love, ATLANTICA, Journal of Art and Thought # 53
_____________. Dios es pobre in The Second World Congress of Free Artists, Ed. Camel Collective. Aarhus Kunsthal, 2012
NASH, Mark, Das Dokumnentarische im Zeitalter der Asthetik — Documentary in the Age of Aesthetics, Kultur Kreis, 2013
OSTROWSKA, Ania, Gender Charmers, the f word, Contemporary UK Feminism, 24 Fevereiro, 2013
SICINSKI, Michael, NEFANDUS in TIFF 2013. Wavelenghts Experimental Films—The Shorts and the Medium, Mubi.com, Setembro 2013
SIERRA, Sonia, Frontera y libertad, temas en los muros de la SAPS, El Universal, Abril 9, 2013 (México)
WEIL, Harry J., Somewhere There is History: A Conversation with Carlos Motta, Afterimage Vol. 41, No. 2, 2013
2012
Konsten att flytta ett berg, Aftonbladet, 16 Janeiro, 2012
AMIR, Yaelle, Required Reading (Catalogue), Center for Book Arts
BERRÍO, Juana, On Queering Dominant Discourses: An Interview with Carlos Motta Six Degrees, New Museum’s Blog, 07 Setembro, 2012
BOGRE, Michelle, Activism: Practice and Process in Photography as Activism: Images for Social Change, Focal Press, 2012
CRUZ, Araceli, Carlos Motta, On “We Who Feel Differently” and Obama’s Gay Marriage Stance, Village Voice, 05 Junho, 2012
CLEMENTS, Alexis, Can We Queer the (Art) World, and Why Should We?, Hyperallergic, Maio 9, 2012
DIAZ, Silvina, Sentir de una manera diferente…, Pie Derecho, Maio 2012
DURANT, Marc Alice, Carlos Motta, Saint Lucy, Setembro 2012
ERIKSON, Alex, Centering the Fringe, Next Magazine, 27 Abril, 2012
FINKELSTEIN, Avram, We Who Feel Differently, criticalmob.com, 10 Maio, 2012
FORERO PARRA, Michael Andrés, Carlos Motta: entre el arte y el muse, Premio Nacional de Crítica y Ensayo (Corto): Arte Contemporáneo en Colômbia 2012
KARTOFEL, Graciela, Carlos Motta at Y Gallery, Artnexus #. 84, Volume 11, 2012
KOGLER, Stefanie, Mediation and the Role of Archives in Contemporary Art from Latin America, University of Essex, School of Philosophy and Art History, MA Curating Latin American Art, Sep.2012
LOEK, Heida, Come! To Man’s Country: Counterpublic Space, Sexuality and Identity of the Gay Clone in New York City American Studies, MA Dissertation, University of Groningen, 2012
LÓPEZ SORZANO, Liliana, Interrogando la diferencia, El Espectador, 20 Maio, 2012
NAKANO, Sarah, Queer Eyes on “We Who Feel Differently” Exhibit, velvetparkmedia.com, 23 Maio, 2012
PETERSSON, Frans Josef, Konsten att flytta ett berg, Aftonbladet, 16 Janeiro, 2012
3ra Trienal Poli/gráfica de San Juan: El Panal/The Hive (Catalogue), Instituto de Cultura Puertorriqueña, 2012
ZAYA, Octavio, We Who Feel Differently, The New Museum, New York, Arte al Dia, Setembro 2012

2011
AREVALO, Antonio, No se está trabajando con banderas sino con poéticas de lo personal, ArtiShock, Junho 2011
ARDILA, Oscar, Zeit- Genössische Kunst im Öffentlichen Raum in Kolumbien, Kunststadt Stadtkunst, Abril 2011, # 58 Artecontexto, Without Reality There is No Utopia, Junho 6, 2011
BIESENBACH, Klaus, Erdkunde, Monopol Magazine, Janeiro 2011
BOSCO DÍAZ-URMENETA, Juan, Descripción de la mentira, El País.com, 20 Junho, 2011
BURROUGH, xtine, NetWORKS: Case Studies in Web Art and Design, Routldege, 2011
BOURLAND, Ian, Critics’ Picks, Found in Translation, ArtForum, Março 2011
