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Pt. / Eng.
ARTISTS
  • André Komatsu André Komatsu
  • André Vargas André Vargas
  • Andrés Ramírez Gaviria Andrés Ramírez Gaviria
  • Cadu Cadu
  • Carla Zaccagnini Carla Zaccagnini
  • Carlos Motta Carlos Motta
  • Carmela Gross Carmela Gross
  • Chelpa Ferro Chelpa Ferro
  • Chiara Banfi Chiara Banfi
  • Clara Ianni Clara Ianni
  • Claudia Andujar Claudia Andujar
  • Detanico Lain Detanico Lain
  • Dias & Riedweg Dias & Riedweg
  • Dora Longo Bahia Dora Longo Bahia
  • Edgard de Souza Edgard de Souza
  • Elilson Elilson
  • Estevan Davi Estevan Davi
  • Eustáquio Neves Eustáquio Neves
  • Fabio Morais Fabio Morais
  • Gabriela Albergaria Gabriela Albergaria
  • Guilherme Peters Guilherme Peters
  • Henrique Cesar Henrique Cesar
  • Iván Argote Iván Argote
  • Keila Alaver Keila Alaver
  • Leandro Lima Leandro Lima
  • Lia Chaia Lia Chaia
  • Marcelo Cidade Marcelo Cidade
  • Marcelo Moscheta Marcelo Moscheta
  • Meia Meia
  • Mônica Nador + Jamac Mônica Nador + Jamac
  • Motta & Lima Motta & Lima
  • Nicolás Bacal Nicolás Bacal
  • Nicolás Robbio Nicolás Robbio
  • Odires Mlászho Odires Mlászho
  • Rosângela Rennó Rosângela Rennó
  • Tania Candiani Tania Candiani
  • Ximena Garrido-Lecca Ximena Garrido-Lecca
  • Fairs

    COMING SOON (2) COMING SOON (2)

  • ARCOlisboa 2025 Marcelo Moscheta ARCOlisboa 2025
    Marcelo Moscheta
  • ArPa 2025 ArPa 2025
    GROUP SHOW
  • ARCHIVE (67)

    2025 2025
  • Frieze New York 2025 Edgard de Souza (May) Frieze New York 2025 Edgard de Souza (May)
  • SP–Arte 2025 Claudia Andujar Leonilson Flávia Ribeiro (Apr) SP–Arte 2025 Claudia Andujar Leonilson Flávia Ribeiro (Apr)
  • ARCOmadrid 2025 Claudia Andujar (Mar) ARCOmadrid 2025 Claudia Andujar (Mar)
  • 2024 2024
  • Art Basel Miami Beach 2024 (Dec) Art Basel Miami Beach 2024 (Dec)
  • Paris Photo 2024 (Nov) Paris Photo 2024 (Nov)
  • ArtRio 2024 Ximena Garrido-Lecca (Sep) ArtRio 2024 Ximena Garrido-Lecca (Sep)
  • ArtBo 2024 Carmela Gross (Sep) ArtBo 2024 Carmela Gross (Sep)
  • SP-Arte | Rotas Brasileiras 2024 (Aug) SP-Arte | Rotas Brasileiras 2024 (Aug)
  • ArPa 2024 (Jun) ArPa 2024 (Jun)
  • ArtBasel Unlimited 2024
    Gomide&Co, in collaboration with Vermelho
    (Jun)
    ArtBasel Unlimited 2024
    Gomide&Co, in collaboration with Vermelho
    (Jun)
  • SP–Arte 2024 André Komatsu (Apr) SP–Arte 2024 André Komatsu (Apr)
  • ARCOmadrid 2024 (Mar) ARCOmadrid 2024 (Mar)
  • 2023 2023
  • Art Basel Miami Beach 2023 Rosângela Rennó (Dec) Art Basel Miami Beach 2023 Rosângela Rennó (Dec)
  • ArtBo 2023 Gabriela Albergaria (Nov) ArtBo 2023 Gabriela Albergaria (Nov)
  • Pinta BAphoto 2023 Andrés Ramírez Gaviria (Sep) Pinta BAphoto 2023 Andrés Ramírez Gaviria (Sep)
  • ArtRio 2023 André Vargas (Sep) ArtRio 2023 André Vargas (Sep)
  • SP-Arte | Rotas Brasileiras 2023 Ximena Garrido-Lecca (Aug) SP-Arte | Rotas Brasileiras 2023 Ximena Garrido-Lecca (Aug)
  • Frieze New York 2023 (May) Frieze New York 2023 (May)
  • Pinta PArC – Perú Arte Contemporáneo (Apr) Pinta PArC – Perú Arte Contemporáneo (Apr)
  • SP-Arte 2023 (Mar) SP-Arte 2023 (Mar)
  • ARCOmadrid 2023 (Feb) ARCOmadrid 2023 (Feb)
  • 2022 2022
  • Art Basel Miami Beach 2022 (Nov) Art Basel Miami Beach 2022 (Nov)
  • ArtBO 2022 (Oct) ArtBO 2022 Mônica nador + Jamac Andrés Ramirez Gaviria (Oct)
  • Frieze London 2022 (Oct) Frieze London 2022 (Oct)
  • ArtRio 2022 (Sep) ArtRio 2022 (Sep)
  • SP-Arte | Rotas Brasileiras 2022 (Aug) SP-Arte | Rotas Brasileiras 2022 (Aug)
  • ArPa 2022 (Jun) ArPa 2022 (Jun)
  • SP-Arte 2022 (Apr) SP-Arte 2022 (Apr)
  • Zonamaco 2022 (Feb) Zonamaco 2022 (Feb)
  • 2021 2021
  • SP-Arte 2021 (Oct) SP-Arte 2021 (Oct)
  • Frieze London 2021 (Oct) Frieze London 2021 (Oct)
  • ArtRio 2021 (Sep) ArtRio 2021 (Sep)
  • The Armory Show – 2021 (Sep) The Armory Show – 2021 (Sep)
  • 2020 2020
  • ARCOmadrid 2020 (Feb) ARCOmadrid 2020 (Feb)
  • Frieze Los Angeles 2020 (Feb) Frieze Los Angeles 2020 (Feb)
  • Zonamaco 2020 (Feb) Zonamaco 2020 (Feb)
  • 2019 2019
  • Art Basel Miami Beach 2019 Tania Candiani Ana Maria Tavares Jonathas de Andrade (Dec) Art Basel Miami Beach 2019 Tania Candiani Ana Maria Tavares Jonathas de Andrade (Dec)
  • Frieze London 2019 (Oct) Frieze London 2019 Ana Maria Tavares (Oct)
  • ArtRio 2019 Iván Argote Ana Maria Tavares Cinthia Marcelle (Sep) ArtRio 2019 Iván Argote Ana Maria Tavares Cinthia Marcelle (Sep)
  • ArtBo 2019 Nicolás Robbio (Sep) ArtBo 2019 Nicolás Robbio (Sep)
  • SP-Foto 2019 (Aug) SP-Foto 2019 Ana Maria Taveres Cinthia Marcelle (Aug)
  • ARCOlisboa 2019 (May) ARCOlisboa 2019 (May)
  • Frieze New York 2019 (May) Frieze New York 2019 Jonathas de Andrade Cinthia Marcelle (May)
  • PArC 2019 (Apr) PArC 2019 (Apr)
  • ArteBA 2019 Dias & Riedweg Iván Argote Nicolás Robbio (Apr) ArteBA 2019 Dias & Riedweg Iván Argote Nicolás Robbio (Apr)
  • SP-Arte 2019 (Apr) SP-Arte 2019 Cinthia Marcelle (Apr)
  • Art Dubai 2019 Marcelo Moscheta (Mar) Art Dubai 2019 Marcelo Moscheta (Mar)
  • The Armory Show 2019 (Mar) The Armory Show 2019 (Mar)
  • ARCOmadrid 2019 Carla Zaccagnini Cinthia Marcelle (Feb) ARCOmadrid 2019 Carla Zaccagnini Cinthia Marcelle (Feb)
  • Frieze Los Angeles 2019 (Feb) Frieze Los Angeles 2019 (Feb)
  • ZONAMACO 2019 Tania Candiani Jonathas de Andrade (Feb) ZONAMACO 2019 Tania Candiani Jonathas de Andrade (Feb)
  • 2018 2018
  • Art Basel Miami Beach 2018 (Dec) Art Basel Miami Beach 2018 (Dec)
  • Artissima 2018 (Nov) Artissima 2018 (Nov)
  • ArtBo 2018 (Oct) ArtBo 2018 (Oct)
  • Frieze London 2018 (Oct) Frieze London 2018 Jonathas de Andrade Cinthia Marcelle (Oct)
  • ArtRio 2018 (Sep) ArtRio 2018 (Sep)
  • Art Week 2018 (Aug) Art Week 2018 (Aug)
  • SP – Foto 2018 (Aug) SP – Foto 2018 Jonathas de Andrade (Aug)
  • arteBA 2018 (May) arteBA 2018 (May)
  • ARCOlisboa 2018 (May) ARCOlisboa 2018 (May)
  • Frieze New York 2018 (May) Frieze New York 2018 Cinthia Marcelle Jonathas de Andrade (May)
  • PArC 2018 (Apr) PArC 2018 (Apr)
  • SP – Arte 2018 (Apr) SP – Arte 2018 Jonathas de Andrade (Apr)
  • ArtDubai 2018 (Mar) ArtDubai 2018 Cinthia Marcelle (Mar)
  • ARCOmadrid 2018 (Feb) ARCOmadrid 2018 (Feb)
  • ZONAMACO 2018 (Feb) ZONAMACO 2018 Jonathas de Andrade (Feb)
  • Art Los Angeles Contemporary 2018 (Jan) Art Los Angeles Contemporary 2018 (Jan)
  • (THEMATIC)
    (ARTISTS)
    Proj. Especiais

    ARCHIVE (4)

    2022 2022
  • Projeto futuro Carlos Motta (Jan) Projeto futuro Carlos Motta (Jan)
  • 2020 2020
  • Outro projeto ativo (Jul) Outro projeto ativo (Jul)
  • Um projeto muito especial Carmela Gross (Jul) Um projeto muito especial Carmela Gross (Jul)
  • Projeto passado Carlos Motta (Feb) Projeto passado Carlos Motta (Feb)
  • (THEMATIC)
    (ARTISTS)
    Verbo
    • ABOUT

    COMING SOON (1) COMING SOON (1)

    18th edition
  • ARCHIVE (8)

    2024
  • Fernando Belfiore Fernando Belfiore
  • 2023
  • Aline Motta Aline Motta André Vargas André Vargas Andrea Hygino e Artur Souza Andrea Hygino e Artur Souza Boris Nikitin Boris Nikitin Boris Nikitin Boris Nikitin Carchíris Barcelos (Paço Lumiar) Carchíris Barcelos (Paço Lumiar) Carolina Cony Carolina Cony Charlene Bicalho Charlene Bicalho Clara Carvalho,Thiago Sogayar Bechara e Tuna Dwek Clara Carvalho,Thiago Sogayar Bechara e Tuna Dwek Daniel Fagus Kairoz Daniel Fagus Kairoz Dinho Araújo Dinho Araújo DJ Agojy de Exu e Profana ao Mel DJ Agojy de Exu e Profana ao Mel Eduardo Bruno e Waldirio Castro Eduardo Bruno e Waldirio Castro Eduardo Hargreaves (Tiradentes) Eduardo Hargreaves (Tiradentes) Elilson Elilson Elilson Elilson Fabiana Faleiros Fabiana Faleiros Fabiana Faleiros Fabiana Faleiros Felipe Teixeira e Mariana Molinos Felipe Teixeira e Mariana Molinos Galia Eibenschutz Galia Eibenschutz Génova Alvarado Génova Alvarado Guilherme Peters Guilherme Peters Isadora Ravena Isadora Ravena Julha Franz Julha Franz Lilibeth Cuenca Rasmussen Lilibeth Cuenca Rasmussen Lilibeth Cuenca Rasmussen Lilibeth Cuenca Rasmussen Lucas Bebiano Lucas Bebiano Lucimélia Romão Lucimélia Romão No Barraco da Constância tem! No Barraco da Constância tem! No Barraco da Constância tem! No Barraco da Constância tem! No barraco da Constância tem! No barraco da Constância tem! Pablo Assumpção Pablo Assumpção Renan Marcondes Renan Marcondes Ruy Cézar Campos Ruy Cézar Campos Sy Gomes Sy Gomes Tania Candiani Tania Candiani Ting-tong Chang Ting-tong Chang Ton Bezerra Ton Bezerra Yuri Firmeza Yuri Firmeza Yhuri Cruz Yhuri Cruz
  • 2022
  • Abiniel João do Nascimento Abiniel João do Nascimento Alejandro Ahmed e Grupo Cena 11 Alejandro Ahmed e Grupo Cena 11 Alexandra Bachzetsis Alexandra Bachzetsis Alexandre Silveira e Ticiano Monteiro Alexandre Silveira e Ticiano Monteiro Alexandre Silveira e Ticiano Monteiro Alexandre Silveira e Ticiano Monteiro Amanda Maciel Antunes Amanda Maciel Antunes André Vargas André Vargas André Vargas André Vargas Áurea Maranhão Áurea Maranhão Bianca Turner Bianca Turner Carla Zaccagnini Carla Zaccagnini Coletivo #Joyces Coletivo #Joyces Davi Pontes & Wallace Ferreira Davi Pontes & Wallace Ferreira Depois do Fim da Arte Depois do Fim da Arte Elilson Elilson Guilherme Peters Guilherme Peters Htadhirua Htadhirua Jamile Cazumbá Jamile Cazumbá Javier Velázquez Cabrero & David April Javier Velázquez Cabrero & David April Jorge Feitosa Jorge Feitosa Jota Ramos Jota Ramos Julha Franz Julha Franz Julha Franz Julha Franz Julha Franz Julha Franz Lígia Villaron, Natália Beserra, Morilu Augusto - grupo teia Lígia Villaron, Natália Beserra, Morilu Augusto - grupo teia Luisa Callegari, Guilherme Peters e Sansa Rope Luisa Callegari, Guilherme Peters e Sansa Rope Marcel Diogo Marcel Diogo Marcel Diogo Marcel Diogo Marcos Martins Marcos Martins Maria Macêdo Maria Macêdo Massuelen Cristina Massuelen Cristina Massuelen Cristina Massuelen Cristina Nathalia Favaro Nathalia Favaro Nathalia Favaro e Ochai Ogaba Nathalia Favaro e Ochai Ogaba Nina Cavalcanti Nina Cavalcanti No barraco da Constância tem! No barraco da Constância tem! Padmateo Padmateo Paola Ribeiro Paola Ribeiro Renan Marcondes Renan Marcondes Sabrina Morelos Sabrina Morelos Sabrina Morelos Sabrina Morelos Sebastião Netto Sebastião Netto T.F. Cia de Dança T.F. Cia de Dança Thales Ferreira e Isadora Lobo Thales Ferreira e Isadora Lobo The Mainline Group - Lena Kilina & Sofya Chibisguleva The Mainline Group - Lena Kilina & Sofya Chibisguleva The Mainline Group - Lena Kilina & Sofya Chibisguleva The Mainline Group - Lena Kilina & Sofya Chibisguleva Tieta Macau Tieta Macau Uarê Erremays Uarê Erremays
  • 2019
  • Alexandre Silveira Alexandre Silveira Ana Pi Ana Pi Célia Gondol Célia Gondol Coletivo DiBando Coletivo DiBando D. C. D. C. Davi Pontes & Wallace Ferreira Davi Pontes & Wallace Ferreira Efe Godoy Efe Godoy Elilson Elilson Elilson Elilson Felipe Bittencourt Felipe Bittencourt Filipe Acácio Filipe Acácio Gabriel Cândido Gabriel Cândido Gê Viana e Layo Bulhão Gê Viana e Layo Bulhão Guerreiro do Divino Amor Guerreiro do Divino Amor Javier Velazquez Cabrero & Xolisile Bongwana Javier Velazquez Cabrero & Xolisile Bongwana Jose Manuel Ávila Jose Manuel Ávila Kauê Garcia Kauê Garcia Levi Mota Muniz e Mateus Falcão Levi Mota Muniz e Mateus Falcão Lia Chaia Lia Chaia Lia Chaia Lia Chaia Lia Chaia Lia Chaia Lilibeth Cuenca Rasmussen Lilibeth Cuenca Rasmussen Lolo y Lauti & Rodrigo Moraes Lolo y Lauti & Rodrigo Moraes Lubanzadyo Mpemba Bula Lubanzadyo Mpemba Bula Lucimélia Romão Lucimélia Romão Marcia de Aquino & Gê Viana Marcia de Aquino & Gê Viana Marco Paulo Rolla Marco Paulo Rolla Melania Olcina Yuguero Melania Olcina Yuguero Michel Groisman Michel Groisman Nurit Sharett Nurit Sharett Rafa Esparza Rafa Esparza Ramusyo Brasil Ramusyo Brasil Regina Parra e Bruno Levorin Regina Parra e Bruno Levorin Renan Marconde Renan Marconde SaraElton Panamby SaraElton Panamby Tieta Macau Tieta Macau Tomás Orrego Tomás Orrego Yiftah Peled Yiftah Peled Yiftah Peled Yiftah Peled
  • 2018
  • Ana Pi
 Ana Pi
 Andrea Dip & Guilherme Peters Andrea Dip & Guilherme Peters Andrés Felipe Castaño Andrés Felipe Castaño Bianca Turner Bianca Turner Bianca Turner
 Bianca Turner
 Bianca Turner Bianca Turner Charlene Bicalho Charlene Bicalho Chico Fernandes Chico Fernandes Clara Ianni Clara Ianni Cris Bierrenbach Cris Bierrenbach Depois do fim da arte Depois do fim da arte Desvio Coletivo Desvio Coletivo Dora Longo Bahia Dora Longo Bahia Egle Budvytyte & Bart Groenendaal Egle Budvytyte & Bart Groenendaal Élcio Miazaki Élcio Miazaki Elisabete Finger e Manuela Eichner Elisabete Finger e Manuela Eichner Emanuel Tovar Emanuel Tovar Etcetera & Internacional Errorista Etcetera & Internacional Errorista Fernanda Brandão & Rafael Procópio Fernanda Brandão & Rafael Procópio Gabinete Homo Extraterrestre Gabinete Homo Extraterrestre Gabriela Noujaim Gabriela Noujaim Gabrielle Goliath Gabrielle Goliath Gian Cruz & Claire Villacorta Gian Cruz & Claire Villacorta Grupo MEXA, Dudu Quintanilha, Luisa Cavanagh e Rusi Millan Pastori Grupo MEXA, Dudu Quintanilha, Luisa Cavanagh e Rusi Millan Pastori Grupo Trecho (Carolina Nóbrega & Nádia Recioli) Grupo Trecho (Carolina Nóbrega & Nádia Recioli) Guilherme Peters Guilherme Peters Josefina Gant, Juliana Fochtman e Nicole Ernst Josefina Gant, Juliana Fochtman e Nicole Ernst Julha Franz Julha Franz Lia Chaia Lia Chaia Luisa Cavanagh, Dudu Quintanilha e Grupo MEXA Luisa Cavanagh, Dudu Quintanilha e Grupo MEXA Lyz Parayzo Lyz Parayzo Marcelo Cidade Marcelo Cidade Martín Soto Climent Martín Soto Climent Patrícia Araujo e Valentina D’Avenia Patrícia Araujo e Valentina D’Avenia Paulx Castello Paulx Castello Pedro Mira & Javier Velázquez Cabrero Pedro Mira & Javier Velázquez Cabrero Rubens C. Pássaro Jr Rubens C. Pássaro Jr Samantha Moreira, Rodrigo Campuzano, Marcos Gallon Samantha Moreira, Rodrigo Campuzano, Marcos Gallon SPIT! (Sodomites, Perverts, Inverts Together!) SPIT! (Sodomites, Perverts, Inverts Together!) Stephan Doitschinoff Stephan Doitschinoff Stephan Doitschinoff Stephan Doitschinoff
  • 2017
  • Akram Zaatari Akram Zaatari Alice Miceli Alice Miceli Anthony Nestel Anthony Nestel Arnold Pasquier Arnold Pasquier Aurore Zachayus, Janaina Wagner, Pontogor Aurore Zachayus, Janaina Wagner, Pontogor Bruno Moreno, Isabella Gonçalves e Renato Sircilli Bruno Moreno, Isabella Gonçalves e Renato Sircilli Carlos Monroy Carlos Monroy Célia Gondol Célia Gondol Clarice Lima Clarice Lima Clarissa Sacchelli Clarissa Sacchelli Cristian Duarte em companhia Cristian Duarte em companhia Dora Smék Dora Smék Flavia Pinheiro Flavia Pinheiro Grupo EmpreZa Grupo EmpreZa Grupo EmpreZa Grupo EmpreZa Grupo EmpreZa Grupo EmpreZa Guilherme Peters Guilherme Peters Jorge Lopes Jorge Lopes Julha Franz Julha Franz Julia Viana & Luciano Favaro Julia Viana & Luciano Favaro Luanda Casella Luanda Casella Luiz Roque Luiz Roque Maurício Ianês Maurício Ianês Línea Necia Línea Necia Old Masters Old Masters Rodrigo Andreoll Rodrigo Andreoll Rodrigo Cass Rodrigo Cass Rose Akras Rose Akras Tiécoura N’Daou Mopti Tiécoura N’Daou Mopti Victor del Moral Victor del Moral Victor del Moral Victor del Moral
  • 2016
  • ABSALON ABSALON Ana Montenegro, Juliana Moraes and Wilson Sukorski Ana Montenegro, Juliana Moraes and Wilson Sukorski Coletivo Cartográfico (Carolina Nóbrega, Fabiane Carneiro e Monica Lopes) Coletivo Cartográfico (Carolina Nóbrega, Fabiane Carneiro e Monica Lopes) Dias & Riedweg Dias & Riedweg Dora Garcia Dora Garcia Enrique Jezik Enrique Jezik Fabiano Rodrigues Fabiano Rodrigues Fabio Morais Fabio Morais Guilherme Peters Guilherme Peters Lia Chaia Lia Chaia Marc Davi Marc Davi Marcelo Cidade Marcelo Cidade Maurício Ianês Maurício Ianês Michelle Rizzo Michelle Rizzo Naufus Ramirez-Figueroa Naufus Ramirez-Figueroa Peter Baren Peter Baren Rose Akras Rose Akras Salla Tikkä Salla Tikkä
  • 2015
  • Alex Cassimiro, Andrez Lean Ghizze, Caio, Eidglas Xavier, Mavi Veloso, Teresa Moura NevesPreta Alex Cassimiro, Andrez Lean Ghizze, Caio, Eidglas Xavier, Mavi Veloso, Teresa Moura NevesPreta Ana Montenegro Ana Montenegro Ana Montenegro e Marco Paulo Rolla [Brasil] Ana Montenegro e Marco Paulo Rolla [Brasil] Cadu Cadu Cadu Cadu Caetano Dias Caetano Dias Camila Cañeque Camila Cañeque César Meneghetti César Meneghetti Clara Ianni Clara Ianni Clara Saito Clara Saito Cristina Elias Cristina Elias Daniel Beerstecher Daniel Beerstecher Doina Kraal Doina Kraal Enrique Ježik Enrique Ježik ERRO Grupo ERRO Grupo Estela Lapponi Estela Lapponi Etienne de France Etienne de France Felipe Norkus e Gustavo Torres Felipe Norkus e Gustavo Torres Felipe Salem Felipe Salem Fernando Audmouc Fernando Audmouc Francesca Leoni and Davide Mastrangelo - Con.Tatto Francesca Leoni and Davide Mastrangelo - Con.Tatto Goeun Bae Goeun Bae Guilherme Peters Guilherme Peters Jorge Soledar Jorge Soledar Julio Falagán Julio Falagán Karime Nivoloni, Mariana Molinos, Maryah Monteiro e Valeska Figueiredo Karime Nivoloni, Mariana Molinos, Maryah Monteiro e Valeska Figueiredo Kevin Simon Mancera Kevin Simon Mancera Lia Chaia Lia Chaia Lilibeth Cuenca Rasmussen Lilibeth Cuenca Rasmussen Liv Schulman Liv Schulman Luiz Fernando Bueno Luiz Fernando Bueno Manoela Medeiros Manoela Medeiros Marc Davi Marc Davi Márcia Beatriz Granero Márcia Beatriz Granero Márcio Carvalho Márcio Carvalho Maurício Ianês Maurício Ianês Maurício Ianês Maurício Ianês No barraco da Constância tem! No barraco da Constância tem! Olyvia Victorya Bynum Olyvia Victorya Bynum Pipa Pipa Renan Marcondes Renan Marcondes Rodolpho Parigi Rodolpho Parigi Rose Akras Rose Akras
    • VERBO BOOK
    (THEMATIC)
    (ARTISTS)
    Tijuana
    • EDITIONS

