Starting on October 4th, Vermelho will host the JAMAC Occupation. The collective, which celebrates 20 years of activity, will take over Vermelho’s newsstand, where they will showcase and sell pieces from two projects: Inventories and Learning Something New.
JAMAC will be in residence at the newsstand, where they will welcome the public and discuss their long-term processes.
The Jardim Miriam Art Club – JAMAC, founded by Mônica Nador in 2004, began by organizing mural painting workshops using stencils, while also promoting collective creation and reflection practices. Over two decades, JAMAC has dedicated itself to integrating art into the daily life of the community, empowering people to use stencils as a means of visual expression and, in many cases, as a source of income.
This range of experiences is now organized into Inventories, a set of transversal regroupings of these experiences, organized by themes.
Inventories is an open investigation into the collection of prints produced over 20 years of JAMAC’s stencil workshops. The work organizes the collection into thematic sets. In the JAMAC Occupation, the inventory presented will be Inventory: Home, which will be displayed in a series of boxes featuring stencils where architecture is the main theme.
Learning Something New is a project born from the collaboration between JAMAC, the Descartes Project, and the Colo de Vó/Instituto Nova União da Arte group. This collaboration resulted in a collection of porcelain pieces and a publication that brings together prints and stories shared during weekly meetings by a group of craftswomen from different parts of Brazil.
Throughout the Occupation, new practices will be introduced.
Starting on October 4th, Vermelho will host the JAMAC Occupation. The collective, which celebrates 20 years of activity, will take over Vermelho’s newsstand, where they will showcase and sell pieces from two projects: Inventories and Learning Something New.
JAMAC will be in residence at the newsstand, where they will welcome the public and discuss their long-term processes.
The Jardim Miriam Art Club – JAMAC, founded by Mônica Nador in 2004, began by organizing mural painting workshops using stencils, while also promoting collective creation and reflection practices. Over two decades, JAMAC has dedicated itself to integrating art into the daily life of the community, empowering people to use stencils as a means of visual expression and, in many cases, as a source of income.
This range of experiences is now organized into Inventories, a set of transversal regroupings of these experiences, organized by themes.
Inventories is an open investigation into the collection of prints produced over 20 years of JAMAC’s stencil workshops. The work organizes the collection into thematic sets. In the JAMAC Occupation, the inventory presented will be Inventory: Home, which will be displayed in a series of boxes featuring stencils where architecture is the main theme.
Learning Something New is a project born from the collaboration between JAMAC, the Descartes Project, and the Colo de Vó/Instituto Nova União da Arte group. This collaboration resulted in a collection of porcelain pieces and a publication that brings together prints and stories shared during weekly meetings by a group of craftswomen from different parts of Brazil.
Throughout the Occupation, new practices will be introduced.


















Photo Vermelho
Photo Vermelho
Photo Vermelho
Photo Vermelho
Learning Something New is a project born from the collaboration between JAMAC, the Descartes Project, and the Colo de Vó group/Instituto Nova União da Arte, resulting in a collection of porcelain pieces and a publication that brings together prints and stories shared during weekly meetings by a group of artisans from different parts of Brazil.
The meetings are part of the Descartes Project, a workshop dedicated to reusing waste from porcelain factories. In workshops held with JAMAC, the designs created are applied to cups, plates, and other household items, transforming these objects into canvases for sharing the memories and experiences of the artisans. In addition to porcelain waste, decal waste is also used in the creation of the prints.
The Descartes Project, created by artist Natasha Barricelli in partnership with the Instituto Nova União da Arte (NUA) and the Colo de Vó group, emerged in 2022 with the aim of reusing porcelain waste by promoting art workshops for vulnerable communities. In these workshops, the Colo de Vó group, made up of residents of the Jardim Pantanal community, plays a central role in creating and sharing stories through the porcelain pieces. NUA, an organization focused on community development, provides support and fosters social and economic inclusion through innovative educational practices.
Learning Something New is a project born from the collaboration between JAMAC, the Descartes Project, and the Colo de Vó group/Instituto Nova União da Arte, resulting in a collection of porcelain pieces and a publication that brings together prints and stories shared during weekly meetings by a group of artisans from different parts of Brazil.
The meetings are part of the Descartes Project, a workshop dedicated to reusing waste from porcelain factories. In workshops held with JAMAC, the designs created are applied to cups, plates, and other household items, transforming these objects into canvases for sharing the memories and experiences of the artisans. In addition to porcelain waste, decal waste is also used in the creation of the prints.