DANBOLT, Matthias, We Who Feel Differently, trickster.net, 31 Maio, 2011
La Tertulia Trangrede, El País. 8 de Agosto, 2011
Exhibition Catalogue, Âs Artes, Ciudadãos!, Museu de Arte Contempoânea de Serralves, 2011
FISHER, Cora, Found in Translation, The Brooklyn Rail, Março 2011
GELDER, Van Hilde, Aesthetic Justice, Le Magazine Jeu de Paume. 30 Maio, 2011
HARALDSETH, Geir, Ten questions: Carlos Motta, Kunstikritikk Nordic Edition, kunstkrittikk.se, 18 Maio, 2011
RANGEL, Gabriela, arteBA: Bicentenarios después de la invención, arteBA Fundación, 2011
DI QUINZIO, Apsara, The Air We Breath, San Francisco Museum of Modern Art, 2011
SYMONS, Stéphane, Aesthetic Justice; lemagazine.jeudepaume.org
The Unseen Eye: Photographs from the Unconscious, Thames & Hudson and Aperture, 2011
ULLEBØ, Kjetil, Med kunstnerblikk pa skeive Norge, Fredag, Kultur & Folk, 20 Maio, 2011
ZEITHAMMER, Sabina, Carlos Motta, Wiener Festwochen, derStandard.at, 09 Junho, 2011
2010
AMDAM, Peter, Arkivets spøkelser, Kunstkritikk, 9 Setembro, 2010
CAHILL, Zachary, The Creative Act, Artforum, 20 Dezembro, 2010
Días de Auditorio, ADN Cultura, 26 Junho, 2010
DONOVAN, Thom, Melanie Crean: How To Do Things With Words, BomBlog, 30 Novembro, 2010
Exhibition Brochure, Biennale Cuvée 2010, at World Selection of Contemporary Art OK Offenes Kulturhaus, Linz, Austria 2010
Exhibition Catalogue, smART at the Miami Dade College, Miami Dade College, 2010
HERRERA, Adriana, Panorama del Arte Emergente Latinoamericano, Arte Al Día, Junho-Agosto 2010, Issue 131
HOYO, Andrés, El teatro colombiano invade a Berlín, Eltiempo.com, 13 Abril, 2010
Ithaca College Names Winners of Environmental Film Festival, IthacaIndy.com, 10 Março, 2010
KUNSTSENTER, Henie Onstad, Kampen om arkivet- Utstilling, The Creative Act, Aftenposten, Kultur, 06 Setembro, 2010
Libertad y Desorden, Black Box Berlin, 23 Março, 2010
LA PAGLIA, Federica, Se Non Qui, Dove?, Cura Magazine, Outubro-Dezembro 2010, Issue 06
LÓPEZ, Liliana, Artistas colombianos hacen presencia en Berlín, elespectador.com, 23 Abril, 2010
MARMELEIRA, José, Exposição- Somos todos cidadãos do mundo em Serralves, ípsilon, 17 Novembro, 2010
MARSHALL, Piper, Avenue of the Americas, ArtForum, 13 Setembro, 2010
MEIERHENRICH, Doris, Freiheit und Unordnung: Theater aus Kolumbien in HAU, Berliner Zeitung, 26 Abril, 2010
MORALES, Lorenzo, Experimento de Justicia Narrativa en Seis Actos, impre.com, 21 Março, 2010
MOTTA, Carlos, A Conversation Between Carlos Motta and Gabriela Rangel, Henie Onstad Art Centre Exhibition Catalogue, 2010
_____________. Exhibition Catalogue for “The Politics of Art”, National Museum of Contemporary Arts, Athens, 2010
Νεροµάνα, Worlds Together- An hour with artist Carlos Motta, Fountain Head, Communicative Experimentation, 27 Junho, 2010
SARMIENTO, Jorge, ¿El Libreto Teatral Como Discurso Artístico Del Arte Contemporáneo?, esferapública.org, 18 Set, 2010
SCHULZ, Ole, Wo die Gewalt zeitlos ist- Kritische kolumbianische Theatermacher versammeln sich im HAU TANZ, Abril 2010
____________. Kein Fest ohne Feind, Die Tageszeitung, Abril 22, 2010
SPRENG, Eberhard, Antirhetorick einer mörderischen Wirklichkeit, Deutschlandradio Kultur, Dradio.de, 26 Abril, 2010