    PRINTED ART FAIR

    • ABOUT

    ARCHIVE (15)

  • 2019 Rio de Janeiro 2019 Rio de Janeiro
  • 2019 São Paulo 2019 São Paulo
  • 2018 São Paulo 2018 São Paulo
  • 2018 Rio de Janeiro 2018 Rio de Janeiro
  • 2017 São Paulo 2017 São Paulo
  • 2017 Rio de Janeiro 2017 Rio de Janeiro
  • 2017 Lima 2017 Lima
  • 2016 São Paulo 2016 São Paulo
  • 2016 Lima 2016 Lima
  • 2016 Rio de Janeiro 2016 Rio de Janeiro
  • 2016 Buenos Aires 2016 Buenos Aires
  • 2016 Porto 2016 Porto
  • 2015 São Paulo 2015 São Paulo
  • 2014 São Paulo 2014 São Paulo
  • 2014 Buenos Aires 2014 Buenos Aires
  • (THEMATIC)
    (ARTISTS)
    Sala Antonio
    • ABOUT

    ARCHIVE (3)

    2020 2020
  • Nome do filme (Oct) Nome do filme Stanley Kubrick (Oct)
  • Filme que já passou Carla Zaccagnini Stanley Kubrick (Jul) Filme que já passou Carla Zaccagnini Stanley Kubrick (Jul)
  • 2019 2019
  • Filme que já passou 2 Chiara Banfi (Jul) Filme que já passou 2 Chiara Banfi (Jul)
  • (THEMATIC)
    (ARTISTS)
    Exhibitions

    CURRENT (2) CURRENT (2)

  • Caçamba Meia Caçamba
    Meia
  • JAMAC OCCUPATION Mônica Nador + Jamac JAMAC OCCUPATION
    Mônica Nador + Jamac
  • ARCHIVE (317)