The Descartes Project, created by artist Natasha Barricelli in partnership with the Instituto Nova União da Arte (NUA) and the Colo de Vó group, emerged in 2022 with the aim of reusing porcelain waste by promoting art workshops for vulnerable communities. In these workshops, the Colo de Vó group, made up of residents of the Jardim Pantanal community, plays a central role in creating and sharing stories through the porcelain pieces. NUA, an organization focused on community development, provides support and fosters social and economic inclusion through innovative educational practices.
Photo Vermelho
Learning Something New is a project born from the collaboration between JAMAC, the Descartes Project, and the Colo de Vó group/Instituto Nova União da Arte, resulting in a collection of porcelain pieces and a publication that brings together prints and stories shared during weekly meetings by a group of artisans from different parts of Brazil.
The meetings are part of the Descartes Project, a workshop dedicated to reusing waste from porcelain factories. In workshops held with JAMAC, the designs created are applied to cups, plates, and other household items, transforming these objects into canvases for sharing the memories and experiences of the artisans. In addition to porcelain waste, decal waste is also used in the creation of the prints.
The Descartes Project, created by artist Natasha Barricelli in partnership with the Instituto Nova União da Arte (NUA) and the Colo de Vó group, emerged in 2022 with the aim of reusing porcelain waste by promoting art workshops for vulnerable communities. In these workshops, the Colo de Vó group, made up of residents of the Jardim Pantanal community, plays a central role in creating and sharing stories through the porcelain pieces. NUA, an organization focused on community development, provides support and fosters social and economic inclusion through innovative educational practices.
Learning Something New is a project born from the collaboration between JAMAC, the Descartes Project, and the Colo de Vó group/Instituto Nova União da Arte, resulting in a collection of porcelain pieces and a publication that brings together prints and stories shared during weekly meetings by a group of artisans from different parts of Brazil.
The meetings are part of the Descartes Project, a workshop dedicated to reusing waste from porcelain factories. In workshops held with JAMAC, the designs created are applied to cups, plates, and other household items, transforming these objects into canvases for sharing the memories and experiences of the artisans. In addition to porcelain waste, decal waste is also used in the creation of the prints.
The Descartes Project, created by artist Natasha Barricelli in partnership with the Instituto Nova União da Arte (NUA) and the Colo de Vó group, emerged in 2022 with the aim of reusing porcelain waste by promoting art workshops for vulnerable communities. In these workshops, the Colo de Vó group, made up of residents of the Jardim Pantanal community, plays a central role in creating and sharing stories through the porcelain pieces. NUA, an organization focused on community development, provides support and fosters social and economic inclusion through innovative educational practices.
Photo Vermelho
Inauguration of the JAMAC Occupation at Banca Tijuana. On the opening day, the Inventários project was showcased in the gallery’s white cube.
Photo Vermelho
Inauguration of the JAMAC Occupation at Banca Tijuana. On the opening day, the Inventários project was showcased in the gallery’s white cube.
Photo Vermelhopapel color plus e tinta para serigrafia
Photo Vermelho
Inventories is an open investigation into the collection of prints produced over 20 years of JAMAC stencil workshops. The work organizes the collection into thematic groups that reflect the survival and resonance of images and debates over the years: landscapes, self-portraits, graphics, gadgets, plants, games, objects of worship, among others. In the JAMAC Occupation, the Inventory presented will be Inventory: home, which will be displayed as a set of boxes with stencils where architecture is the main theme, and a collection of collectible dish towels that refer to JAMAC’s early workshops, which were aimed at training women to produce and sell dish towels as a source of income.
48 x 66 cm (closed)
papel color plus e tinta para serigrafia
Photo VermelhoInventories is an open investigation into the collection of prints produced over 20 years of JAMAC stencil workshops. The work organizes the collection into thematic groups that reflect the survival and resonance of images and debates over the years: landscapes, self-portraits, graphics, gadgets, plants, games, objects of worship, among others. In the JAMAC Occupation, the Inventory presented will be Inventory: home, which will be displayed as a set of boxes with stencils where architecture is the main theme, and a collection of collectible dish towels that refer to JAMAC’s early workshops, which were aimed at training women to produce and sell dish towels as a source of income.
papel color plus e tinta para serigrafia
Photo Vermelho
Inventories is an open investigation into the collection of prints produced over 20 years of JAMAC stencil workshops. The work organizes the collection into thematic groups that reflect the survival and resonance of images and debates over the years: landscapes, self-portraits, graphics, gadgets, plants, games, objects of worship, among others. In the JAMAC Occupation, the Inventory presented will be Inventory: home, which will be displayed as a set of boxes with stencils where architecture is the main theme, and a collection of collectible dish towels that refer to JAMAC’s early workshops, which were aimed at training women to produce and sell dish towels as a source of income.
