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Pt. / Eng.
ARTISTS
  • André Komatsu André Komatsu
  • André Vargas André Vargas
  • Andrés Ramírez Gaviria Andrés Ramírez Gaviria
  • Cadu Cadu
  • Carla Zaccagnini Carla Zaccagnini
  • Carlos Motta Carlos Motta
  • Carmela Gross Carmela Gross
  • Chelpa Ferro Chelpa Ferro
  • Chiara Banfi Chiara Banfi
  • Clara Ianni Clara Ianni
  • Claudia Andujar Claudia Andujar
  • Detanico Lain Detanico Lain
  • Dias & Riedweg Dias & Riedweg
  • Dora Longo Bahia Dora Longo Bahia
  • Edgard de Souza Edgard de Souza
  • Elilson Elilson
  • Estevan Davi Estevan Davi
  • Eustáquio Neves Eustáquio Neves
  • Fabio Morais Fabio Morais
  • Gabriela Albergaria Gabriela Albergaria
  • Guilherme Peters Guilherme Peters
  • Henrique Cesar Henrique Cesar
  • Iván Argote Iván Argote
  • Keila Alaver Keila Alaver
  • Leandro Lima Leandro Lima
  • Lia Chaia Lia Chaia
  • Marcelo Cidade Marcelo Cidade
  • Marcelo Moscheta Marcelo Moscheta
  • Meia Meia
  • Mônica Nador + Jamac Mônica Nador + Jamac
  • Motta & Lima Motta & Lima
  • Nicolás Bacal Nicolás Bacal
  • Nicolás Robbio Nicolás Robbio
  • Odires Mlászho Odires Mlászho
  • Rosângela Rennó Rosângela Rennó
  • Tania Candiani Tania Candiani
  • Ximena Garrido-Lecca Ximena Garrido-Lecca
  • Fairs

    COMING SOON (2) COMING SOON (2)

  • ARCOlisboa 2025 Marcelo Moscheta ARCOlisboa 2025
    Marcelo Moscheta
  • ArPa 2025 ArPa 2025
    GROUP SHOW
  • ARCHIVE (67)

    2025 2025
  • Frieze New York 2025 Edgard de Souza (May) Frieze New York 2025 Edgard de Souza (May)
  • SP–Arte 2025 Claudia Andujar Leonilson Flávia Ribeiro (Apr) SP–Arte 2025 Claudia Andujar Leonilson Flávia Ribeiro (Apr)
  • ARCOmadrid 2025 Claudia Andujar (Mar) ARCOmadrid 2025 Claudia Andujar (Mar)
  • 2024 2024
  • Art Basel Miami Beach 2024 (Dec) Art Basel Miami Beach 2024 (Dec)
  • Paris Photo 2024 (Nov) Paris Photo 2024 (Nov)
  • ArtRio 2024 Ximena Garrido-Lecca (Sep) ArtRio 2024 Ximena Garrido-Lecca (Sep)
  • ArtBo 2024 Carmela Gross (Sep) ArtBo 2024 Carmela Gross (Sep)
  • SP-Arte | Rotas Brasileiras 2024 (Aug) SP-Arte | Rotas Brasileiras 2024 (Aug)
  • ArPa 2024 (Jun) ArPa 2024 (Jun)
  • ArtBasel Unlimited 2024
    Gomide&Co, in collaboration with Vermelho
    (Jun)
    ArtBasel Unlimited 2024
    Gomide&Co, in collaboration with Vermelho
    (Jun)
  • SP–Arte 2024 André Komatsu (Apr) SP–Arte 2024 André Komatsu (Apr)
  • ARCOmadrid 2024 (Mar) ARCOmadrid 2024 (Mar)
  • 2023 2023
  • Art Basel Miami Beach 2023 Rosângela Rennó (Dec) Art Basel Miami Beach 2023 Rosângela Rennó (Dec)
  • ArtBo 2023 Gabriela Albergaria (Nov) ArtBo 2023 Gabriela Albergaria (Nov)
  • Pinta BAphoto 2023 Andrés Ramírez Gaviria (Sep) Pinta BAphoto 2023 Andrés Ramírez Gaviria (Sep)
  • ArtRio 2023 André Vargas (Sep) ArtRio 2023 André Vargas (Sep)
  • SP-Arte | Rotas Brasileiras 2023 Ximena Garrido-Lecca (Aug) SP-Arte | Rotas Brasileiras 2023 Ximena Garrido-Lecca (Aug)
  • Frieze New York 2023 (May) Frieze New York 2023 (May)
  • Pinta PArC – Perú Arte Contemporáneo (Apr) Pinta PArC – Perú Arte Contemporáneo (Apr)
  • SP-Arte 2023 (Mar) SP-Arte 2023 (Mar)
  • ARCOmadrid 2023 (Feb) ARCOmadrid 2023 (Feb)
  • 2022 2022
  • Art Basel Miami Beach 2022 (Nov) Art Basel Miami Beach 2022 (Nov)
  • ArtBO 2022 (Oct) ArtBO 2022 Mônica nador + Jamac Andrés Ramirez Gaviria (Oct)
  • Frieze London 2022 (Oct) Frieze London 2022 (Oct)
  • ArtRio 2022 (Sep) ArtRio 2022 (Sep)
  • SP-Arte | Rotas Brasileiras 2022 (Aug) SP-Arte | Rotas Brasileiras 2022 (Aug)
  • ArPa 2022 (Jun) ArPa 2022 (Jun)
  • SP-Arte 2022 (Apr) SP-Arte 2022 (Apr)
  • Zonamaco 2022 (Feb) Zonamaco 2022 (Feb)
  • 2021 2021
  • SP-Arte 2021 (Oct) SP-Arte 2021 (Oct)
  • Frieze London 2021 (Oct) Frieze London 2021 (Oct)
  • ArtRio 2021 (Sep) ArtRio 2021 (Sep)
  • The Armory Show – 2021 (Sep) The Armory Show – 2021 (Sep)
  • 2020 2020
  • ARCOmadrid 2020 (Feb) ARCOmadrid 2020 (Feb)
  • Frieze Los Angeles 2020 (Feb) Frieze Los Angeles 2020 (Feb)
  • Zonamaco 2020 (Feb) Zonamaco 2020 (Feb)
  • 2019 2019
  • Art Basel Miami Beach 2019 Tania Candiani Ana Maria Tavares Jonathas de Andrade (Dec) Art Basel Miami Beach 2019 Tania Candiani Ana Maria Tavares Jonathas de Andrade (Dec)
  • Frieze London 2019 (Oct) Frieze London 2019 Ana Maria Tavares (Oct)
  • ArtRio 2019 Iván Argote Ana Maria Tavares Cinthia Marcelle (Sep) ArtRio 2019 Iván Argote Ana Maria Tavares Cinthia Marcelle (Sep)
  • ArtBo 2019 Nicolás Robbio (Sep) ArtBo 2019 Nicolás Robbio (Sep)
  • SP-Foto 2019 (Aug) SP-Foto 2019 Ana Maria Taveres Cinthia Marcelle (Aug)
  • ARCOlisboa 2019 (May) ARCOlisboa 2019 (May)
  • Frieze New York 2019 (May) Frieze New York 2019 Jonathas de Andrade Cinthia Marcelle (May)
  • PArC 2019 (Apr) PArC 2019 (Apr)
  • ArteBA 2019 Dias & Riedweg Iván Argote Nicolás Robbio (Apr) ArteBA 2019 Dias & Riedweg Iván Argote Nicolás Robbio (Apr)
  • SP-Arte 2019 (Apr) SP-Arte 2019 Cinthia Marcelle (Apr)
  • Art Dubai 2019 Marcelo Moscheta (Mar) Art Dubai 2019 Marcelo Moscheta (Mar)
  • The Armory Show 2019 (Mar) The Armory Show 2019 (Mar)
  • ARCOmadrid 2019 Carla Zaccagnini Cinthia Marcelle (Feb) ARCOmadrid 2019 Carla Zaccagnini Cinthia Marcelle (Feb)
  • Frieze Los Angeles 2019 (Feb) Frieze Los Angeles 2019 (Feb)
  • ZONAMACO 2019 Tania Candiani Jonathas de Andrade (Feb) ZONAMACO 2019 Tania Candiani Jonathas de Andrade (Feb)
  • 2018 2018
  • Art Basel Miami Beach 2018 (Dec) Art Basel Miami Beach 2018 (Dec)
  • Artissima 2018 (Nov) Artissima 2018 (Nov)
  • ArtBo 2018 (Oct) ArtBo 2018 (Oct)
  • Frieze London 2018 (Oct) Frieze London 2018 Jonathas de Andrade Cinthia Marcelle (Oct)
  • ArtRio 2018 (Sep) ArtRio 2018 (Sep)
  • Art Week 2018 (Aug) Art Week 2018 (Aug)
  • SP – Foto 2018 (Aug) SP – Foto 2018 Jonathas de Andrade (Aug)
  • arteBA 2018 (May) arteBA 2018 (May)
  • ARCOlisboa 2018 (May) ARCOlisboa 2018 (May)
  • Frieze New York 2018 (May) Frieze New York 2018 Cinthia Marcelle Jonathas de Andrade (May)
  • PArC 2018 (Apr) PArC 2018 (Apr)
  • SP – Arte 2018 (Apr) SP – Arte 2018 Jonathas de Andrade (Apr)
  • ArtDubai 2018 (Mar) ArtDubai 2018 Cinthia Marcelle (Mar)
  • ARCOmadrid 2018 (Feb) ARCOmadrid 2018 (Feb)
  • ZONAMACO 2018 (Feb) ZONAMACO 2018 Jonathas de Andrade (Feb)
  • Art Los Angeles Contemporary 2018 (Jan) Art Los Angeles Contemporary 2018 (Jan)
  • (THEMATIC)
    (ARTISTS)
    Proj. Especiais

    ARCHIVE (4)

    2022 2022
  • Projeto futuro Carlos Motta (Jan) Projeto futuro Carlos Motta (Jan)
  • 2020 2020
  • Outro projeto ativo (Jul) Outro projeto ativo (Jul)
  • Um projeto muito especial Carmela Gross (Jul) Um projeto muito especial Carmela Gross (Jul)
  • Projeto passado Carlos Motta (Feb) Projeto passado Carlos Motta (Feb)
  • (THEMATIC)
    (ARTISTS)
    Verbo
    • ABOUT

    COMING SOON (1) COMING SOON (1)

    18th edition
  • ARCHIVE (8)

    2024
  • Fernando Belfiore Fernando Belfiore
  • 2023
  • Aline Motta Aline Motta André Vargas André Vargas Andrea Hygino e Artur Souza Andrea Hygino e Artur Souza Boris Nikitin Boris Nikitin Boris Nikitin Boris Nikitin Carchíris Barcelos (Paço Lumiar) Carchíris Barcelos (Paço Lumiar) Carolina Cony Carolina Cony Charlene Bicalho Charlene Bicalho Clara Carvalho,Thiago Sogayar Bechara e Tuna Dwek Clara Carvalho,Thiago Sogayar Bechara e Tuna Dwek Daniel Fagus Kairoz Daniel Fagus Kairoz Dinho Araújo Dinho Araújo DJ Agojy de Exu e Profana ao Mel DJ Agojy de Exu e Profana ao Mel Eduardo Bruno e Waldirio Castro Eduardo Bruno e Waldirio Castro Eduardo Hargreaves (Tiradentes) Eduardo Hargreaves (Tiradentes) Elilson Elilson Elilson Elilson Fabiana Faleiros Fabiana Faleiros Fabiana Faleiros Fabiana Faleiros Felipe Teixeira e Mariana Molinos Felipe Teixeira e Mariana Molinos Galia Eibenschutz Galia Eibenschutz Génova Alvarado Génova Alvarado Guilherme Peters Guilherme Peters Isadora Ravena Isadora Ravena Julha Franz Julha Franz Lilibeth Cuenca Rasmussen Lilibeth Cuenca Rasmussen Lilibeth Cuenca Rasmussen Lilibeth Cuenca Rasmussen Lucas Bebiano Lucas Bebiano Lucimélia Romão Lucimélia Romão No Barraco da Constância tem! No Barraco da Constância tem! No Barraco da Constância tem! No Barraco da Constância tem! No barraco da Constância tem! No barraco da Constância tem! Pablo Assumpção Pablo Assumpção Renan Marcondes Renan Marcondes Ruy Cézar Campos Ruy Cézar Campos Sy Gomes Sy Gomes Tania Candiani Tania Candiani Ting-tong Chang Ting-tong Chang Ton Bezerra Ton Bezerra Yuri Firmeza Yuri Firmeza Yhuri Cruz Yhuri Cruz
  • 2022
  • Abiniel João do Nascimento Abiniel João do Nascimento Alejandro Ahmed e Grupo Cena 11 Alejandro Ahmed e Grupo Cena 11 Alexandra Bachzetsis Alexandra Bachzetsis Alexandre Silveira e Ticiano Monteiro Alexandre Silveira e Ticiano Monteiro Alexandre Silveira e Ticiano Monteiro Alexandre Silveira e Ticiano Monteiro Amanda Maciel Antunes Amanda Maciel Antunes André Vargas André Vargas André Vargas André Vargas Áurea Maranhão Áurea Maranhão Bianca Turner Bianca Turner Carla Zaccagnini Carla Zaccagnini Coletivo #Joyces Coletivo #Joyces Davi Pontes & Wallace Ferreira Davi Pontes & Wallace Ferreira Depois do Fim da Arte Depois do Fim da Arte Elilson Elilson Guilherme Peters Guilherme Peters Htadhirua Htadhirua Jamile Cazumbá Jamile Cazumbá Javier Velázquez Cabrero & David April Javier Velázquez Cabrero & David April Jorge Feitosa Jorge Feitosa Jota Ramos Jota Ramos Julha Franz Julha Franz Julha Franz Julha Franz Julha Franz Julha Franz Lígia Villaron, Natália Beserra, Morilu Augusto - grupo teia Lígia Villaron, Natália Beserra, Morilu Augusto - grupo teia Luisa Callegari, Guilherme Peters e Sansa Rope Luisa Callegari, Guilherme Peters e Sansa Rope Marcel Diogo Marcel Diogo Marcel Diogo Marcel Diogo Marcos Martins Marcos Martins Maria Macêdo Maria Macêdo Massuelen Cristina Massuelen Cristina Massuelen Cristina Massuelen Cristina Nathalia Favaro Nathalia Favaro Nathalia Favaro e Ochai Ogaba Nathalia Favaro e Ochai Ogaba Nina Cavalcanti Nina Cavalcanti No barraco da Constância tem! No barraco da Constância tem! Padmateo Padmateo Paola Ribeiro Paola Ribeiro Renan Marcondes Renan Marcondes Sabrina Morelos Sabrina Morelos Sabrina Morelos Sabrina Morelos Sebastião Netto Sebastião Netto T.F. Cia de Dança T.F. Cia de Dança Thales Ferreira e Isadora Lobo Thales Ferreira e Isadora Lobo The Mainline Group - Lena Kilina & Sofya Chibisguleva The Mainline Group - Lena Kilina & Sofya Chibisguleva The Mainline Group - Lena Kilina & Sofya Chibisguleva The Mainline Group - Lena Kilina & Sofya Chibisguleva Tieta Macau Tieta Macau Uarê Erremays Uarê Erremays
  • 2019
  • Alexandre Silveira Alexandre Silveira Ana Pi Ana Pi Célia Gondol Célia Gondol Coletivo DiBando Coletivo DiBando D. C. D. C. Davi Pontes & Wallace Ferreira Davi Pontes & Wallace Ferreira Efe Godoy Efe Godoy Elilson Elilson Elilson Elilson Felipe Bittencourt Felipe Bittencourt Filipe Acácio Filipe Acácio Gabriel Cândido Gabriel Cândido Gê Viana e Layo Bulhão Gê Viana e Layo Bulhão Guerreiro do Divino Amor Guerreiro do Divino Amor Javier Velazquez Cabrero & Xolisile Bongwana Javier Velazquez Cabrero & Xolisile Bongwana Jose Manuel Ávila Jose Manuel Ávila Kauê Garcia Kauê Garcia Levi Mota Muniz e Mateus Falcão Levi Mota Muniz e Mateus Falcão Lia Chaia Lia Chaia Lia Chaia Lia Chaia Lia Chaia Lia Chaia Lilibeth Cuenca Rasmussen Lilibeth Cuenca Rasmussen Lolo y Lauti & Rodrigo Moraes Lolo y Lauti & Rodrigo Moraes Lubanzadyo Mpemba Bula Lubanzadyo Mpemba Bula Lucimélia Romão Lucimélia Romão Marcia de Aquino & Gê Viana Marcia de Aquino & Gê Viana Marco Paulo Rolla Marco Paulo Rolla Melania Olcina Yuguero Melania Olcina Yuguero Michel Groisman Michel Groisman Nurit Sharett Nurit Sharett Rafa Esparza Rafa Esparza Ramusyo Brasil Ramusyo Brasil Regina Parra e Bruno Levorin Regina Parra e Bruno Levorin Renan Marconde Renan Marconde SaraElton Panamby SaraElton Panamby Tieta Macau Tieta Macau Tomás Orrego Tomás Orrego Yiftah Peled Yiftah Peled Yiftah Peled Yiftah Peled
  • 2018
  • Ana Pi
 Ana Pi
 Andrea Dip & Guilherme Peters Andrea Dip & Guilherme Peters Andrés Felipe Castaño Andrés Felipe Castaño Bianca Turner Bianca Turner Bianca Turner
 Bianca Turner
 Bianca Turner Bianca Turner Charlene Bicalho Charlene Bicalho Chico Fernandes Chico Fernandes Clara Ianni Clara Ianni Cris Bierrenbach Cris Bierrenbach Depois do fim da arte Depois do fim da arte Desvio Coletivo Desvio Coletivo Dora Longo Bahia Dora Longo Bahia Egle Budvytyte & Bart Groenendaal Egle Budvytyte & Bart Groenendaal Élcio Miazaki Élcio Miazaki Elisabete Finger e Manuela Eichner Elisabete Finger e Manuela Eichner Emanuel Tovar Emanuel Tovar Etcetera & Internacional Errorista Etcetera & Internacional Errorista Fernanda Brandão & Rafael Procópio Fernanda Brandão & Rafael Procópio Gabinete Homo Extraterrestre Gabinete Homo Extraterrestre Gabriela Noujaim Gabriela Noujaim Gabrielle Goliath Gabrielle Goliath Gian Cruz & Claire Villacorta Gian Cruz & Claire Villacorta Grupo MEXA, Dudu Quintanilha, Luisa Cavanagh e Rusi Millan Pastori Grupo MEXA, Dudu Quintanilha, Luisa Cavanagh e Rusi Millan Pastori Grupo Trecho (Carolina Nóbrega & Nádia Recioli) Grupo Trecho (Carolina Nóbrega & Nádia Recioli) Guilherme Peters Guilherme Peters Josefina Gant, Juliana Fochtman e Nicole Ernst Josefina Gant, Juliana Fochtman e Nicole Ernst Julha Franz Julha Franz Lia Chaia Lia Chaia Luisa Cavanagh, Dudu Quintanilha e Grupo MEXA Luisa Cavanagh, Dudu Quintanilha e Grupo MEXA Lyz Parayzo Lyz Parayzo Marcelo Cidade Marcelo Cidade Martín Soto Climent Martín Soto Climent Patrícia Araujo e Valentina D’Avenia Patrícia Araujo e Valentina D’Avenia Paulx Castello Paulx Castello Pedro Mira & Javier Velázquez Cabrero Pedro Mira & Javier Velázquez Cabrero Rubens C. Pássaro Jr Rubens C. Pássaro Jr Samantha Moreira, Rodrigo Campuzano, Marcos Gallon Samantha Moreira, Rodrigo Campuzano, Marcos Gallon SPIT! (Sodomites, Perverts, Inverts Together!) SPIT! (Sodomites, Perverts, Inverts Together!) Stephan Doitschinoff Stephan Doitschinoff Stephan Doitschinoff Stephan Doitschinoff
  • 2017
  • Akram Zaatari Akram Zaatari Alice Miceli Alice Miceli Anthony Nestel Anthony Nestel Arnold Pasquier Arnold Pasquier Aurore Zachayus, Janaina Wagner, Pontogor Aurore Zachayus, Janaina Wagner, Pontogor Bruno Moreno, Isabella Gonçalves e Renato Sircilli Bruno Moreno, Isabella Gonçalves e Renato Sircilli Carlos Monroy Carlos Monroy Célia Gondol Célia Gondol Clarice Lima Clarice Lima Clarissa Sacchelli Clarissa Sacchelli Cristian Duarte em companhia Cristian Duarte em companhia Dora Smék Dora Smék Flavia Pinheiro Flavia Pinheiro Grupo EmpreZa Grupo EmpreZa Grupo EmpreZa Grupo EmpreZa Grupo EmpreZa Grupo EmpreZa Guilherme Peters Guilherme Peters Jorge Lopes Jorge Lopes Julha Franz Julha Franz Julia Viana & Luciano Favaro Julia Viana & Luciano Favaro Luanda Casella Luanda Casella Luiz Roque Luiz Roque Maurício Ianês Maurício Ianês Línea Necia Línea Necia Old Masters Old Masters Rodrigo Andreoll Rodrigo Andreoll Rodrigo Cass Rodrigo Cass Rose Akras Rose Akras Tiécoura N’Daou Mopti Tiécoura N’Daou Mopti Victor del Moral Victor del Moral Victor del Moral Victor del Moral
  • 2016
  • ABSALON ABSALON Ana Montenegro, Juliana Moraes and Wilson Sukorski Ana Montenegro, Juliana Moraes and Wilson Sukorski Coletivo Cartográfico (Carolina Nóbrega, Fabiane Carneiro e Monica Lopes) Coletivo Cartográfico (Carolina Nóbrega, Fabiane Carneiro e Monica Lopes) Dias & Riedweg Dias & Riedweg Dora Garcia Dora Garcia Enrique Jezik Enrique Jezik Fabiano Rodrigues Fabiano Rodrigues Fabio Morais Fabio Morais Guilherme Peters Guilherme Peters Lia Chaia Lia Chaia Marc Davi Marc Davi Marcelo Cidade Marcelo Cidade Maurício Ianês Maurício Ianês Michelle Rizzo Michelle Rizzo Naufus Ramirez-Figueroa Naufus Ramirez-Figueroa Peter Baren Peter Baren Rose Akras Rose Akras Salla Tikkä Salla Tikkä
  • 2015
  • Alex Cassimiro, Andrez Lean Ghizze, Caio, Eidglas Xavier, Mavi Veloso, Teresa Moura NevesPreta Alex Cassimiro, Andrez Lean Ghizze, Caio, Eidglas Xavier, Mavi Veloso, Teresa Moura NevesPreta Ana Montenegro Ana Montenegro Ana Montenegro e Marco Paulo Rolla [Brasil] Ana Montenegro e Marco Paulo Rolla [Brasil] Cadu Cadu Cadu Cadu Caetano Dias Caetano Dias Camila Cañeque Camila Cañeque César Meneghetti César Meneghetti Clara Ianni Clara Ianni Clara Saito Clara Saito Cristina Elias Cristina Elias Daniel Beerstecher Daniel Beerstecher Doina Kraal Doina Kraal Enrique Ježik Enrique Ježik ERRO Grupo ERRO Grupo Estela Lapponi Estela Lapponi Etienne de France Etienne de France Felipe Norkus e Gustavo Torres Felipe Norkus e Gustavo Torres Felipe Salem Felipe Salem Fernando Audmouc Fernando Audmouc Francesca Leoni and Davide Mastrangelo - Con.Tatto Francesca Leoni and Davide Mastrangelo - Con.Tatto Goeun Bae Goeun Bae Guilherme Peters Guilherme Peters Jorge Soledar Jorge Soledar Julio Falagán Julio Falagán Karime Nivoloni, Mariana Molinos, Maryah Monteiro e Valeska Figueiredo Karime Nivoloni, Mariana Molinos, Maryah Monteiro e Valeska Figueiredo Kevin Simon Mancera Kevin Simon Mancera Lia Chaia Lia Chaia Lilibeth Cuenca Rasmussen Lilibeth Cuenca Rasmussen Liv Schulman Liv Schulman Luiz Fernando Bueno Luiz Fernando Bueno Manoela Medeiros Manoela Medeiros Marc Davi Marc Davi Márcia Beatriz Granero Márcia Beatriz Granero Márcio Carvalho Márcio Carvalho Maurício Ianês Maurício Ianês Maurício Ianês Maurício Ianês No barraco da Constância tem! No barraco da Constância tem! Olyvia Victorya Bynum Olyvia Victorya Bynum Pipa Pipa Renan Marcondes Renan Marcondes Rodolpho Parigi Rodolpho Parigi Rose Akras Rose Akras
    • VERBO BOOK
    (THEMATIC)
    (ARTISTS)
    Tijuana
    • EDITIONS