    2025 2025
  • Rahj al-ġār Dora Longo Bahia (Mar) Rahj al-ġār Dora Longo Bahia (Mar)
  • Dias Depois Da Queda “O Clarão” Estevan Davi (Jan) Dias Depois Da Queda “O Clarão” Estevan Davi (Jan)
  • About Infinity, the Universe and the Worlds Detanico Lain (Jan) About Infinity, the Universe and the Worlds Detanico Lain (Jan)
  • 2024 2024
  • Elemental Shift Ximena Garrido-Lecca (Oct) Elemental Shift Ximena Garrido-Lecca (Oct)
  • Gravidade [Gravity] Carlos Motta (Jul) Gravidade [Gravity] Carlos Motta (Jul)
  • Errante [Wanderer] Marcelo Moscheta (Jul) Errante [Wanderer] Marcelo Moscheta (Jul)
  • A07-24 (Jul) A07-24 ACERVO (Jul)
  • Lightning Motta & Lima (Jul) Lightning Motta & Lima (Jul)
  • Second Nature Clara Ianni (May) Second Nature Clara Ianni (May)
  • Torrão Rubro (May) Torrão Rubro Thiago Martins de Melo (May)
  • Terra Alheia Meia (May) Terra Alheia Meia (May)
  • Organoide Lia Chaia (Mar) Organoide Lia Chaia (Mar)
  • The Reverse of Heaven Dias & Riedweg (Mar) The Reverse of Heaven Dias & Riedweg (Mar)
  • A04-24 (Mar) A04-24 Acervo (Mar)
  • It’s the way home that moves us away Carla Zaccagnini Runo Lagomarsino (Feb) It’s the way home that moves us away Carla Zaccagnini Runo Lagomarsino (Feb)
  • Videos 2001 – 2006 André Komatsu (Feb) Videos 2001 – 2006 André Komatsu (Feb)
  • A02-24 (Feb) A02-24 ACERVO (Feb)
  • 2023 2023
  • No fim da madrugada [At the end of daybreak] GROUP SHOW (Oct) No fim da madrugada [At the end of daybreak] GROUP SHOW (Oct)
  • Cerimônia [Ceremony] Tania Candiani (Aug) Cerimônia [Ceremony] Tania Candiani (Aug)
  • La profundidad de las cosas Nicolás Bacal (Jun) La profundidad de las cosas Nicolás Bacal (Jun)
  • House in the Sky GROUP SHOW (Jun) House in the Sky GROUP SHOW (Jun)
  • O espaço entre eu e você [The space between me and you] Marcelo Cidade (May) O espaço entre eu e você [The space between me and you] Marcelo Cidade (May)
  • Estratos [Strata] Ximena Garrido-Lecca (May) Estratos [Strata] Ximena Garrido-Lecca (May)
  • Edgard de Souza Edgard de Souza (Mar) Edgard de Souza Edgard de Souza (Mar)
  • Politics in art, again Mônica Nador + Jamac (Mar) Politics in art, again Mônica Nador + Jamac (Mar)
  • I AI Keila Alaver (Mar) I AI Keila Alaver (Mar)
  • Bando ou Hic Sunt Leones Cadu (Feb) Bando ou Hic Sunt Leones Cadu (Feb)
  • (…) a single species (…) Gabriela Albergaria (Feb) (…) a single species (…) Gabriela Albergaria (Feb)
  • The Goddess Language (Feb) The Goddess Language GROUP SHOW (Feb)
  • 2022 2022
  • Perigo! [Danger!] Dora Longo Bahia (Nov) Perigo! [Danger!] Dora Longo Bahia (Nov)
  • Tempo-mandíbula [Jaw-time] Elilson (Sep) Tempo-mandíbula [Jaw-time] Elilson (Sep)
  • Contos de contas [Accounts of Accounting] Carla Zaccagnini (Sep) Contos de contas [Accounts of Accounting] Carla Zaccagnini (Sep)
  • Sobre a terra, sob o céu [Over the earth, under the sky] Detanico Lain GROUP SHOW (Aug) Sobre a terra, sob o céu [Over the earth, under the sky] GROUP SHOW (Aug)
  • Mental Radio Andrés Ramírez Gaviria (Aug) Mental Radio Andrés Ramírez Gaviria (Aug)
  • A Sônia Claudia Andujar (Jun) A Sônia Claudia Andujar (Jun)
  • Flávia Ribeiro (Jun) Flávia Ribeiro Flávia Ribeiro (Jun)
  • Átomo [Atom] Lia Chaia (Jun) Átomo [Atom] Lia Chaia (Jun)
  • ainda sempre ainda (Jun) ainda sempre ainda Marilá Dardot (Jun)
  • Take 3 Chiara Banfi (May) Take 3 Chiara Banfi (May)
  • Onde cabe o olho Nicolás Robbio (May) Onde cabe o olho Nicolás Robbio (May)
  • Fogo encruzado André Vargas (Mar) Fogo encruzado André Vargas (Mar)
  • 26032022-6.744-281-65-01/30042022-5.904-246-65-36 (Mar) 26032022-6.744-281-65-01/30042022-5.904-246-65-36 Ana Amorim (Mar)
  • Colors Fabio Morais (Feb) Colors Fabio Morais (Feb)
  • 2021 2021
  • Whitefly Henrique Cesar (Nov) Whitefly Henrique Cesar (Nov)
  • Voo cego André Komatsu (Oct) Voo cego André Komatsu (Oct)
  • Debt (Trilogy of the Capital) (Sep) Debt (Trilogy of the Capital) Cinthia Marcelle Tiago Mata Machado (Sep)
  • Cracks, sparks Carmela Gross (Aug) Cracks, sparks Carmela Gross (Aug)
  • The Rhetoric of Power Marcelo Cidade (Jun) The Rhetoric of Power Marcelo Cidade (Jun)
  • Genocídio do Yanomami: morte do Brasil — Sonhos Yanomami Claudia Andujar (Apr) Genocídio do Yanomami: morte do Brasil — Sonhos Yanomami Claudia Andujar (Apr)
  • 2020 2020
  • LISTEN III Carmela Gross (Dec) LISTEN III Carmela Gross (Dec)
  • Lost and found (Nov) Lost and found Jonathas de Andrade (Nov)
  • Reliquary Leandro Lima (Nov) Reliquary Leandro Lima (Nov)
  • Infiltração [Infiltration] Henrique Cesar (Oct) Infiltração [Infiltration] Henrique Cesar (Oct)
  • Hair Work Dias & Riedweg (Feb) Hair Work Dias & Riedweg (Feb)
  • Already Seen (Feb) Already Seen Cinthia Marcelle (Feb)
  • 2019 2019
  • Document-Monument | Monument-Document Rosângela Rennó (Nov) Document-Monument | Monument-Document Rosângela Rennó (Nov)
  • Monumentos efímeros Tania Candiani (Nov) Monumentos efímeros Tania Candiani (Nov)
  • We the enemy Carlos Motta (Oct) We the enemy Carlos Motta (Oct)
  • Feverish Lia Chaia (Aug) Feverish Lia Chaia (Aug)
  • Ka’rãi Dora Longo Bahia (Jul) Ka’rãi Dora Longo Bahia (Jul)
  • Monday, June 4, 2019 GROUP SHOW (Jun) Monday, June 4, 2019 André Komatsu Carmela Gross Claudia Andujar Dias & Riedweg Dora Longo Bahia Fabio Morais Lia Chaia Marcelo Cidade Rosângela Rennó (Jun)
  • Forget the crisis, go to work! Guilherme Peters (Apr) Forget the crisis, go to work! Guilherme Peters (Apr)
  • Debts, dividers and dividends Marcelo Cidade (Mar) Debts, dividers and dividends Marcelo Cidade (Mar)
  • la plaza del chafleo Iván Argote (Mar) la plaza del chafleo Iván Argote (Mar)
  • Malaise (Mar) Malaise Renato Maretti (Mar)
  • The runout Chiara Banfi (Jan) The runout Chiara Banfi (Jan)
  • The pronunciation of the world (Jan) The pronunciation of the world Marilá Dardot (Jan)
  • Timewaves (chapter II) Detanico Lain (Jan) Timewaves (chapter II) Detanico Lain (Jan)
  • 2018 2018
  • Çonoplaztía Fabio Morais (Nov) Çonoplaztía Fabio Morais (Nov)
  • Three analyzes and an omen Carla Zaccagnini (Nov) Three analyzes and an omen Carla Zaccagnini (Nov)
  • El principio, el paréntesis y el fin, el telón Tania Candiani (Nov) El principio, el paréntesis y el fin, el telón Tania Candiani (Nov)
  • Edgard de Souza Edgard de Souza (Oct) Edgard de Souza Edgard de Souza (Oct)
  • Brasil x Argentina (Amazônia e Patagônia) Dora Longo Bahia (Oct) Brasil x Argentina (Amazônia e Patagônia) Dora Longo Bahia (Oct)
  • Repetitions Clara Ianni (Aug) Repetitions Clara Ianni (Aug)
  • estrela escura André Komatsu (Aug) estrela escura André Komatsu (Aug)
  • Infinite Rotations (Jul) Infinite Rotations Ana Maria Tavares (Jul)
  • Natural History and Other Ruins Marcelo Moscheta (May) Natural History and Other Ruins Marcelo Moscheta (May)
  • Attempt to aspire to the great maze Guilherme Peters (May) Attempt to aspire to the great maze Guilherme Peters (May)
  • CameraContato Dias & Riedweg (Apr) CameraContato Dias & Riedweg (Apr)
  • Overload GROUP SHOW (Mar) Overload André Komatsu Carla Zaccagnini Carmela Gross Chelpa Ferro Chiara Banfi Claudia Andujar Detanico Lain Dora Longo Bahia Edgard de Souza Fabio Morais Guilherme Peters Henrique Cesar Iván Argote Lia Chaia Marcelo Cidade Marcelo Moscheta Motta & Lima Nicolás Bacal Nicolás Robbio Odires Mlászho Rosângela Rennó (Mar)
  • Silver Session Dora Longo Bahia (Mar) Silver Session Dora Longo Bahia (Mar)
  • Apparent Movement Nicolás Bacal (Jan) Apparent Movement Nicolás Bacal (Jan)
  • Deseos Carlos Motta (Jan) Deseos Carlos Motta (Jan)
  • 2017 2017
  • Nuptials Rosângela Rennó (Nov) Nuptials Rosângela Rennó (Nov)
  • Mamihlapinatapai Cadu (Oct) Mamihlapinatapai Cadu (Oct)
  • Silvia Cintra + Box 4 Occupation (Oct) Silvia Cintra + Box 4 Occupation (Oct)
  • Nelson Leirner – Movies (Oct) Nelson Leirner – Movies (Oct)
  • Somos [We are] Iván Argote (Sep) Somos [We are] Iván Argote (Sep)
  • Reddishblue Memories Iván Argote (Sep) Reddishblue Memories Iván Argote (Sep)
  • Pulso Lia Chaia (Jul) Pulso Lia Chaia (Jul)
  • Posta em abismo [Mise en Abyme] Carla Zaccagnini (Jun) Posta em abismo [Mise en Abyme] Carla Zaccagnini (Jun)
  • 27 rue de Fleurus Detanico Lain (Jun) 27 rue de Fleurus Detanico Lain (Jun)
  • Vera Cruz Rosângela Rennó (Apr) Vera Cruz Rosângela Rennó (Apr)
  • Architecture of Insomnia Nicolás Robbio (Apr) Architecture of Insomnia Nicolás Robbio (Apr)
  • Ashes Dora Longo Bahia (Mar) Ashes Dora Longo Bahia (Mar)
  • Psycho Motta & Lima (Mar) Psycho Motta & Lima (Mar)
  • Not yet (Mar) Not yet (Mar)
  • Pause Tania Candiani (Jan) Pause Tania Candiani (Jan)
  • Escritexpográfica Fabio Morais (Jan) Escritexpográfica Fabio Morais (Jan)
  • 2016 2016
  • Coletiva GROUP SHOW (Nov) Coletiva GROUP SHOW (Nov)
  • Journal (Nov) Journal (Nov)
  • Nulo ou em Branco Marcelo Cidade (Sep) Nulo ou em Branco Marcelo Cidade (Sep)
  • Fructose Iván Argote (Sep) Fructose Iván Argote (Sep)
  • Suar a camisa [Sweat it out] (Aug) Suar a camisa [Sweat it out] Jonathas de Andrade (Aug)
  • One, None, Many Carmela Gross (Aug) One, None, Many Carmela Gross (Aug)
  • COLETIVA GROUP SHOW (Jun) COLETIVA GROUP SHOW (Jun)
  • My life in two worlds Claudia Andujar (May) My life in two worlds Claudia Andujar (May)
  • Seven Falls Marcelo Moscheta (Mar) Seven Falls Marcelo Moscheta (Mar)
  • Notations Chiara Banfi (Jan) Notations Chiara Banfi (Jan)
  • 2015 2015
  • Arquibabas: Babas Geométricas Odires Mlászho (Nov) Arquibabas: Babas Geométricas Odires Mlászho (Nov)
  • Fotos contam Fatos GROUP SHOW (Nov) Fotos contam Fatos GROUP SHOW (Nov)
  • Edgard de Souza Edgard de Souza (Oct) Edgard de Souza Edgard de Souza (Oct)
  • Hornitos Cadu (Oct) Hornitos Cadu (Oct)
  • Translations: Nelson Leirner, a reader of others and of himself. (Sep) Translations: Nelson Leirner, a reader of others and of himself. Nelson Leirner (Sep)
  • Reason and power (Jul) Reason and power Enrique Ježik (Jul)
  • Cosmologia Composta Henrique Cesar (Jul) Cosmologia Composta Henrique Cesar (Jul)
  • Learning to Live with the Filth GROUP SHOW (May) Learning to Live with the Filth André Komatsu Keila Alaver Lia Chaia Marcelo Cidade Nicolás Robbio (May)
  • Chora-Chuva Motta & Lima (Mar) Chora-Chuva Motta & Lima (Mar)
  • Impertinência Capital (Feb) Impertinência Capital Marco Paulo Rolla (Feb)
  • Corpo Mitológico Lia Chaia (Feb) Corpo Mitológico Lia Chaia (Feb)
  • Black Bloc Dora Longo Bahia (Feb) Black Bloc Dora Longo Bahia (Feb)
  • 2014 2014
  • Cold Stories and Hot Coals Dias & Riedweg (Dec) Cold Stories and Hot Coals Dias & Riedweg (Dec)
  • O Balanço da Árvore Exagera a Tempestade Gabriela Albergaria (Nov) O Balanço da Árvore Exagera a Tempestade Gabriela Albergaria (Nov)
  • Shangai em São Paulo in Shanghai Carla Zaccagnini (Nov) Shangai em São Paulo in Shanghai Carla Zaccagnini (Nov)
  • Let´s Write a History of Hopes Iván Argote (Sep) Let´s Write a History of Hopes Iván Argote (Sep)
  • Insustentável Paraíso André Komatsu (Sep) Insustentável Paraíso André Komatsu (Sep)
  • Rosângela Rennó Rosângela Rennó (Aug) Rosângela Rennó Rosângela Rennó (Aug)
  • Marilá Dardot (Aug) Marilá Dardot Marilá Dardot (Aug)
  • Ponto Final (Jun) Ponto Final Maurício Ianês (Jun)
  • O Informante Henrique Cesar (Apr) O Informante Henrique Cesar (Apr)
  • Smooth Sound Making Aquarium Chelpa Ferro (Apr) Smooth Sound Making Aquarium Chelpa Ferro (Apr)
  • Neste Lugar (Mar) Neste Lugar Daniel Senise (Mar)
  • Islamic Scalp Dora Longo Bahia (Mar) Islamic Scalp Dora Longo Bahia (Mar)
  • Order Repetition Nicolás Robbio (Mar) Order Repetition Nicolás Robbio (Mar)
  • Collective Carmela Gross Claudia Andujar GROUP SHOW (Jan) Collective GROUP SHOW (Jan)
  • 1988 (Jan) 1988 Andreas Fogarasi (Jan)
  • 2013 2013
  • U=R.I Guilherme Peters Henrique Cesar (Nov) U=R.I Guilherme Peters Henrique Cesar (Nov)
  • Arquitetura da solidão Nicolás Bacal (Nov) Arquitetura da solidão Nicolás Bacal (Nov)
  • Museu do Homem do Nordeste (Oct) Museu do Homem do Nordeste Jonathas de Andrade (Oct)
  • Gravações Perdidas Chiara Banfi (Oct) Gravações Perdidas Chiara Banfi (Oct)
  • Suspicious Mind GROUP SHOW (Aug) Suspicious Mind GROUP SHOW (Aug)
  • João-Ninguém (Jul) João-Ninguém Rafael Assef (Jul)
  • Contratempo Lia Chaia (Jul) Contratempo Lia Chaia (Jul)
  • Espera Motta & Lima (Jun) Espera Motta & Lima (Jun)
  • Zero Substantivo Odires Mlászho (Jun) Zero Substantivo Odires Mlászho (Jun)
  • Passageiro Dora Longo Bahia (May) Passageiro Dora Longo Bahia (May)
  • O Voo de Watupari Claudia Andujar (May) O Voo de Watupari Claudia Andujar (May)
  • Body Furniture Keila Alaver (May) Body Furniture Keila Alaver (May)
  • Nostalgia, sentimento de mundo (Apr) Nostalgia, sentimento de mundo Jonathas de Andrade (Apr)
  • Corpo Dócil André Komatsu (Apr) Corpo Dócil André Komatsu (Apr)
  • La Felicidad (Feb) La Felicidad Kevin Simón Mancera (Feb)
  • Pelas bordas [From the edges] Carla Zaccagnini (Feb) Pelas bordas [From the edges] Carla Zaccagnini (Feb)
  • Menos-valia (Leilão) Rosângela Rennó (Jan) Menos-valia (Leilão) Rosângela Rennó (Jan)
  • Coletiva GROUP SHOW (Jan) Coletiva GROUP SHOW (Jan)
  • 2012 2012
  • Rio Corrente Detanico Lain (Nov) Rio Corrente Detanico Lain (Nov)
  • Serpentes Carmela Gross (Oct) Serpentes Carmela Gross (Oct)
  • Group Show GROUP SHOW (Sep) Group Show GROUP SHOW (Sep)
  • A Força é Limitada pela Necessidade Nicolás Robbio (Sep) A Força é Limitada pela Necessidade Nicolás Robbio (Sep)
  • Maurício Ianês (Jul) Maurício Ianês Maurício Ianês (Jul)
  • Clear images x Vague ideas Dora Longo Bahia (Jul) Clear images x Vague ideas Dora Longo Bahia (Jul)
  • Expansivo GROUP SHOW (Jun) Expansivo GROUP SHOW (Jun)
  • Sunburst Chiara Banfi (May) Sunburst Chiara Banfi (May)
  • Madeira GROUP SHOW (May) Madeira GROUP SHOW (May)
  • Quase Nada Marcelo Cidade (Apr) Quase Nada Marcelo Cidade (Apr)
  • Esqueleto Aéreo Lia Chaia (Apr) Esqueleto Aéreo Lia Chaia (Apr)