TEICKE, Friedhelm, Festival: Libertad y Desorden Freiheit und Unordnung, Zitty, Abril/Maio 2010
_________________. Gewalt und Leidenschaft, 14 Tage Bühne, Abril/Maio 2010
TREZZI, Nicola, Lower Manhattan Cultural Council, FlashArtOnline.com, 13 Julho, 2010
WEINER, Andrew Stefan, The Shapes I Remember from Maps, Tracking New Geographies, X-TRA, Volume 12, # 2
WILDERMANN, Patrick, O Land voll Blut und Wunden- Passionsspiele: Politisches Theater aus Kolumbien- ein Festival am Berliner HAU, Der Tagesspiegel, Kultur, 24 Abril, 2010
WILDERMANN, Patrick, Die dreckigen Helilgen, Der Tagesspiegel, 25 Março, 2010
ZERPA, Marth Escalona, Gran retrospectiva de Frida Kahlo, el músico Ruben Rada y arte joven colombiano en Berlín
Analítica.com, 05 Maio, 2010

2009
5x5 Castelló‘09 Exhibition Catalogue, Castelló, 24 Julho-27 Setembro, 2009
6th Annual New Prints Review, Art on Paper, Novembro/Dezembro 2009, Vol 14, No. 2
ALLERHOLM, Milou, Review of “Carlos Motta på Konstahall C, Stockholm”, DN.se, 19 Fevereiro, 2009
AMADO, Miguel, Review of “Ours: Democracy in the Age of Branding” at Parsons Anna-Maria and Stephen Keller Gallery
Artforum, 24 Janeiro, 2009
BELLET, Harry and Dagen, Phillippe, Petites choses, grande réussite, Le Monde, Biennale de Lyon, 16 Setembro, 2009
COLE, Lori, Critics’ Picks, Things Fall Apart at the Winkleman Gallery, Artforum, 26 Janeiro, 2009
DURANT, Mark Alice, Notes on Photography and Monumentality, Aperture, Fall 2009
Feedforward- El ángel de la Historia/ The Angel of History, LABoral Centro de Arte y Creación Industrial, 2009
Exhibition Catalogue, 28 Grafica Bienale/ Biennial of Graphic Arts Mednarodni Graficni Likovni Center/ International Centre of Graphic Arts, 2009
Exhibition Catalogue, Xe Biennale de Lyon, Le Spectacle du Quotidien/ The Spectacle of the Everyday, Les Presses du Reél, 2009
Exhibition Catalogue, Incheon Women Artists’ Beinnale, Tuning Exhibition Incheon Women Artists’ Beinnale Organizing Committee, 2009
FLORES, Tatiana, Preemptive Resistances: Critical Pointers in Latin American Art, ArtNexus, Junho/Agosto 2009, Issue #7
INCERTI, Roberto, Review of “La Buena Vida/ The Good Life” at Fabbrica Europa, Stazione Leopolda, La Repubblica, 05 Maio, 2009
IYER, Gayathri, Review of “The End. And...” at Frederico Séve Gallery/latincollector, newyorkartbeat.com, 04 Agosto, 2009
LINDGREN, Peter, Review of “Mörk bild av den svenska modellen” at Konsthall C, aftonbladet.se, 20 Fevereiro, 2009
Listing of La Buena Vida/ The Good Life at Stazione Leopolda, Fabbrica Europa, 05 – 23 Maio, 2009
MANEN, Martí, Carlos Motta, los archivos del immigrante, at Konsthall C, Exposiciones Europa
MCQUAID, Cate, Videos, then and now, tell a story, at the RISD Museum, Boston.com, 04 Janeiro, 2009
MOTTA, Carlos, Brigada Ramona Parra, A Prior, Issue 03, 2009
_____________. Interview with Allora and Calzadilla, Bomb, # 109, Fall 2009
OSPINA, Lucas, Historia de dos Artistas, Elespectador.com, 17 Abril, 2009
PEÑA, Carolina, La Buena Vida: Una Percepción Latinoamericana de Democracia, Acceso Directo, Portada, Edition 40
PEÑA, Pompillio, La fuerza de Carlos Motta, at Fundación Gilberto Alzate Avendaño, elesptador.com, 26 Março, 2009
POPE-CHAPPELL, Maioa, Dissecting the Good Life, at Smack Mellon Gallery, nycitynewsservice.com, 23 Março, 2009