    PRINTED ART FAIR

    • ABOUT

    ARCHIVE (15)

  • 2019 Rio de Janeiro 2019 Rio de Janeiro
  • 2019 São Paulo 2019 São Paulo
  • 2018 São Paulo 2018 São Paulo
  • 2018 Rio de Janeiro 2018 Rio de Janeiro
  • 2017 São Paulo 2017 São Paulo
  • 2017 Rio de Janeiro 2017 Rio de Janeiro
  • 2017 Lima 2017 Lima
  • 2016 São Paulo 2016 São Paulo
  • 2016 Lima 2016 Lima
  • 2016 Rio de Janeiro 2016 Rio de Janeiro
  • 2016 Buenos Aires 2016 Buenos Aires
  • 2016 Porto 2016 Porto
  • 2015 São Paulo 2015 São Paulo
  • 2014 São Paulo 2014 São Paulo
  • 2014 Buenos Aires 2014 Buenos Aires
  • (THEMATIC)
    (ARTISTS)
    Sala Antonio
    • ABOUT

    ARCHIVE (3)

    2020 2020
  • Nome do filme (Oct) Nome do filme Stanley Kubrick (Oct)
  • Filme que já passou Carla Zaccagnini Stanley Kubrick (Jul) Filme que já passou Carla Zaccagnini Stanley Kubrick (Jul)
  • 2019 2019
  • Filme que já passou 2 Chiara Banfi (Jul) Filme que já passou 2 Chiara Banfi (Jul)
  • (THEMATIC)
    (ARTISTS)
    Exhibitions

    CURRENT (2) CURRENT (2)

  • Caçamba Meia Caçamba
    Meia
  • JAMAC OCCUPATION Mônica Nador + Jamac JAMAC OCCUPATION
    Mônica Nador + Jamac
  • ARCHIVE (317)