  • Coletiva GROUP SHOW Maurício Ianês Lucia Mindlin Loeb Rafael Assef (Mar) Coletiva Fabio Morais Guilherme Peters Marcelo Cidade Odires Mlászho Rosângela Rennó Maurício Ianês Lucia Mindlin Loeb Rafael Assef (Mar)
  • ANTI-HORÁRIO Motta & Lima (Mar) ANTI-HORÁRIO Motta & Lima (Mar)
  • Símile-fac Fabio Morais (Jan) Símile-fac Fabio Morais (Jan)
  • Gabinete de Leitura (Jan) Gabinete de Leitura Flávia Ribeiro (Jan)
  • Novas Pinturas [New Paintings] (Jan) Novas Pinturas [New Paintings] Marilá Dardot (Jan)
  • 2011 2011
  • Contra a Parede GROUP SHOW Cia. de Foto Daniel Senise João loureiro João Nitsche Marilá Dardot Marco Paulo Rolla Mauricio Ianês (Nov) Contra a Parede André Komatsu Cadu Carmela Gross Chiara Banfi Detanico Lain Dora Longo Bahia Fabio Morais Guilherme Peters Lia Chaia Marcelo Cidade Nicolás Robbio Cia. de Foto Daniel Senise João loureiro João Nitsche Marilá Dardot Marco Paulo Rolla Mauricio Ianês (Nov)
  • CA-BRA Guilherme Peters GROUP SHOW (Nov) CA-BRA GROUP SHOW (Nov)
  • Quase aqui (Oct) Quase aqui (Oct)
  • Casamento Sagrado (Oct) Casamento Sagrado Marco Paulo Rolla (Oct)
  • Bordando Design (Sep) Bordando Design GROUP SHOW (Sep)
  • Mil Palavras (Sep) Mil Palavras Leya Mira Brander (Sep)
  • Desviantes (Sep) Desviantes Ana Maria Tavares (Sep)
  • Marcelo Zocchio (Sep) Marcelo Zocchio Marcelo Zocchio (Sep)
  • Spaceman/Caveman Chelpa Ferro (Jul) Spaceman/Caveman Chelpa Ferro (Jul)
  • Manuela Marques (Jul) Manuela Marques Manuela Marques (Jul)
  • Introdução ao Terceiro Mundo (Jul) Introdução ao Terceiro Mundo Marilá Dardot (Jul)
  • Papel Sensível (May) Papel Sensível Cristiano Lenhardt (May)
  • Manhã no Ano do Coelho Cadu (May) Manhã no Ano do Coelho Cadu (May)
  • Escalpo Carioca Dora Longo Bahia (May) Escalpo Carioca Dora Longo Bahia (May)
  • Zero de Conduta (Apr) Zero de Conduta Cinthia Marcelle (Apr)
  • Bandeira em Branco Não é Bandeira Branca Nicolás Robbio (Apr) Bandeira em Branco Não é Bandeira Branca Nicolás Robbio (Apr)
  • Sobre Cor Detanico Lain (Mar) Sobre Cor Detanico Lain (Mar)
  • Fim da Primeira Parte (Mar) Fim da Primeira Parte João Loureiro (Mar)
  • 2010 2010
  • Livre Tradução GROUP SHOW (Nov) Livre Tradução GROUP SHOW (Nov)
  • Sopa Nômade Odires Mlászho (Oct) Sopa Nômade Odires Mlászho (Oct)
  • Meditação da Ferida ou a Escola de Facas (Oct) Meditação da Ferida ou a Escola de Facas Cinthia Marcelle (Oct)
  • Entretanto (Oct) Entretanto Cia. de Foto (Oct)
  • Anônimo Lia Chaia (Sep) Anônimo Lia Chaia (Sep)
  • Avant-Gard is not dead Marcelo Cidade (Sep) Avant-Gard is not dead Marcelo Cidade (Sep)
  • Cerâmica 6 Ltda. (Aug) Cerâmica 6 Ltda. Héctor Zamora (Aug)
  • FF (Aug) FF Matheus Rocha Pitta (Aug)
  • Acaso por Intenção André Komatsu (Aug) Acaso por Intenção André Komatsu (Aug)
  • Trajeto (Jun) Trajeto Rogério Canella (Jun)
  • Salvo o Nome (Jun) Salvo o Nome Maurício Ianês (Jun)
  • Ressaca Tropical (Jun) Ressaca Tropical Jonathas de Andrade (Jun)
  • Alices (Jun) Alices Marilá Dardot (Jun)
  • Vão Guilherme Peters Henrique Cesar GROUP SHOW (May) Vão GROUP SHOW (May)
  • Trash Metal Dora Longo Bahia (May) Trash Metal Dora Longo Bahia (May)
  • Who’s afraid of? GROUP SHOW Maurício Ianês Rafael Assef Leya Mira Brander Leandro da Costa Marcius Galan (May) Who’s afraid of? André Komatsu Chiara Banfi Keila Alaver Lia Chaia Marcelo Cidade Motta & Lima Nicolás Robbio Maurício Ianês Rafael Assef Leya Mira Brander Leandro da Costa Marcius Galan (May)
  • Mic Chelpa Ferro (Apr) Mic Chelpa Ferro (Apr)
  • Dial M for Murder Motta & Lima (Apr) Dial M for Murder Motta & Lima (Apr)
  • Forma, Conteúdo e Poesia Rosângela Rennó (Apr) Forma, Conteúdo e Poesia Rosângela Rennó (Apr)
  • Te iludo Fabio Morais (Mar) Te iludo Fabio Morais (Mar)
  • Koto Chiara Banfi (Mar) Koto Chiara Banfi (Mar)
  • Se mueve pero no se hunde Nicolás Robbio (Mar) Se mueve pero no se hunde Nicolás Robbio (Mar)
  • Lexicon Detanico Lain (Jan) Lexicon Detanico Lain (Jan)
  • Gabriela Albergaria Gabriela Albergaria (Jan) Gabriela Albergaria Gabriela Albergaria (Jan)
  • Paisagens perdidas (Jan) Paisagens perdidas Ana Maria Tavares (Jan)
  • 2009 2009
  • O Jardim da pele de pêssego [The peach skin garden] Keila Alaver (Nov) O Jardim da pele de pêssego [The peach skin garden] Keila Alaver (Nov)
  • Por Aqui [This Way] GROUP SHOW (Nov) Por Aqui [This Way] GROUP SHOW (Nov)
  • O futuro das lembranças [The future of remembrance] (Nov) O futuro das lembranças [The future of remembrance] Lucia Mindlin Loeb (Nov)
  • Pic Nic (Oct) Pic Nic Marco Paulo Rolla (Oct)
  • Tudo me é lícito, mas nem tudo me convence [Everything is licit but not everything convinces me] (Oct) Tudo me é lícito, mas nem tudo me convence [Everything is licit but not everything convinces me] GROUP SHOW (Oct)
  • Avalanche Cadu (Oct) Avalanche Cadu (Oct)
  • Corpo da Alma [Body of Soul] Rosângela Rennó (Oct) Corpo da Alma [Body of Soul] Rosângela Rennó (Oct)
  • Marcados Claudia Andujar (Sep) Marcados Claudia Andujar (Sep)
  • Asimetrías y Convergencias Andrés Ramírez Gaviria GROUP SHOW (Aug) Asimetrías y Convergencias GROUP SHOW (Aug)
  • Artérias e Capilares [Arteries and Capillaries] GROUP SHOW (Jul) Artérias e Capilares [Arteries and Capillaries] GROUP SHOW (Jul)
  • Cassino [Casino] Carla Zaccagnini Fabio Morais GROUP SHOW (Jul) Cassino [Casino] GROUP SHOW (Jul)
  • Zootécnico [Zootechnics] (May) Zootécnico [Zootechnics] João Loureiro (May)
  • Espaços de Tempo [Time spaces] Detanico Lain (May) Espaços de Tempo [Time spaces] Detanico Lain (May)
  • Lançamentos + Planetas [Launches + Planets] (Apr) Lançamentos + Planetas [Launches + Planets] Marcelo Zocchio (Apr)
  • Untitled Nicolás Robbio (Apr) Untitled Nicolás Robbio (Apr)
  • Sob Controle [Under Control] Motta & Lima (Mar) Sob Controle [Under Control] Motta & Lima (Mar)
  • Soma Neutra [Neutral Addition] André Komatsu (Mar) Soma Neutra [Neutral Addition] André Komatsu (Mar)
  • Ph Neutro [Neutral Ph] GROUP SHOW (Jan) Ph Neutro [Neutral Ph] GROUP SHOW (Jan)
  • Tons de cinza [Shades of gray] GROUP SHOW (Jan) Tons de cinza [Shades of gray] GROUP SHOW (Jan)
  • 2008 2008
  • Silêncio! [Silence!] Detanico Lain GROUP SHOW (Nov) Silêncio! [Silence!] GROUP SHOW (Nov)
  • A Ordem dos Tratores não Altera o Viaduto Marcelo Cidade (Oct) A Ordem dos Tratores não Altera o Viaduto Marcelo Cidade (Oct)
  • FORTUNE AND DENIAL or UKYIO-E (the image of a floating world) (Oct) FORTUNE AND DENIAL or UKYIO-E (the image of a floating world) Ana Maria Tavares (Oct)
  • CÍCERA André Komatsu Carla Zaccagnini GROUP SHOW (Oct) CÍCERA GROUP SHOW (Oct)
  • É claro que você sabe do que estou falando? [Of course you know what I’m talking about?] GROUP SHOW (Oct) É claro que você sabe do que estou falando? [Of course you know what I’m talking about?] GROUP SHOW (Oct)
  • Ficções [Fictions] (Sep) Ficções [Fictions] (Sep)
  • Casasubu (Aug) Casasubu Vera Chaves Barcellos (Aug)
  • Provas de Contato [Contact Proofs] GROUP SHOW (Aug) Provas de Contato [Contact Proofs] GROUP SHOW (Aug)
  • Baralhada Lia Chaia (Jul) Baralhada Lia Chaia (Jul)
  • Jardim elétrico [Electric garden] Chelpa Ferro (Jun) Jardim elétrico [Electric garden] Chelpa Ferro (Jun)
  • Vermello (Jun) Vermello Ivana Vollaro (Jun)
  • Melhor de Um [Best of one] (May) Melhor de Um [Best of one] Leandro da Costa (May)
  • My 6th Solo Exhibition Fabio Morais (May) My 6th Solo Exhibition Fabio Morais (May)
  • Bifurcações e Encruzilhadas Carla Zaccagnini (Apr) Bifurcações e Encruzilhadas Carla Zaccagnini (Apr)
  • Belo também é aquilo que não foi visto Dias & Riedweg (Apr) Belo também é aquilo que não foi visto Dias & Riedweg (Apr)
  • Mônica Nador e brodagem Mônica Nador + Jamac (Feb) Mônica Nador e brodagem Mônica Nador + Jamac (Feb)
  • Jogo de dados [Game of dice] (Feb) Jogo de dados [Game of dice] Rafael Assef (Feb)
  • “Looks conceptual” or “How i mistook a Carl Andre for a pile of bricks” GROUP SHOW (Jan) “Looks conceptual” or “How i mistook a Carl Andre for a pile of bricks” GROUP SHOW (Jan)
  • Caio, Felix, Cuts and Perforations (Jan) Caio, Felix, Cuts and Perforations Célio Braga (Jan)
  • 2007 2007
  • FREE BEER (Nov) FREE BEER SUPERFLEX (Nov)
  • Daniel Senise (Oct) Daniel Senise Daniel Senise (Oct)
  • Araucária Angustifólia and Le désespoir du singe Gabriela Albergaria Manuela Marques (Sep) Araucária Angustifólia and Le désespoir du singe Gabriela Albergaria Manuela Marques (Sep)
  • Quando ramos são subtraídos [When branches are subtracted] André Komatsu (Aug) Quando ramos são subtraídos [When branches are subtracted] André Komatsu (Aug)
  • 30 M (Aug) 30 M Rogério Canella (Aug)
  • The Communism of Forms Chelpa Ferro Detanico Lain Leandro Lima GROUP SHOW (Jul) The Communism of Forms GROUP SHOW (Jul)
  • Matiz vertical [Vertical hue] (Jun) Matiz vertical [Vertical hue] Tiago Judas (Jun)
  • Pause Chiara Banfi (Apr) Pause Chiara Banfi (Apr)
  • Julian Rosefeldt (Apr) Julian Rosefeldt Julian Rosefeldt (Apr)
  • Ano Zero [Year Zero] Detanico Lain (Feb) Ano Zero [Year Zero] Detanico Lain (Feb)
  • Quase como ontem Nicolás Robbio Rachel Poignant (Jan) Quase como ontem Nicolás Robbio Rachel Poignant (Jan)
  • 2006 2006
  • Cássio Vasconcellos (Nov) Cássio Vasconcellos Cássio Vasconcellos (Nov)
  • This is not a love song GROUP SHOW (Oct) This is not a love song GROUP SHOW (Oct)
  • A última foto [The last photo] Rosângela Rennó (Oct) A última foto [The last photo] Rosângela Rennó (Oct)
  • Vivendo [Living] Motta & Lima (Sep) Vivendo [Living] Motta & Lima (Sep)
  • Via invertida Lia Chaia (Jul) Via invertida Lia Chaia (Jul)
  • Quarto/Sala [Bedroom/living room] (Jul) Quarto/Sala [Bedroom/living room] Leandro da Costa (Jul)
  • O.D.I.R.E.S. – Objetos Derivados, Intrínsecos aos Restos Emulsionados ou Saqueados Odires Mlászho (May) O.D.I.R.E.S. – Objetos Derivados, Intrínsecos aos Restos Emulsionados ou Saqueados Odires Mlászho (May)
  • próximo (May) próximo Leya Mira Brander (May)
  • Messenger (Apr) Messenger Maurício Ianês (Apr)
  • Baldio [Wasteland] (Apr) Baldio [Wasteland] Ding Musa (Apr)
  • Outro Lugar [Another Place] Marcelo Cidade (Mar) Outro Lugar [Another Place] Marcelo Cidade (Mar)
  • 3D Delivery (Mar) 3D Delivery Tiago Judas (Mar)
  • Aérea [Aerial] (Feb) Aérea [Aerial] Edilaine Cunha (Feb)
  • 2005 2005
  • Museum of letters Fabio Morais (Dec) Museum of letters Fabio Morais (Dec)
  • The Library of Babel (Dec) The Library of Babel Marilá Dardot (Dec)
  • Cabra Criada Dias & Riedweg (Oct) Cabra Criada Dias & Riedweg (Oct)
  • Chelpa Ferro Chelpa Ferro (Sep) Chelpa Ferro Chelpa Ferro (Sep)
  • Grave (Aug) Grave Amílcar Packer (Aug)
  • Movimentos Leves [Light Movements] (Aug) Movimentos Leves [Light Movements] Marco Paulo Rolla (Aug)
  • Rafael Assef (Jul) Rafael Assef Rafael Assef (Jul)
  • Sala dos Espelhos [Room of Mirrors] (Jul) Sala dos Espelhos [Room of Mirrors] Courtney Smith (Jul)
  • Maio [May] Nicolás Robbio Rogério Canella (May) Maio [May] Nicolás Robbio Rogério Canella (May)
  • Viés [Bias] Marcelo Cidade Nicolás Robbio Odires Mlászho GROUP SHOW (Apr) Viés [Bias] GROUP SHOW (Apr)
  • Utilidades Domésticas [Domestic Utilities] (Mar) Utilidades Domésticas [Domestic Utilities] Marcelo Zocchio (Mar)
  • JAMAC Mônica Nador + Jamac (Mar) JAMAC Mônica Nador + Jamac (Mar)
  • Yano-a Claudia Andujar (Feb) Yano-a Claudia Andujar (Feb)
  • Viga Mestre Chiara Banfi (Feb) Viga Mestre Chiara Banfi (Feb)
  • 2004 2004
  • Vol. GROUP SHOW (Nov) Vol. GROUP SHOW (Nov)
  • White Box (Oct) White Box Ricardo Carioba (Oct)
  • Até onde a vista alcança [How far view reaches] Carla Zaccagnini (Aug) Até onde a vista alcança [How far view reaches] Carla Zaccagnini (Aug)
  • Hora Aberta [Open hour] (Aug) Hora Aberta [Open hour] Manuela Marques OVO (Aug)
  • Grátis [Free] GROUP SHOW (Jul) Grátis [Free] GROUP SHOW (Jul)
  • Marco Paulo Rolla (Jun) Marco Paulo Rolla Marco Paulo Rolla (Jun)
  • Solto,Cruzado e junto [Loose, Crossed, and Together] (Apr) Solto,Cruzado e junto [Loose, Crossed, and Together] Cinthia Marcelle Marilá Dardot Sara Ramo (Apr)
  • The world doesn’t need you (Mar) The world doesn’t need you Rosana Monnerat (Mar)
  • 1 (Mar) 1 Edouard Fraipont (Mar)
  • Derivas Detanico Lain Marcelo Cidade Odires Mlászho GROUP SHOW (Jan) Derivas GROUP SHOW (Jan)
  • 2003 2003
  • Modos de Usar [How To Use] GROUP SHOW (Nov) Modos de Usar [How To Use] GROUP SHOW (Nov)
  • 3T1H (Oct) 3T1H André Teruya Eichemberg Giselle Beiguelman Marcelo Marino Bicudo Vera Bighetti (Oct)
  • Retrato V.t.d. Fabio Morais (Sep) Retrato V.t.d. Fabio Morais (Sep)
  • Image Non-Image (Sep) Image Non-Image GROUP SHOW (Sep)
  • Vizinhos [Neighbors] Fabio Morais GROUP SHOW (Aug) Vizinhos [Neighbors] GROUP SHOW (Aug)
  • In ´vel Motta & Lima GROUP SHOW (Jun) In ´vel GROUP SHOW (Jun)
  • SX70 (Jun) SX70 GROUP SHOW (Jun)
  • 1 Lúcia 2 Lúcias Lia Chaia Nicolás Robbio GROUP SHOW (May) 1 Lúcia 2 Lúcias GROUP SHOW (May)
  • O Lugar do Homem [The place of man] (Mar) O Lugar do Homem [The place of man] Rogério Canella (Mar)
  • A Operação Ilegal [The Illegal Operation] (Mar) A Operação Ilegal [The Illegal Operation] Cris Bierrenbach (Mar)
  • Giroflexxxx André Komatsu Marcelo Cidade GROUP SHOW (Feb) Giroflexxxx GROUP SHOW (Feb)
  • 2002 2002
  • Série Azul [Blue series] (Nov) Série Azul [Blue series] Claudia Jaguaribe (Nov)
  • Mônica Nador and Paula Trope Mônica Nador + Jamac Paula Trope (Nov) Mônica Nador and Paula Trope Mônica Nador + Jamac Paula Trope (Nov)
  • Rafael Assef and Eliana Bordin (Oct) Rafael Assef and Eliana Bordin Eliana Bordin Rafael Assef (Oct)
  • Noturnos [Nocturnal] (Sep) Noturnos [Nocturnal] Cássio Vasconcelos (Sep)
  • A Palidez Iluminada [The Illuminated Pallidness] Odires Mlászho (Aug) A Palidez Iluminada [The Illuminated Pallidness] Odires Mlászho (Aug)
  • Marrom GROUP SHOW (Jul) Marrom GROUP SHOW (Jul)
  • X Odires Mlászho GROUP SHOW (May) X GROUP SHOW (May)
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    CURRENT (1) CURRENT (1)

