Mrs. Spring Fragrance - Coma Gallery - Surry Hills - Australia, 2018
Sky Falling - Centre for Contemporary Arts (CCA) – Glasgow – Scotland, 2017
Sky Falling - Centre for Contemporary Arts (CCA) – Glasgow – Scotland, 2017
Gotong Royong: Things we do together - Centre for Contemporary Art at Ujazdowski Castle – Warsaw - Poland, 2017
Utopia/Dystopia -Art Museum, Architecture and Technology MAAT – Lisboa - Portugal, 2017
Travessias 5: Emergência – Maré – Rio de Janeiro – Brazil, 2017
Coletiva - Galeria Vermelho - São Paulo - Brazil, 2016
Photo: Edouard Fraipont
Abstrações, 2016
How to Celebrate Things That Don’t Exist - 31ª Bienal de São Paulo - Obras Selecionadas – Museu de Arte Contemporânea de Serralves – Porto – Portugal, 2015
Demonstrating Minds: Disagreements in Contemporary Art – KIASMA – Helsinque - Finland, 2015
Demonstrating Minds: Disagreements in Contemporary Art – KIASMA – Helsinque - Finland, 2015
Refrações na Paisagem - Dragão do Mar – Fortaleza - Brazil, 2014
Refrações na Paisagem - Dragão do Mar – Fortaleza - Brazil, 2014
P33: Formas únicas da continuidade no espaço - 33º Panorama da Arte Brasileira – MAM - São Paulo - Brazil, 2013
WAR II, 2010 - 2012
SINKSCREEN ON PAPER
43x 63 CM
PONTO, LINHA E PLANO, 2012
3 VIDEOS
1’45’’, 1’57’’ E 1’39’’
HAUS DER STATISTIK, 2012
VIDEO
5’43”
NATUREZA MORTA OU ESTUDO PARA PONTO-DE-FUGA, 2011
STEEL AND PERFORATIONS OF MUNITIONS USED BY THE MILITARY POLICE OF SÃO PAULO: 35MM, 38 SUPER, 40MM, 22MM, FEAST 4.5, 12:42 CALIBER, 12SG, CALIBER 12.50AE
VARIABLE DIMENSIONS
TERRITORIAL PISSINGS, 2011
URINE
200x 200 CM
“A TERRITORY SHAPED BY HUMAN URINE. A SPACE THAT CONTAINS A BORDER WHERE COEXISTS THE INSIDE AND THE OUTSIDE. AS A DOG THAT PISSES TO DELIMITATE AN AREA, THE ARTIST CRATES A FORMAL FIELD OF LIMITATIONS IMPOSING ITS SYMBOLICAL BARRIERS.”
(EXTRACT FROM THE PRESS RELEASE OF ‘INSURGENCY’, CURATED BY RENAN ARAUJO, PLATAFORMA REVÓLVER, PORTUGAL)
ROUBE ESTA OBRA, 2011
MARBLE AND INSCRIPTION
VARIABLE DIMENSIONS
BOLSA PAMPULHA - MUSEU DA PAMPULHA - BELO HORIZONTE - BRASIL[2011]
DISCRETA, 2011
VIDEO INSTALLATION
VARIABLE DIMENSIONS
TOTEM, 2011
SICKLE AND PLASTIC BAG
60x 10x10 CM
MONUMENTO, 2010
HOE AND BOOK FINANCIAL MANAGEMENT
100x 60x 50 CM
TRABALHO CONCRETO, 2010
CEMENT AND SHOVEL
100x 50 CM
TRABALHO ABSTRATO, 2010
SHOVEL
100x 50 CM
“ENDING WITH A MORE CONCEPTUAL PLAY WITH NOTIONS OF THE ABSTRACT, CLARA IANNI’S TRABALHO ABSTRATO (ABSTRACT LABOR/WORK, 2010) CONSISTS OF A SHOVEL FROM WHICH A SQUARE HAS BEEN CUT. THE SUBTRACTION RENDERS THE OBJECT USELESS, AND TRANSFORMS IT INTO “ABSTRACT ART”. THE TITLE IS BORROWED FROM KARL MARX’S CONCEPT OF ABSTRACT LABOR, AS OPPOSED TO CONCRETE LABOR. IN PORTUGUESE, THE WORDS FOR ‘LABOR’ AND ‘WORK’ ARE THE SAME. THE WORK’S PLAY IS DEVELOPED FURTHER WHEN ONE CONSIDERS THE COUNTERPOINT TO ABSTRACT LABOR/ WORK IN MARX’S TERMS - CONCRETE LABOR/ WORK - “CON CRETE” BEING AN ARTHISTORICAL REFERENCE HARKING BACK TO WHERE OUR NARRATIVE OF PERVERSION BEGINS: HIGH MODERNISM AND MID- CENTURY GEOMETRIC ABSTRACTION.”
JENS HOFFMANN E ADRIANO PEDROSA
(TRECHO DO CATÁLAGO DA 12TH ISTANBUL
BIENAL (UNTITLED), SEPT 2011)
CRÍTICA DA SEPARAÇÃO. 2010
SHOVEL WITH CUT IN THE MIDDLE
100x 60 CM
UM MILHÃO DE REAIS, 2010
DEMARCATION TAPE
300x 300 CM
CRITICA DOS ATIVOS INTANGÍVEIS OU BARRAGEM, 2010
ZINC, WOOD, TRACK, CASTER
VARIABLE DIMENSIONS
RADIUS, 2010
BASEBALL BAT AND STEEL CABLE
80x 50x 90 CM
PLACA (RETÂNGULO PRETO), 2010
ALUMINUM AND WOOD
VARIABLE DIMENSIONS
BLACK FLAG, 2010
FABRIC AND FLAGPOLE
VARIABLE DIMENSIONS
ROUBE ESTA OBRA, 2010
VARIABLE DIMENSIONS
FORMA, 2010
ZINC PLATES, RIVET, BASEBALL BAT
VARIABLE DIMENSIONS
‘VOLUMES TÁTICOS’: OBJETO Nº 1 SERIE. 2010
CONCRETE BLOCK, IRON, CEMENT, WOOD, WHEELS
170x 150x 80 CM