48 x 66 cm (closed)
papel color plus e tinta para serigrafia
Photo VermelhoInventories is an open investigation into the collection of prints produced over 20 years of JAMAC stencil workshops. The work organizes the collection into thematic groups that reflect the survival and resonance of images and debates over the years: landscapes, self-portraits, graphics, gadgets, plants, games, objects of worship, among others. In the JAMAC Occupation, the Inventory presented will be Inventory: home, which will be displayed as a set of boxes with stencils where architecture is the main theme, and a collection of collectible dish towels that refer to JAMAC’s early workshops, which were aimed at training women to produce and sell dish towels as a source of income.
papel color plus e tinta para serigrafia
Photo Vermelho
Inventories is an open investigation into the collection of prints produced over 20 years of JAMAC stencil workshops. The work organizes the collection into thematic groups that reflect the survival and resonance of images and debates over the years: landscapes, self-portraits, graphics, gadgets, plants, games, objects of worship, among others. In the JAMAC Occupation, the Inventory presented will be Inventory: home, which will be displayed as a set of boxes with stencils where architecture is the main theme, and a collection of collectible dish towels that refer to JAMAC’s early workshops, which were aimed at training women to produce and sell dish towels as a source of income.
48 x 66 cm (closed)
papel color plus e tinta para serigrafia
Photo VermelhoInventories is an open investigation into the collection of prints produced over 20 years of JAMAC stencil workshops. The work organizes the collection into thematic groups that reflect the survival and resonance of images and debates over the years: landscapes, self-portraits, graphics, gadgets, plants, games, objects of worship, among others. In the JAMAC Occupation, the Inventory presented will be Inventory: home, which will be displayed as a set of boxes with stencils where architecture is the main theme, and a collection of collectible dish towels that refer to JAMAC’s early workshops, which were aimed at training women to produce and sell dish towels as a source of income.
Silkscreen on fabric
Photo Vermelho
In Inventário: Casa (pano de prato), architecture emerges as the central theme. The work consists of a series of collectible dish towels, harkening back to the early JAMAC workshops that focused on empowering women to produce and sell these towels as a source of income.
42 x 70 cm - each part of 20
Silkscreen on fabric
Photo VermelhoIn Inventário: Casa (pano de prato), architecture emerges as the central theme. The work consists of a series of collectible dish towels, harkening back to the early JAMAC workshops that focused on empowering women to produce and sell these towels as a source of income.
Silkscreen on fabric
Photo Vermelho
In Inventário: Casa (pano de prato), architecture emerges as the central theme. The work consists of a series of collectible dish towels, harkening back to the early JAMAC workshops that focused on empowering women to produce and sell these towels as a source of income.
42 x 70 cm - each part of 20
Silkscreen on fabric
Photo VermelhoIn Inventário: Casa (pano de prato), architecture emerges as the central theme. The work consists of a series of collectible dish towels, harkening back to the early JAMAC workshops that focused on empowering women to produce and sell these towels as a source of income.
Silkscreen on fabric
Photo Vermelho
In Inventário: Casa (pano de prato), architecture emerges as the central theme. The work consists of a series of collectible dish towels, harkening back to the early JAMAC workshops that focused on empowering women to produce and sell these towels as a source of income.
42 x 70 cm - each part of 20
Silkscreen on fabric
Photo VermelhoIn Inventário: Casa (pano de prato), architecture emerges as the central theme. The work consists of a series of collectible dish towels, harkening back to the early JAMAC workshops that focused on empowering women to produce and sell these towels as a source of income.
Photo Vermelho
JAMAC + Descartes + Colo de Vó
Learning Something New is a project born from the collaboration between JAMAC, the Descartes Project, and the Colo de Vó group/Instituto Nova União da Arte, resulting in a collection of porcelain pieces and a publication that brings together prints and stories shared during weekly meetings by a group of artisans from different parts of Brazil.
The meetings are part of the Descartes Project, a workshop dedicated to reusing waste from porcelain factories. In workshops held with JAMAC, the designs created are applied to cups, plates, and other household items, transforming these objects into canvases for sharing the memories and experiences of the artisans. In addition to porcelain waste, decal waste is also used in the creation of the prints.