  • Bar e Lanches Lapinha Bar e Lanches Lapinha
    Lapinha
  • ARCHIVE (135)

    2025 2025
  • Splécht! Dora Longo Bahia (Mar) Splécht! Dora Longo Bahia (Mar)
  • Circus Solaris | Circum Lunares Estevan Davi (Jan) Circus Solaris | Circum Lunares Estevan Davi (Jan)
  • 2024 2024
  • Gravity Carlos Motta (Jul) Gravity Carlos Motta (Jul)
  • Inverted Apocalypse Clara Ianni (May) Inverted Apocalypse Clara Ianni (May)
  • Desenhos articulados Lia Chaia (Mar) Desenhos articulados Lia Chaia (Mar)
  • Geometry is hope Geometry is fear (Feb) Geometry is hope Geometry is fear Runo Lagomarsino (Feb)
  • 2023 2023
  • Contrafachada (Oct) Contrafachada Tiago Guimarães (Oct)
  • La Marcha Tania Candiani Grupo Flor de Kantuta (Aug) La Marcha Tania Candiani Grupo Flor de Kantuta (Aug)
  • The grid and the fence Marcelo Cidade (May) The grid and the fence Marcelo Cidade (May)
  • Genocídio do Yanomami: morte do Brasil Claudia Andujar (Feb) Genocídio do Yanomami: morte do Brasil Claudia Andujar (Feb)
  • 2022 2022
  • Perigo Minas! Dora Longo Bahia (Nov) Perigo Minas! Dora Longo Bahia (Nov)
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  • Sobre a terra, sob o céu Detanico Lain (Aug) Sobre a terra, sob o céu Detanico Lain (Aug)
  • Vulva Livre [Free Vulva] (Jul) Vulva Livre [Free Vulva] Depois do Fim da Arte (Jul)
  • Nem tudo que vai prá parede é obra de arte (Jul) Nem tudo que vai prá parede é obra de arte Marcel Diogo (Jul)
  • still ever still (Jun) still ever still Marilá Dardot (Jun)
  • 23.970/24.005 (Mar) 23.970/24.005 Ana Amorim (Mar)
  • Calling of the Subjunctive Elilson (Feb) Calling of the Subjunctive Elilson (Feb)
  • 2021 2021
  • Dissociação (Dec) Dissociação VÃO (Dec)
  • X Carmela Gross (Aug) X Carmela Gross (Aug)
  • Res verso Elilson (Jul) Res verso Elilson (Jul)
  • 2020 2020
  • In Alphabetic Order Detanico Lain (Oct) In Alphabetic Order Detanico Lain (Oct)
  • Untitled (Feb) Untitled Cinthia Marcelle (Feb)
  • 2019 2019
  • Lenin is still around Rosângela Rennó (Nov) Lenin is still around Rosângela Rennó (Nov)
  • Shapes of Freedom Carlos Motta (Oct) Shapes of Freedom Carlos Motta (Oct)
  • Estacionamente Lia Chaia (Aug) Estacionamente Lia Chaia (Aug)
  • Fugue (Subject) Dora Longo Bahia (Jul) Fugue (Subject) Dora Longo Bahia (Jul)
  • Ctrl z (Jun) Ctrl z Fernanda Roriz Julie Uszkurat Marina Secaf Pedro Ferris (Jun)
  • Três Poderes [Three Powers] Guilherme Peters (Apr) Três Poderes [Three Powers] Guilherme Peters (Apr)
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  • Malaise (Mar) Malaise Renato Maretti (Mar)
  • O ar da graça (Jan) O ar da graça Leya Mira Brander (Jan)
  • 2018 2018
  • Estamos no escuro Fabio Morais (Nov) Estamos no escuro Fabio Morais (Nov)
  • Autômatos André Komatsu (Aug) Autômatos André Komatsu (Aug)
  • Elipse Nicolás Bacal (Jan) Elipse Nicolás Bacal (Jan)
  • 2017 2017
  • One Hundred Years Rosângela Rennó (Nov) One Hundred Years Rosângela Rennó (Nov)
  • A arquitetura não foi feita para enfeitar o desastre (Oct) A arquitetura não foi feita para enfeitar o desastre Laércio Redondo (Oct)
  • SOMOS Iván Argote (Sep) SOMOS Iván Argote (Sep)
  • Monumento Carmela Gross (Jun) Monumento Carmela Gross (Jun)
  • Ashes Dora Longo Bahia (Mar) Ashes Dora Longo Bahia (Mar)
  • 2016 2016
  • As Built (Nov) As Built João Nitsche Pedro Nitsche (Nov)
  • Ocitarcomed Marcelo Cidade (Sep) Ocitarcomed Marcelo Cidade (Sep)
  • Lightning Carmela Gross (Aug) Lightning Carmela Gross (Aug)
  • 70 degrees of separation Marcelo Moscheta (Jun) 70 degrees of separation Marcelo Moscheta (Jun)
  • Comum com outro (Jan) Comum com outro Leandro da Costa (Jan)
  • 2015 2015
  • sem título Edgard de Souza (Oct) sem título Edgard de Souza (Oct)
  • Yayoi Dialogue (Sep) Yayoi Dialogue Nelson Leirner (Sep)
  • Guarda Chuvas (May) Guarda Chuvas Keila Alaver (May)
  • 4,9 Motta & Lima (Mar) 4,9 Motta & Lima (Mar)
  • Alta Tensão (Feb) Alta Tensão Marco Paulo Rolla (Feb)
  • 2014 2014
  • Blocão Dias & Riedweg (Dec) Blocão Dias & Riedweg (Dec)
  • Régua de Fibonacci Gabriela Albergaria (Nov) Régua de Fibonacci Gabriela Albergaria (Nov)
  • Let’s write a history of hopes Iván Argote (Sep) Let’s write a history of hopes Iván Argote (Sep)
  • Aqui, agora e já Rosângela Rennó (Aug) Aqui, agora e já Rosângela Rennó (Aug)
  • Un fusilado (Jul) Un fusilado ENRIQUE JEZIK (Jul)
  • Sem título (Jun) Sem título Maurício Ianês (Jun)
  • Aquário suave sonora Chelpa Ferro (Apr) Aquário suave sonora Chelpa Ferro (Apr)
  • Vermelho (Mar) Vermelho Daniel Senise (Mar)
  • Placemark (Jan) Placemark Andreas Fogarasi (Jan)
  • 2013 2013
  • Para onde os mosquitos vão quando chove [Where do mosquitoes go when it rains?] (Nov) Para onde os mosquitos vão quando chove [Where do mosquitoes go when it rains?] Felipe Salem (Nov)
  • Museu do Homem do Nordeste (Oct) Museu do Homem do Nordeste Jonathas de Andrade (Oct)
  • Sem título [Dr. Mabuse] (Aug) Sem título [Dr. Mabuse] Eva Grubinger (Aug)
  • Curva de jardim Lia Chaia (Jul) Curva de jardim Lia Chaia (Jul)
  • Estado das coisas 2 André Komatsu (Apr) Estado das coisas 2 André Komatsu (Apr)
  • Alfabeto Fonético Aplicado II: Pavimentaram a Panamericana e tudo o que eu vejo é a falha de Darien Carla Zaccagnini (Feb) Alfabeto Fonético Aplicado II: Pavimentaram a Panamericana e tudo o que eu vejo é a falha de Darien Carla Zaccagnini (Feb)
  • 2012 2012
  • Dentro Fora Detanico Lain (Dec) Dentro Fora Detanico Lain (Dec)
  • 2 Buracos Carmela Gross (Oct) 2 Buracos Carmela Gross (Oct)
  • Fachada em transformação (Jul) Fachada em transformação ANARKADEMIA (Jul)
  • Gato Lia Chaia (Jun) Gato Lia Chaia (Jun)
  • 2011 2011
  • Paredão (Nov) Paredão João Nitsche (Nov)
  • Pauta [Score] Chiara Banfi (Sep) Pauta [Score] Chiara Banfi (Sep)
  • 2010 2010
  • O silêncio é de outro (Nov) O silêncio é de outro Maurício Ianês (Nov)
  • Fachadeira Lia Chaia (Sep) Fachadeira Lia Chaia (Sep)
  • Label (Aug) Label João Loureiro (Aug)
  • Tempestade para Ludwig Wittgenstein (Jun) Tempestade para Ludwig Wittgenstein Maurício Ianês (Jun)
  • Caveirão Dora Longo Bahia (May) Caveirão Dora Longo Bahia (May)
  • Se mueve pero no se hunde Nicolás Robbio (Apr) Se mueve pero no se hunde Nicolás Robbio (Apr)
  • Eclipse Detanico Lain (Feb) Eclipse Detanico Lain (Feb)
  • 2009 2009
  • Fachada fachadas (Oct) Fachada fachadas Aline Van Langendonck (Oct)
  • Drive Thru #2 (Sep) Drive Thru #2 Matheus Rocha Pitta (Sep)
  • Imponente/Impotente André Komatsu (Jul) Imponente/Impotente André Komatsu (Jul)
  • Welcome Chiara Banfi (Jan) Welcome Chiara Banfi (Jan)
  • 2008 2008
  • Listen (Nov) Listen Nathalie Brevet Hughes Rochette (Nov)
  • Fortuna e recusa ou ukyio-e (Oct) Fortuna e recusa ou ukyio-e Ana Maria Tavares (Oct)
  • Open Call (Oct) Open Call Mix Brasil (Oct)
  • Um grande livro vermelho (Sep) Um grande livro vermelho Marilá Dardot (Sep)
  • Esfinge Lia Chaia (Jul) Esfinge Lia Chaia (Jul)
  • Art | Basel | Geneva | Belgrade | Skopie | São Paulo (Jul) Art | Basel | Geneva | Belgrade | Skopie | São Paulo Cris Faria Lukas Mettler (Jul)
  • Vermello sobre vermelho (Jun) Vermello sobre vermelho Ivana Vollaro (Jun)
  • Geometria 37 (May) Geometria 37 Ivan Hurtado (May)
  • Uma e três casas (projeção) Carla Zaccagnini (Apr) Uma e três casas (projeção) Carla Zaccagnini (Apr)
  • A caixa no tempo, o tempo na caixa (Feb) A caixa no tempo, o tempo na caixa Renata Pedrosa (Feb)
  • Looks conceptual – from Pilha series Detanico Lain (Jan) Looks conceptual – from Pilha series Detanico Lain (Jan)
  • 2007 2007
  • Free Beer (Nov) Free Beer Superflex (Nov)
  • Fluxografia #4 (Oct) Fluxografia #4 Guilherme Teixeira (Oct)
  • Andorinhas Gabriela Albergaria (Sep) Andorinhas Gabriela Albergaria (Sep)
  • Camuflagem (Feb) Camuflagem Fabio Tremonte (Feb)
  • Apropri_ação 7 (Jan) Apropri_ação 7 Rodolfo Parigi (Jan)
  • 2006 2006
  • Cobertura (Nov) Cobertura Guilherme Teixeira (Nov)
  • Untitled (Oct) Untitled Superflex (Oct)
  • Demolidora, transportadora e construtora ilimitada [Demolisher, transporter and construction unlimited] Motta & Lima (Sep) Demolidora, transportadora e construtora ilimitada [Demolisher, transporter and construction unlimited] Motta & Lima (Sep)
  • Heliponto Lia Chaia (Jul) Heliponto Lia Chaia (Jul)
  • Xadrez Combinado (May) Xadrez Combinado Fabiano Marques (May)
  • Rampa (Apr) Rampa João Nitsche (Apr)
  • Palma Mater (Mar) Palma Mater Teresa Berlinck (Mar)
  • Porto para abdução (Feb) Porto para abdução Márcio Banfi (Feb)
  • 2005 2005
  • Impossibilidade (Dec) Impossibilidade Andrezza Valentin (Dec)
  • THROW Dias & Riedweg (Oct) THROW Dias & Riedweg (Oct)
  • LULADEPELUCIA (Sep) LULADEPELUCIA Raul Mourão (Sep)
  • White Elevation (Aug) White Elevation Tiago Judas (Aug)
  • sem título Nicolás Robbio (May) sem título Nicolás Robbio (May)
  • (Apr) Fernando Limberger (Apr)
  • Nas entrelinhas de Marton (Apr) Nas entrelinhas de Marton Marton (Apr)
  • Acampamento dos anjos (Feb) Acampamento dos anjos Eduardo Srur (Feb)
  • 2004 2004
  • 5 vezes 10 degraus Detanico Lain (Oct) 5 vezes 10 degraus Detanico Lain (Oct)
  • sem título Nicolás Robbio (Aug) sem título Nicolás Robbio (Aug)
  • Fonte do Desejo (Jul) Fonte do Desejo Jun Nakao (Jul)
  • Derramamento [Overflow] (Jun) Derramamento [Overflow] Marco Paulo Rolla (Jun)
  • Sem título Nicolás Robbio (May) Sem título Nicolás Robbio (May)
  • Sem título (Apr) Sem título Cinthia Marcelle Sara Ramo (Apr)
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  • PLAF! Detanico Lain Fabiano Marques (Jan) PLAF! Detanico Lain Fabiano Marques (Jan)
  • 2003 2003
  • Buffet da Alice (Nov) Buffet da Alice MaÍra Voltolini (Nov)
  • Homenagem à luz da cidade onde vivo Fabio Morais (Sep) Homenagem à luz da cidade onde vivo Fabio Morais (Sep)
  • Sem título (Aug) Sem título Graziela Kunsch Jorge Menna Barreto (Aug)
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  • Untitled (Feb) Untitled Felipe González (Feb)
  • 2002 2002
  • Arquiteturas Mônica Nador + Jamac (Nov) Arquiteturas Mônica Nador + Jamac (Nov)
  • Cubo Infinito (Oct) Cubo Infinito Leandro da Costa (Oct)
  • Sem título André Komatsu (Sep) Sem título André Komatsu (Sep)
  • Fachada brasileira Lia Chaia (Aug) Fachada brasileira Lia Chaia (Aug)
  • Untitled Keila Alaver Ricardo Carioba (Jul) Untitled Keila Alaver Ricardo Carioba (Jul)
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      artrio-2019
      Galeria Vermelho - Fairs
      Fairs
      19.Sep.19 - 22.Sep.19
      pdf
      ArtRio 2019
      Marina da Glória
      Rio de Janeiro, Brazil
      booth A8
      TEXTS
      Cadu Chiara Banfi Claudia Andujar Detanico Lain Dora Longo Bahia Edgard de Souza Iván Argote Lia Chaia Rosângela Rennó
      IMAGES
      André Komatsu Cadu Chiara Banfi Dora Longo Bahia Edgard de Souza Rosângela Rennó
      artrio-2019
      Exhibitions:
      ArtRio 2019
      Exhibition view

      Photo Vermelho

      Photo Vermelho
      André Komatsu Cadu Dora Longo Bahia Rosângela Rennó
      artrio-2019
      Exhibitions:
      ArtRio 2019
      Exhibition view

      Photo Vermelho

      Photo Vermelho
      Dora Longo Bahia
      artrio-2019
      Exhibitions:
      ArtRio 2019
      Fuga (Terceira voz: Liliana), 2019
      220 x 122 cm

      Acrylic paint on both sides of linen canvas and augmented reality

      Photo Edouard Fraipont

      Fugues are polyphonic compositions, where one melody overlaps another. The fugues are structured by a main theme, the subject of the composition, with which subsequent “voices” establish variations.
      In her series of paintings called Fuga (2019), Longo Bahia employs an Augmented Reality experience where one painting leads to another through the use of an app that reveals covert images.
      In Fuga (terceira voz), the series portrays women that were persecuted, tortured or murdered by the military dictatorships of each of the South American countries that aligned themselves with the United States during Operation Condor (1968-1989).

      220 x 122 cm

      Acrylic paint on both sides of linen canvas and augmented reality

      Photo Edouard Fraipont

      Fugues are polyphonic compositions, where one melody overlaps another. The fugues are structured by a main theme, the subject of the composition, with which subsequent “voices” establish variations.
      In her series of paintings called Fuga (2019), Longo Bahia employs an Augmented Reality experience where one painting leads to another through the use of an app that reveals covert images.
      In Fuga (terceira voz), the series portrays women that were persecuted, tortured or murdered by the military dictatorships of each of the South American countries that aligned themselves with the United States during Operation Condor (1968-1989).

      Dora Longo Bahia
      artrio-2019
      Exhibitions:
      ArtRio 2019
      Fuga (Terceira voz: Nalvia), 2019
      220 x 122 cm

      Acrylic paint on both sides of linen canvas and augmented reality

      Photo Edouard Fraipont

      Fugues are polyphonic compositions, where one melody overlaps another. The fugues are structured by a main theme, the subject of the composition, with which subsequent “voices” establish variations.
      In her series of paintings called Fuga (2019), Longo Bahia employs an Augmented Reality experience where one painting leads to another through the use of an app that reveals covert images.
      In Fuga (terceira voz), the series portrays women that were persecuted, tortured or murdered by the military dictatorships of each of the South American countries that aligned themselves with the United States during Operation Condor (1968-1989).

      220 x 122 cm

      Acrylic paint on both sides of linen canvas and augmented reality

      Photo Edouard Fraipont

      Fugues are polyphonic compositions, where one melody overlaps another. The fugues are structured by a main theme, the subject of the composition, with which subsequent “voices” establish variations.
      In her series of paintings called Fuga (2019), Longo Bahia employs an Augmented Reality experience where one painting leads to another through the use of an app that reveals covert images.
      In Fuga (terceira voz), the series portrays women that were persecuted, tortured or murdered by the military dictatorships of each of the South American countries that aligned themselves with the United States during Operation Condor (1968-1989).

      Rosângela Rennó
      artrio-2019
      Exhibitions:
      ArtRio 2019
      Sem título (baixos, silver # 2 e altos) – da série Nuptias, 2017
      31 x 25 cm (each) - triptych

      mixed midia on photography

      Photo reproduction

      Nuptias consists of photo-paintings and collages made by Rennó based on wedding photographs. The artists alterations are made with paint, objects, cuttings and recompositions. Besides referring to the plurality of affective unions without regard to belief, race, sexual orientation or any other convention, the artist revisits various icons of the culture of visuality, in both the Occident and the Orient. The photo-paintings and their titles make reference to the ceremonial, the pop culture, recent politics, religion and social inequality.

      31 x 25 cm (each) - triptych

      mixed midia on photography

      Photo reproduction

      Nuptias consists of photo-paintings and collages made by Rennó based on wedding photographs. The artists alterations are made with paint, objects, cuttings and recompositions. Besides referring to the plurality of affective unions without regard to belief, race, sexual orientation or any other convention, the artist revisits various icons of the culture of visuality, in both the Occident and the Orient. The photo-paintings and their titles make reference to the ceremonial, the pop culture, recent politics, religion and social inequality.

      André Komatsu
      artrio-2019
      Exhibitions:
      ArtRio 2019
      Realidade perecível, 2017
      101 x 101 cm

      fiberglass screen, wood, water-based enamel paint and acrylic varnish on concrete

      Photo Vermelho

      The works from the Realidade perecível series were made with glass fiber mesh coated with concrete, painted, lacquered, varnished attached to tbrackets form the top and subsequently fixed to the wall. The artist?s actions causes the concrete layer to be broken gradually, showing the structure of the work, in this manufactoring process coexists the construction and destruction of forms and symbols.

      101 x 101 cm

      fiberglass screen, wood, water-based enamel paint and acrylic varnish on concrete

      Photo Vermelho

      The works from the Realidade perecível series were made with glass fiber mesh coated with concrete, painted, lacquered, varnished attached to tbrackets form the top and subsequently fixed to the wall. The artist?s actions causes the concrete layer to be broken gradually, showing the structure of the work, in this manufactoring process coexists the construction and destruction of forms and symbols.

      André Komatsu Cadu
      artrio-2019
      Exhibitions:
      ArtRio 2019
      ArtRio 2019, 2019

      Photo Vermelho

      Photo Vermelho
      Cadu Virgilio Bahde
      artrio-2019
      Exhibitions:
      ArtRio 2019
      Craca Ganga 1, 2019
      56 x 26 x 15 cm

      wood, nickel, copper and onyx

      Photo courtesy of artist

      Cadu’s practice is marked by a transdisciplinary approach. Each project emerges according to conceptual characteristics, with no pre-election of languages or techniques. In his repertoire there are performances, installations, drawings, paintings, objects, sculptures, videos and photographs, influenced by themes related to systems, repetition, games, time and circularity. His works celebrate the relationship between man and nature, rational and instinctive, chaos and rigor.

      56 x 26 x 15 cm

      wood, nickel, copper and onyx

      Photo courtesy of artist

      Cadu’s practice is marked by a transdisciplinary approach. Each project emerges according to conceptual characteristics, with no pre-election of languages or techniques. In his repertoire there are performances, installations, drawings, paintings, objects, sculptures, videos and photographs, influenced by themes related to systems, repetition, games, time and circularity. His works celebrate the relationship between man and nature, rational and instinctive, chaos and rigor.

      Cinthia Marcelle
      artrio-2019
      Exhibitions:
      ArtRio 2019
      O dramaturgo – da série Conjunção de fatores, 2015
      103 x 103 cm (each) - diptych

      printing with mineral pigment ink on Hahnemühle Photo Rag Satin 310 gr paper

      Photo reproduction

      From the beginning of her career, Cinthia Marcelle was interested in various artistic processes, seeking the raw material of her work in social relations and the daily chaos that surrounds her. Her works bear a temporal character, present in the exploration of repetition and accumulation. Through her work, Marcelle organizes and confuses things, creating interventions that formally reorganize everyday objects and situations.

      103 x 103 cm (each) - diptych

      printing with mineral pigment ink on Hahnemühle Photo Rag Satin 310 gr paper

      Photo reproduction

      From the beginning of her career, Cinthia Marcelle was interested in various artistic processes, seeking the raw material of her work in social relations and the daily chaos that surrounds her. Her works bear a temporal character, present in the exploration of repetition and accumulation. Through her work, Marcelle organizes and confuses things, creating interventions that formally reorganize everyday objects and situations.

      Cadu Chiara Banfi
      artrio-2019
      Exhibitions:
      ArtRio 2019
      Exhibition view

      Photo Vermelho

      Photo Vermelho
      Cadu
      artrio-2019
      Exhibitions:
      ArtRio 2019
      Oásis 2, 2018
      110 x 80 cm

      Salt and rust on 300gr paper. Framed by Metara (Rio de Janeiro, BR).

      Photo courtesy of artist

      Oásis uses a system of hoses and filters to produce geometric drawings from the dripping of briny water over paper and iron bars. In a garden-like dynamic, in which shapes are born out of cultivation and care, the images are formed as the ore?s inner layers are gradually exposed through corrosive irrigation. Rock, crystal, fluid and vapor behave as dictated by the alchemical principles Solvet (dissolution) and Coagula (coagulation), trusting the remains left behind by the different stages of depurating matter to establish a phantom of the image.

      110 x 80 cm

      Salt and rust on 300gr paper. Framed by Metara (Rio de Janeiro, BR).

      Photo courtesy of artist

      Oásis uses a system of hoses and filters to produce geometric drawings from the dripping of briny water over paper and iron bars. In a garden-like dynamic, in which shapes are born out of cultivation and care, the images are formed as the ore?s inner layers are gradually exposed through corrosive irrigation. Rock, crystal, fluid and vapor behave as dictated by the alchemical principles Solvet (dissolution) and Coagula (coagulation), trusting the remains left behind by the different stages of depurating matter to establish a phantom of the image.

      Cadu Chiara Banfi Clara Ianni Claudia Andujar Lia Chaia
      artrio-2019
      Exhibitions:
      ArtRio 2019
      Exhibition view

      Photo Vermelho

      Photo Vermelho
      Chiara Banfi
      artrio-2019
      Exhibitions:
      ArtRio 2019
      harsh mind & hurt body, from body and soul series, 2019
      Shelf 25 x 35 x 3 cm / RCA cable 3m

      White quartz, smoky quartz, RCA cable and solid cumaru wood

      Photo Fabio Audi

      My current work explores sound structures in a sensory way, where I feel that music and nature come together in a kind of code. … I’ve always thought of sound, volume, and rhythm breaking boundaries and barriers in search of a place, looking for ways to visualize how that sound could be ‘seen’ if traveling in a room, a body, or a garden.
      Chiara Banf

      Shelf 25 x 35 x 3 cm / RCA cable 3m

      White quartz, smoky quartz, RCA cable and solid cumaru wood

      Photo Fabio Audi

      My current work explores sound structures in a sensory way, where I feel that music and nature come together in a kind of code. … I’ve always thought of sound, volume, and rhythm breaking boundaries and barriers in search of a place, looking for ways to visualize how that sound could be ‘seen’ if traveling in a room, a body, or a garden.
      Chiara Banf

      Chiara Banfi Clara Ianni
      artrio-2019
      Exhibitions:
      ArtRio 2019
      Exhibition view

      Photo Vermelho

      Photo Vermelho
      Chiara Banfi
      artrio-2019
      Exhibitions:
      ArtRio 2019 PArC 2019
      Jumbo – from the Dentro Fora series, 2019
      64 x 52 x 3 cm (each) - diptych

      Laminated plywood sheet coated with sapele and water based marker; laminated plywood sheet coated with faia and solid beech wood collage

      Photo courtesy of artist

      Chiara Banfi’s interest lies in the confluence between nature and sound – or nature and music. From her early large scale expansive drawings that invaded and dialogued with the given architectural space forming visual soundwaves to her more recent works deploying rocks as rhythm dispersing solids, her production seeks to give corporality to bodiless findings.