P.S.1 Summer 2009 Newspaper, Spotlight on Carlos Motta at P.S. 1 MoMA, Summer 2009, P.S. 1 MoMA Review of “Carlos Motta, Demokrati på riktigt” at Konsthall C, svd.se, 20 Fevereiro, 2009
Review of “Carlos Motta, Undersöker den svenska demokratin” at Konsthall C, kulturstan.se, 28 Janeiro, 2009
Younger Than Jesus/ Artist Directory, New Museum, Phaidon, 2009
2008
JONES, Caitlin, Review of "In The Private Eye" at ISE Cultural Foundation, Rhizome, Fevereiro 2008 BERNASCONI, Roberta, VENEZIA TUTTO S.A.L.E., Exibart.com, Fevereiro 2008
ZELLEN, Jody, Carlos Motta, Art Papers, Janeiro 2008
BLAGOJOVIC, B., Upcoming Events, “Parsons Fine Arts Lecture Series: Carlos Motta”, The Zine, 14 Outubro, 2008
_______________. Review of “Democracy in America” at the Park Avenue Armory, The Zine, Events, News/Upcoming, 22 Setembro, 2008
BRYANT, Eric, “The Indecisive Image”, Art News, Março 2008
BUIL, Belaxis, Carlos Motta, Capturing the Voice of the Masses, Creative Art Network, 2008
COTTER, Holland, “With Politics in Air, a Freedom Free-for-All Comes to Town” at the Park Avenue Armory, The New York Times, 23 Setembro, 2008
CARVALHO, Denise, The Good Life at the Institute of Contemporary Art, Art Nexus, # 116, Setembro-Novembro 2008, pg 156
DOUGLAS, Sarah, New York Museum Shows to Restore Your Faith at Parsons Anna-Maria and Stephen Keller Gallery; Art Info, 03 Novembro, 2008
“Soft Manipulation- Who is Afraid of the New Now?”, Casino Luxembourg, 2008
“The Greenroom, Reconsidering the Documentary and Contemporary Art”, Center for Curatorial Studies, Bard Museum 2008
ESTÉVEZ, Maiora, UIO-BOG, Estudios Sonoros Desde la Región Andina, Trama, 2008
HALPERN, Ashlea, Exhibition listing of “Ours: Democracy in the Age of Branding” at Parsons Anna-Maria and Stephen Keller Gallery
Time Out New York, Own this city, 16-22 Outubro, 2008
HOLMES, Pernilla, “Blast from the Past- Artists around the globe are turning Socialist Realism on its head, layering the once-potent tool of propaganda with irony and nostalgia”, Art News, Janeiro 2008
KUSHNER, Marilyn S., The Future Must Be Sweet- Lower East Side Printshop Celebrates 40 Years
Lower East Side Printshop Inc., 2008
MELLA, Leanne, The Prisioner’s Dilemma, Cisneros Fontanals Art Foundation, 2008
MORENO, S., Review of Ours: Democracy in the Age of Branding, “Parsons Show Examines Democracy as Brand” at Parsons Anna- Maria and Stephen Keller Gallery, I.D. Magazine, Outubro 28, 2008
MOTTA, Carlos, “Relations in Real Time: A Conversation with Maria Lind”, Sjónauki Art Magazine, # 3, 2008
_____________. mapa zerø, 2008 2DA Trienal Poli/Gráfica de San Juan América Latina y el Caribe, Número Cero, Issue 1
_____________. The Good Life, Art In General, New Commissions Program 2008
OZUNA, Tony, Exhibition review, “Straight Shooters” of Archivo Sur: Art Between Identity and the Mask, at Futura The Prague Post, 19 Novembro, 2008
ROALF, Peggy, Review of Ours: Democracy in the Age of Branding, “Art at a Cultural Crossroads” at Parsons Anna-Maria and Stephen Keller Gallery, Design Arts, 16 Outubro, 2008
SMITH, Roberta, Exhibition listing of “Ours: Democracy in the Age of Branding” at Parsons Anna-Maria and Stephen Keller Gallery.