    2025 2025
  • Rahj al-ġār Dora Longo Bahia (Mar) Rahj al-ġār Dora Longo Bahia (Mar)
  • Dias Depois Da Queda “O Clarão” Estevan Davi (Jan) Dias Depois Da Queda “O Clarão” Estevan Davi (Jan)
  • About Infinity, the Universe and the Worlds Detanico Lain (Jan) About Infinity, the Universe and the Worlds Detanico Lain (Jan)
  • 2024 2024
  • Elemental Shift Ximena Garrido-Lecca (Oct) Elemental Shift Ximena Garrido-Lecca (Oct)
  • Gravidade [Gravity] Carlos Motta (Jul) Gravidade [Gravity] Carlos Motta (Jul)
  • Errante [Wanderer] Marcelo Moscheta (Jul) Errante [Wanderer] Marcelo Moscheta (Jul)
  • A07-24 (Jul) A07-24 ACERVO (Jul)
  • Lightning Motta & Lima (Jul) Lightning Motta & Lima (Jul)
  • Second Nature Clara Ianni (May) Second Nature Clara Ianni (May)
  • Torrão Rubro (May) Torrão Rubro Thiago Martins de Melo (May)
  • Terra Alheia Meia (May) Terra Alheia Meia (May)
  • Organoide Lia Chaia (Mar) Organoide Lia Chaia (Mar)
  • The Reverse of Heaven Dias & Riedweg (Mar) The Reverse of Heaven Dias & Riedweg (Mar)
  • A04-24 (Mar) A04-24 Acervo (Mar)
  • It’s the way home that moves us away Carla Zaccagnini Runo Lagomarsino (Feb) It’s the way home that moves us away Carla Zaccagnini Runo Lagomarsino (Feb)
  • Videos 2001 – 2006 André Komatsu (Feb) Videos 2001 – 2006 André Komatsu (Feb)
  • A02-24 (Feb) A02-24 ACERVO (Feb)
  • 2023 2023
  • No fim da madrugada [At the end of daybreak] GROUP SHOW (Oct) No fim da madrugada [At the end of daybreak] GROUP SHOW (Oct)
  • Cerimônia [Ceremony] Tania Candiani (Aug) Cerimônia [Ceremony] Tania Candiani (Aug)
  • La profundidad de las cosas Nicolás Bacal (Jun) La profundidad de las cosas Nicolás Bacal (Jun)
  • House in the Sky GROUP SHOW (Jun) House in the Sky GROUP SHOW (Jun)
  • O espaço entre eu e você [The space between me and you] Marcelo Cidade (May) O espaço entre eu e você [The space between me and you] Marcelo Cidade (May)
  • Estratos [Strata] Ximena Garrido-Lecca (May) Estratos [Strata] Ximena Garrido-Lecca (May)
  • Edgard de Souza Edgard de Souza (Mar) Edgard de Souza Edgard de Souza (Mar)
  • Politics in art, again Mônica Nador + Jamac (Mar) Politics in art, again Mônica Nador + Jamac (Mar)
  • I AI Keila Alaver (Mar) I AI Keila Alaver (Mar)
  • Bando ou Hic Sunt Leones Cadu (Feb) Bando ou Hic Sunt Leones Cadu (Feb)
  • (…) a single species (…) Gabriela Albergaria (Feb) (…) a single species (…) Gabriela Albergaria (Feb)
  • The Goddess Language (Feb) The Goddess Language GROUP SHOW (Feb)
  • 2022 2022
  • Perigo! [Danger!] Dora Longo Bahia (Nov) Perigo! [Danger!] Dora Longo Bahia (Nov)
  • Tempo-mandíbula [Jaw-time] Elilson (Sep) Tempo-mandíbula [Jaw-time] Elilson (Sep)
  • Contos de contas [Accounts of Accounting] Carla Zaccagnini (Sep) Contos de contas [Accounts of Accounting] Carla Zaccagnini (Sep)
  • Sobre a terra, sob o céu [Over the earth, under the sky] Detanico Lain GROUP SHOW (Aug) Sobre a terra, sob o céu [Over the earth, under the sky] GROUP SHOW (Aug)
  • Mental Radio Andrés Ramírez Gaviria (Aug) Mental Radio Andrés Ramírez Gaviria (Aug)
  • A Sônia Claudia Andujar (Jun) A Sônia Claudia Andujar (Jun)
  • Flávia Ribeiro (Jun) Flávia Ribeiro Flávia Ribeiro (Jun)
  • Átomo [Atom] Lia Chaia (Jun) Átomo [Atom] Lia Chaia (Jun)
  • ainda sempre ainda (Jun) ainda sempre ainda Marilá Dardot (Jun)
  • Take 3 Chiara Banfi (May) Take 3 Chiara Banfi (May)
  • Onde cabe o olho Nicolás Robbio (May) Onde cabe o olho Nicolás Robbio (May)
  • Fogo encruzado André Vargas (Mar) Fogo encruzado André Vargas (Mar)
  • 26032022-6.744-281-65-01/30042022-5.904-246-65-36 (Mar) 26032022-6.744-281-65-01/30042022-5.904-246-65-36 Ana Amorim (Mar)
  • Colors Fabio Morais (Feb) Colors Fabio Morais (Feb)
  • 2021 2021
  • Whitefly Henrique Cesar (Nov) Whitefly Henrique Cesar (Nov)
  • Voo cego André Komatsu (Oct) Voo cego André Komatsu (Oct)
  • Debt (Trilogy of the Capital) (Sep) Debt (Trilogy of the Capital) Cinthia Marcelle Tiago Mata Machado (Sep)
  • Cracks, sparks Carmela Gross (Aug) Cracks, sparks Carmela Gross (Aug)
  • The Rhetoric of Power Marcelo Cidade (Jun) The Rhetoric of Power Marcelo Cidade (Jun)
  • Genocídio do Yanomami: morte do Brasil — Sonhos Yanomami Claudia Andujar (Apr) Genocídio do Yanomami: morte do Brasil — Sonhos Yanomami Claudia Andujar (Apr)
  • 2020 2020
  • LISTEN III Carmela Gross (Dec) LISTEN III Carmela Gross (Dec)
  • Lost and found (Nov) Lost and found Jonathas de Andrade (Nov)
  • Reliquary Leandro Lima (Nov) Reliquary Leandro Lima (Nov)
  • Infiltração [Infiltration] Henrique Cesar (Oct) Infiltração [Infiltration] Henrique Cesar (Oct)
  • Hair Work Dias & Riedweg (Feb) Hair Work Dias & Riedweg (Feb)
  • Already Seen (Feb) Already Seen Cinthia Marcelle (Feb)
  • 2019 2019
  • Document-Monument | Monument-Document Rosângela Rennó (Nov) Document-Monument | Monument-Document Rosângela Rennó (Nov)
  • Monumentos efímeros Tania Candiani (Nov) Monumentos efímeros Tania Candiani (Nov)
  • We the enemy Carlos Motta (Oct) We the enemy Carlos Motta (Oct)
  • Feverish Lia Chaia (Aug) Feverish Lia Chaia (Aug)
  • Ka’rãi Dora Longo Bahia (Jul) Ka’rãi Dora Longo Bahia (Jul)
  • Monday, June 4, 2019 GROUP SHOW (Jun) Monday, June 4, 2019 André Komatsu Carmela Gross Claudia Andujar Dias & Riedweg Dora Longo Bahia Fabio Morais Lia Chaia Marcelo Cidade Rosângela Rennó (Jun)
  • Forget the crisis, go to work! Guilherme Peters (Apr) Forget the crisis, go to work! Guilherme Peters (Apr)
  • Debts, dividers and dividends Marcelo Cidade (Mar) Debts, dividers and dividends Marcelo Cidade (Mar)
  • la plaza del chafleo Iván Argote (Mar) la plaza del chafleo Iván Argote (Mar)
  • Malaise (Mar) Malaise Renato Maretti (Mar)
  • The runout Chiara Banfi (Jan) The runout Chiara Banfi (Jan)
  • The pronunciation of the world (Jan) The pronunciation of the world Marilá Dardot (Jan)
  • Timewaves (chapter II) Detanico Lain (Jan) Timewaves (chapter II) Detanico Lain (Jan)
  • 2018 2018
  • Çonoplaztía Fabio Morais (Nov) Çonoplaztía Fabio Morais (Nov)
  • Three analyzes and an omen Carla Zaccagnini (Nov) Three analyzes and an omen Carla Zaccagnini (Nov)
  • El principio, el paréntesis y el fin, el telón Tania Candiani (Nov) El principio, el paréntesis y el fin, el telón Tania Candiani (Nov)
  • Edgard de Souza Edgard de Souza (Oct) Edgard de Souza Edgard de Souza (Oct)
  • Brasil x Argentina (Amazônia e Patagônia) Dora Longo Bahia (Oct) Brasil x Argentina (Amazônia e Patagônia) Dora Longo Bahia (Oct)
  • Repetitions Clara Ianni (Aug) Repetitions Clara Ianni (Aug)
  • estrela escura André Komatsu (Aug) estrela escura André Komatsu (Aug)
  • Infinite Rotations (Jul) Infinite Rotations Ana Maria Tavares (Jul)
  • Natural History and Other Ruins Marcelo Moscheta (May) Natural History and Other Ruins Marcelo Moscheta (May)
  • Attempt to aspire to the great maze Guilherme Peters (May) Attempt to aspire to the great maze Guilherme Peters (May)
  • CameraContato Dias & Riedweg (Apr) CameraContato Dias & Riedweg (Apr)
  • Overload GROUP SHOW (Mar) Overload André Komatsu Carla Zaccagnini Carmela Gross Chelpa Ferro Chiara Banfi Claudia Andujar Detanico Lain Dora Longo Bahia Edgard de Souza Fabio Morais Guilherme Peters Henrique Cesar Iván Argote Lia Chaia Marcelo Cidade Marcelo Moscheta Motta & Lima Nicolás Bacal Nicolás Robbio Odires Mlászho Rosângela Rennó (Mar)
  • Silver Session Dora Longo Bahia (Mar) Silver Session Dora Longo Bahia (Mar)
  • Apparent Movement Nicolás Bacal (Jan) Apparent Movement Nicolás Bacal (Jan)
  • Deseos Carlos Motta (Jan) Deseos Carlos Motta (Jan)
  • 2017 2017
  • Nuptials Rosângela Rennó (Nov) Nuptials Rosângela Rennó (Nov)
  • Mamihlapinatapai Cadu (Oct) Mamihlapinatapai Cadu (Oct)
  • Silvia Cintra + Box 4 Occupation (Oct) Silvia Cintra + Box 4 Occupation (Oct)
  • Nelson Leirner – Movies (Oct) Nelson Leirner – Movies (Oct)
  • Somos [We are] Iván Argote (Sep) Somos [We are] Iván Argote (Sep)
  • Reddishblue Memories Iván Argote (Sep) Reddishblue Memories Iván Argote (Sep)
  • Pulso Lia Chaia (Jul) Pulso Lia Chaia (Jul)
  • Posta em abismo [Mise en Abyme] Carla Zaccagnini (Jun) Posta em abismo [Mise en Abyme] Carla Zaccagnini (Jun)
  • 27 rue de Fleurus Detanico Lain (Jun) 27 rue de Fleurus Detanico Lain (Jun)
  • Vera Cruz Rosângela Rennó (Apr) Vera Cruz Rosângela Rennó (Apr)
  • Architecture of Insomnia Nicolás Robbio (Apr) Architecture of Insomnia Nicolás Robbio (Apr)
  • Ashes Dora Longo Bahia (Mar) Ashes Dora Longo Bahia (Mar)
  • Psycho Motta & Lima (Mar) Psycho Motta & Lima (Mar)
  • Not yet (Mar) Not yet (Mar)
  • Pause Tania Candiani (Jan) Pause Tania Candiani (Jan)
  • Escritexpográfica Fabio Morais (Jan) Escritexpográfica Fabio Morais (Jan)
  • 2016 2016
  • Coletiva GROUP SHOW (Nov) Coletiva GROUP SHOW (Nov)
  • Journal (Nov) Journal (Nov)
  • Nulo ou em Branco Marcelo Cidade (Sep) Nulo ou em Branco Marcelo Cidade (Sep)
  • Fructose Iván Argote (Sep) Fructose Iván Argote (Sep)
  • Suar a camisa [Sweat it out] (Aug) Suar a camisa [Sweat it out] Jonathas de Andrade (Aug)
  • One, None, Many Carmela Gross (Aug) One, None, Many Carmela Gross (Aug)
  • COLETIVA GROUP SHOW (Jun) COLETIVA GROUP SHOW (Jun)
  • My life in two worlds Claudia Andujar (May) My life in two worlds Claudia Andujar (May)
  • Seven Falls Marcelo Moscheta (Mar) Seven Falls Marcelo Moscheta (Mar)
  • Notations Chiara Banfi (Jan) Notations Chiara Banfi (Jan)
  • 2015 2015
  • Arquibabas: Babas Geométricas Odires Mlászho (Nov) Arquibabas: Babas Geométricas Odires Mlászho (Nov)
  • Fotos contam Fatos GROUP SHOW (Nov) Fotos contam Fatos GROUP SHOW (Nov)
  • Edgard de Souza Edgard de Souza (Oct) Edgard de Souza Edgard de Souza (Oct)
  • Hornitos Cadu (Oct) Hornitos Cadu (Oct)
  • Translations: Nelson Leirner, a reader of others and of himself. (Sep) Translations: Nelson Leirner, a reader of others and of himself. Nelson Leirner (Sep)
  • Reason and power (Jul) Reason and power Enrique Ježik (Jul)
  • Cosmologia Composta Henrique Cesar (Jul) Cosmologia Composta Henrique Cesar (Jul)
  • Learning to Live with the Filth GROUP SHOW (May) Learning to Live with the Filth André Komatsu Keila Alaver Lia Chaia Marcelo Cidade Nicolás Robbio (May)
  • Chora-Chuva Motta & Lima (Mar) Chora-Chuva Motta & Lima (Mar)
  • Impertinência Capital (Feb) Impertinência Capital Marco Paulo Rolla (Feb)
  • Corpo Mitológico Lia Chaia (Feb) Corpo Mitológico Lia Chaia (Feb)
  • Black Bloc Dora Longo Bahia (Feb) Black Bloc Dora Longo Bahia (Feb)
  • 2014 2014
  • Cold Stories and Hot Coals Dias & Riedweg (Dec) Cold Stories and Hot Coals Dias & Riedweg (Dec)
  • O Balanço da Árvore Exagera a Tempestade Gabriela Albergaria (Nov) O Balanço da Árvore Exagera a Tempestade Gabriela Albergaria (Nov)
  • Shangai em São Paulo in Shanghai Carla Zaccagnini (Nov) Shangai em São Paulo in Shanghai Carla Zaccagnini (Nov)
  • Let´s Write a History of Hopes Iván Argote (Sep) Let´s Write a History of Hopes Iván Argote (Sep)
  • Insustentável Paraíso André Komatsu (Sep) Insustentável Paraíso André Komatsu (Sep)
  • Rosângela Rennó Rosângela Rennó (Aug) Rosângela Rennó Rosângela Rennó (Aug)
  • Marilá Dardot (Aug) Marilá Dardot Marilá Dardot (Aug)
  • Ponto Final (Jun) Ponto Final Maurício Ianês (Jun)
  • O Informante Henrique Cesar (Apr) O Informante Henrique Cesar (Apr)
  • Smooth Sound Making Aquarium Chelpa Ferro (Apr) Smooth Sound Making Aquarium Chelpa Ferro (Apr)
  • Neste Lugar (Mar) Neste Lugar Daniel Senise (Mar)
  • Islamic Scalp Dora Longo Bahia (Mar) Islamic Scalp Dora Longo Bahia (Mar)
  • Order Repetition Nicolás Robbio (Mar) Order Repetition Nicolás Robbio (Mar)
  • Collective Carmela Gross Claudia Andujar GROUP SHOW (Jan) Collective GROUP SHOW (Jan)
  • 1988 (Jan) 1988 Andreas Fogarasi (Jan)
  • 2013 2013
  • U=R.I Guilherme Peters Henrique Cesar (Nov) U=R.I Guilherme Peters Henrique Cesar (Nov)
  • Arquitetura da solidão Nicolás Bacal (Nov) Arquitetura da solidão Nicolás Bacal (Nov)
  • Museu do Homem do Nordeste (Oct) Museu do Homem do Nordeste Jonathas de Andrade (Oct)
  • Gravações Perdidas Chiara Banfi (Oct) Gravações Perdidas Chiara Banfi (Oct)
  • Suspicious Mind GROUP SHOW (Aug) Suspicious Mind GROUP SHOW (Aug)
  • João-Ninguém (Jul) João-Ninguém Rafael Assef (Jul)
  • Contratempo Lia Chaia (Jul) Contratempo Lia Chaia (Jul)
  • Espera Motta & Lima (Jun) Espera Motta & Lima (Jun)
  • Zero Substantivo Odires Mlászho (Jun) Zero Substantivo Odires Mlászho (Jun)
  • Passageiro Dora Longo Bahia (May) Passageiro Dora Longo Bahia (May)
  • O Voo de Watupari Claudia Andujar (May) O Voo de Watupari Claudia Andujar (May)
  • Body Furniture Keila Alaver (May) Body Furniture Keila Alaver (May)
  • Nostalgia, sentimento de mundo (Apr) Nostalgia, sentimento de mundo Jonathas de Andrade (Apr)
  • Corpo Dócil André Komatsu (Apr) Corpo Dócil André Komatsu (Apr)
  • La Felicidad (Feb) La Felicidad Kevin Simón Mancera (Feb)
  • Pelas bordas [From the edges] Carla Zaccagnini (Feb) Pelas bordas [From the edges] Carla Zaccagnini (Feb)
  • Menos-valia (Leilão) Rosângela Rennó (Jan) Menos-valia (Leilão) Rosângela Rennó (Jan)
  • Coletiva GROUP SHOW (Jan) Coletiva GROUP SHOW (Jan)
  • 2012 2012
  • Rio Corrente Detanico Lain (Nov) Rio Corrente Detanico Lain (Nov)
  • Serpentes Carmela Gross (Oct) Serpentes Carmela Gross (Oct)
  • Group Show GROUP SHOW (Sep) Group Show GROUP SHOW (Sep)
  • A Força é Limitada pela Necessidade Nicolás Robbio (Sep) A Força é Limitada pela Necessidade Nicolás Robbio (Sep)
  • Maurício Ianês (Jul) Maurício Ianês Maurício Ianês (Jul)
  • Clear images x Vague ideas Dora Longo Bahia (Jul) Clear images x Vague ideas Dora Longo Bahia (Jul)
  • Expansivo GROUP SHOW (Jun) Expansivo GROUP SHOW (Jun)
  • Sunburst Chiara Banfi (May) Sunburst Chiara Banfi (May)
  • Madeira GROUP SHOW (May) Madeira GROUP SHOW (May)
  • Quase Nada Marcelo Cidade (Apr) Quase Nada Marcelo Cidade (Apr)
  • Esqueleto Aéreo Lia Chaia (Apr) Esqueleto Aéreo Lia Chaia (Apr)
  • Coletiva GROUP SHOW Maurício Ianês Lucia Mindlin Loeb Rafael Assef (Mar) Coletiva Fabio Morais Guilherme Peters Marcelo Cidade Odires Mlászho Rosângela Rennó Maurício Ianês Lucia Mindlin Loeb Rafael Assef (Mar)
  • ANTI-HORÁRIO Motta & Lima (Mar) ANTI-HORÁRIO Motta & Lima (Mar)
  • Símile-fac Fabio Morais (Jan) Símile-fac Fabio Morais (Jan)
  • Gabinete de Leitura (Jan) Gabinete de Leitura Flávia Ribeiro (Jan)
  • Novas Pinturas [New Paintings] (Jan) Novas Pinturas [New Paintings] Marilá Dardot (Jan)
  • 2011 2011
  • Contra a Parede GROUP SHOW Cia. de Foto Daniel Senise João loureiro João Nitsche Marilá Dardot Marco Paulo Rolla Mauricio Ianês (Nov) Contra a Parede André Komatsu Cadu Carmela Gross Chiara Banfi Detanico Lain Dora Longo Bahia Fabio Morais Guilherme Peters Lia Chaia Marcelo Cidade Nicolás Robbio Cia. de Foto Daniel Senise João loureiro João Nitsche Marilá Dardot Marco Paulo Rolla Mauricio Ianês (Nov)
  • CA-BRA Guilherme Peters GROUP SHOW (Nov) CA-BRA GROUP SHOW (Nov)
  • Quase aqui (Oct) Quase aqui (Oct)
  • Casamento Sagrado (Oct) Casamento Sagrado Marco Paulo Rolla (Oct)
  • Bordando Design (Sep) Bordando Design GROUP SHOW (Sep)
  • Mil Palavras (Sep) Mil Palavras Leya Mira Brander (Sep)
  • Desviantes (Sep) Desviantes Ana Maria Tavares (Sep)
  • Marcelo Zocchio (Sep) Marcelo Zocchio Marcelo Zocchio (Sep)
  • Spaceman/Caveman Chelpa Ferro (Jul) Spaceman/Caveman Chelpa Ferro (Jul)
  • Manuela Marques (Jul) Manuela Marques Manuela Marques (Jul)
  • Introdução ao Terceiro Mundo (Jul) Introdução ao Terceiro Mundo Marilá Dardot (Jul)
  • Papel Sensível (May) Papel Sensível Cristiano Lenhardt (May)
  • Manhã no Ano do Coelho Cadu (May) Manhã no Ano do Coelho Cadu (May)
  • Escalpo Carioca Dora Longo Bahia (May) Escalpo Carioca Dora Longo Bahia (May)
  • Zero de Conduta (Apr) Zero de Conduta Cinthia Marcelle (Apr)
  • Bandeira em Branco Não é Bandeira Branca Nicolás Robbio (Apr) Bandeira em Branco Não é Bandeira Branca Nicolás Robbio (Apr)
  • Sobre Cor Detanico Lain (Mar) Sobre Cor Detanico Lain (Mar)
  • Fim da Primeira Parte (Mar) Fim da Primeira Parte João Loureiro (Mar)
  • 2010 2010
  • Livre Tradução GROUP SHOW (Nov) Livre Tradução GROUP SHOW (Nov)
  • Sopa Nômade Odires Mlászho (Oct) Sopa Nômade Odires Mlászho (Oct)
  • Meditação da Ferida ou a Escola de Facas (Oct) Meditação da Ferida ou a Escola de Facas Cinthia Marcelle (Oct)
  • Entretanto (Oct) Entretanto Cia. de Foto (Oct)
  • Anônimo Lia Chaia (Sep) Anônimo Lia Chaia (Sep)
  • Avant-Gard is not dead Marcelo Cidade (Sep) Avant-Gard is not dead Marcelo Cidade (Sep)
  • Cerâmica 6 Ltda. (Aug) Cerâmica 6 Ltda. Héctor Zamora (Aug)
  • FF (Aug) FF Matheus Rocha Pitta (Aug)
  • Acaso por Intenção André Komatsu (Aug) Acaso por Intenção André Komatsu (Aug)
  • Trajeto (Jun) Trajeto Rogério Canella (Jun)
  • Salvo o Nome (Jun) Salvo o Nome Maurício Ianês (Jun)
  • Ressaca Tropical (Jun) Ressaca Tropical Jonathas de Andrade (Jun)
  • Alices (Jun) Alices Marilá Dardot (Jun)
  • Vão Guilherme Peters Henrique Cesar GROUP SHOW (May) Vão GROUP SHOW (May)
  • Trash Metal Dora Longo Bahia (May) Trash Metal Dora Longo Bahia (May)
  • Who’s afraid of? GROUP SHOW Maurício Ianês Rafael Assef Leya Mira Brander Leandro da Costa Marcius Galan (May) Who’s afraid of? André Komatsu Chiara Banfi Keila Alaver Lia Chaia Marcelo Cidade Motta & Lima Nicolás Robbio Maurício Ianês Rafael Assef Leya Mira Brander Leandro da Costa Marcius Galan (May)
  • Mic Chelpa Ferro (Apr) Mic Chelpa Ferro (Apr)
  • Dial M for Murder Motta & Lima (Apr) Dial M for Murder Motta & Lima (Apr)
  • Forma, Conteúdo e Poesia Rosângela Rennó (Apr) Forma, Conteúdo e Poesia Rosângela Rennó (Apr)
  • Te iludo Fabio Morais (Mar) Te iludo Fabio Morais (Mar)
  • Koto Chiara Banfi (Mar) Koto Chiara Banfi (Mar)
  • Se mueve pero no se hunde Nicolás Robbio (Mar) Se mueve pero no se hunde Nicolás Robbio (Mar)
  • Lexicon Detanico Lain (Jan) Lexicon Detanico Lain (Jan)
  • Gabriela Albergaria Gabriela Albergaria (Jan) Gabriela Albergaria Gabriela Albergaria (Jan)
  • Paisagens perdidas (Jan) Paisagens perdidas Ana Maria Tavares (Jan)
  • 2009 2009
  • O Jardim da pele de pêssego [The peach skin garden] Keila Alaver (Nov) O Jardim da pele de pêssego [The peach skin garden] Keila Alaver (Nov)
  • Por Aqui [This Way] GROUP SHOW (Nov) Por Aqui [This Way] GROUP SHOW (Nov)
  • O futuro das lembranças [The future of remembrance] (Nov) O futuro das lembranças [The future of remembrance] Lucia Mindlin Loeb (Nov)
  • Pic Nic (Oct) Pic Nic Marco Paulo Rolla (Oct)
  • Tudo me é lícito, mas nem tudo me convence [Everything is licit but not everything convinces me] (Oct) Tudo me é lícito, mas nem tudo me convence [Everything is licit but not everything convinces me] GROUP SHOW (Oct)
  • Avalanche Cadu (Oct) Avalanche Cadu (Oct)
  • Corpo da Alma [Body of Soul] Rosângela Rennó (Oct) Corpo da Alma [Body of Soul] Rosângela Rennó (Oct)
  • Marcados Claudia Andujar (Sep) Marcados Claudia Andujar (Sep)
  • Asimetrías y Convergencias Andrés Ramírez Gaviria GROUP SHOW (Aug) Asimetrías y Convergencias GROUP SHOW (Aug)
  • Artérias e Capilares [Arteries and Capillaries] GROUP SHOW (Jul) Artérias e Capilares [Arteries and Capillaries] GROUP SHOW (Jul)
  • Cassino [Casino] Carla Zaccagnini Fabio Morais GROUP SHOW (Jul) Cassino [Casino] GROUP SHOW (Jul)
  • Zootécnico [Zootechnics] (May) Zootécnico [Zootechnics] João Loureiro (May)
  • Espaços de Tempo [Time spaces] Detanico Lain (May) Espaços de Tempo [Time spaces] Detanico Lain (May)
  • Lançamentos + Planetas [Launches + Planets] (Apr) Lançamentos + Planetas [Launches + Planets] Marcelo Zocchio (Apr)
  • Untitled Nicolás Robbio (Apr) Untitled Nicolás Robbio (Apr)
  • Sob Controle [Under Control] Motta & Lima (Mar) Sob Controle [Under Control] Motta & Lima (Mar)
  • Soma Neutra [Neutral Addition] André Komatsu (Mar) Soma Neutra [Neutral Addition] André Komatsu (Mar)
  • Ph Neutro [Neutral Ph] GROUP SHOW (Jan) Ph Neutro [Neutral Ph] GROUP SHOW (Jan)
  • Tons de cinza [Shades of gray] GROUP SHOW (Jan) Tons de cinza [Shades of gray] GROUP SHOW (Jan)
  • 2008 2008
  • Silêncio! [Silence!] Detanico Lain GROUP SHOW (Nov) Silêncio! [Silence!] GROUP SHOW (Nov)
  • A Ordem dos Tratores não Altera o Viaduto Marcelo Cidade (Oct) A Ordem dos Tratores não Altera o Viaduto Marcelo Cidade (Oct)
  • FORTUNE AND DENIAL or UKYIO-E (the image of a floating world) (Oct) FORTUNE AND DENIAL or UKYIO-E (the image of a floating world) Ana Maria Tavares (Oct)
  • CÍCERA André Komatsu Carla Zaccagnini GROUP SHOW (Oct) CÍCERA GROUP SHOW (Oct)
  • É claro que você sabe do que estou falando? [Of course you know what I’m talking about?] GROUP SHOW (Oct) É claro que você sabe do que estou falando? [Of course you know what I’m talking about?] GROUP SHOW (Oct)
  • Ficções [Fictions] (Sep) Ficções [Fictions] (Sep)
  • Casasubu (Aug) Casasubu Vera Chaves Barcellos (Aug)
  • Provas de Contato [Contact Proofs] GROUP SHOW (Aug) Provas de Contato [Contact Proofs] GROUP SHOW (Aug)
  • Baralhada Lia Chaia (Jul) Baralhada Lia Chaia (Jul)
  • Jardim elétrico [Electric garden] Chelpa Ferro (Jun) Jardim elétrico [Electric garden] Chelpa Ferro (Jun)
  • Vermello (Jun) Vermello Ivana Vollaro (Jun)
  • Melhor de Um [Best of one] (May) Melhor de Um [Best of one] Leandro da Costa (May)
  • My 6th Solo Exhibition Fabio Morais (May) My 6th Solo Exhibition Fabio Morais (May)
  • Bifurcações e Encruzilhadas Carla Zaccagnini (Apr) Bifurcações e Encruzilhadas Carla Zaccagnini (Apr)
  • Belo também é aquilo que não foi visto Dias & Riedweg (Apr) Belo também é aquilo que não foi visto Dias & Riedweg (Apr)
  • Mônica Nador e brodagem Mônica Nador + Jamac (Feb) Mônica Nador e brodagem Mônica Nador + Jamac (Feb)
  • Jogo de dados [Game of dice] (Feb) Jogo de dados [Game of dice] Rafael Assef (Feb)
  • “Looks conceptual” or “How i mistook a Carl Andre for a pile of bricks” GROUP SHOW (Jan) “Looks conceptual” or “How i mistook a Carl Andre for a pile of bricks” GROUP SHOW (Jan)
  • Caio, Felix, Cuts and Perforations (Jan) Caio, Felix, Cuts and Perforations Célio Braga (Jan)
  • 2007 2007
  • FREE BEER (Nov) FREE BEER SUPERFLEX (Nov)
  • Daniel Senise (Oct) Daniel Senise Daniel Senise (Oct)
  • Araucária Angustifólia and Le désespoir du singe Gabriela Albergaria Manuela Marques (Sep) Araucária Angustifólia and Le désespoir du singe Gabriela Albergaria Manuela Marques (Sep)
  • Quando ramos são subtraídos [When branches are subtracted] André Komatsu (Aug) Quando ramos são subtraídos [When branches are subtracted] André Komatsu (Aug)
  • 30 M (Aug) 30 M Rogério Canella (Aug)
  • The Communism of Forms Chelpa Ferro Detanico Lain Leandro Lima GROUP SHOW (Jul) The Communism of Forms GROUP SHOW (Jul)
  • Matiz vertical [Vertical hue] (Jun) Matiz vertical [Vertical hue] Tiago Judas (Jun)
  • Pause Chiara Banfi (Apr) Pause Chiara Banfi (Apr)
  • Julian Rosefeldt (Apr) Julian Rosefeldt Julian Rosefeldt (Apr)
  • Ano Zero [Year Zero] Detanico Lain (Feb) Ano Zero [Year Zero] Detanico Lain (Feb)
  • Quase como ontem Nicolás Robbio Rachel Poignant (Jan) Quase como ontem Nicolás Robbio Rachel Poignant (Jan)
  • 2006 2006
  • Cássio Vasconcellos (Nov) Cássio Vasconcellos Cássio Vasconcellos (Nov)
  • This is not a love song GROUP SHOW (Oct) This is not a love song GROUP SHOW (Oct)
  • A última foto [The last photo] Rosângela Rennó (Oct) A última foto [The last photo] Rosângela Rennó (Oct)
  • Vivendo [Living] Motta & Lima (Sep) Vivendo [Living] Motta & Lima (Sep)
  • Via invertida Lia Chaia (Jul) Via invertida Lia Chaia (Jul)
  • Quarto/Sala [Bedroom/living room] (Jul) Quarto/Sala [Bedroom/living room] Leandro da Costa (Jul)
  • O.D.I.R.E.S. – Objetos Derivados, Intrínsecos aos Restos Emulsionados ou Saqueados Odires Mlászho (May) O.D.I.R.E.S. – Objetos Derivados, Intrínsecos aos Restos Emulsionados ou Saqueados Odires Mlászho (May)
  • próximo (May) próximo Leya Mira Brander (May)
  • Messenger (Apr) Messenger Maurício Ianês (Apr)
  • Baldio [Wasteland] (Apr) Baldio [Wasteland] Ding Musa (Apr)
  • Outro Lugar [Another Place] Marcelo Cidade (Mar) Outro Lugar [Another Place] Marcelo Cidade (Mar)
  • 3D Delivery (Mar) 3D Delivery Tiago Judas (Mar)
  • Aérea [Aerial] (Feb) Aérea [Aerial] Edilaine Cunha (Feb)
  • 2005 2005
  • Museum of letters Fabio Morais (Dec) Museum of letters Fabio Morais (Dec)
  • The Library of Babel (Dec) The Library of Babel Marilá Dardot (Dec)
  • Cabra Criada Dias & Riedweg (Oct) Cabra Criada Dias & Riedweg (Oct)
  • Chelpa Ferro Chelpa Ferro (Sep) Chelpa Ferro Chelpa Ferro (Sep)
  • Grave (Aug) Grave Amílcar Packer (Aug)
  • Movimentos Leves [Light Movements] (Aug) Movimentos Leves [Light Movements] Marco Paulo Rolla (Aug)
  • Rafael Assef (Jul) Rafael Assef Rafael Assef (Jul)
  • Sala dos Espelhos [Room of Mirrors] (Jul) Sala dos Espelhos [Room of Mirrors] Courtney Smith (Jul)
  • Maio [May] Nicolás Robbio Rogério Canella (May) Maio [May] Nicolás Robbio Rogério Canella (May)
  • Viés [Bias] Marcelo Cidade Nicolás Robbio Odires Mlászho GROUP SHOW (Apr) Viés [Bias] GROUP SHOW (Apr)
  • Utilidades Domésticas [Domestic Utilities] (Mar) Utilidades Domésticas [Domestic Utilities] Marcelo Zocchio (Mar)
  • JAMAC Mônica Nador + Jamac (Mar) JAMAC Mônica Nador + Jamac (Mar)
  • Yano-a Claudia Andujar (Feb) Yano-a Claudia Andujar (Feb)
  • Viga Mestre Chiara Banfi (Feb) Viga Mestre Chiara Banfi (Feb)
  • 2004 2004
  • Vol. GROUP SHOW (Nov) Vol. GROUP SHOW (Nov)
  • White Box (Oct) White Box Ricardo Carioba (Oct)
  • Até onde a vista alcança [How far view reaches] Carla Zaccagnini (Aug) Até onde a vista alcança [How far view reaches] Carla Zaccagnini (Aug)
  • Hora Aberta [Open hour] (Aug) Hora Aberta [Open hour] Manuela Marques OVO (Aug)
  • Grátis [Free] GROUP SHOW (Jul) Grátis [Free] GROUP SHOW (Jul)
  • Marco Paulo Rolla (Jun) Marco Paulo Rolla Marco Paulo Rolla (Jun)
  • Solto,Cruzado e junto [Loose, Crossed, and Together] (Apr) Solto,Cruzado e junto [Loose, Crossed, and Together] Cinthia Marcelle Marilá Dardot Sara Ramo (Apr)
  • The world doesn’t need you (Mar) The world doesn’t need you Rosana Monnerat (Mar)
  • 1 (Mar) 1 Edouard Fraipont (Mar)
  • Derivas Detanico Lain Marcelo Cidade Odires Mlászho GROUP SHOW (Jan) Derivas GROUP SHOW (Jan)
  • 2003 2003
  • Modos de Usar [How To Use] GROUP SHOW (Nov) Modos de Usar [How To Use] GROUP SHOW (Nov)
  • 3T1H (Oct) 3T1H André Teruya Eichemberg Giselle Beiguelman Marcelo Marino Bicudo Vera Bighetti (Oct)
  • Retrato V.t.d. Fabio Morais (Sep) Retrato V.t.d. Fabio Morais (Sep)
  • Image Non-Image (Sep) Image Non-Image GROUP SHOW (Sep)
  • Vizinhos [Neighbors] Fabio Morais GROUP SHOW (Aug) Vizinhos [Neighbors] GROUP SHOW (Aug)
  • In ´vel Motta & Lima GROUP SHOW (Jun) In ´vel GROUP SHOW (Jun)
  • SX70 (Jun) SX70 GROUP SHOW (Jun)
  • 1 Lúcia 2 Lúcias Lia Chaia Nicolás Robbio GROUP SHOW (May) 1 Lúcia 2 Lúcias GROUP SHOW (May)
  • O Lugar do Homem [The place of man] (Mar) O Lugar do Homem [The place of man] Rogério Canella (Mar)
  • A Operação Ilegal [The Illegal Operation] (Mar) A Operação Ilegal [The Illegal Operation] Cris Bierrenbach (Mar)
  • Giroflexxxx André Komatsu Marcelo Cidade GROUP SHOW (Feb) Giroflexxxx GROUP SHOW (Feb)
  • 2002 2002
  • Série Azul [Blue series] (Nov) Série Azul [Blue series] Claudia Jaguaribe (Nov)
  • Mônica Nador and Paula Trope Mônica Nador + Jamac Paula Trope (Nov) Mônica Nador and Paula Trope Mônica Nador + Jamac Paula Trope (Nov)
  • Rafael Assef and Eliana Bordin (Oct) Rafael Assef and Eliana Bordin Eliana Bordin Rafael Assef (Oct)
  • Noturnos [Nocturnal] (Sep) Noturnos [Nocturnal] Cássio Vasconcelos (Sep)
  • A Palidez Iluminada [The Illuminated Pallidness] Odires Mlászho (Aug) A Palidez Iluminada [The Illuminated Pallidness] Odires Mlászho (Aug)
  • Marrom GROUP SHOW (Jul) Marrom GROUP SHOW (Jul)
  • X Odires Mlászho GROUP SHOW (May) X GROUP SHOW (May)
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    CURRENT (1) CURRENT (1)