The Descartes Project, created by artist Natasha Barricelli in partnership with the Instituto Nova União da Arte (NUA) and the Colo de Vó group, emerged in 2022 with the aim of reusing porcelain waste by promoting art workshops for vulnerable communities. In these workshops, the Colo de Vó group, made up of residents of the Jardim Pantanal community, plays a central role in creating and sharing stories through the porcelain pieces. NUA, an organization focused on community development, provides support and fosters social and economic inclusion through innovative educational practices.
JAMAC + Descartes + Colo de Vó
Learning Something New is a project born from the collaboration between JAMAC, the Descartes Project, and the Colo de Vó group/Instituto Nova União da Arte, resulting in a collection of porcelain pieces and a publication that brings together prints and stories shared during weekly meetings by a group of artisans from different parts of Brazil.
The meetings are part of the Descartes Project, a workshop dedicated to reusing waste from porcelain factories. In workshops held with JAMAC, the designs created are applied to cups, plates, and other household items, transforming these objects into canvases for sharing the memories and experiences of the artisans. In addition to porcelain waste, decal waste is also used in the creation of the prints.
The Descartes Project, created by artist Natasha Barricelli in partnership with the Instituto Nova União da Arte (NUA) and the Colo de Vó group, emerged in 2022 with the aim of reusing porcelain waste by promoting art workshops for vulnerable communities. In these workshops, the Colo de Vó group, made up of residents of the Jardim Pantanal community, plays a central role in creating and sharing stories through the porcelain pieces. NUA, an organization focused on community development, provides support and fosters social and economic inclusion through innovative educational practices.
06.DEC
Photo Bruno O.
Launch of the book “Frango de Capinha da Dona Lourdes”, by Julia Cavazzini Cunha, as part of the JAMAC Occupation program. The event featured a conversation between the author and artist and chef Daniela Avelar about food, memory, food systems and artistic practices.
During the meeting, the audience had the opportunity to share memories and reflections on the relationship between food and affection, while enjoying a cold soup prepared by Julia.
“Frango de Capinha da Dona Lourdes” was published by the publishing label Autoria Compartilhada, created in the JAMAC graphic studio. The label aims to develop publications that contribute to the documentation and circulation of literature and artistic production developed in the region of Cidade Ademar, Pedreira and Jabaquara and by partner initiatives of the project, integrating action and critical reflection in community and collective processes.
06.DEC
Photo Bruno O.Launch of the book “Frango de Capinha da Dona Lourdes”, by Julia Cavazzini Cunha, as part of the JAMAC Occupation program. The event featured a conversation between the author and artist and chef Daniela Avelar about food, memory, food systems and artistic practices.
During the meeting, the audience had the opportunity to share memories and reflections on the relationship between food and affection, while enjoying a cold soup prepared by Julia.
“Frango de Capinha da Dona Lourdes” was published by the publishing label Autoria Compartilhada, created in the JAMAC graphic studio. The label aims to develop publications that contribute to the documentation and circulation of literature and artistic production developed in the region of Cidade Ademar, Pedreira and Jabaquara and by partner initiatives of the project, integrating action and critical reflection in community and collective processes.
06.DEC
Photo Bruno O.
Launch of the book “Frango de Capinha da Dona Lourdes”, by Julia Cavazzini Cunha, as part of the JAMAC Occupation program. The event featured a conversation between the author and artist and chef Daniela Avelar about food, memory, food systems and artistic practices.
During the meeting, the audience had the opportunity to share memories and reflections on the relationship between food and affection, while enjoying a cold soup prepared by Julia.
“Frango de Capinha da Dona Lourdes” was published by the publishing label Autoria Compartilhada, created in the JAMAC graphic studio. The label aims to develop publications that contribute to the documentation and circulation of literature and artistic production developed in the region of Cidade Ademar, Pedreira and Jabaquara and by partner initiatives of the project, integrating action and critical reflection in community and collective processes.
06.DEC
Photo Bruno O.Launch of the book “Frango de Capinha da Dona Lourdes”, by Julia Cavazzini Cunha, as part of the JAMAC Occupation program. The event featured a conversation between the author and artist and chef Daniela Avelar about food, memory, food systems and artistic practices.
During the meeting, the audience had the opportunity to share memories and reflections on the relationship between food and affection, while enjoying a cold soup prepared by Julia.
“Frango de Capinha da Dona Lourdes” was published by the publishing label Autoria Compartilhada, created in the JAMAC graphic studio. The label aims to develop publications that contribute to the documentation and circulation of literature and artistic production developed in the region of Cidade Ademar, Pedreira and Jabaquara and by partner initiatives of the project, integrating action and critical reflection in community and collective processes.