      64 x 52 x 3 cm (each) - diptych

      Laminated plywood sheet coated with sapele and water based marker; laminated plywood sheet coated with faia and solid beech wood collage

      Photo courtesy of artist

      Chiara Banfi’s interest lies in the confluence between nature and sound – or nature and music. From her early large scale expansive drawings that invaded and dialogued with the given architectural space forming visual soundwaves to her more recent works deploying rocks as rhythm dispersing solids, her production seeks to give corporality to bodiless findings.

      Claudia Andujar
      artrio-2019
      Exhibitions:
      ArtRio 2019
      Untitled – from The Forest series, 1972 - 1976
      68 x 102 cm

      Infrared film scanned and printed with mineral pigmented inkjet on Hahnemühle Photo Rag Baryta 315g paper

      Photo reproduction

      “My relationship with Brazilian indigenous peoples, the guiding force of both my career as a photographer and my life, is essentially one of fondness. This sentiment, over time, has led me to divide my time as a photographer with activities in defense of those peoples’ rights to territory and survival. A demanding task that requires great perseverance.”
      Claudia Andujar

      68 x 102 cm

      Infrared film scanned and printed with mineral pigmented inkjet on Hahnemühle Photo Rag Baryta 315g paper

      Photo reproduction

      “My relationship with Brazilian indigenous peoples, the guiding force of both my career as a photographer and my life, is essentially one of fondness. This sentiment, over time, has led me to divide my time as a photographer with activities in defense of those peoples’ rights to territory and survival. A demanding task that requires great perseverance.”
      Claudia Andujar

      Clara Ianni
      artrio-2019
      Exhibitions:
      ArtRio 2019
      Concrete work 2, 2011
      150 x 50 x 50 cm

      shovel and cement

      Photo Vermelho

      Clara Ianni’s work explores the relationship between art and politics. Her practice relies on the use of different medias such as interventions, videos, installation and texts, tackling the dia-logue between performance and material culture. She is interested in exploring class and labor issues within the artistic context as well as the politics of history.

      Concrete work can be read as an evocation of the legend of Exaclibur, where the sword Caledfwlch, embedded in a stone (or anvil) can only be obtained by Arthur, as a miraculous symbol of his Nobility and right to the throne of Brittany. Perhaps the shovel stuck in the concrete by Ianni suggests that true power is destined to the worker’s hands.

      150 x 50 x 50 cm

      shovel and cement

      Photo Vermelho

      Clara Ianni’s work explores the relationship between art and politics. Her practice relies on the use of different medias such as interventions, videos, installation and texts, tackling the dia-logue between performance and material culture. She is interested in exploring class and labor issues within the artistic context as well as the politics of history.

      Concrete work can be read as an evocation of the legend of Exaclibur, where the sword Caledfwlch, embedded in a stone (or anvil) can only be obtained by Arthur, as a miraculous symbol of his Nobility and right to the throne of Brittany. Perhaps the shovel stuck in the concrete by Ianni suggests that true power is destined to the worker’s hands.

      Claudia Andujar
      artrio-2019
      Exhibitions:
      Frieze New York 2023 ArtRio 2019
      High-contrast film, RR – from The Forest series, 1974
      45 x 67 cm each piece of 3

      Analog amplification with gelatine and silver on matte Ilford Multigrade Classic 1k double weight fiber paper. With treatment and preservation bath based on selenium.

      Photo Reproduction

      “My relationship with Brazilian indigenous peoples, the guiding force of both my career as a photographer and my life, is essentially one of fondness. This sentiment, over time, has led me to divide my time as a photographer with activities in defense of those peoples’ rights to territory and survival. A demanding task that requires great perseverance.”
      Claudia Andujar

      45 x 67 cm each piece of 3

      Analog amplification with gelatine and silver on matte Ilford Multigrade Classic 1k double weight fiber paper. With treatment and preservation bath based on selenium.

      Photo Reproduction

      “My relationship with Brazilian indigenous peoples, the guiding force of both my career as a photographer and my life, is essentially one of fondness. This sentiment, over time, has led me to divide my time as a photographer with activities in defense of those peoples’ rights to territory and survival. A demanding task that requires great perseverance.”
      Claudia Andujar

      Claudia Andujar Detanico Lain Lia Chaia
      artrio-2019
      Exhibitions:
      ArtRio 2019
      Exhibition view

      Photo Vermelho

      Photo Vermelho
      Lia Chaia
      artrio-2019
      Exhibitions:
      ArtRio 2019
      Thousand eyes, 2018
      1´46´´ - loop

      video – 16:9, color, sound

      Photo video still

      Mil olhos [Thousand Eyes] integrates Chaia’s set of performances made for the camcorder. The static and sequential plan reinforces the experience lived in the situation registered as the main data of the work. According to Chaia, the video is the capture of an action of “insistent, repetitive and delusional movements of the head. Therein lies the potent refusal – the ‘no’ – and the feverish state”.
      Collaboration: João Marcos de Almeida/ cinematography: Bruno Risas/ direct sound: Juliana R./ edition: João Marcos de Almeida

      1´46´´ - loop

      video – 16:9, color, sound

      Photo video still

      Mil olhos [Thousand Eyes] integrates Chaia’s set of performances made for the camcorder. The static and sequential plan reinforces the experience lived in the situation registered as the main data of the work. According to Chaia, the video is the capture of an action of “insistent, repetitive and delusional movements of the head. Therein lies the potent refusal – the ‘no’ – and the feverish state”.
      Collaboration: João Marcos de Almeida/ cinematography: Bruno Risas/ direct sound: Juliana R./ edition: João Marcos de Almeida

      Detanico Lain Ana Maria Tavares
      artrio-2019
      Exhibitions:
      ArtRio 2019
      Exhibition view

      Photo Vermelho

      Photo Vermelho
      Detanico Lain
      artrio-2019
      Exhibitions:
      House in the Sky ArtRio 2019
      Kuara – Radiante series, 2018
      90 x 150 cm

      22k gold leaf, shellac varnish and ethyl alcohol on MDF

      Photo Vermelho

      In the Radiante system, the word sun is written in different languages, according to a graph that simulates the sun’s rays and that, for each quadrant,the artists assign a letter. Each module/ letteris reproduced in goldplated wood,. Kuara is the word for sun in tupi-guarani.

      90 x 150 cm

      22k gold leaf, shellac varnish and ethyl alcohol on MDF

      Photo Vermelho

      In the Radiante system, the word sun is written in different languages, according to a graph that simulates the sun’s rays and that, for each quadrant,the artists assign a letter. Each module/ letteris reproduced in goldplated wood,. Kuara is the word for sun in tupi-guarani.

      Ana Maria Tavares
      artrio-2019
      Exhibitions:
      ArtRio 2019
      Disjunção Prismática VI (Saturno Black), 2019
      122,8 x 142,8 x 7,6 cm

      milled slate, matte graphite anodized aluminum, Fossil Black marble, black stainless steel, matte black anodized aluminum

      Photo Vermelho

      Prismatic disjunction is part of a series of works that has as its central axis the concept of rotation of authorial architectures creating a dialogue with the architects Adolf Loos (1870-1933), Ludwig Mies van der Rohe (1886-1969) and Oscar Niemeyer (1907-2012). Tavares uses materials and finishes present in the works of these architects to create modular relationships typical of her own production.

      122,8 x 142,8 x 7,6 cm

      milled slate, matte graphite anodized aluminum, Fossil Black marble, black stainless steel, matte black anodized aluminum

      Photo Vermelho

      Prismatic disjunction is part of a series of works that has as its central axis the concept of rotation of authorial architectures creating a dialogue with the architects Adolf Loos (1870-1933), Ludwig Mies van der Rohe (1886-1969) and Oscar Niemeyer (1907-2012). Tavares uses materials and finishes present in the works of these architects to create modular relationships typical of her own production.

      André Komatsu Cadu Edgard de Souza Rosângela Rennó
      artrio-2019
      Exhibitions:
      ArtRio 2019
      Exhibition view

      Photo Vermelho

      Photo Vermelho
      André Komatsu
      artrio-2019
      Exhibitions:
      ArtRio 2019
      Massa falida 4, 2018
      275 x 303 x 7 cm

      vinyl paint on sewn rubble bags and iron bar

      Photo Edouard Fraipont

      The works from the Massa falida series are composed of bags of debris used in construction. Sewn together, the bags form banners or flags. Arranged side by side, they show a repetition of textual information from the original product. With ink and solvent, Komatsu erases or highlights excerpts from these original texts and draws lines and graphs, creating new meanings. The trash bag exits the lowest disposable place in construction debris hierarchy to draw attention to the historical repetitions of social disparities.

      275 x 303 x 7 cm

      vinyl paint on sewn rubble bags and iron bar

      Photo Edouard Fraipont

      The works from the Massa falida series are composed of bags of debris used in construction. Sewn together, the bags form banners or flags. Arranged side by side, they show a repetition of textual information from the original product. With ink and solvent, Komatsu erases or highlights excerpts from these original texts and draws lines and graphs, creating new meanings. The trash bag exits the lowest disposable place in construction debris hierarchy to draw attention to the historical repetitions of social disparities.

      Rosângela Rennó
      artrio-2019
      Exhibitions:
      ArtRio 2019
      Untitled (black #1 e dote indiano) – from the Nuptias series, 2017
      31 x 25 cm (each) - diptych

      mixed midia on photography

      Photo courtesy of artist

      Nuptias consists of photo-paintings and collages made by Rennó based on wedding photographs. The artist’s alterations are made with paint, objects, cuttings and recompositions. Besides referring to the plurality of affective unions without regard to belief, race, sexual orientation or any other convention, the artist revisits various icons of the culture of visuality, in both the Occident and the Orient. The photo-paintings and their titles make reference to the ceremonial, the pop culture, recent politics, religion and social inequality.

      31 x 25 cm (each) - diptych

      mixed midia on photography

      Photo courtesy of artist

      Nuptias consists of photo-paintings and collages made by Rennó based on wedding photographs. The artist’s alterations are made with paint, objects, cuttings and recompositions. Besides referring to the plurality of affective unions without regard to belief, race, sexual orientation or any other convention, the artist revisits various icons of the culture of visuality, in both the Occident and the Orient. The photo-paintings and their titles make reference to the ceremonial, the pop culture, recent politics, religion and social inequality.

      Rosângela Rennó
      artrio-2019
      Exhibitions:
      ArtRio 2019
      Untitled (Noiva de preto #3) – from Nuptias series, 2017
      31 x 25 cm

      mixed midia on photography

      Photo courtesy of artist

      Nuptias consists of photo-paintings and collages made by Rennó based on wedding photographs. The artist’s alterations are made with paint, objects, cuttings and recompositions. Besides referring to the plurality of affective unions without regard to belief, race, sexual orientation or any other convention, the artist revisits various icons of the culture of visuality, in both the Occident and the Orient. The photo-paintings and their titles make reference to the ceremonial, the pop culture, recent politics, religion and social inequality.

      31 x 25 cm

      mixed midia on photography

      Photo courtesy of artist

      Nuptias consists of photo-paintings and collages made by Rennó based on wedding photographs. The artist’s alterations are made with paint, objects, cuttings and recompositions. Besides referring to the plurality of affective unions without regard to belief, race, sexual orientation or any other convention, the artist revisits various icons of the culture of visuality, in both the Occident and the Orient. The photo-paintings and their titles make reference to the ceremonial, the pop culture, recent politics, religion and social inequality.

      Chiara Banfi Clara Ianni Claudia Andujar
      artrio-2019
      Exhibitions:
      ArtRio 2019
      Exhibition view

      Photo Vermelho

      Photo Vermelho
      Clara Ianni
      artrio-2019
      Exhibitions:
      ArtRio 2019
      Straight Lines (world map, 2017), 2017
      64 x 111 cm

      Printed with mineral pigment ink on Hahnemuhle Photo Rag paper 308 gr

      Photo Ana Pigosso

      “Straight Lines” seeks to think of the line beyond its purely formal and geometric conceptions. The work investigates the straight line as a political construction that condenses and concretizes structures of power and domination. From the selection of straight lines from the 2017 world map, which appear mainly in the region of the former colonies, “Straight Lines” points to the artificial and imposing character of territorial divisions. The geometric and minimalist pattern of the work is built as a product of social and economic relations.

      64 x 111 cm

      Printed with mineral pigment ink on Hahnemuhle Photo Rag paper 308 gr

      Photo Ana Pigosso

      “Straight Lines” seeks to think of the line beyond its purely formal and geometric conceptions. The work investigates the straight line as a political construction that condenses and concretizes structures of power and domination. From the selection of straight lines from the 2017 world map, which appear mainly in the region of the former colonies, “Straight Lines” points to the artificial and imposing character of territorial divisions. The geometric and minimalist pattern of the work is built as a product of social and economic relations.

      artrio-2019
      Exhibitions:
      ArtRio 2019
      ArtRio 2019 | Solo Iván Argote

      A ArtRio 2019 apresenta Sandra Hegedüs como curadora do programa SOLO, destinado a projetos expositivos com foco em importantes coleções de arte. Brasileira, Sandra vive na França desde 1990, onde desenvolveu atividades de produção audiovisual e deu início à sua coleção particular.
      Para o projeto SOLO, Sandra Hegedüs selecionou artistas e suas galerias, que exibirão, em seus estandes, somente trabalhos do artista indicado.

      A ArtRio 2019 apresenta Sandra Hegedüs como curadora do programa SOLO, destinado a projetos expositivos com foco em importantes coleções de arte. Brasileira, Sandra vive na França desde 1990, onde desenvolveu atividades de produção audiovisual e deu início à sua coleção particular.
      Para o projeto SOLO, Sandra Hegedüs selecionou artistas e suas galerias, que exibirão, em seus estandes, somente trabalhos do artista indicado.

      Iván Argote
      artrio-2019
      Exhibitions:
      ArtRio 2019
      Exhibition view

      Photo Vermelho

      Photo Vermelho
      Iván Argote
      artrio-2019
      Exhibitions:
      ArtRio 2019
      Juntes, 2018 - 2019
      86 x 200 x 55 cm

      galvanized steel structure, scooter shock absorbers and car wheel hub; cumarú wood seat and backrest

      Photo Edouard Fraipont

      86 x 200 x 55 cm

      galvanized steel structure, scooter shock absorbers and car wheel hub; cumarú wood seat and backrest

      Photo Edouard Fraipont
      Iván Argote
      artrio-2019
      Exhibitions:
      ArtRio 2019
      We are eternal – from Covers series, 2017
      240 x 165 cm

      laser cut woolen fabrics, neodymium magnets and steel structure

      Photo Vermelho

      Covers is an extention of the works on collage that Argote has been developping for several years. Digging into historical issues and imagery about the impact of “ideological wars”, this layered compositions behave as allegories about how our subjectivies are conditioned by external forces linked to a certain idea of progress and truth, that has been shaped by historical centers of power in their own conveniences and perdurability. Here the superposition of burned and cut fabrics, makes appear images and texts that confronts slogans, statements, and found fotage, creatng a texture with multiple entraces of lecture. Argote beliefs in the idea of “not-disociation”, which tends to approach big historical issues without avoiding the noise around them, the intrinsic complexity of the way look at them, and also the way they affect us in a personal level.

      240 x 165 cm

      laser cut woolen fabrics, neodymium magnets and steel structure

      Photo Vermelho

      Covers is an extention of the works on collage that Argote has been developping for several years. Digging into historical issues and imagery about the impact of “ideological wars”, this layered compositions behave as allegories about how our subjectivies are conditioned by external forces linked to a certain idea of progress and truth, that has been shaped by historical centers of power in their own conveniences and perdurability. Here the superposition of burned and cut fabrics, makes appear images and texts that confronts slogans, statements, and found fotage, creatng a texture with multiple entraces of lecture. Argote beliefs in the idea of “not-disociation”, which tends to approach big historical issues without avoiding the noise around them, the intrinsic complexity of the way look at them, and also the way they affect us in a personal level.

      Iván Argote
      artrio-2019
      Exhibitions:
      ArtRio 2019
      Exhibition view

      Photo Vermelho

      Photo Vermelho
      Iván Argote
      artrio-2019
      Exhibitions:
      ArteBA 2019 ArtBo 2019 ArtRio 2019 ArtBO 2022
      Untitled – from the series Antipodos, 2018
      32 x 32,5 x 27 cm

      Bronze and wooden base

      Photo Vermelho

      A figure is contemplating the space, with both feet pointing backwards and with a pleasant and, at the same time, defiant attitude. The sculpture references the notion of the people from the “Antipodes”, the people from the other side, that was common in middle age Europe. This example of mistranslation shows how, in western society, the idea of the “other” implies some kind of negativeness or bizarreness. The “Antipodos” sculpture series shows proud antipodes, they represent the notion that we are all “others”.

      32 x 32,5 x 27 cm

      Bronze and wooden base

      Photo Vermelho

      A figure is contemplating the space, with both feet pointing backwards and with a pleasant and, at the same time, defiant attitude. The sculpture references the notion of the people from the “Antipodes”, the people from the other side, that was common in middle age Europe. This example of mistranslation shows how, in western society, the idea of the “other” implies some kind of negativeness or bizarreness. The “Antipodos” sculpture series shows proud antipodes, they represent the notion that we are all “others”.