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  • ARCHIVE (135)

    2025 2025
  • Splécht! Dora Longo Bahia (Mar) Splécht! Dora Longo Bahia (Mar)
  • Circus Solaris | Circum Lunares Estevan Davi (Jan) Circus Solaris | Circum Lunares Estevan Davi (Jan)
  • 2024 2024
  • Gravity Carlos Motta (Jul) Gravity Carlos Motta (Jul)
  • Inverted Apocalypse Clara Ianni (May) Inverted Apocalypse Clara Ianni (May)
  • Desenhos articulados Lia Chaia (Mar) Desenhos articulados Lia Chaia (Mar)
  • Geometry is hope Geometry is fear (Feb) Geometry is hope Geometry is fear Runo Lagomarsino (Feb)
  • 2023 2023
  • Contrafachada (Oct) Contrafachada Tiago Guimarães (Oct)
  • La Marcha Tania Candiani Grupo Flor de Kantuta (Aug) La Marcha Tania Candiani Grupo Flor de Kantuta (Aug)
  • The grid and the fence Marcelo Cidade (May) The grid and the fence Marcelo Cidade (May)
  • Genocídio do Yanomami: morte do Brasil Claudia Andujar (Feb) Genocídio do Yanomami: morte do Brasil Claudia Andujar (Feb)
  • 2022 2022
  • Perigo Minas! Dora Longo Bahia (Nov) Perigo Minas! Dora Longo Bahia (Nov)
  • Name on air Elilson (Sep) Name on air Elilson (Sep)
  • Sobre a terra, sob o céu Detanico Lain (Aug) Sobre a terra, sob o céu Detanico Lain (Aug)
  • Vulva Livre [Free Vulva] (Jul) Vulva Livre [Free Vulva] Depois do Fim da Arte (Jul)
  • Nem tudo que vai prá parede é obra de arte (Jul) Nem tudo que vai prá parede é obra de arte Marcel Diogo (Jul)
  • still ever still (Jun) still ever still Marilá Dardot (Jun)
  • 23.970/24.005 (Mar) 23.970/24.005 Ana Amorim (Mar)
  • Calling of the Subjunctive Elilson (Feb) Calling of the Subjunctive Elilson (Feb)
  • 2021 2021
  • Dissociação (Dec) Dissociação VÃO (Dec)
  • X Carmela Gross (Aug) X Carmela Gross (Aug)
  • Res verso Elilson (Jul) Res verso Elilson (Jul)
  • 2020 2020
  • In Alphabetic Order Detanico Lain (Oct) In Alphabetic Order Detanico Lain (Oct)
  • Untitled (Feb) Untitled Cinthia Marcelle (Feb)
  • 2019 2019
  • Lenin is still around Rosângela Rennó (Nov) Lenin is still around Rosângela Rennó (Nov)
  • Shapes of Freedom Carlos Motta (Oct) Shapes of Freedom Carlos Motta (Oct)
  • Estacionamente Lia Chaia (Aug) Estacionamente Lia Chaia (Aug)
  • Fugue (Subject) Dora Longo Bahia (Jul) Fugue (Subject) Dora Longo Bahia (Jul)
  • Ctrl z (Jun) Ctrl z Fernanda Roriz Julie Uszkurat Marina Secaf Pedro Ferris (Jun)
  • Três Poderes [Three Powers] Guilherme Peters (Apr) Três Poderes [Three Powers] Guilherme Peters (Apr)
  • Estrutura Parasita Marcelo Cidade (Mar) Estrutura Parasita Marcelo Cidade (Mar)
  • Malaise (Mar) Malaise Renato Maretti (Mar)
  • O ar da graça (Jan) O ar da graça Leya Mira Brander (Jan)
  • 2018 2018
  • Estamos no escuro Fabio Morais (Nov) Estamos no escuro Fabio Morais (Nov)
  • Autômatos André Komatsu (Aug) Autômatos André Komatsu (Aug)
  • Elipse Nicolás Bacal (Jan) Elipse Nicolás Bacal (Jan)
  • 2017 2017
  • One Hundred Years Rosângela Rennó (Nov) One Hundred Years Rosângela Rennó (Nov)
  • A arquitetura não foi feita para enfeitar o desastre (Oct) A arquitetura não foi feita para enfeitar o desastre Laércio Redondo (Oct)
  • SOMOS Iván Argote (Sep) SOMOS Iván Argote (Sep)
  • Monumento Carmela Gross (Jun) Monumento Carmela Gross (Jun)
  • Ashes Dora Longo Bahia (Mar) Ashes Dora Longo Bahia (Mar)
  • 2016 2016
  • As Built (Nov) As Built João Nitsche Pedro Nitsche (Nov)
  • Ocitarcomed Marcelo Cidade (Sep) Ocitarcomed Marcelo Cidade (Sep)
  • Lightning Carmela Gross (Aug) Lightning Carmela Gross (Aug)
  • 70 degrees of separation Marcelo Moscheta (Jun) 70 degrees of separation Marcelo Moscheta (Jun)
  • Comum com outro (Jan) Comum com outro Leandro da Costa (Jan)
  • 2015 2015
  • sem título Edgard de Souza (Oct) sem título Edgard de Souza (Oct)
  • Yayoi Dialogue (Sep) Yayoi Dialogue Nelson Leirner (Sep)
  • Guarda Chuvas (May) Guarda Chuvas Keila Alaver (May)
  • 4,9 Motta & Lima (Mar) 4,9 Motta & Lima (Mar)
  • Alta Tensão (Feb) Alta Tensão Marco Paulo Rolla (Feb)
  • 2014 2014
  • Blocão Dias & Riedweg (Dec) Blocão Dias & Riedweg (Dec)
  • Régua de Fibonacci Gabriela Albergaria (Nov) Régua de Fibonacci Gabriela Albergaria (Nov)
  • Let’s write a history of hopes Iván Argote (Sep) Let’s write a history of hopes Iván Argote (Sep)
  • Aqui, agora e já Rosângela Rennó (Aug) Aqui, agora e já Rosângela Rennó (Aug)
  • Un fusilado (Jul) Un fusilado ENRIQUE JEZIK (Jul)
  • Sem título (Jun) Sem título Maurício Ianês (Jun)
  • Aquário suave sonora Chelpa Ferro (Apr) Aquário suave sonora Chelpa Ferro (Apr)
  • Vermelho (Mar) Vermelho Daniel Senise (Mar)
  • Placemark (Jan) Placemark Andreas Fogarasi (Jan)
  • 2013 2013
  • Para onde os mosquitos vão quando chove [Where do mosquitoes go when it rains?] (Nov) Para onde os mosquitos vão quando chove [Where do mosquitoes go when it rains?] Felipe Salem (Nov)
  • Museu do Homem do Nordeste (Oct) Museu do Homem do Nordeste Jonathas de Andrade (Oct)
  • Sem título [Dr. Mabuse] (Aug) Sem título [Dr. Mabuse] Eva Grubinger (Aug)
  • Curva de jardim Lia Chaia (Jul) Curva de jardim Lia Chaia (Jul)
  • Estado das coisas 2 André Komatsu (Apr) Estado das coisas 2 André Komatsu (Apr)
  • Alfabeto Fonético Aplicado II: Pavimentaram a Panamericana e tudo o que eu vejo é a falha de Darien Carla Zaccagnini (Feb) Alfabeto Fonético Aplicado II: Pavimentaram a Panamericana e tudo o que eu vejo é a falha de Darien Carla Zaccagnini (Feb)
  • 2012 2012
  • Dentro Fora Detanico Lain (Dec) Dentro Fora Detanico Lain (Dec)
  • 2 Buracos Carmela Gross (Oct) 2 Buracos Carmela Gross (Oct)
  • Fachada em transformação (Jul) Fachada em transformação ANARKADEMIA (Jul)
  • Gato Lia Chaia (Jun) Gato Lia Chaia (Jun)
  • 2011 2011
  • Paredão (Nov) Paredão João Nitsche (Nov)
  • Pauta [Score] Chiara Banfi (Sep) Pauta [Score] Chiara Banfi (Sep)
  • 2010 2010
  • O silêncio é de outro (Nov) O silêncio é de outro Maurício Ianês (Nov)
  • Fachadeira Lia Chaia (Sep) Fachadeira Lia Chaia (Sep)
  • Label (Aug) Label João Loureiro (Aug)
  • Tempestade para Ludwig Wittgenstein (Jun) Tempestade para Ludwig Wittgenstein Maurício Ianês (Jun)
  • Caveirão Dora Longo Bahia (May) Caveirão Dora Longo Bahia (May)
  • Se mueve pero no se hunde Nicolás Robbio (Apr) Se mueve pero no se hunde Nicolás Robbio (Apr)
  • Eclipse Detanico Lain (Feb) Eclipse Detanico Lain (Feb)
  • 2009 2009
  • Fachada fachadas (Oct) Fachada fachadas Aline Van Langendonck (Oct)
  • Drive Thru #2 (Sep) Drive Thru #2 Matheus Rocha Pitta (Sep)
  • Imponente/Impotente André Komatsu (Jul) Imponente/Impotente André Komatsu (Jul)
  • Welcome Chiara Banfi (Jan) Welcome Chiara Banfi (Jan)
  • 2008 2008
  • Listen (Nov) Listen Nathalie Brevet Hughes Rochette (Nov)
  • Fortuna e recusa ou ukyio-e (Oct) Fortuna e recusa ou ukyio-e Ana Maria Tavares (Oct)
  • Open Call (Oct) Open Call Mix Brasil (Oct)
  • Um grande livro vermelho (Sep) Um grande livro vermelho Marilá Dardot (Sep)
  • Esfinge Lia Chaia (Jul) Esfinge Lia Chaia (Jul)
  • Art | Basel | Geneva | Belgrade | Skopie | São Paulo (Jul) Art | Basel | Geneva | Belgrade | Skopie | São Paulo Cris Faria Lukas Mettler (Jul)
  • Vermello sobre vermelho (Jun) Vermello sobre vermelho Ivana Vollaro (Jun)
  • Geometria 37 (May) Geometria 37 Ivan Hurtado (May)
  • Uma e três casas (projeção) Carla Zaccagnini (Apr) Uma e três casas (projeção) Carla Zaccagnini (Apr)
  • A caixa no tempo, o tempo na caixa (Feb) A caixa no tempo, o tempo na caixa Renata Pedrosa (Feb)
  • Looks conceptual – from Pilha series Detanico Lain (Jan) Looks conceptual – from Pilha series Detanico Lain (Jan)
  • 2007 2007
  • Free Beer (Nov) Free Beer Superflex (Nov)
  • Fluxografia #4 (Oct) Fluxografia #4 Guilherme Teixeira (Oct)
  • Andorinhas Gabriela Albergaria (Sep) Andorinhas Gabriela Albergaria (Sep)
  • Camuflagem (Feb) Camuflagem Fabio Tremonte (Feb)
  • Apropri_ação 7 (Jan) Apropri_ação 7 Rodolfo Parigi (Jan)
  • 2006 2006
  • Cobertura (Nov) Cobertura Guilherme Teixeira (Nov)
  • Untitled (Oct) Untitled Superflex (Oct)
  • Demolidora, transportadora e construtora ilimitada [Demolisher, transporter and construction unlimited] Motta & Lima (Sep) Demolidora, transportadora e construtora ilimitada [Demolisher, transporter and construction unlimited] Motta & Lima (Sep)
  • Heliponto Lia Chaia (Jul) Heliponto Lia Chaia (Jul)
  • Xadrez Combinado (May) Xadrez Combinado Fabiano Marques (May)
  • Rampa (Apr) Rampa João Nitsche (Apr)
  • Palma Mater (Mar) Palma Mater Teresa Berlinck (Mar)
  • Porto para abdução (Feb) Porto para abdução Márcio Banfi (Feb)
  • 2005 2005
  • Impossibilidade (Dec) Impossibilidade Andrezza Valentin (Dec)
  • THROW Dias & Riedweg (Oct) THROW Dias & Riedweg (Oct)
  • LULADEPELUCIA (Sep) LULADEPELUCIA Raul Mourão (Sep)
  • White Elevation (Aug) White Elevation Tiago Judas (Aug)
  • sem título Nicolás Robbio (May) sem título Nicolás Robbio (May)
  • (Apr) Fernando Limberger (Apr)
  • Nas entrelinhas de Marton (Apr) Nas entrelinhas de Marton Marton (Apr)
  • Acampamento dos anjos (Feb) Acampamento dos anjos Eduardo Srur (Feb)
  • 2004 2004
  • 5 vezes 10 degraus Detanico Lain (Oct) 5 vezes 10 degraus Detanico Lain (Oct)
  • sem título Nicolás Robbio (Aug) sem título Nicolás Robbio (Aug)
  • Fonte do Desejo (Jul) Fonte do Desejo Jun Nakao (Jul)
  • Derramamento [Overflow] (Jun) Derramamento [Overflow] Marco Paulo Rolla (Jun)
  • Sem título Nicolás Robbio (May) Sem título Nicolás Robbio (May)
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  • 2003 2003
  • Buffet da Alice (Nov) Buffet da Alice MaÍra Voltolini (Nov)
  • Homenagem à luz da cidade onde vivo Fabio Morais (Sep) Homenagem à luz da cidade onde vivo Fabio Morais (Sep)
  • Sem título (Aug) Sem título Graziela Kunsch Jorge Menna Barreto (Aug)
  • Apófase 2 (Jun) Apófase 2 Maurício Ianês (Jun)
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  • Untitled (Feb) Untitled Felipe González (Feb)
  • 2002 2002
  • Arquiteturas Mônica Nador + Jamac (Nov) Arquiteturas Mônica Nador + Jamac (Nov)
  • Cubo Infinito (Oct) Cubo Infinito Leandro da Costa (Oct)
  • Sem título André Komatsu (Sep) Sem título André Komatsu (Sep)
  • Fachada brasileira Lia Chaia (Aug) Fachada brasileira Lia Chaia (Aug)
  • Untitled Keila Alaver Ricardo Carioba (Jul) Untitled Keila Alaver Ricardo Carioba (Jul)
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      sp-arte-2025
      Galeria Vermelho - Fairs
      Fairs
      02.Apr.25 - 06.Apr.25
      pdf
      SP–Arte 2025
      Pavilhão da Bienal
      São Paulo, Brazil
      booth F5
      TEXTS
      André Komatsu André Vargas Cadu Carlos Motta Carmela Gross Chiara Banfi Claudia Andujar Detanico Lain Dora Longo Bahia Edgard de Souza Estevan Davi Lia Chaia Marcelo Cidade Marcelo Moscheta Meia Rosângela Rennó Ximena Garrido-Lecca
      IMAGES
      André Komatsu Cadu Carlos Motta Carmela Gross Claudia Andujar Detanico Lain Dora Longo Bahia Edgard de Souza Estevan Davi Lia Chaia Marcelo Cidade Meia Rosângela Rennó Ximena Garrido-Lecca
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Exhibition view