The New York Times, Arts and Leisure, 10 Outubro, 2008
THOMPSON, Nato (Editor, A Guide to Democracy in America, Creative Time Books, 2008
Review of Ours: Democracy in the Age of Branding, “New York goes democrazy” at Parsons Anna-Maria and Stephen Keller Gallery Flash Art, 01 Novembro, 2008
Review of Ours: Democracy in the Age of Branding at Parsons Anna-Maria and Stephen Keller Gallery, Art Slant New York, Exhibitions, Outubro 2008
Review of “Soft Manipulatin- Who is afraid of the new now?” at Casino Luxembourg, ArtFama, Março 2009
STAMENKOVIC, Marko, Interview with Carlos Motta, “Victims’ Dignity”, labforculture.org, 23 Janeiro, 2008
VELASCO, David, Review of “The Greenroom: Reconsidering the Documentary and Contemporary Art” at CCS Bard/Hessel Museum Artforum, Setembro 2008
VRIENS, Matthias, Contributors, “Top Tip”, Elle UK, Fevereiro 2008
WILSON, Beth E., Review of The Greenroom: Reconsidering the Documentary and Contemporary Art, “Lucid Dreaming” at CCS Bard/Hessel Museum, Chronogram, Novembro 2008
ZELLEN, Jody, Carlos Motta, New York, Art Papers, Janeiro/Fevereiro 2008
2007
AMIR, Yaelle , Carlos Motta, The Leningrad Trilogy, Winkleman Gallery, whitehot, Oct. 2007
HERNÁNDEZ, Sofía, Carlos Motta: Consistently Aware, Arte Al Día Internacional, Maio 2007
MOTTA, Carlos, Means of Engagement: A review of Oliver Herring's Show, Camerawork: A Journal of Photographic Arts,
Fall 2007
2006
BORDÓN, Juan Manuel, Carta Abierta a la Vanguardia Artística en el Correo Central, Clarin, Cultura, 11 Novembro, 2006 CLINTON, Margaret Liu, Distortion, Disruption & Dispersion: Reconfigured Retellings, Kevin Bruk Gallery, Exhibition Brochure Essay, Junho 2006
Carlos Motta: Reciclador de Imagenes, Conección Colômbia, 06 Abril, 2006
COTTER, Holland, Whitney Independent Study Program, New York Times, 12 Maio, 2006
COSTA, Marcela, Balelatína, The Art of Latin America on the Banks of the Rhine, Arte al Día, No 115, Setembro 2006
FAJARDO-HILL,Cecilia, 10 Experimentos Determinantes, Cisneros Fontanals Art Foundation, Exhibition Catalog, 2006
GENOCCHIO, Benjamin, Black and White But Not That Simple: Carlos Motta Confronts Latin American Politics, New York Times, 30 Abril 30, 2006
GENOCCHIO, Benjamin, Is It the N.S.A., Or, an M.F.A?, New York Times, 12 Fevereiro, 2006
HERRERA, Adriana, La incertidumbre en el arte contemporáneo, El Nuevo Herald, 15 Outibro, 2006
MOTTA, Carlos, Venas Abiertas?, Exit Express, 2006
_____________. Lesson Plan: Unlearn, NYFA Current, Dec, 2006
_____________. Cultura: Hablan los Artistas, Cambios, No. 685, 14-20 Agosto, 2006
KILSTON, Lyra, The Front Page: Artists and Photojournalism, Artlies, 2006
SUAREZ DE JESUS, Carlos, Ella's Gift: Cifo is an oasis in a desert of concrete rot, Miami New Times, Outubro, 2006
MCKEE, Yates, Carlos Motta’s Hemispheric Counter-Pedagogy, Real Art Ways, Exhibition Brochure Essay, Maio 2006
PEREZ, Dinorah, Carlos Motta en Kevin Bruk Gallery, Arte al Dia, Dic 2006
Projekt: The People Speak v. Saul Albert og Mikey, Kunst, Art Guide, Setembro-Outubro 2006
REXER, Lyle, Bill Hunt's Photographs, Art on Paper, Janeiro 2006
TURNER, Eliza, Video, defined: Two shows focus on the history of video arts, The Miami Herald, 05 Novembro, 2006

2005
COTTER, Holland, Latino Art, and Beyond Category, New York Times, 02 Setembro, 2005
CULLEN Deborah, The (S) Files, El Museo, Exhibition Catalog Essay, 2005
HENRY, Clare, The (S) Files, ARTnews, Dezembro, 2005