      Iván Argote
      artrio-2019
      Exhibitions:
      ArtRio 2019
      Inside someone else’s skin – from the Covers series, 2017
      240 x 165 cm

      Laser cuts fabrics, steel and magnets

      Photo Galeria Vermelho

      Covers is an extention of the works on collage that Argote has been developping for several years. Digging into historical issues and imagery about the impact of “ideological wars”, this layered compositions behave as allegories about how our subjectivies are conditioned by external forces linked to a certain idea of progress and truth, that has been shaped by historical centers of power in their own conveniences and perdurability. Here the superposition of burned and cut fabrics, makes appear images and texts that confronts slogans, statements, and found fotage, creatng a texture with multiple entraces of lecture. Argote beliefs in the idea of “not-disociation”, which tends to approach big historical issues without avoiding the noise around them, the intrinsic complexity of the way look at them, and also the way they affect us in a personal level.

      240 x 165 cm

      Laser cuts fabrics, steel and magnets

      Photo Galeria Vermelho

      Covers is an extention of the works on collage that Argote has been developping for several years. Digging into historical issues and imagery about the impact of “ideological wars”, this layered compositions behave as allegories about how our subjectivies are conditioned by external forces linked to a certain idea of progress and truth, that has been shaped by historical centers of power in their own conveniences and perdurability. Here the superposition of burned and cut fabrics, makes appear images and texts that confronts slogans, statements, and found fotage, creatng a texture with multiple entraces of lecture. Argote beliefs in the idea of “not-disociation”, which tends to approach big historical issues without avoiding the noise around them, the intrinsic complexity of the way look at them, and also the way they affect us in a personal level.

      Iván Argote
      artrio-2019
      Exhibitions:
      ArtRio 2019
      Exhibition view

      Photo Vermelho

      Photo Vermelho
      Iván Argote
      artrio-2019
      Exhibitions:
      ArtRio 2019 Let´s Write a History of Hopes
      Fragile – from the New Methods series, 2014
      115,5 x 73,5 x 4 cm

      Print with mineral pigment ink on laser cut 310 gr Canson Rag Photographique paper

      Photo Edouard Fraipont

      The New Methods series reproduces images from fragments of copies of classical sculptures acquired by Argote in China. Over them, however, the artist inserts texts that he himself created, which reveal his sociopolitical and artistic questionings.

      115,5 x 73,5 x 4 cm

      Print with mineral pigment ink on laser cut 310 gr Canson Rag Photographique paper

      Photo Edouard Fraipont

      The New Methods series reproduces images from fragments of copies of classical sculptures acquired by Argote in China. Over them, however, the artist inserts texts that he himself created, which reveal his sociopolitical and artistic questionings.

      Iván Argote
      artrio-2019
      Exhibitions:
      ArtRio 2019
      The way we feel – from the New Methods series, 2014
      115,5 x 73,5 x 4 cm

      Mineral pigment ink printing on paper

      Photo Edouard Fraipont

      The New Methods series reproduces images from fragments of copies of classical sculptures acquired by Argote in China. Over them, however, the artist inserts texts that he himself created, which reveal his sociopolitical and artistic questionings.

      115,5 x 73,5 x 4 cm

      Mineral pigment ink printing on paper

      Photo Edouard Fraipont

      The New Methods series reproduces images from fragments of copies of classical sculptures acquired by Argote in China. Over them, however, the artist inserts texts that he himself created, which reveal his sociopolitical and artistic questionings.

      Iván Argote
      artrio-2019
      Exhibitions:
      ArtRio 2019
      We are tender – from Shadows series, 2017
      117 x 120 x 17 cm

      laser cut carbon steel, threaded rod, nuts, washes and spray paint

      Photo Vermelho

      Each sculpture from Iván Argotes Shadows series is made up of sheets of steel that overlap different laser-cut words, forming anthems through this accumulation. Phrases that could be on protest posters mingle with affective revelations, fading the line between sensitivity and rationality.

      117 x 120 x 17 cm

      laser cut carbon steel, threaded rod, nuts, washes and spray paint

      Photo Vermelho

      Each sculpture from Iván Argotes Shadows series is made up of sheets of steel that overlap different laser-cut words, forming anthems through this accumulation. Phrases that could be on protest posters mingle with affective revelations, fading the line between sensitivity and rationality.

      artrio-2019
      Galeria Vermelho - Fair
      Fairs
      ArtRio 2019
      Marina da Glória
      Rio de Janeiro, Brazil
      19.Sep.19 - 22.Sep.19
      booth A8
      booth A8
      Cadu Chiara Banfi Claudia Andujar Detanico Lain Dora Longo Bahia Edgard de Souza Iván Argote Lia Chaia Rosângela Rennó
      André Komatsu Cadu Chiara Banfi Dora Longo Bahia Edgard de Souza Rosângela Rennó
      Exhibitions:
      ArtRio 2019
      Exhibition view

      Photo Vermelho

      Photo Vermelho
      André Komatsu Cadu Dora Longo Bahia Rosângela Rennó
      Exhibitions:
      ArtRio 2019
      Exhibition view

      Photo Vermelho

      Photo Vermelho
      Dora Longo Bahia
      Exhibitions:
      ArtRio 2019
      Fuga (Terceira voz: Liliana), 2019
      220 x 122 cm

      Acrylic paint on both sides of linen canvas and augmented reality

      Photo Edouard Fraipont

      Fugues are polyphonic compositions, where one melody overlaps another. The fugues are structured by a main theme, the subject of the composition, with which subsequent “voices” establish variations.
      In her series of paintings called Fuga (2019), Longo Bahia employs an Augmented Reality experience where one painting leads to another through the use of an app that reveals covert images.
      In Fuga (terceira voz), the series portrays women that were persecuted, tortured or murdered by the military dictatorships of each of the South American countries that aligned themselves with the United States during Operation Condor (1968-1989).

      220 x 122 cm

      Acrylic paint on both sides of linen canvas and augmented reality

      Photo Edouard Fraipont

      Fugues are polyphonic compositions, where one melody overlaps another. The fugues are structured by a main theme, the subject of the composition, with which subsequent “voices” establish variations.
      In her series of paintings called Fuga (2019), Longo Bahia employs an Augmented Reality experience where one painting leads to another through the use of an app that reveals covert images.
      In Fuga (terceira voz), the series portrays women that were persecuted, tortured or murdered by the military dictatorships of each of the South American countries that aligned themselves with the United States during Operation Condor (1968-1989).

      Dora Longo Bahia
      Exhibitions:
      ArtRio 2019
      Fuga (Terceira voz: Nalvia), 2019
      220 x 122 cm

      Acrylic paint on both sides of linen canvas and augmented reality

      Photo Edouard Fraipont

      Fugues are polyphonic compositions, where one melody overlaps another. The fugues are structured by a main theme, the subject of the composition, with which subsequent “voices” establish variations.
      In her series of paintings called Fuga (2019), Longo Bahia employs an Augmented Reality experience where one painting leads to another through the use of an app that reveals covert images.
      In Fuga (terceira voz), the series portrays women that were persecuted, tortured or murdered by the military dictatorships of each of the South American countries that aligned themselves with the United States during Operation Condor (1968-1989).

      220 x 122 cm

      Acrylic paint on both sides of linen canvas and augmented reality

      Photo Edouard Fraipont

      Fugues are polyphonic compositions, where one melody overlaps another. The fugues are structured by a main theme, the subject of the composition, with which subsequent “voices” establish variations.
      In her series of paintings called Fuga (2019), Longo Bahia employs an Augmented Reality experience where one painting leads to another through the use of an app that reveals covert images.
      In Fuga (terceira voz), the series portrays women that were persecuted, tortured or murdered by the military dictatorships of each of the South American countries that aligned themselves with the United States during Operation Condor (1968-1989).

      Rosângela Rennó
      Exhibitions:
      ArtRio 2019
      Sem título (baixos, silver # 2 e altos) – da série Nuptias, 2017
      31 x 25 cm (each) - triptych

      mixed midia on photography

      Photo reproduction

      Nuptias consists of photo-paintings and collages made by Rennó based on wedding photographs. The artists alterations are made with paint, objects, cuttings and recompositions. Besides referring to the plurality of affective unions without regard to belief, race, sexual orientation or any other convention, the artist revisits various icons of the culture of visuality, in both the Occident and the Orient. The photo-paintings and their titles make reference to the ceremonial, the pop culture, recent politics, religion and social inequality.

      31 x 25 cm (each) - triptych

      mixed midia on photography

      Photo reproduction

      Nuptias consists of photo-paintings and collages made by Rennó based on wedding photographs. The artists alterations are made with paint, objects, cuttings and recompositions. Besides referring to the plurality of affective unions without regard to belief, race, sexual orientation or any other convention, the artist revisits various icons of the culture of visuality, in both the Occident and the Orient. The photo-paintings and their titles make reference to the ceremonial, the pop culture, recent politics, religion and social inequality.

      André Komatsu
      Exhibitions:
      ArtRio 2019
      Realidade perecível, 2017
      101 x 101 cm

      fiberglass screen, wood, water-based enamel paint and acrylic varnish on concrete

      Photo Vermelho

      The works from the Realidade perecível series were made with glass fiber mesh coated with concrete, painted, lacquered, varnished attached to tbrackets form the top and subsequently fixed to the wall. The artist?s actions causes the concrete layer to be broken gradually, showing the structure of the work, in this manufactoring process coexists the construction and destruction of forms and symbols.

      101 x 101 cm

      fiberglass screen, wood, water-based enamel paint and acrylic varnish on concrete

      Photo Vermelho

      The works from the Realidade perecível series were made with glass fiber mesh coated with concrete, painted, lacquered, varnished attached to tbrackets form the top and subsequently fixed to the wall. The artist?s actions causes the concrete layer to be broken gradually, showing the structure of the work, in this manufactoring process coexists the construction and destruction of forms and symbols.

      André Komatsu Cadu
      Exhibitions:
      ArtRio 2019
      ArtRio 2019, 2019

      Photo Vermelho

      Photo Vermelho
      Cadu Virgilio Bahde
      Exhibitions:
      ArtRio 2019
      Craca Ganga 1, 2019
      56 x 26 x 15 cm

      wood, nickel, copper and onyx

      Photo courtesy of artist

      Cadu’s practice is marked by a transdisciplinary approach. Each project emerges according to conceptual characteristics, with no pre-election of languages or techniques. In his repertoire there are performances, installations, drawings, paintings, objects, sculptures, videos and photographs, influenced by themes related to systems, repetition, games, time and circularity. His works celebrate the relationship between man and nature, rational and instinctive, chaos and rigor.

      56 x 26 x 15 cm

      wood, nickel, copper and onyx

      Photo courtesy of artist

      Cadu’s practice is marked by a transdisciplinary approach. Each project emerges according to conceptual characteristics, with no pre-election of languages or techniques. In his repertoire there are performances, installations, drawings, paintings, objects, sculptures, videos and photographs, influenced by themes related to systems, repetition, games, time and circularity. His works celebrate the relationship between man and nature, rational and instinctive, chaos and rigor.

      Cinthia Marcelle
      Exhibitions:
      ArtRio 2019
      O dramaturgo – da série Conjunção de fatores, 2015
      103 x 103 cm (each) - diptych

      printing with mineral pigment ink on Hahnemühle Photo Rag Satin 310 gr paper

      Photo reproduction

      From the beginning of her career, Cinthia Marcelle was interested in various artistic processes, seeking the raw material of her work in social relations and the daily chaos that surrounds her. Her works bear a temporal character, present in the exploration of repetition and accumulation. Through her work, Marcelle organizes and confuses things, creating interventions that formally reorganize everyday objects and situations.

      103 x 103 cm (each) - diptych

      printing with mineral pigment ink on Hahnemühle Photo Rag Satin 310 gr paper

      Photo reproduction

      From the beginning of her career, Cinthia Marcelle was interested in various artistic processes, seeking the raw material of her work in social relations and the daily chaos that surrounds her. Her works bear a temporal character, present in the exploration of repetition and accumulation. Through her work, Marcelle organizes and confuses things, creating interventions that formally reorganize everyday objects and situations.

      Cadu Chiara Banfi
      Exhibitions:
      ArtRio 2019
      Exhibition view

      Photo Vermelho

      Photo Vermelho
      Cadu
      Exhibitions:
      ArtRio 2019
      Oásis 2, 2018
      110 x 80 cm

      Salt and rust on 300gr paper. Framed by Metara (Rio de Janeiro, BR).

      Photo courtesy of artist

      Oásis uses a system of hoses and filters to produce geometric drawings from the dripping of briny water over paper and iron bars. In a garden-like dynamic, in which shapes are born out of cultivation and care, the images are formed as the ore?s inner layers are gradually exposed through corrosive irrigation. Rock, crystal, fluid and vapor behave as dictated by the alchemical principles Solvet (dissolution) and Coagula (coagulation), trusting the remains left behind by the different stages of depurating matter to establish a phantom of the image.

      110 x 80 cm

      Salt and rust on 300gr paper. Framed by Metara (Rio de Janeiro, BR).

      Photo courtesy of artist

      Oásis uses a system of hoses and filters to produce geometric drawings from the dripping of briny water over paper and iron bars. In a garden-like dynamic, in which shapes are born out of cultivation and care, the images are formed as the ore?s inner layers are gradually exposed through corrosive irrigation. Rock, crystal, fluid and vapor behave as dictated by the alchemical principles Solvet (dissolution) and Coagula (coagulation), trusting the remains left behind by the different stages of depurating matter to establish a phantom of the image.

      Cadu Chiara Banfi Clara Ianni Claudia Andujar Lia Chaia
      Exhibitions:
      ArtRio 2019
      Exhibition view

      Photo Vermelho

      Photo Vermelho
      Chiara Banfi
      Exhibitions:
      ArtRio 2019
      harsh mind & hurt body, from body and soul series, 2019
      Shelf 25 x 35 x 3 cm / RCA cable 3m

      White quartz, smoky quartz, RCA cable and solid cumaru wood

      Photo Fabio Audi

      My current work explores sound structures in a sensory way, where I feel that music and nature come together in a kind of code. … I’ve always thought of sound, volume, and rhythm breaking boundaries and barriers in search of a place, looking for ways to visualize how that sound could be ‘seen’ if traveling in a room, a body, or a garden.
      Chiara Banf

      Shelf 25 x 35 x 3 cm / RCA cable 3m

      White quartz, smoky quartz, RCA cable and solid cumaru wood

      Photo Fabio Audi

      My current work explores sound structures in a sensory way, where I feel that music and nature come together in a kind of code. … I’ve always thought of sound, volume, and rhythm breaking boundaries and barriers in search of a place, looking for ways to visualize how that sound could be ‘seen’ if traveling in a room, a body, or a garden.
      Chiara Banf

      Chiara Banfi Clara Ianni
      Exhibitions:
      ArtRio 2019
      Exhibition view

      Photo Vermelho

      Photo Vermelho
      Chiara Banfi
      Exhibitions:
      ArtRio 2019 PArC 2019
      Jumbo – from the Dentro Fora series, 2019
      64 x 52 x 3 cm (each) - diptych

      Laminated plywood sheet coated with sapele and water based marker; laminated plywood sheet coated with faia and solid beech wood collage

      Photo courtesy of artist

      Chiara Banfi’s interest lies in the confluence between nature and sound – or nature and music. From her early large scale expansive drawings that invaded and dialogued with the given architectural space forming visual soundwaves to her more recent works deploying rocks as rhythm dispersing solids, her production seeks to give corporality to bodiless findings.

      64 x 52 x 3 cm (each) - diptych

      Laminated plywood sheet coated with sapele and water based marker; laminated plywood sheet coated with faia and solid beech wood collage

      Photo courtesy of artist

      Chiara Banfi’s interest lies in the confluence between nature and sound – or nature and music. From her early large scale expansive drawings that invaded and dialogued with the given architectural space forming visual soundwaves to her more recent works deploying rocks as rhythm dispersing solids, her production seeks to give corporality to bodiless findings.

      Claudia Andujar
      Exhibitions:
      ArtRio 2019
      Untitled – from The Forest series, 1972 - 1976
      68 x 102 cm

      Infrared film scanned and printed with mineral pigmented inkjet on Hahnemühle Photo Rag Baryta 315g paper

      Photo reproduction

      “My relationship with Brazilian indigenous peoples, the guiding force of both my career as a photographer and my life, is essentially one of fondness. This sentiment, over time, has led me to divide my time as a photographer with activities in defense of those peoples’ rights to territory and survival. A demanding task that requires great perseverance.”
      Claudia Andujar

      68 x 102 cm

      Infrared film scanned and printed with mineral pigmented inkjet on Hahnemühle Photo Rag Baryta 315g paper

      Photo reproduction

      “My relationship with Brazilian indigenous peoples, the guiding force of both my career as a photographer and my life, is essentially one of fondness. This sentiment, over time, has led me to divide my time as a photographer with activities in defense of those peoples’ rights to territory and survival. A demanding task that requires great perseverance.”
      Claudia Andujar

      Clara Ianni
      Exhibitions:
      ArtRio 2019
      Concrete work 2, 2011
      150 x 50 x 50 cm

      shovel and cement

      Photo Vermelho

      Clara Ianni’s work explores the relationship between art and politics. Her practice relies on the use of different medias such as interventions, videos, installation and texts, tackling the dia-logue between performance and material culture. She is interested in exploring class and labor issues within the artistic context as well as the politics of history.

      Concrete work can be read as an evocation of the legend of Exaclibur, where the sword Caledfwlch, embedded in a stone (or anvil) can only be obtained by Arthur, as a miraculous symbol of his Nobility and right to the throne of Brittany. Perhaps the shovel stuck in the concrete by Ianni suggests that true power is destined to the worker’s hands.

      150 x 50 x 50 cm

      shovel and cement

      Photo Vermelho

      Clara Ianni’s work explores the relationship between art and politics. Her practice relies on the use of different medias such as interventions, videos, installation and texts, tackling the dia-logue between performance and material culture. She is interested in exploring class and labor issues within the artistic context as well as the politics of history.

      Concrete work can be read as an evocation of the legend of Exaclibur, where the sword Caledfwlch, embedded in a stone (or anvil) can only be obtained by Arthur, as a miraculous symbol of his Nobility and right to the throne of Brittany. Perhaps the shovel stuck in the concrete by Ianni suggests that true power is destined to the worker’s hands.