      Photo Filipe Berndt

      Photo Filipe Berndt
      Rosângela Rennó
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Mestre Jean gallery + Toni Bras gallery – from the Carrazeda + Cariri series, 2009 - 2025
      40 x 30 cm each part of 36

      2 sets of 18 analog enlargements on gelatin silver paper, painted with oil pastels

      Photo Filipe Berndt

      Carrazeda+Cariri is a project based, until now, on 5 series of painted photo-based portraits of men. Each series was painted by one ‘photopainter” from the North-est region of Brazil, most of them from the Cariri region. The portrayed men, however, have never been to Brazil; they live in a remote part of Portugal, in a village called Carrazeda de Ansiães.

      The “photopainting” — a traditional technics in portrature — is about to disappear because of the lack of photographic material in distant areas of Brazil. Even knowing the digital and ‘realistic’ portrait, the simple man from Cariri seems to prefer the ‘derived image’ — colorized, retouched and manipulated — even done through Photoshop, in the lack of the traditional photographic paper. The manually or digitally painted portrait means the ideal representation of the human figure, somewhat the cristalization of a precise and precious moment: the aura of eternity given by the painting’s supremacy over the photograph.

      The painting can be made in many ways, from a simple retouching that immitates humble women’s make-up to a painting over the whole photographic surface. However, they are always immortal, popular icons in every house in Cariri, next to the religious icons so adored in the North and Northeast of Brazil.

      The choice of the portrayed men carries an ironic aspect. The 18 portraits of each series in Carrazeda+Cariri project were ‘born’ from Internet photos, taken from blogs and websites of the Carrazeda de Ansiães region, in Portugal. There’s a severe lack in women to be wed to the local men, who are mostly poor small farmers and workmen. The women seem to rebel against the humble life, limited to the crops, and leave the village, searching for new perspectives or young candidates to become husbands.

      Portraying those 18 men represents crystalizing a unique and terminal situation, or a social disfunction that apparently has no escape, just like the hand-painted photographic portraits in Cariri.

      After all, in Cariri every artisan paints the portraits differently, multiplying the aesthetic possibilities in each portrait (and each portrayed man…), turning it into a “singular plural”. It is as if Cariri answered to Carrazeda with a provocation on celibacy, on social disfunction and to the limit situation of the ending of portrait.

      Rosângela Rennó, 2009

      40 x 30 cm each part of 36

      2 sets of 18 analog enlargements on gelatin silver paper, painted with oil pastels

      Photo Filipe Berndt

      Carrazeda+Cariri is a project based, until now, on 5 series of painted photo-based portraits of men. Each series was painted by one ‘photopainter” from the North-est region of Brazil, most of them from the Cariri region. The portrayed men, however, have never been to Brazil; they live in a remote part of Portugal, in a village called Carrazeda de Ansiães.

      The “photopainting” — a traditional technics in portrature — is about to disappear because of the lack of photographic material in distant areas of Brazil. Even knowing the digital and ‘realistic’ portrait, the simple man from Cariri seems to prefer the ‘derived image’ — colorized, retouched and manipulated — even done through Photoshop, in the lack of the traditional photographic paper. The manually or digitally painted portrait means the ideal representation of the human figure, somewhat the cristalization of a precise and precious moment: the aura of eternity given by the painting’s supremacy over the photograph.

      The painting can be made in many ways, from a simple retouching that immitates humble women’s make-up to a painting over the whole photographic surface. However, they are always immortal, popular icons in every house in Cariri, next to the religious icons so adored in the North and Northeast of Brazil.

      The choice of the portrayed men carries an ironic aspect. The 18 portraits of each series in Carrazeda+Cariri project were ‘born’ from Internet photos, taken from blogs and websites of the Carrazeda de Ansiães region, in Portugal. There’s a severe lack in women to be wed to the local men, who are mostly poor small farmers and workmen. The women seem to rebel against the humble life, limited to the crops, and leave the village, searching for new perspectives or young candidates to become husbands.

      Portraying those 18 men represents crystalizing a unique and terminal situation, or a social disfunction that apparently has no escape, just like the hand-painted photographic portraits in Cariri.

      After all, in Cariri every artisan paints the portraits differently, multiplying the aesthetic possibilities in each portrait (and each portrayed man…), turning it into a “singular plural”. It is as if Cariri answered to Carrazeda with a provocation on celibacy, on social disfunction and to the limit situation of the ending of portrait.

      Rosângela Rennó, 2009

      Rosângela Rennó
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Toni Bras gallery – from the Carrazeda + Cariri series (detail), 2009 - 2025
      Detanico Lain
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Alnair (Corpos Celestes), 2024
      Ø 63,67 cm

      mirrored, polished and laser cut 2mm stainless steel

      Photo Vermelho

      Corpos Celestes celebrates the 20th anniversary of the Helvetica Concentrated system (developed by the duo in collaboration with Jiří Skála in 2004).
      The series was presented in the duo’s solo exhibition at the Centre Pompidou in 2024 as part of the celebrations for their nomination for the Prix Marcel Duchamp.
      Each piece in the series writes the name of a star concentrically using the Helvetica Concentrated system, merging text and three-dimensionality.

      Ø 63,67 cm

      mirrored, polished and laser cut 2mm stainless steel

      Photo Vermelho

      Corpos Celestes celebrates the 20th anniversary of the Helvetica Concentrated system (developed by the duo in collaboration with Jiří Skála in 2004).
      The series was presented in the duo’s solo exhibition at the Centre Pompidou in 2024 as part of the celebrations for their nomination for the Prix Marcel Duchamp.
      Each piece in the series writes the name of a star concentrically using the Helvetica Concentrated system, merging text and three-dimensionality.

      Ximena Garrido-Lecca
      sp-arte-2025
      Exhibitions:
      Elemental Shift SP–Arte 2025
      Cartografías Meridionales, 2024
      27 x 48 x 49 cm

      Carved stones, water, cork and magnetized iron

      Photo Vermelho

      Three stones carved with rounded carved receptacles emulate mirrors used for astrological observations in pre-Hispanic times. The shapes are filled with water, where floating magnetized needles rest, functioning as compasses that point to the South. It is said that pre-Columbian sages made the stars descend from the sky by reflecting them in water mirrors.

      Navigation has used constellations and stars as references for centuries. The invention of the compass is a pivotal milestone in the history of navigation and exploration. Invented in China around the 2nd century BC, they consisted of a magnetized needles placed on floating trays, allowing them to rotate freely, using Earth’s magnetism. Initially, compasses pointed South, as in Chinese tradition, the North was associated with cold and death. In contrast, the South was beautiful and blessed, as warmth and life came from there. When introduced to Europe in the 13th century, the compass was adjusted to point North.

      While the sky was a place of philosophical contemplation in ancient times, European mobilizations for territorial domination used this source of knowledge as tools for exercising political power and conquest. The presence of the compass in the installation, pointing South, becomes a marker for the revaluation of pre-colonial customs and knowledge, and a symbol of resilience in a world dominated by the West.

      27 x 48 x 49 cm

      Carved stones, water, cork and magnetized iron

      Photo Vermelho

      Three stones carved with rounded carved receptacles emulate mirrors used for astrological observations in pre-Hispanic times. The shapes are filled with water, where floating magnetized needles rest, functioning as compasses that point to the South. It is said that pre-Columbian sages made the stars descend from the sky by reflecting them in water mirrors.

      Navigation has used constellations and stars as references for centuries. The invention of the compass is a pivotal milestone in the history of navigation and exploration. Invented in China around the 2nd century BC, they consisted of a magnetized needles placed on floating trays, allowing them to rotate freely, using Earth’s magnetism. Initially, compasses pointed South, as in Chinese tradition, the North was associated with cold and death. In contrast, the South was beautiful and blessed, as warmth and life came from there. When introduced to Europe in the 13th century, the compass was adjusted to point North.

      While the sky was a place of philosophical contemplation in ancient times, European mobilizations for territorial domination used this source of knowledge as tools for exercising political power and conquest. The presence of the compass in the installation, pointing South, becomes a marker for the revaluation of pre-colonial customs and knowledge, and a symbol of resilience in a world dominated by the West.

      Ximena Garrido-Lecca
      sp-arte-2025
      Exhibitions:
      Elemental Shift SP–Arte 2025
      Cartografías Meridionales (detail), 2024
      Carmela Gross Detanico Lain Dora Longo Bahia Meia Ximena Garrido-Lecca
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Exhibition view

      Photo Filipe Berndt

      Photo Filipe Berndt
      Meia
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Estrela cadente (para dar sorte), 2025
      198 x 153 x 9,5 cm

      Oil paint, acrylic paint, oil stick, dry pastel, encaustic, cotton canvas, voil, mattress foam, aluminum, cardboard, wooden lath, iron lath and styrofoam on canvas and wood on a chassis

      Photo Samuel Esteves

      Meia’s practice is grounded in research around landscape painting, its forms, history, and meanings. Meia’s landscapes begin to take shape through the artist’s movements, whether through his travels along the streets or through his circles of affection. Both circuits equip the artist with materials for the elaboration of his paintings. In the street, he identifies, selects, and collects elements with constructive potential; from his affection, he is presented with elements that carry tonic and symbolic qualities.

      His compositions, therefore, are based on grids that detach from rationality, order, and neutrality, to develop from contextual subjectivities, the fragmentation of stories, and hybridism. Although his constructions are based on collages of materials with different intrinsic values, his practice includes classic and noble painting techniques and materials, such as encaustic, oil paint, oil stick, and charcoal.

      198 x 153 x 9,5 cm

      Oil paint, acrylic paint, oil stick, dry pastel, encaustic, cotton canvas, voil, mattress foam, aluminum, cardboard, wooden lath, iron lath and styrofoam on canvas and wood on a chassis

      Photo Samuel Esteves

      Meia’s practice is grounded in research around landscape painting, its forms, history, and meanings. Meia’s landscapes begin to take shape through the artist’s movements, whether through his travels along the streets or through his circles of affection. Both circuits equip the artist with materials for the elaboration of his paintings. In the street, he identifies, selects, and collects elements with constructive potential; from his affection, he is presented with elements that carry tonic and symbolic qualities.

      His compositions, therefore, are based on grids that detach from rationality, order, and neutrality, to develop from contextual subjectivities, the fragmentation of stories, and hybridism. Although his constructions are based on collages of materials with different intrinsic values, his practice includes classic and noble painting techniques and materials, such as encaustic, oil paint, oil stick, and charcoal.

      Meia
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Estrela cadente (para dar sorte) (detail), 2025
      Meia
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Estrela cadente (para dar sorte) (detail), 2025
      Carmela Gross
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      D – ILHA series, 2025
      160 x 180 cm

      Elastic and bronze pins

      Photo Samuel Esteves

      The Islands of Carmela Gross act in the field of drawing in the artist’s production, where two concepts are key:

      1- The drawing that outlines, drafts concepts, thinks forms, notes, cut and engenders territories, formulates hypotheses, questions and experiences strategies.