HOWARD, Henry, El Museo’s Bienal: The (S) Files/The Selected Files, The Brooklyn Rail, Novembro 2005
KOPENKINA, Olga, Russia Significant Other, ICA, Exhibition Brochure Essay, St. Petersburg, Russia, Fevereiro 2006 MICCHELLI, Thomas, The Book as Object and Performance, The Brooklyn Rail, Janeiro 2005
POWHIDA, William, Enemy Image, The Brooklyn Rail, Outubro 2005
SERRANO, Eduardo, Se acabo el rollo? La fotografia en Colombia de 1950 a 2000, Book, published by Editorial Planeta, 2005/6
2004
ELLIS, David, New Home for WTC Art Studios, Downtown Express, 15 Julho, 2004
FARREL, Jennifer, Establishing Shot, Exit Express, Maio 2004
HUDSON, Suzanne, Establishing Shot, Artforum, Setembro 2004
RATTEMEYER, Christian, Establishing Shot, Artists Space, Exhibition Catalog Essay, Abril 2004
ROCA, José, Urbes Interiores: Carlos Motta, Enterrar y Callar, Alliance Française, Exhibition Catalog Essay, Junho 2004
SCHWENDENER, Martha, Establishing Shot, Time Out New York, 15 Abril, 2004 STILLMAN, Nick, Establishing Shot, Artforum.com, 30 Abril, 2004
2003
BAKER, Kenneth, Artists Leave the Camera Out of the Picture, SF Chronicle, 07 Junho, 2003
BOWEN, Doren, Photography In The Mix: Flora-Fauna-Photo, Camerawork: A Journal of Photographic Arts, Spring/Summer 2003
Nuovi Spazi, nasce a Aréa a Palermo, Exibart.com, Janeiro 2003
FLYNT, Robert, Interview with Carlos Motta, Camerawork: A Journal of Photographic Arts, CD-ROM, Spring/Summer 2003
Translatability, New York Arts Magazine, Agosto 2003
NICITA, Paola, No Money, No Honey, Exibart.com, 12 Fevereiro, 2003
Comienza Fotología, Periodico El Tiempo, 06 Agosto, 2003
25 Artistas en el Salón Nacional, Periodico El Tiempo, 25 Agosto, 2003
2002
ARÉVALO, Antonio, Latin-American Photography from New York to Santiago de Chile, IILA, Exhibition Catalog Essay, Maio 2002
BASTANTE, Maria Cristina, Latin-American Photography from New York to Santiago de Chile, Exibart.com, 14 Junho, 2002
CIOLINI, Vittoria, Identita Culturali: Toscana Fotografia, La Corte Arte Contemporanea, Exhibition Catalog Essay, Outubro 2002
Da non perdere, Carlos Motta, Pesca Milagrosa, Florença, 05 Novembro, 2002
Mundos Creados, CultFrame, Setembro 2002
DOOR, Arno, Revolutie, De Volkskrant, 12 Setembro, 2002
GUARNIERI, Beatrice, Pesca Milagrosa, Exibart.com, 07 Novembro, 2002
L’altro é il mio obbietivo torna Toscana fotografia, La Repubblica, Novembro 2002
La ‘Pesca Miracolosa’ dei guerriglieri colombiani, L’unita, 08 Novembro, 2002
MELIS, Wim, Carlos Motta: 'Pesca Milagrosa', "Mundos Creados: Constructed Photography from the Wider Caribbean"
Noorderlicht Photofestival, Exhibition Catalog Essay, 2002
REIENEWELD, Chris, Waarachtig beeld, Financieel Dagblad, Groningen, Holanda, 28 Setembro, 2002
PIETERSMA, lland, Ik will niet aan geweld wennen, Dagblad van het Noorden, Setembro 2002, Groningen, Holanda
VAN, Ek S., Experimentale Fotografie, Friesch Dagblad, Setembro 2002, Groningen, Holanda
2001
VÁSQUEZ, Mauricio and de Greiff,Ilse, Interview with Carlos Motta, Choque y Fusión,99.1 Radio Joven, Colômbia Novembro 2001
2000
LANDI, Patrizia, Tecnica Mista, La Corte Arte Contemporanea, Exhibition Catalog Essay, Maio 2000
FRAILEY, Stephen, Introduction for Close, Published by Deskubre, Roma, Itália, 2000
TOCANCIPA Luz Stella, Goce Visual, Revista Cromos, 16 Novembro, 2000
UMBRICO, Penelope, Critical Essay for Close, Published by Deskubre, Roma, Itália, 2000