      Claudia Andujar
      Exhibitions:
      Frieze New York 2023 ArtRio 2019
      High-contrast film, RR – from The Forest series, 1974
      45 x 67 cm each piece of 3

      Analog amplification with gelatine and silver on matte Ilford Multigrade Classic 1k double weight fiber paper. With treatment and preservation bath based on selenium.

      Photo Reproduction

      “My relationship with Brazilian indigenous peoples, the guiding force of both my career as a photographer and my life, is essentially one of fondness. This sentiment, over time, has led me to divide my time as a photographer with activities in defense of those peoples’ rights to territory and survival. A demanding task that requires great perseverance.”
      Claudia Andujar

      45 x 67 cm each piece of 3

      Analog amplification with gelatine and silver on matte Ilford Multigrade Classic 1k double weight fiber paper. With treatment and preservation bath based on selenium.

      Photo Reproduction

      “My relationship with Brazilian indigenous peoples, the guiding force of both my career as a photographer and my life, is essentially one of fondness. This sentiment, over time, has led me to divide my time as a photographer with activities in defense of those peoples’ rights to territory and survival. A demanding task that requires great perseverance.”
      Claudia Andujar

      Claudia Andujar Detanico Lain Lia Chaia
      Exhibitions:
      ArtRio 2019
      Exhibition view

      Photo Vermelho

      Photo Vermelho
      Lia Chaia
      Exhibitions:
      ArtRio 2019
      Thousand eyes, 2018
      1´46´´ - loop

      video – 16:9, color, sound

      Photo video still

      Mil olhos [Thousand Eyes] integrates Chaia’s set of performances made for the camcorder. The static and sequential plan reinforces the experience lived in the situation registered as the main data of the work. According to Chaia, the video is the capture of an action of “insistent, repetitive and delusional movements of the head. Therein lies the potent refusal – the ‘no’ – and the feverish state”.
      Collaboration: João Marcos de Almeida/ cinematography: Bruno Risas/ direct sound: Juliana R./ edition: João Marcos de Almeida

      1´46´´ - loop

      video – 16:9, color, sound

      Photo video still

      Mil olhos [Thousand Eyes] integrates Chaia’s set of performances made for the camcorder. The static and sequential plan reinforces the experience lived in the situation registered as the main data of the work. According to Chaia, the video is the capture of an action of “insistent, repetitive and delusional movements of the head. Therein lies the potent refusal – the ‘no’ – and the feverish state”.
      Collaboration: João Marcos de Almeida/ cinematography: Bruno Risas/ direct sound: Juliana R./ edition: João Marcos de Almeida

      Detanico Lain Ana Maria Tavares
      Exhibitions:
      ArtRio 2019
      Exhibition view

      Photo Vermelho

      Photo Vermelho
      Detanico Lain
      Exhibitions:
      House in the Sky ArtRio 2019
      Kuara – Radiante series, 2018
      90 x 150 cm

      22k gold leaf, shellac varnish and ethyl alcohol on MDF

      Photo Vermelho

      In the Radiante system, the word sun is written in different languages, according to a graph that simulates the sun’s rays and that, for each quadrant,the artists assign a letter. Each module/ letteris reproduced in goldplated wood,. Kuara is the word for sun in tupi-guarani.

      90 x 150 cm

      22k gold leaf, shellac varnish and ethyl alcohol on MDF

      Photo Vermelho

      In the Radiante system, the word sun is written in different languages, according to a graph that simulates the sun’s rays and that, for each quadrant,the artists assign a letter. Each module/ letteris reproduced in goldplated wood,. Kuara is the word for sun in tupi-guarani.

      Ana Maria Tavares
      Exhibitions:
      ArtRio 2019
      Disjunção Prismática VI (Saturno Black), 2019
      122,8 x 142,8 x 7,6 cm

      milled slate, matte graphite anodized aluminum, Fossil Black marble, black stainless steel, matte black anodized aluminum

      Photo Vermelho

      Prismatic disjunction is part of a series of works that has as its central axis the concept of rotation of authorial architectures creating a dialogue with the architects Adolf Loos (1870-1933), Ludwig Mies van der Rohe (1886-1969) and Oscar Niemeyer (1907-2012). Tavares uses materials and finishes present in the works of these architects to create modular relationships typical of her own production.

      122,8 x 142,8 x 7,6 cm

      milled slate, matte graphite anodized aluminum, Fossil Black marble, black stainless steel, matte black anodized aluminum

      Photo Vermelho

      Prismatic disjunction is part of a series of works that has as its central axis the concept of rotation of authorial architectures creating a dialogue with the architects Adolf Loos (1870-1933), Ludwig Mies van der Rohe (1886-1969) and Oscar Niemeyer (1907-2012). Tavares uses materials and finishes present in the works of these architects to create modular relationships typical of her own production.

      André Komatsu Cadu Edgard de Souza Rosângela Rennó
      Exhibitions:
      ArtRio 2019
      Exhibition view

      Photo Vermelho

      Photo Vermelho
      André Komatsu
      Exhibitions:
      ArtRio 2019
      Massa falida 4, 2018
      275 x 303 x 7 cm

      vinyl paint on sewn rubble bags and iron bar

      Photo Edouard Fraipont

      The works from the Massa falida series are composed of bags of debris used in construction. Sewn together, the bags form banners or flags. Arranged side by side, they show a repetition of textual information from the original product. With ink and solvent, Komatsu erases or highlights excerpts from these original texts and draws lines and graphs, creating new meanings. The trash bag exits the lowest disposable place in construction debris hierarchy to draw attention to the historical repetitions of social disparities.

      275 x 303 x 7 cm

      vinyl paint on sewn rubble bags and iron bar

      Photo Edouard Fraipont

      The works from the Massa falida series are composed of bags of debris used in construction. Sewn together, the bags form banners or flags. Arranged side by side, they show a repetition of textual information from the original product. With ink and solvent, Komatsu erases or highlights excerpts from these original texts and draws lines and graphs, creating new meanings. The trash bag exits the lowest disposable place in construction debris hierarchy to draw attention to the historical repetitions of social disparities.

      Rosângela Rennó
      Exhibitions:
      ArtRio 2019
      Untitled (black #1 e dote indiano) – from the Nuptias series, 2017
      31 x 25 cm (each) - diptych

      mixed midia on photography

      Photo courtesy of artist

      Nuptias consists of photo-paintings and collages made by Rennó based on wedding photographs. The artist’s alterations are made with paint, objects, cuttings and recompositions. Besides referring to the plurality of affective unions without regard to belief, race, sexual orientation or any other convention, the artist revisits various icons of the culture of visuality, in both the Occident and the Orient. The photo-paintings and their titles make reference to the ceremonial, the pop culture, recent politics, religion and social inequality.

      31 x 25 cm (each) - diptych

      mixed midia on photography

      Photo courtesy of artist

      Nuptias consists of photo-paintings and collages made by Rennó based on wedding photographs. The artist’s alterations are made with paint, objects, cuttings and recompositions. Besides referring to the plurality of affective unions without regard to belief, race, sexual orientation or any other convention, the artist revisits various icons of the culture of visuality, in both the Occident and the Orient. The photo-paintings and their titles make reference to the ceremonial, the pop culture, recent politics, religion and social inequality.

      Rosângela Rennó
      Exhibitions:
      ArtRio 2019
      Untitled (Noiva de preto #3) – from Nuptias series, 2017
      31 x 25 cm

      mixed midia on photography

      Photo courtesy of artist

      Nuptias consists of photo-paintings and collages made by Rennó based on wedding photographs. The artist’s alterations are made with paint, objects, cuttings and recompositions. Besides referring to the plurality of affective unions without regard to belief, race, sexual orientation or any other convention, the artist revisits various icons of the culture of visuality, in both the Occident and the Orient. The photo-paintings and their titles make reference to the ceremonial, the pop culture, recent politics, religion and social inequality.

      31 x 25 cm

      mixed midia on photography

      Photo courtesy of artist

      Nuptias consists of photo-paintings and collages made by Rennó based on wedding photographs. The artist’s alterations are made with paint, objects, cuttings and recompositions. Besides referring to the plurality of affective unions without regard to belief, race, sexual orientation or any other convention, the artist revisits various icons of the culture of visuality, in both the Occident and the Orient. The photo-paintings and their titles make reference to the ceremonial, the pop culture, recent politics, religion and social inequality.

      Chiara Banfi Clara Ianni Claudia Andujar
      Exhibitions:
      ArtRio 2019
      Exhibition view

      Photo Vermelho

      Photo Vermelho
      Clara Ianni
      Exhibitions:
      ArtRio 2019
      Straight Lines (world map, 2017), 2017
      64 x 111 cm

      Printed with mineral pigment ink on Hahnemuhle Photo Rag paper 308 gr

      Photo Ana Pigosso

      “Straight Lines” seeks to think of the line beyond its purely formal and geometric conceptions. The work investigates the straight line as a political construction that condenses and concretizes structures of power and domination. From the selection of straight lines from the 2017 world map, which appear mainly in the region of the former colonies, “Straight Lines” points to the artificial and imposing character of territorial divisions. The geometric and minimalist pattern of the work is built as a product of social and economic relations.

      64 x 111 cm

      Printed with mineral pigment ink on Hahnemuhle Photo Rag paper 308 gr

      Photo Ana Pigosso

      “Straight Lines” seeks to think of the line beyond its purely formal and geometric conceptions. The work investigates the straight line as a political construction that condenses and concretizes structures of power and domination. From the selection of straight lines from the 2017 world map, which appear mainly in the region of the former colonies, “Straight Lines” points to the artificial and imposing character of territorial divisions. The geometric and minimalist pattern of the work is built as a product of social and economic relations.

      Exhibitions:
      ArtRio 2019
      ArtRio 2019 | Solo Iván Argote

      A ArtRio 2019 apresenta Sandra Hegedüs como curadora do programa SOLO, destinado a projetos expositivos com foco em importantes coleções de arte. Brasileira, Sandra vive na França desde 1990, onde desenvolveu atividades de produção audiovisual e deu início à sua coleção particular.
      Para o projeto SOLO, Sandra Hegedüs selecionou artistas e suas galerias, que exibirão, em seus estandes, somente trabalhos do artista indicado.

      A ArtRio 2019 apresenta Sandra Hegedüs como curadora do programa SOLO, destinado a projetos expositivos com foco em importantes coleções de arte. Brasileira, Sandra vive na França desde 1990, onde desenvolveu atividades de produção audiovisual e deu início à sua coleção particular.
      Para o projeto SOLO, Sandra Hegedüs selecionou artistas e suas galerias, que exibirão, em seus estandes, somente trabalhos do artista indicado.

      Iván Argote
      Exhibitions:
      ArtRio 2019
      Exhibition view

      Photo Vermelho

      Photo Vermelho
      Iván Argote
      Exhibitions:
      ArtRio 2019
      Juntes, 2018 - 2019
      86 x 200 x 55 cm

      galvanized steel structure, scooter shock absorbers and car wheel hub; cumarú wood seat and backrest

      Photo Edouard Fraipont

      86 x 200 x 55 cm

      galvanized steel structure, scooter shock absorbers and car wheel hub; cumarú wood seat and backrest

      Photo Edouard Fraipont
      Iván Argote
      Exhibitions:
      ArtRio 2019
      We are eternal – from Covers series, 2017
      240 x 165 cm

      laser cut woolen fabrics, neodymium magnets and steel structure

      Photo Vermelho

      Covers is an extention of the works on collage that Argote has been developping for several years. Digging into historical issues and imagery about the impact of “ideological wars”, this layered compositions behave as allegories about how our subjectivies are conditioned by external forces linked to a certain idea of progress and truth, that has been shaped by historical centers of power in their own conveniences and perdurability. Here the superposition of burned and cut fabrics, makes appear images and texts that confronts slogans, statements, and found fotage, creatng a texture with multiple entraces of lecture. Argote beliefs in the idea of “not-disociation”, which tends to approach big historical issues without avoiding the noise around them, the intrinsic complexity of the way look at them, and also the way they affect us in a personal level.

      240 x 165 cm

      laser cut woolen fabrics, neodymium magnets and steel structure

      Photo Vermelho

      Covers is an extention of the works on collage that Argote has been developping for several years. Digging into historical issues and imagery about the impact of “ideological wars”, this layered compositions behave as allegories about how our subjectivies are conditioned by external forces linked to a certain idea of progress and truth, that has been shaped by historical centers of power in their own conveniences and perdurability. Here the superposition of burned and cut fabrics, makes appear images and texts that confronts slogans, statements, and found fotage, creatng a texture with multiple entraces of lecture. Argote beliefs in the idea of “not-disociation”, which tends to approach big historical issues without avoiding the noise around them, the intrinsic complexity of the way look at them, and also the way they affect us in a personal level.

      Iván Argote
      Exhibitions:
      ArtRio 2019
      Exhibition view

      Photo Vermelho

      Photo Vermelho
      Iván Argote
      Exhibitions:
      ArteBA 2019 ArtBo 2019 ArtRio 2019 ArtBO 2022
      Untitled – from the series Antipodos, 2018
      32 x 32,5 x 27 cm

      Bronze and wooden base

      Photo Vermelho

      A figure is contemplating the space, with both feet pointing backwards and with a pleasant and, at the same time, defiant attitude. The sculpture references the notion of the people from the “Antipodes”, the people from the other side, that was common in middle age Europe. This example of mistranslation shows how, in western society, the idea of the “other” implies some kind of negativeness or bizarreness. The “Antipodos” sculpture series shows proud antipodes, they represent the notion that we are all “others”.

      32 x 32,5 x 27 cm

      Bronze and wooden base

      Photo Vermelho

      A figure is contemplating the space, with both feet pointing backwards and with a pleasant and, at the same time, defiant attitude. The sculpture references the notion of the people from the “Antipodes”, the people from the other side, that was common in middle age Europe. This example of mistranslation shows how, in western society, the idea of the “other” implies some kind of negativeness or bizarreness. The “Antipodos” sculpture series shows proud antipodes, they represent the notion that we are all “others”.

      Iván Argote
      Exhibitions:
      ArtRio 2019
      Inside someone else’s skin – from the Covers series, 2017
      240 x 165 cm

      Laser cuts fabrics, steel and magnets

      Photo Galeria Vermelho

      Covers is an extention of the works on collage that Argote has been developping for several years. Digging into historical issues and imagery about the impact of “ideological wars”, this layered compositions behave as allegories about how our subjectivies are conditioned by external forces linked to a certain idea of progress and truth, that has been shaped by historical centers of power in their own conveniences and perdurability. Here the superposition of burned and cut fabrics, makes appear images and texts that confronts slogans, statements, and found fotage, creatng a texture with multiple entraces of lecture. Argote beliefs in the idea of “not-disociation”, which tends to approach big historical issues without avoiding the noise around them, the intrinsic complexity of the way look at them, and also the way they affect us in a personal level.

      240 x 165 cm

      Laser cuts fabrics, steel and magnets

      Photo Galeria Vermelho

      Covers is an extention of the works on collage that Argote has been developping for several years. Digging into historical issues and imagery about the impact of “ideological wars”, this layered compositions behave as allegories about how our subjectivies are conditioned by external forces linked to a certain idea of progress and truth, that has been shaped by historical centers of power in their own conveniences and perdurability. Here the superposition of burned and cut fabrics, makes appear images and texts that confronts slogans, statements, and found fotage, creatng a texture with multiple entraces of lecture. Argote beliefs in the idea of “not-disociation”, which tends to approach big historical issues without avoiding the noise around them, the intrinsic complexity of the way look at them, and also the way they affect us in a personal level.

      Iván Argote
      Exhibitions:
      ArtRio 2019
      Exhibition view

      Photo Vermelho

      Photo Vermelho
      Iván Argote
      Exhibitions:
      ArtRio 2019 Let´s Write a History of Hopes
      Fragile – from the New Methods series, 2014
      115,5 x 73,5 x 4 cm

      Print with mineral pigment ink on laser cut 310 gr Canson Rag Photographique paper

      Photo Edouard Fraipont

      The New Methods series reproduces images from fragments of copies of classical sculptures acquired by Argote in China. Over them, however, the artist inserts texts that he himself created, which reveal his sociopolitical and artistic questionings.

      115,5 x 73,5 x 4 cm

      Print with mineral pigment ink on laser cut 310 gr Canson Rag Photographique paper

      Photo Edouard Fraipont

      The New Methods series reproduces images from fragments of copies of classical sculptures acquired by Argote in China. Over them, however, the artist inserts texts that he himself created, which reveal his sociopolitical and artistic questionings.

      Iván Argote
      Exhibitions:
      ArtRio 2019
      The way we feel – from the New Methods series, 2014
      115,5 x 73,5 x 4 cm

      Mineral pigment ink printing on paper

      Photo Edouard Fraipont

      The New Methods series reproduces images from fragments of copies of classical sculptures acquired by Argote in China. Over them, however, the artist inserts texts that he himself created, which reveal his sociopolitical and artistic questionings.

      115,5 x 73,5 x 4 cm

      Mineral pigment ink printing on paper

      Photo Edouard Fraipont

      The New Methods series reproduces images from fragments of copies of classical sculptures acquired by Argote in China. Over them, however, the artist inserts texts that he himself created, which reveal his sociopolitical and artistic questionings.

      Iván Argote
      Exhibitions:
      ArtRio 2019
      We are tender – from Shadows series, 2017
      117 x 120 x 17 cm

      laser cut carbon steel, threaded rod, nuts, washes and spray paint

      Photo Vermelho

      Each sculpture from Iván Argotes Shadows series is made up of sheets of steel that overlap different laser-cut words, forming anthems through this accumulation. Phrases that could be on protest posters mingle with affective revelations, fading the line between sensitivity and rationality.

      117 x 120 x 17 cm

      laser cut carbon steel, threaded rod, nuts, washes and spray paint

      Photo Vermelho

      Each sculpture from Iván Argotes Shadows series is made up of sheets of steel that overlap different laser-cut words, forming anthems through this accumulation. Phrases that could be on protest posters mingle with affective revelations, fading the line between sensitivity and rationality.

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