      2- The drawing that projects, builds, defines areas, composes, maps, measure distances and order operations for the manufacture and / or production of pieces, in their formal characteristics and in their interaction with the places.

      160 x 180 cm

      Elastic and bronze pins

      Photo Samuel Esteves

      The Islands of Carmela Gross act in the field of drawing in the artist’s production, where two concepts are key:

      1- The drawing that outlines, drafts concepts, thinks forms, notes, cut and engenders territories, formulates hypotheses, questions and experiences strategies.

      2- The drawing that projects, builds, defines areas, composes, maps, measure distances and order operations for the manufacture and / or production of pieces, in their formal characteristics and in their interaction with the places.

      Carmela Gross
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      D – ILHA series, 2025
      Flávia Ribeiro
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Ouro, arma de luz, 1996
      206 x 4 x 2,8 cm

      Gold-plated bronze

      Photo Samuel Esteves

      Ribeiro explored, in her work, the contact between materials and their transformations throughout the creative process. The construction of the works involved different stages, where bodies are structured and articulated with one another.
      Elements produced in her studio, combined with works created in specialized workshops, create a journey between the ensemble and the autonomy of the elements. In her work, each material carries its original condition and the cultural meanings it acquires.

      206 x 4 x 2,8 cm

      Gold-plated bronze

      Photo Samuel Esteves

      Ribeiro explored, in her work, the contact between materials and their transformations throughout the creative process. The construction of the works involved different stages, where bodies are structured and articulated with one another.
      Elements produced in her studio, combined with works created in specialized workshops, create a journey between the ensemble and the autonomy of the elements. In her work, each material carries its original condition and the cultural meanings it acquires.

      Flávia Ribeiro
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Ouro, arma de luz (detail), 1996
      Flávia Ribeiro
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Ouro, arma de luz (detail), 1996
      Estevan Davi
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Meridiano de Nautilus, 2025
      160 x 153 cm

      Rusted concrete and quartz

      Photo Vermelho

      In his work, Estevan Davi adopts an iconoclastic approach, reinterpreting symbols and representations of ancient civilizations. His methods condense timeless elements linked to art history, re-signifying myths, legends, and beliefs from different cultures and periods.

      160 x 153 cm

      Rusted concrete and quartz

      Photo Vermelho

      In his work, Estevan Davi adopts an iconoclastic approach, reinterpreting symbols and representations of ancient civilizations. His methods condense timeless elements linked to art history, re-signifying myths, legends, and beliefs from different cultures and periods.

      Dora Longo Bahia
      sp-arte-2025
      Exhibitions:
      Rahj al-ġār SP–Arte 2025
      Venetian Red, 2025
      38,5 x 50 cm

      Oil on fabric

      Photo Vermelho

      “(…)Dora also displays a set of cloths she used for years to clean her brushes. Each one, imbued with accidental pictorial qualities and much time spent in the studio, bears the name of a red pigment, a fundamental color in her work.(…)”

      – Excerpt taken from the text “Dora’s Labyrinth”, by Gabriel Zimbardi

      38,5 x 50 cm

      Oil on fabric

      Photo Vermelho

      “(…)Dora also displays a set of cloths she used for years to clean her brushes. Each one, imbued with accidental pictorial qualities and much time spent in the studio, bears the name of a red pigment, a fundamental color in her work.(…)”

      – Excerpt taken from the text “Dora’s Labyrinth”, by Gabriel Zimbardi

      Dora Longo Bahia
      sp-arte-2025
      Exhibitions:
      Rahj al-ġār SP–Arte 2025
      Venetian Red (detail), 2025
      Ximena Garrido-Lecca
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Core systems II, 2024
      176 x 120 cm

      Copper, wool, cotton and palm fibre

      Photo courtesy artist

      The works in this series mix hand-made wool, cotton, and palm fiber ropes, intertwined with copper strips. The pieces are based on early computer systems, technologies that, in their initial stages, utilized artisanal and manual techniques in their fabrication.
      Weaving practices significantly influenced the origins of information storage in computers, and women played a crucial role in the development of these technologies.
      The works aim to subvert notions of the patriarchal origins of knowledge, as well as the universal bias towards the supremacy of Western knowledge, which rejects other forms of understanding and relating to the world, highlighting the influence of textiles on the development of science.

      176 x 120 cm

      Copper, wool, cotton and palm fibre

      Photo courtesy artist

      The works in this series mix hand-made wool, cotton, and palm fiber ropes, intertwined with copper strips. The pieces are based on early computer systems, technologies that, in their initial stages, utilized artisanal and manual techniques in their fabrication.
      Weaving practices significantly influenced the origins of information storage in computers, and women played a crucial role in the development of these technologies.
      The works aim to subvert notions of the patriarchal origins of knowledge, as well as the universal bias towards the supremacy of Western knowledge, which rejects other forms of understanding and relating to the world, highlighting the influence of textiles on the development of science.

      Ximena Garrido-Lecca
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Core systems II (detail), 2024
      Ximena Garrido-Lecca
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Core systems II (detail), 2024
      Edgard de Souza
      sp-arte-2025
      Exhibitions:
      ArtRio 2024 Art Basel Miami Beach 2024 SP–Arte 2025
      Untitled, 2024
      49,9 x 20 x 17,5 cm

      bronze

      Photo Vermelho

      Edgard de Souza’s sculpture is part of a series in cast bronze, developed by the artist since 2000. The silhouette references a mirrored male figure, based on the artist’s own body, at a reduced scale. At first glance, his sculptures suggest continuous movements. Upon closer examination, however, they reveal fragmented actions. The impossible poses evoke both drive and introspection, as well as dismemberment and the fusion of bodies.

      49,9 x 20 x 17,5 cm

      bronze

      Photo Vermelho

      Edgard de Souza’s sculpture is part of a series in cast bronze, developed by the artist since 2000. The silhouette references a mirrored male figure, based on the artist’s own body, at a reduced scale. At first glance, his sculptures suggest continuous movements. Upon closer examination, however, they reveal fragmented actions. The impossible poses evoke both drive and introspection, as well as dismemberment and the fusion of bodies.

      Claudia Andujar
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Magia Transparente, 1972
      50 x 50 x 22 cm

      Analog photography print and plexiglass

      Photo Filipe Berndt

      By integrating filters, rephotography, projections, and narrative sequences, Claudia Andujar expanded the possibilities of photography in the visual arts. Her work anticipated debates on image and subjectivity, the expansion of photography in the exhibition space, and the relationship between sound and image. More than a documentary photographer, Andujar used photography to question and push the boundaries of the medium itself.

      50 x 50 x 22 cm

      Analog photography print and plexiglass

      Photo Filipe Berndt

      By integrating filters, rephotography, projections, and narrative sequences, Claudia Andujar expanded the possibilities of photography in the visual arts. Her work anticipated debates on image and subjectivity, the expansion of photography in the exhibition space, and the relationship between sound and image. More than a documentary photographer, Andujar used photography to question and push the boundaries of the medium itself.

      André Komatsu
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Plano atrativo #1, 2025
      250 x 188 cm

      Copper pipe, coins, barbed wire and steel wire

      Photo Samuel Esteves

      In Plano Atrativo [Attractive Plan], Komatsu articulates relationships between control and force. Barbed wire, a symbol of restriction, and coins, an expression of value and power, form an interdependent structure.
      Inspired by geometric tapestries, the artist creates a visually harmonious pattern that, up close, reveals its tension: the allure of money confronts the danger of wire.

      250 x 188 cm

      Copper pipe, coins, barbed wire and steel wire

      Photo Samuel Esteves

      In Plano Atrativo [Attractive Plan], Komatsu articulates relationships between control and force. Barbed wire, a symbol of restriction, and coins, an expression of value and power, form an interdependent structure.
      Inspired by geometric tapestries, the artist creates a visually harmonious pattern that, up close, reveals its tension: the allure of money confronts the danger of wire.

      André Komatsu
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Plano atrativo #1 (detail), 2025
      André Komatsu
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Plano atrativo #1 (detail), 2025
      André Komatsu
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Plano atrativo #1 (detail), 2025
      André Komatsu
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Plano atrativo #1 (detail), 2025
      Marcelo Cidade
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Emprego 1, 2025
      43 x 62 x 6 cm

      Wooden handle coated in plastic and wooden and EVA squeegee

      Photo Samuel Esteves

      Marcelo Cidade draws from the appropriation and disuse of everyday cleaning tools to critique the precarization and consumption of labor and the worker.

      43 x 62 x 6 cm

      Wooden handle coated in plastic and wooden and EVA squeegee

      Photo Samuel Esteves

      Marcelo Cidade draws from the appropriation and disuse of everyday cleaning tools to critique the precarization and consumption of labor and the worker.

      Chiara Banfi
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Fenda da série Tríades, 2025
      240 x 160 cm

      Watercolor on 100% cotton paper

      Photo Samuel Esteves

      The series Tríades by Chiara Banfi explores the intersection between geometry, music, and symbolism, investigating the deep structural connections between harmonic patterns and geometric forms. By examining these relationships, the artist seeks to reveal the correspondences between musical harmony, sacred geometry, and its connection to universal archetypes.

      240 x 160 cm

      Watercolor on 100% cotton paper

      Photo Samuel Esteves

      The series Tríades by Chiara Banfi explores the intersection between geometry, music, and symbolism, investigating the deep structural connections between harmonic patterns and geometric forms. By examining these relationships, the artist seeks to reveal the correspondences between musical harmony, sacred geometry, and its connection to universal archetypes.

      Chiara Banfi
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Fenda da série Tríades (detail), 2025
      Chiara Banfi
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Fenda da série Tríades (detail), 2025
      André Vargas Cadu Carlos Motta Carmela Gross Claudia Andujar Detanico Lain Dora Longo Bahia Edgard de Souza Estevan Davi Lia Chaia Marcelo Cidade Meia Rosângela Rennó Ximena Garrido-Lecca
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Exhibition view

      Photo Filipe Berndt

      Photo Filipe Berndt
      Carmela Gross Detanico Lain Dora Longo Bahia Edgard de Souza Iván Argote Marcelo Cidade Rosângela Rennó Ximena Garrido-Lecca
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Exhibition view

      second assembly of the stand

      Photo Filipe Berndt

      second assembly of the stand

      Photo Filipe Berndt
      André Komatsu Cadu Carlos Motta Detanico Lain Meia Ximena Garrido-Lecca
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Exhibition view

      second assembly of the stand

      Photo Filipe Berndt

      second assembly of the stand

      Photo Filipe Berndt
      Carlos Motta
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Untitled Self-Portraits #1, 1998 - 2025
      31 x 21 cm

      Contact sheet and permanent pen

      Photo Vermelho

      Untitled – Self-Portraits is a continuation of Carlos Motta’s performative self-portraits created in 1998, in which the artist embodied fictitious characters in staged landscapes. In 2025, Motta revisits this archival and period material, intervening in the original contact sheets by removing the backgrounds and isolating only the body in sequence. This gesture reinforces the body as a site of transformation and resistance, deepening the artist’s exploration of sexual alterity and the construction of dissident identities. The series is part of the collections of the Centre Pompidou, Lara Foundation (Singapore), and MoMA, NY.

      31 x 21 cm

      Contact sheet and permanent pen

      Photo Vermelho

      Untitled – Self-Portraits is a continuation of Carlos Motta’s performative self-portraits created in 1998, in which the artist embodied fictitious characters in staged landscapes. In 2025, Motta revisits this archival and period material, intervening in the original contact sheets by removing the backgrounds and isolating only the body in sequence. This gesture reinforces the body as a site of transformation and resistance, deepening the artist’s exploration of sexual alterity and the construction of dissident identities. The series is part of the collections of the Centre Pompidou, Lara Foundation (Singapore), and MoMA, NY.

      Carlos Motta
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025 Frieze New York 2025
      Untitled Self-Portraits #1 (detail), 1998 - 2025
      Cadu
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Tectônicas 1, 2022
      17 x 72,5 x 9 cm

      Nitrocellulose lacquer, primer, acrylic varnish and MDF

      Photo Filipe Berndt

      Tectônicas were produced after years of accumulating materials in Cadu’s studio. The slices revealed countless layers of paint, an artificial topology that brings us closer to geological cycles. Currently, a new block is being formed since the second half of 2020, constituting a system
      periodically restarted.

      17 x 72,5 x 9 cm

      Nitrocellulose lacquer, primer, acrylic varnish and MDF

      Photo Filipe Berndt

      Tectônicas were produced after years of accumulating materials in Cadu’s studio. The slices revealed countless layers of paint, an artificial topology that brings us closer to geological cycles. Currently, a new block is being formed since the second half of 2020, constituting a system
      periodically restarted.

      Cadu
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Tectônicas 1 (detail), 2022
      Iván Argote
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Sí, 2021
      87 x 96 x 4 cm

      concrete, aluminum, oil based painting

      Photo Filipe Berndt

      In this series of paintings on concrete, Iván Argote explores the construction and formation of historical and cultural narratives through slogans, artifacts, and monuments. Instead of a history written by the “winners,” Argote presents a collection of reassembled artifacts from an archaeology that prioritizes affection and resistance.

      87 x 96 x 4 cm

      concrete, aluminum, oil based painting

      Photo Filipe Berndt

      In this series of paintings on concrete, Iván Argote explores the construction and formation of historical and cultural narratives through slogans, artifacts, and monuments. Instead of a history written by the “winners,” Argote presents a collection of reassembled artifacts from an archaeology that prioritizes affection and resistance.

      Iván Argote
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Sí (detail), 2021
      Dora Longo Bahia
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Marlene Dietrich / US, Germany / ? – 1945 / MG34 / Margareth Bourke-White 1945 (da série Espiãs), 2020
      85 x 120 cm

      Water-based pen, acrylic paint on paper, silkscreen on steel, iron frames, acrylic paint on map mounted on ACM board

      Photo Filipe Berndt

      This series by Dora Longo Bahia is based on female spies whose main profession wasn’t “being a spy”. They were public people – actresses, singers, sportswomen, media stars, socialites – who worked undercover to help their countries or their causes.

      The portraits are framed on steel frames and presented over old maps from The National Geographic Magazine that show – painted red – the countries involved in the conflicts in which the female spies acted.

      Presented over the maps there are also painting of a weapon used at the time of each specific conflict framed in steel and a silkscreen on steel based on a documentary image produced at the time by a war photographer.

      85 x 120 cm

      Water-based pen, acrylic paint on paper, silkscreen on steel, iron frames, acrylic paint on map mounted on ACM board

      Photo Filipe Berndt

      This series by Dora Longo Bahia is based on female spies whose main profession wasn’t “being a spy”. They were public people – actresses, singers, sportswomen, media stars, socialites – who worked undercover to help their countries or their causes.

      The portraits are framed on steel frames and presented over old maps from The National Geographic Magazine that show – painted red – the countries involved in the conflicts in which the female spies acted.

      Presented over the maps there are also painting of a weapon used at the time of each specific conflict framed in steel and a silkscreen on steel based on a documentary image produced at the time by a war photographer.

      Dora Longo Bahia
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Marlene Dietrich / US, Germany / ? – 1945 / MG34 / Margareth Bourke-White 1945 (from the Spies series) (detail), 2020
      Marcelo Cidade
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Tentativa de apagar o cotidiano, 2018 - 2023
      57 x 68 cm each (Diptych)

      Acrylic paint on newspaper mounted on aluminum plate and aluminum bar.

      Photo Vermelho

      In Tentativa de apagar o cotidiano [Attempting to erase the quotidian], artist Marcelo Cidade (1979) establishes a daily practice of painting on local newspapers. The artist seeks to erase the news and images of the periodicals, leaving in evidence geometric traces. Lines of different colors, sizes and shapes emerge, and graphics lose their original function by arranging themselves in new patterns.

      57 x 68 cm each (Diptych)

      Acrylic paint on newspaper mounted on aluminum plate and aluminum bar.

      Photo Vermelho

      In Tentativa de apagar o cotidiano [Attempting to erase the quotidian], artist Marcelo Cidade (1979) establishes a daily practice of painting on local newspapers. The artist seeks to erase the news and images of the periodicals, leaving in evidence geometric traces. Lines of different colors, sizes and shapes emerge, and graphics lose their original function by arranging themselves in new patterns.

      André Komatsu Detanico Lain Dora Longo Bahia Marcelo Cidade Meia Ximena Garrido-Lecca
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Exhibition view

      second assembly of the stand

      Photo Filipe Berndt

      second assembly of the stand

      Photo Filipe Berndt
      Edgard de Souza
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Conforto, 2014
      65 x 57 x 30 cm

      velvet, foam and wire

      Photo Vermelho

      In the Conforto series, Edgard de Souza elevates cushions to the status of sculpture. Meticulously handmade by the artist, they are removed from their original context, becoming misaligned or austere. Edgard’s work emerges from a period marked by the fear of the AIDS pandemic in the 1980s, a context that provokes a clash in his practice between impulses of withdrawal and wildness. This withdrawal manifests in different ways, one of them through a surrealist lens, where life and desire emerge from the comfort of everyday objects. His sculptures explore fundamental human emotions, oscillating between tragedy and ecstasy.

      65 x 57 x 30 cm

      velvet, foam and wire

      Photo Vermelho

      In the Conforto series, Edgard de Souza elevates cushions to the status of sculpture. Meticulously handmade by the artist, they are removed from their original context, becoming misaligned or austere. Edgard’s work emerges from a period marked by the fear of the AIDS pandemic in the 1980s, a context that provokes a clash in his practice between impulses of withdrawal and wildness. This withdrawal manifests in different ways, one of them through a surrealist lens, where life and desire emerge from the comfort of everyday objects. His sculptures explore fundamental human emotions, oscillating between tragedy and ecstasy.

      Meia
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Vulcão azul, 2025
      150 x 123 cm

      Acrylic paint, oil stick, dry pastel, encaustic, raw canvas, satin, gelatine, felt, raw cotton, cardboard, paraná paper, neon plastic and ribbon on wood nailed to reused slats

      Photo Samuel Esteves

      Meia’s practice is grounded in research around landscape painting, its forms, history, and meanings. Meia’s landscapes begin to take shape through the artist’s movements, whether through his travels along the streets or through his circles of affection. Both circuits equip the artist with materials for the elaboration of his paintings. In the street, he identifies, selects, and collects elements with constructive potential; from his affection, he is presented with elements that carry tonic and symbolic qualities.

      His compositions, therefore, are based on grids that detach from rationality, order, and neutrality, to develop from contextual subjectivities, the fragmentation of stories, and hybridism. Although his constructions are based on collages of materials with different intrinsic values, his practice includes classic and noble painting techniques and materials, such as encaustic, oil paint, oil stick, and charcoal.

      150 x 123 cm

      Acrylic paint, oil stick, dry pastel, encaustic, raw canvas, satin, gelatine, felt, raw cotton, cardboard, paraná paper, neon plastic and ribbon on wood nailed to reused slats

      Photo Samuel Esteves

      Meia’s practice is grounded in research around landscape painting, its forms, history, and meanings. Meia’s landscapes begin to take shape through the artist’s movements, whether through his travels along the streets or through his circles of affection. Both circuits equip the artist with materials for the elaboration of his paintings. In the street, he identifies, selects, and collects elements with constructive potential; from his affection, he is presented with elements that carry tonic and symbolic qualities.

      His compositions, therefore, are based on grids that detach from rationality, order, and neutrality, to develop from contextual subjectivities, the fragmentation of stories, and hybridism. Although his constructions are based on collages of materials with different intrinsic values, his practice includes classic and noble painting techniques and materials, such as encaustic, oil paint, oil stick, and charcoal.

      Meia
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Vulcão azul (detail), 2025
      Meia
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Vulcão azul (detail), 2025
      André Vargas Detanico Lain Dora Longo Bahia
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      SP-Arte 2025
      André Vargas
      sp-arte-2025
      Exhibitions:
      SP–Arte 2025
      Algodão – série Benzimentos, 2025
      70 x 82 cm

      PVA on raw cotton

      Photo Vermelho

      “This series investigates the herbs used by healers, as well as the prayers they say when they bless people. It is at the intersection between object-image-herb and writingprayer-voice that the work sustains the simplicity of popular traditions as fundamental importance to our constitution.”
      Andre Vargas

      70 x 82 cm

      PVA on raw cotton

      Photo Vermelho

      “This series investigates the herbs used by healers, as well as the prayers they say when they bless people. It is at the intersection between object-image-herb and writingprayer-voice that the work sustains the simplicity of popular traditions as fundamental importance to our constitution.”
      Andre Vargas

      sp-arte-2025
      Galeria Vermelho - Fair
      Fairs
      SP–Arte 2025
      Pavilhão da Bienal
      São Paulo, Brazil
      02.Apr.25 - 06.Apr.25
      booth F5
      booth F5
      André Komatsu André Vargas Cadu Carlos Motta Carmela Gross Chiara Banfi Claudia Andujar Detanico Lain Dora Longo Bahia Edgard de Souza Estevan Davi Lia Chaia Marcelo Cidade Marcelo Moscheta Meia Rosângela Rennó Ximena Garrido-Lecca
      André Komatsu Cadu Carlos Motta Carmela Gross Claudia Andujar Detanico Lain Dora Longo Bahia Edgard de Souza Estevan Davi Lia Chaia Marcelo Cidade Meia Rosângela Rennó Ximena Garrido-Lecca
      Exhibitions:
      SP–Arte 2025
      Exhibition view

      Photo Filipe Berndt

      Photo Filipe Berndt
      Rosângela Rennó
      Exhibitions:
      SP–Arte 2025
      Mestre Jean gallery + Toni Bras gallery – from the Carrazeda + Cariri series, 2009 - 2025
      40 x 30 cm each part of 36

      2 sets of 18 analog enlargements on gelatin silver paper, painted with oil pastels

      Photo Filipe Berndt

      Carrazeda+Cariri is a project based, until now, on 5 series of painted photo-based portraits of men. Each series was painted by one ‘photopainter” from the North-est region of Brazil, most of them from the Cariri region. The portrayed men, however, have never been to Brazil; they live in a remote part of Portugal, in a village called Carrazeda de Ansiães.

      The “photopainting” — a traditional technics in portrature — is about to disappear because of the lack of photographic material in distant areas of Brazil. Even knowing the digital and ‘realistic’ portrait, the simple man from Cariri seems to prefer the ‘derived image’ — colorized, retouched and manipulated — even done through Photoshop, in the lack of the traditional photographic paper. The manually or digitally painted portrait means the ideal representation of the human figure, somewhat the cristalization of a precise and precious moment: the aura of eternity given by the painting’s supremacy over the photograph.

      The painting can be made in many ways, from a simple retouching that immitates humble women’s make-up to a painting over the whole photographic surface. However, they are always immortal, popular icons in every house in Cariri, next to the religious icons so adored in the North and Northeast of Brazil.

      The choice of the portrayed men carries an ironic aspect. The 18 portraits of each series in Carrazeda+Cariri project were ‘born’ from Internet photos, taken from blogs and websites of the Carrazeda de Ansiães region, in Portugal. There’s a severe lack in women to be wed to the local men, who are mostly poor small farmers and workmen. The women seem to rebel against the humble life, limited to the crops, and leave the village, searching for new perspectives or young candidates to become husbands.

      Portraying those 18 men represents crystalizing a unique and terminal situation, or a social disfunction that apparently has no escape, just like the hand-painted photographic portraits in Cariri.

      After all, in Cariri every artisan paints the portraits differently, multiplying the aesthetic possibilities in each portrait (and each portrayed man…), turning it into a “singular plural”. It is as if Cariri answered to Carrazeda with a provocation on celibacy, on social disfunction and to the limit situation of the ending of portrait.

      Rosângela Rennó, 2009

      40 x 30 cm each part of 36

      2 sets of 18 analog enlargements on gelatin silver paper, painted with oil pastels

      Photo Filipe Berndt

      Carrazeda+Cariri is a project based, until now, on 5 series of painted photo-based portraits of men. Each series was painted by one ‘photopainter” from the North-est region of Brazil, most of them from the Cariri region. The portrayed men, however, have never been to Brazil; they live in a remote part of Portugal, in a village called Carrazeda de Ansiães.

      The “photopainting” — a traditional technics in portrature — is about to disappear because of the lack of photographic material in distant areas of Brazil. Even knowing the digital and ‘realistic’ portrait, the simple man from Cariri seems to prefer the ‘derived image’ — colorized, retouched and manipulated — even done through Photoshop, in the lack of the traditional photographic paper. The manually or digitally painted portrait means the ideal representation of the human figure, somewhat the cristalization of a precise and precious moment: the aura of eternity given by the painting’s supremacy over the photograph.

      The painting can be made in many ways, from a simple retouching that immitates humble women’s make-up to a painting over the whole photographic surface. However, they are always immortal, popular icons in every house in Cariri, next to the religious icons so adored in the North and Northeast of Brazil.

      The choice of the portrayed men carries an ironic aspect. The 18 portraits of each series in Carrazeda+Cariri project were ‘born’ from Internet photos, taken from blogs and websites of the Carrazeda de Ansiães region, in Portugal. There’s a severe lack in women to be wed to the local men, who are mostly poor small farmers and workmen. The women seem to rebel against the humble life, limited to the crops, and leave the village, searching for new perspectives or young candidates to become husbands.

      Portraying those 18 men represents crystalizing a unique and terminal situation, or a social disfunction that apparently has no escape, just like the hand-painted photographic portraits in Cariri.

      After all, in Cariri every artisan paints the portraits differently, multiplying the aesthetic possibilities in each portrait (and each portrayed man…), turning it into a “singular plural”. It is as if Cariri answered to Carrazeda with a provocation on celibacy, on social disfunction and to the limit situation of the ending of portrait.

      Rosângela Rennó, 2009

      Rosângela Rennó
      Exhibitions:
      SP–Arte 2025
      Toni Bras gallery – from the Carrazeda + Cariri series (detail), 2009 - 2025
      Detanico Lain
      Exhibitions:
      SP–Arte 2025
      Alnair (Corpos Celestes), 2024
      Ø 63,67 cm

      mirrored, polished and laser cut 2mm stainless steel

      Photo Vermelho

      Corpos Celestes celebrates the 20th anniversary of the Helvetica Concentrated system (developed by the duo in collaboration with Jiří Skála in 2004).
      The series was presented in the duo’s solo exhibition at the Centre Pompidou in 2024 as part of the celebrations for their nomination for the Prix Marcel Duchamp.
      Each piece in the series writes the name of a star concentrically using the Helvetica Concentrated system, merging text and three-dimensionality.

      Ø 63,67 cm

      mirrored, polished and laser cut 2mm stainless steel

      Photo Vermelho

      Corpos Celestes celebrates the 20th anniversary of the Helvetica Concentrated system (developed by the duo in collaboration with Jiří Skála in 2004).
      The series was presented in the duo’s solo exhibition at the Centre Pompidou in 2024 as part of the celebrations for their nomination for the Prix Marcel Duchamp.
      Each piece in the series writes the name of a star concentrically using the Helvetica Concentrated system, merging text and three-dimensionality.

      Ximena Garrido-Lecca
      Exhibitions:
      Elemental Shift SP–Arte 2025
      Cartografías Meridionales, 2024
      27 x 48 x 49 cm

      Carved stones, water, cork and magnetized iron

      Photo Vermelho

      Three stones carved with rounded carved receptacles emulate mirrors used for astrological observations in pre-Hispanic times. The shapes are filled with water, where floating magnetized needles rest, functioning as compasses that point to the South. It is said that pre-Columbian sages made the stars descend from the sky by reflecting them in water mirrors.

      Navigation has used constellations and stars as references for centuries. The invention of the compass is a pivotal milestone in the history of navigation and exploration. Invented in China around the 2nd century BC, they consisted of a magnetized needles placed on floating trays, allowing them to rotate freely, using Earth’s magnetism. Initially, compasses pointed South, as in Chinese tradition, the North was associated with cold and death. In contrast, the South was beautiful and blessed, as warmth and life came from there. When introduced to Europe in the 13th century, the compass was adjusted to point North.

      While the sky was a place of philosophical contemplation in ancient times, European mobilizations for territorial domination used this source of knowledge as tools for exercising political power and conquest. The presence of the compass in the installation, pointing South, becomes a marker for the revaluation of pre-colonial customs and knowledge, and a symbol of resilience in a world dominated by the West.

      27 x 48 x 49 cm

      Carved stones, water, cork and magnetized iron

      Photo Vermelho

      Three stones carved with rounded carved receptacles emulate mirrors used for astrological observations in pre-Hispanic times. The shapes are filled with water, where floating magnetized needles rest, functioning as compasses that point to the South. It is said that pre-Columbian sages made the stars descend from the sky by reflecting them in water mirrors.

      Navigation has used constellations and stars as references for centuries. The invention of the compass is a pivotal milestone in the history of navigation and exploration. Invented in China around the 2nd century BC, they consisted of a magnetized needles placed on floating trays, allowing them to rotate freely, using Earth’s magnetism. Initially, compasses pointed South, as in Chinese tradition, the North was associated with cold and death. In contrast, the South was beautiful and blessed, as warmth and life came from there. When introduced to Europe in the 13th century, the compass was adjusted to point North.

      While the sky was a place of philosophical contemplation in ancient times, European mobilizations for territorial domination used this source of knowledge as tools for exercising political power and conquest. The presence of the compass in the installation, pointing South, becomes a marker for the revaluation of pre-colonial customs and knowledge, and a symbol of resilience in a world dominated by the West.

      Ximena Garrido-Lecca
      Exhibitions:
      Elemental Shift SP–Arte 2025
      Cartografías Meridionales (detail), 2024
      Carmela Gross Detanico Lain Dora Longo Bahia Meia Ximena Garrido-Lecca
      Exhibitions:
      SP–Arte 2025
      Exhibition view

      Photo Filipe Berndt

      Photo Filipe Berndt
      Meia
      Exhibitions:
      SP–Arte 2025
      Estrela cadente (para dar sorte), 2025
      198 x 153 x 9,5 cm

      Oil paint, acrylic paint, oil stick, dry pastel, encaustic, cotton canvas, voil, mattress foam, aluminum, cardboard, wooden lath, iron lath and styrofoam on canvas and wood on a chassis

      Photo Samuel Esteves

      Meia’s practice is grounded in research around landscape painting, its forms, history, and meanings. Meia’s landscapes begin to take shape through the artist’s movements, whether through his travels along the streets or through his circles of affection. Both circuits equip the artist with materials for the elaboration of his paintings. In the street, he identifies, selects, and collects elements with constructive potential; from his affection, he is presented with elements that carry tonic and symbolic qualities.

      His compositions, therefore, are based on grids that detach from rationality, order, and neutrality, to develop from contextual subjectivities, the fragmentation of stories, and hybridism. Although his constructions are based on collages of materials with different intrinsic values, his practice includes classic and noble painting techniques and materials, such as encaustic, oil paint, oil stick, and charcoal.

      198 x 153 x 9,5 cm

      Oil paint, acrylic paint, oil stick, dry pastel, encaustic, cotton canvas, voil, mattress foam, aluminum, cardboard, wooden lath, iron lath and styrofoam on canvas and wood on a chassis

      Photo Samuel Esteves

      Meia’s practice is grounded in research around landscape painting, its forms, history, and meanings. Meia’s landscapes begin to take shape through the artist’s movements, whether through his travels along the streets or through his circles of affection. Both circuits equip the artist with materials for the elaboration of his paintings. In the street, he identifies, selects, and collects elements with constructive potential; from his affection, he is presented with elements that carry tonic and symbolic qualities.

      His compositions, therefore, are based on grids that detach from rationality, order, and neutrality, to develop from contextual subjectivities, the fragmentation of stories, and hybridism. Although his constructions are based on collages of materials with different intrinsic values, his practice includes classic and noble painting techniques and materials, such as encaustic, oil paint, oil stick, and charcoal.

      Meia
      Exhibitions:
      SP–Arte 2025
      Estrela cadente (para dar sorte) (detail), 2025
      Meia
      Exhibitions:
      SP–Arte 2025
      Estrela cadente (para dar sorte) (detail), 2025
      Carmela Gross
      Exhibitions:
      SP–Arte 2025
      D – ILHA series, 2025
      160 x 180 cm

      Elastic and bronze pins

      Photo Samuel Esteves

      The Islands of Carmela Gross act in the field of drawing in the artist’s production, where two concepts are key:

      1- The drawing that outlines, drafts concepts, thinks forms, notes, cut and engenders territories, formulates hypotheses, questions and experiences strategies.

      2- The drawing that projects, builds, defines areas, composes, maps, measure distances and order operations for the manufacture and / or production of pieces, in their formal characteristics and in their interaction with the places.

      160 x 180 cm

      Elastic and bronze pins

      Photo Samuel Esteves

      The Islands of Carmela Gross act in the field of drawing in the artist’s production, where two concepts are key:

      1- The drawing that outlines, drafts concepts, thinks forms, notes, cut and engenders territories, formulates hypotheses, questions and experiences strategies.

      2- The drawing that projects, builds, defines areas, composes, maps, measure distances and order operations for the manufacture and / or production of pieces, in their formal characteristics and in their interaction with the places.

      Carmela Gross
      Exhibitions:
      SP–Arte 2025
      D – ILHA series, 2025
      Flávia Ribeiro
      Exhibitions:
      SP–Arte 2025
      Ouro, arma de luz, 1996
      206 x 4 x 2,8 cm

      Gold-plated bronze

      Photo Samuel Esteves

      Ribeiro explored, in her work, the contact between materials and their transformations throughout the creative process. The construction of the works involved different stages, where bodies are structured and articulated with one another.
      Elements produced in her studio, combined with works created in specialized workshops, create a journey between the ensemble and the autonomy of the elements. In her work, each material carries its original condition and the cultural meanings it acquires.

      206 x 4 x 2,8 cm

      Gold-plated bronze

      Photo Samuel Esteves

      Ribeiro explored, in her work, the contact between materials and their transformations throughout the creative process. The construction of the works involved different stages, where bodies are structured and articulated with one another.
      Elements produced in her studio, combined with works created in specialized workshops, create a journey between the ensemble and the autonomy of the elements. In her work, each material carries its original condition and the cultural meanings it acquires.

      Flávia Ribeiro
      Exhibitions:
      SP–Arte 2025
      Ouro, arma de luz (detail), 1996
      Flávia Ribeiro
      Exhibitions:
      SP–Arte 2025
      Ouro, arma de luz (detail), 1996
      Estevan Davi
      Exhibitions:
      SP–Arte 2025
      Meridiano de Nautilus, 2025
      160 x 153 cm

      Rusted concrete and quartz

      Photo Vermelho

      In his work, Estevan Davi adopts an iconoclastic approach, reinterpreting symbols and representations of ancient civilizations. His methods condense timeless elements linked to art history, re-signifying myths, legends, and beliefs from different cultures and periods.

      160 x 153 cm

      Rusted concrete and quartz

      Photo Vermelho

      In his work, Estevan Davi adopts an iconoclastic approach, reinterpreting symbols and representations of ancient civilizations. His methods condense timeless elements linked to art history, re-signifying myths, legends, and beliefs from different cultures and periods.

      Dora Longo Bahia
      Exhibitions:
      Rahj al-ġār SP–Arte 2025
      Venetian Red, 2025
      38,5 x 50 cm

      Oil on fabric

      Photo Vermelho

      “(…)Dora also displays a set of cloths she used for years to clean her brushes. Each one, imbued with accidental pictorial qualities and much time spent in the studio, bears the name of a red pigment, a fundamental color in her work.(…)”

      – Excerpt taken from the text “Dora’s Labyrinth”, by Gabriel Zimbardi

      38,5 x 50 cm

      Oil on fabric

      Photo Vermelho

      “(…)Dora also displays a set of cloths she used for years to clean her brushes. Each one, imbued with accidental pictorial qualities and much time spent in the studio, bears the name of a red pigment, a fundamental color in her work.(…)”

      – Excerpt taken from the text “Dora’s Labyrinth”, by Gabriel Zimbardi

      Dora Longo Bahia
      Exhibitions:
      Rahj al-ġār SP–Arte 2025
      Venetian Red (detail), 2025
      Ximena Garrido-Lecca
      Exhibitions:
      SP–Arte 2025
      Core systems II, 2024
      176 x 120 cm

      Copper, wool, cotton and palm fibre

      Photo courtesy artist

      The works in this series mix hand-made wool, cotton, and palm fiber ropes, intertwined with copper strips. The pieces are based on early computer systems, technologies that, in their initial stages, utilized artisanal and manual techniques in their fabrication.
      Weaving practices significantly influenced the origins of information storage in computers, and women played a crucial role in the development of these technologies.
      The works aim to subvert notions of the patriarchal origins of knowledge, as well as the universal bias towards the supremacy of Western knowledge, which rejects other forms of understanding and relating to the world, highlighting the influence of textiles on the development of science.

      176 x 120 cm

      Copper, wool, cotton and palm fibre

      Photo courtesy artist

      The works in this series mix hand-made wool, cotton, and palm fiber ropes, intertwined with copper strips. The pieces are based on early computer systems, technologies that, in their initial stages, utilized artisanal and manual techniques in their fabrication.
      Weaving practices significantly influenced the origins of information storage in computers, and women played a crucial role in the development of these technologies.
      The works aim to subvert notions of the patriarchal origins of knowledge, as well as the universal bias towards the supremacy of Western knowledge, which rejects other forms of understanding and relating to the world, highlighting the influence of textiles on the development of science.

      Ximena Garrido-Lecca
      Exhibitions:
      SP–Arte 2025
      Core systems II (detail), 2024
      Ximena Garrido-Lecca
      Exhibitions:
      SP–Arte 2025
      Core systems II (detail), 2024
      Edgard de Souza
      Exhibitions:
      ArtRio 2024 Art Basel Miami Beach 2024 SP–Arte 2025
      Untitled, 2024
      49,9 x 20 x 17,5 cm

      bronze

      Photo Vermelho

      Edgard de Souza’s sculpture is part of a series in cast bronze, developed by the artist since 2000. The silhouette references a mirrored male figure, based on the artist’s own body, at a reduced scale. At first glance, his sculptures suggest continuous movements. Upon closer examination, however, they reveal fragmented actions. The impossible poses evoke both drive and introspection, as well as dismemberment and the fusion of bodies.

      49,9 x 20 x 17,5 cm

      bronze

      Photo Vermelho

      Edgard de Souza’s sculpture is part of a series in cast bronze, developed by the artist since 2000. The silhouette references a mirrored male figure, based on the artist’s own body, at a reduced scale. At first glance, his sculptures suggest continuous movements. Upon closer examination, however, they reveal fragmented actions. The impossible poses evoke both drive and introspection, as well as dismemberment and the fusion of bodies.

      Claudia Andujar
      Exhibitions:
      SP–Arte 2025
      Magia Transparente, 1972
      50 x 50 x 22 cm

      Analog photography print and plexiglass

      Photo Filipe Berndt

      By integrating filters, rephotography, projections, and narrative sequences, Claudia Andujar expanded the possibilities of photography in the visual arts. Her work anticipated debates on image and subjectivity, the expansion of photography in the exhibition space, and the relationship between sound and image. More than a documentary photographer, Andujar used photography to question and push the boundaries of the medium itself.

      50 x 50 x 22 cm

      Analog photography print and plexiglass

      Photo Filipe Berndt

      By integrating filters, rephotography, projections, and narrative sequences, Claudia Andujar expanded the possibilities of photography in the visual arts. Her work anticipated debates on image and subjectivity, the expansion of photography in the exhibition space, and the relationship between sound and image. More than a documentary photographer, Andujar used photography to question and push the boundaries of the medium itself.

      André Komatsu
      Exhibitions:
      SP–Arte 2025
      Plano atrativo #1, 2025
      250 x 188 cm

      Copper pipe, coins, barbed wire and steel wire

      Photo Samuel Esteves

      In Plano Atrativo [Attractive Plan], Komatsu articulates relationships between control and force. Barbed wire, a symbol of restriction, and coins, an expression of value and power, form an interdependent structure.
      Inspired by geometric tapestries, the artist creates a visually harmonious pattern that, up close, reveals its tension: the allure of money confronts the danger of wire.

      250 x 188 cm

      Copper pipe, coins, barbed wire and steel wire

      Photo Samuel Esteves

      In Plano Atrativo [Attractive Plan], Komatsu articulates relationships between control and force. Barbed wire, a symbol of restriction, and coins, an expression of value and power, form an interdependent structure.
      Inspired by geometric tapestries, the artist creates a visually harmonious pattern that, up close, reveals its tension: the allure of money confronts the danger of wire.

      André Komatsu
      Exhibitions:
      SP–Arte 2025
      Plano atrativo #1 (detail), 2025
      André Komatsu
      Exhibitions:
      SP–Arte 2025
      Plano atrativo #1 (detail), 2025
      André Komatsu
      Exhibitions:
      SP–Arte 2025
      Plano atrativo #1 (detail), 2025
      André Komatsu
      Exhibitions:
      SP–Arte 2025
      Plano atrativo #1 (detail), 2025
      Marcelo Cidade
      Exhibitions:
      SP–Arte 2025
      Emprego 1, 2025
      43 x 62 x 6 cm

      Wooden handle coated in plastic and wooden and EVA squeegee

      Photo Samuel Esteves

      Marcelo Cidade draws from the appropriation and disuse of everyday cleaning tools to critique the precarization and consumption of labor and the worker.

      43 x 62 x 6 cm

      Wooden handle coated in plastic and wooden and EVA squeegee

      Photo Samuel Esteves

      Marcelo Cidade draws from the appropriation and disuse of everyday cleaning tools to critique the precarization and consumption of labor and the worker.

      Chiara Banfi
      Exhibitions:
      SP–Arte 2025
      Fenda da série Tríades, 2025
      240 x 160 cm

      Watercolor on 100% cotton paper

      Photo Samuel Esteves

      The series Tríades by Chiara Banfi explores the intersection between geometry, music, and symbolism, investigating the deep structural connections between harmonic patterns and geometric forms. By examining these relationships, the artist seeks to reveal the correspondences between musical harmony, sacred geometry, and its connection to universal archetypes.

      240 x 160 cm

      Watercolor on 100% cotton paper

      Photo Samuel Esteves

      The series Tríades by Chiara Banfi explores the intersection between geometry, music, and symbolism, investigating the deep structural connections between harmonic patterns and geometric forms. By examining these relationships, the artist seeks to reveal the correspondences between musical harmony, sacred geometry, and its connection to universal archetypes.

      Chiara Banfi
      Exhibitions:
      SP–Arte 2025
      Fenda da série Tríades (detail), 2025
      Chiara Banfi
      Exhibitions:
      SP–Arte 2025
      Fenda da série Tríades (detail), 2025
      André Vargas Cadu Carlos Motta Carmela Gross Claudia Andujar Detanico Lain Dora Longo Bahia Edgard de Souza Estevan Davi Lia Chaia Marcelo Cidade Meia Rosângela Rennó Ximena Garrido-Lecca
      Exhibitions:
      SP–Arte 2025
      Exhibition view

      Photo Filipe Berndt

      Photo Filipe Berndt
      Carmela Gross Detanico Lain Dora Longo Bahia Edgard de Souza Iván Argote Marcelo Cidade Rosângela Rennó Ximena Garrido-Lecca
      Exhibitions:
      SP–Arte 2025
      Exhibition view

      second assembly of the stand

      Photo Filipe Berndt

      second assembly of the stand

      Photo Filipe Berndt
      André Komatsu Cadu Carlos Motta Detanico Lain Meia Ximena Garrido-Lecca
      Exhibitions:
      SP–Arte 2025
      Exhibition view

      second assembly of the stand

      Photo Filipe Berndt

      second assembly of the stand

      Photo Filipe Berndt
      Carlos Motta
      Exhibitions:
      SP–Arte 2025
      Untitled Self-Portraits #1, 1998 - 2025
      31 x 21 cm

      Contact sheet and permanent pen

      Photo Vermelho

      Untitled – Self-Portraits is a continuation of Carlos Motta’s performative self-portraits created in 1998, in which the artist embodied fictitious characters in staged landscapes. In 2025, Motta revisits this archival and period material, intervening in the original contact sheets by removing the backgrounds and isolating only the body in sequence. This gesture reinforces the body as a site of transformation and resistance, deepening the artist’s exploration of sexual alterity and the construction of dissident identities. The series is part of the collections of the Centre Pompidou, Lara Foundation (Singapore), and MoMA, NY.

      31 x 21 cm

      Contact sheet and permanent pen

      Photo Vermelho

      Untitled – Self-Portraits is a continuation of Carlos Motta’s performative self-portraits created in 1998, in which the artist embodied fictitious characters in staged landscapes. In 2025, Motta revisits this archival and period material, intervening in the original contact sheets by removing the backgrounds and isolating only the body in sequence. This gesture reinforces the body as a site of transformation and resistance, deepening the artist’s exploration of sexual alterity and the construction of dissident identities. The series is part of the collections of the Centre Pompidou, Lara Foundation (Singapore), and MoMA, NY.

      Carlos Motta
      Exhibitions:
      SP–Arte 2025 Frieze New York 2025
      Untitled Self-Portraits #1 (detail), 1998 - 2025
      Cadu
      Exhibitions:
      SP–Arte 2025
      Tectônicas 1, 2022
      17 x 72,5 x 9 cm

      Nitrocellulose lacquer, primer, acrylic varnish and MDF

      Photo Filipe Berndt

      Tectônicas were produced after years of accumulating materials in Cadu’s studio. The slices revealed countless layers of paint, an artificial topology that brings us closer to geological cycles. Currently, a new block is being formed since the second half of 2020, constituting a system
      periodically restarted.

      17 x 72,5 x 9 cm

      Nitrocellulose lacquer, primer, acrylic varnish and MDF

      Photo Filipe Berndt

      Tectônicas were produced after years of accumulating materials in Cadu’s studio. The slices revealed countless layers of paint, an artificial topology that brings us closer to geological cycles. Currently, a new block is being formed since the second half of 2020, constituting a system
      periodically restarted.

      Cadu
      Exhibitions:
      SP–Arte 2025
      Tectônicas 1 (detail), 2022
      Iván Argote
      Exhibitions:
      SP–Arte 2025
      Sí, 2021
      87 x 96 x 4 cm

      concrete, aluminum, oil based painting

      Photo Filipe Berndt

      In this series of paintings on concrete, Iván Argote explores the construction and formation of historical and cultural narratives through slogans, artifacts, and monuments. Instead of a history written by the “winners,” Argote presents a collection of reassembled artifacts from an archaeology that prioritizes affection and resistance.

      87 x 96 x 4 cm

      concrete, aluminum, oil based painting

      Photo Filipe Berndt

      In this series of paintings on concrete, Iván Argote explores the construction and formation of historical and cultural narratives through slogans, artifacts, and monuments. Instead of a history written by the “winners,” Argote presents a collection of reassembled artifacts from an archaeology that prioritizes affection and resistance.

      Iván Argote
      Exhibitions:
      SP–Arte 2025
      Sí (detail), 2021
      Dora Longo Bahia
      Exhibitions:
      SP–Arte 2025
      Marlene Dietrich / US, Germany / ? – 1945 / MG34 / Margareth Bourke-White 1945 (da série Espiãs), 2020
      85 x 120 cm

      Water-based pen, acrylic paint on paper, silkscreen on steel, iron frames, acrylic paint on map mounted on ACM board

      Photo Filipe Berndt

      This series by Dora Longo Bahia is based on female spies whose main profession wasn’t “being a spy”. They were public people – actresses, singers, sportswomen, media stars, socialites – who worked undercover to help their countries or their causes.

      The portraits are framed on steel frames and presented over old maps from The National Geographic Magazine that show – painted red – the countries involved in the conflicts in which the female spies acted.

      Presented over the maps there are also painting of a weapon used at the time of each specific conflict framed in steel and a silkscreen on steel based on a documentary image produced at the time by a war photographer.

      85 x 120 cm

      Water-based pen, acrylic paint on paper, silkscreen on steel, iron frames, acrylic paint on map mounted on ACM board

      Photo Filipe Berndt

      This series by Dora Longo Bahia is based on female spies whose main profession wasn’t “being a spy”. They were public people – actresses, singers, sportswomen, media stars, socialites – who worked undercover to help their countries or their causes.

      The portraits are framed on steel frames and presented over old maps from The National Geographic Magazine that show – painted red – the countries involved in the conflicts in which the female spies acted.

      Presented over the maps there are also painting of a weapon used at the time of each specific conflict framed in steel and a silkscreen on steel based on a documentary image produced at the time by a war photographer.

      Dora Longo Bahia
      Exhibitions:
      SP–Arte 2025
      Marlene Dietrich / US, Germany / ? – 1945 / MG34 / Margareth Bourke-White 1945 (from the Spies series) (detail), 2020
      Marcelo Cidade
      Exhibitions:
      SP–Arte 2025
      Tentativa de apagar o cotidiano, 2018 - 2023
      57 x 68 cm each (Diptych)

      Acrylic paint on newspaper mounted on aluminum plate and aluminum bar.

      Photo Vermelho

      In Tentativa de apagar o cotidiano [Attempting to erase the quotidian], artist Marcelo Cidade (1979) establishes a daily practice of painting on local newspapers. The artist seeks to erase the news and images of the periodicals, leaving in evidence geometric traces. Lines of different colors, sizes and shapes emerge, and graphics lose their original function by arranging themselves in new patterns.

      57 x 68 cm each (Diptych)

      Acrylic paint on newspaper mounted on aluminum plate and aluminum bar.

      Photo Vermelho

      In Tentativa de apagar o cotidiano [Attempting to erase the quotidian], artist Marcelo Cidade (1979) establishes a daily practice of painting on local newspapers. The artist seeks to erase the news and images of the periodicals, leaving in evidence geometric traces. Lines of different colors, sizes and shapes emerge, and graphics lose their original function by arranging themselves in new patterns.

      André Komatsu Detanico Lain Dora Longo Bahia Marcelo Cidade Meia Ximena Garrido-Lecca
      Exhibitions:
      SP–Arte 2025
      Exhibition view

      second assembly of the stand

      Photo Filipe Berndt

      second assembly of the stand

      Photo Filipe Berndt
      Edgard de Souza
      Exhibitions:
      SP–Arte 2025
      Conforto, 2014
      65 x 57 x 30 cm

      velvet, foam and wire

      Photo Vermelho

      In the Conforto series, Edgard de Souza elevates cushions to the status of sculpture. Meticulously handmade by the artist, they are removed from their original context, becoming misaligned or austere. Edgard’s work emerges from a period marked by the fear of the AIDS pandemic in the 1980s, a context that provokes a clash in his practice between impulses of withdrawal and wildness. This withdrawal manifests in different ways, one of them through a surrealist lens, where life and desire emerge from the comfort of everyday objects. His sculptures explore fundamental human emotions, oscillating between tragedy and ecstasy.

      65 x 57 x 30 cm

      velvet, foam and wire

      Photo Vermelho

      In the Conforto series, Edgard de Souza elevates cushions to the status of sculpture. Meticulously handmade by the artist, they are removed from their original context, becoming misaligned or austere. Edgard’s work emerges from a period marked by the fear of the AIDS pandemic in the 1980s, a context that provokes a clash in his practice between impulses of withdrawal and wildness. This withdrawal manifests in different ways, one of them through a surrealist lens, where life and desire emerge from the comfort of everyday objects. His sculptures explore fundamental human emotions, oscillating between tragedy and ecstasy.

      Meia
      Exhibitions:
      SP–Arte 2025
      Vulcão azul, 2025
      150 x 123 cm

      Acrylic paint, oil stick, dry pastel, encaustic, raw canvas, satin, gelatine, felt, raw cotton, cardboard, paraná paper, neon plastic and ribbon on wood nailed to reused slats

      Photo Samuel Esteves

      Meia’s practice is grounded in research around landscape painting, its forms, history, and meanings. Meia’s landscapes begin to take shape through the artist’s movements, whether through his travels along the streets or through his circles of affection. Both circuits equip the artist with materials for the elaboration of his paintings. In the street, he identifies, selects, and collects elements with constructive potential; from his affection, he is presented with elements that carry tonic and symbolic qualities.

      His compositions, therefore, are based on grids that detach from rationality, order, and neutrality, to develop from contextual subjectivities, the fragmentation of stories, and hybridism. Although his constructions are based on collages of materials with different intrinsic values, his practice includes classic and noble painting techniques and materials, such as encaustic, oil paint, oil stick, and charcoal.

      150 x 123 cm

      Acrylic paint, oil stick, dry pastel, encaustic, raw canvas, satin, gelatine, felt, raw cotton, cardboard, paraná paper, neon plastic and ribbon on wood nailed to reused slats

      Photo Samuel Esteves

      Meia’s practice is grounded in research around landscape painting, its forms, history, and meanings. Meia’s landscapes begin to take shape through the artist’s movements, whether through his travels along the streets or through his circles of affection. Both circuits equip the artist with materials for the elaboration of his paintings. In the street, he identifies, selects, and collects elements with constructive potential; from his affection, he is presented with elements that carry tonic and symbolic qualities.

      His compositions, therefore, are based on grids that detach from rationality, order, and neutrality, to develop from contextual subjectivities, the fragmentation of stories, and hybridism. Although his constructions are based on collages of materials with different intrinsic values, his practice includes classic and noble painting techniques and materials, such as encaustic, oil paint, oil stick, and charcoal.

      Meia
      Exhibitions:
      SP–Arte 2025
      Vulcão azul (detail), 2025
      Meia
      Exhibitions:
      SP–Arte 2025
      Vulcão azul (detail), 2025
      André Vargas Detanico Lain Dora Longo Bahia
      Exhibitions:
      SP–Arte 2025
      SP-Arte 2025
      André Vargas
      Exhibitions:
      SP–Arte 2025
      Algodão – série Benzimentos, 2025
      70 x 82 cm

      PVA on raw cotton

      Photo Vermelho

      “This series investigates the herbs used by healers, as well as the prayers they say when they bless people. It is at the intersection between object-image-herb and writingprayer-voice that the work sustains the simplicity of popular traditions as fundamental importance to our constitution.”
      Andre Vargas

      70 x 82 cm

      PVA on raw cotton

      Photo Vermelho

      “This series investigates the herbs used by healers, as well as the prayers they say when they bless people. It is at the intersection between object-image-herb and writingprayer-voice that the work sustains the simplicity of popular traditions as fundamental importance to our constitution.”
      Andre Vargas

      https://galeriavermelho.com.br/en
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